trauma ray’s Carnival EP Is a Dark, Shoegaze-Fueled Descent Into Unease

trauma ray announces new album – Carnival. Photo: Erasmo Viera, used with permission.

trauma ray Explores the Dark Funhouse on Carnival EP

trauma ray’s Carnival EP captures the Fort Worth five’s strongest, most intense, and exploratory work within the boundaries of a whirlwind year. Carnival delves into moodier, more cerebral material, like holding their past excursions against a funhouse mirror. There’s a distinct sense of unease in these songs, built in a fleeting window of time, proving the band works best under pressure and when pulling from the darkest corners of their subconscious. (another side, 2026)

Carnival will be available on February 20 via Dais Records.
Pre-save / pre-order here.


Following the Breakout of Chameleon

Carnival follows the breakout success of Chameleon, trauma ray’s 2024 debut on Dais Records. The album helped firmly establish the band amidst the current wave of shoegaze revivalists. Increasingly agile, trauma ray has proven able to weave between scenes, touring extensively with the likes of Deafheaven, Loathe, Touché Amoré, and more.

A confluence of blitzing riffs and stark beauty, trauma ray’s sound continues to evolve, nodding to loud-quiet-loud greats across metal, grunge, and shoegaze, from Slowdive to Smashing Pumpkins.


New Single: “Hannibal”

trauma ray’s new single and video, “Hannibal,” contorts with a tinge of unprecedented evil, slithery and, as vocalist Uriel Avila puts it, “Stone Temple-y, Alice in Chains-y.” Lyrically, the track taps into teenage angst and the feeling of being dissected and rejected.

“It’s a song about the feeling of doing your best as an individual yet still falling short in the eyes of those you hope to make proud,” Avila explains.

“A lot of it stems from internal battles I faced growing up with my father, role models, and religion. Some of it comes from more recent experiences of being put under the microscope by my peers. It’s a gut-wrenching sensation that I was able to tie lyrically to the visceral mood of the instrumentation that kicks off the track and begins the journey through Carnival’s overall theme.”


Recording Under Pressure

During a brief break in their relentless touring schedule last summer, trauma ray regrouped in Texas for a few days to record a flurry of tracks, later sent to Corey Coffman for mixing and mastering. Core songwriting duo Avila and guitarist Jonathan Perez welcomed increased contributions from the rest of the band, most notably guitarist Coleman Pruitt and bassist Darren Baun, who brought an eerier strain of rhythmic and textural ideas.

This shift coincided with a growing sense of collective dread and anxiety, visually captured in a striking photo set of a deserted amusement park near Brighton, England. Shot on tour by drummer Nicholas Bobotas, the images now serve as the EP’s artwork.


Track-by-Track Through the Funhouse

The wordless opener “Carousel” ushers in Carnival’s unsettling atmosphere, with blasts of static and downcast strums giving way to “Hannibal,” the anthemic lead single packed with power riffs and raw emotion.

“Méliès,” named after French illusionist and filmmaker Georges Méliès, cuts between heavy, sludgy chords and a skyward chorus—“from something scary to like a dream state,” Avila says, channeling the surreal abstraction of its namesake.

“Funhouse” dips into doom metal, featuring sparse guitar work and possibly the band’s slowest BPM yet. Lyrics play with shifting perspectives, culminating in a call-and-response outro—“take my hand / this is not your wonderland”—that conjures opposing forces or frames of mind.


A Jarring Exit: “Clown”

In contrast, the final track “Clown” jolts, flashes, and pummels, like emerging from the other end of a house of horrors, now immersed in the disorienting lights of the carnival. Personified by a knotty, synth-soaked lead guitar squall, the song evokes Robin Williams as an archetype of tragic happiness: those who work hardest to make others laugh may privately be the saddest.

Sonically, the band cites influences like Failure’s “Undone” and “Stuck on You,” alongside the omnipresent Loveless. The result speaks to trauma ray’s growing strength: five musicians absorbing, synthesizing, and expanding on what they love.

Carnival offers a brief, highly loopable detour into darkness from a band growing more formidable by the mile.


Carnival EP tracklist: 

1 – carousel
2 – Hannibal
3 – Méliès
4 – Funhouse
5 – Clown


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Latin Music Powerhouse Kings Del Wepa Announce 2026 U.S. Tour

Kings Del Wepa U.S. tour has arrived. Photo: Vesper Public Relations, used with permission.

Kings Del Wepa Announce February 2026 U.S. Tour Dates with Live Nation

Los Angeles, CA — Los Angeles–based production hub Misterpsychedelia has partnered with Live Nation to announce the Kings Del Wepa February 2026 U.S. tour, bringing the group’s high-energy cumbia wepa live performance to five cities across California and Texas. (Vesper Public Relations, 2026)

The February 2026 tour marks a major milestone in Kings Del Wepa’s U.S. touring expansion, with headline shows in key West Coast and Texas markets.


Kings Del Wepa 2026 U.S. Tour Dates

  • February 10, 2026 — Ace of Spades — Sacramento, CA
  • February 12, 2026 — The Regent Theater — Los Angeles, CA
  • February 17, 2026 — House of Blues — Houston, TX
  • February 18, 2026 — The Echo Lounge & Music Hall — Dallas, TX
  • February 19, 2026 — The Aztec Theatre — San Antonio, TX

Each concert will feature a 75–90 minute headline set, delivering the full Kings Del Wepa live experience, immersive, percussive, and built for movement. Tickets available here.


Who Are Kings Del Wepa?

Originating from Monclova, Coahuila, Mexico, Kings Del Wepa are known for their commanding stage presence, deep rhythmic roots, and genre-bending sound that fuses traditional cumbia with modern Latin influences.

Their live shows blur the line between concert, cultural ceremony, and dance-floor celebration, making them a standout act in the contemporary Latin music scene.


Popular Kings Del Wepa Songs

Kings Del Wepa have built a strong catalog of fan-favorite tracks that frequently appear on cumbia wepa and Latin dance playlists, including:

Cumbia Lorana, Medio Metro, La Bomba Arabe, Mi Abuela Baila Wepa, La Sampuesana Regreso, Atrévete, Meneando Cinturita, Cumbia de la Cinta, Hey Morros, Wepiriski, and Cumbia Cartagena.

Fans of both traditional cumbia and modern Latin music connect with the band’s catchy melodies, contagious rhythms, and uplifting lyrics, an authentic reflection of Mexico’s rich cultural heritage.


Misterpsychedelia and Live Nation Partnership

The 2026 U.S. tour represents a strategic collaboration between Misterpsychedelia and Live Nation, blending global touring infrastructure with curator-driven programming rooted in underground, international, and Latin music cultures.

Photo: Vesper Public Relations

Final Gasp Expands Their Sound on New Album ‘New Day Symptoms’

New Day Symptoms is the new album by Final Gasp, due out February 27. Courtesy photo, used with permission.

Final Gasp Announce New Day Symptoms

Steeped in nocturnal death rock adventurism, driven by post-punk anxiety that feels increasingly like the twitching heart of our modern age, and fueled by hardcore punk intensity, the second studio album from Boston’s Final Gasp, New Day Symptoms, does what all great rock records do. (another side, 2026)

Not only does it place itself within a lineage, summoning and amplifying a spectrum of powers from rock ’n’ roll lore, it makes them resonate in the here and now. The album gives voice to the fears and frustrations lurking just under the surface of waking consciousness and transforms them into a rallying cry.

Produced by Arthur Rizk, New Day Symptoms will be released on February 27 via Relapse Records. Pre-order/Pre-save here.


Channeling Fury and Reflection

Throughout New Day Symptoms, Final Gasp creates a potent emotional reaction, balancing fury and forlorn introspection. Frontman Jake Murphy vocalizes both a supercharged howl into the void and a remorseful echo back, capturing the album’s emotional duality.


Lead Single: “The Apparition”

The lead single, “The Apparition,” tells what Jake describes as “a story of reality being much more horrifying than fiction.”

“It’s about a captain and his crew on a small boat. A storm came and capsized it, and he and his two crew members were forced to swim to some sort of safety. Ultimately, only he survived—having to watch his two friends be taken away by something that could have been avoided. He knew a storm was coming but thought they could make it. It’s all about bad timing and facing the consequences.”

“The Apparition” is available now, along with its haunting video directed by Caleb Gowett and Bill Politis.


Expanding the Sound

Where Final Gasp’s acclaimed 2023 debut, Mourning Moon, was a concentrated shot of acrid underground death rock, its propulsion tanks largely filled with references to Samhain and Killing Joke, New Day Symptoms retains that core urgency while vastly broadening its scope.

With new space to explore, the album feels communal: a mapping of personal trials and dark recesses onto a landscape dotted with rafter-rousing marker points.


A More Democratic Process

Final Gasp’s ability to meld opposing forces into something vibrant and new is encoded into their DNA. Forging a sound that both honored and moved beyond their musical backgrounds required deep soul-searching, placing the band on a path whose destination remains open-ended.

One of the main reasons for the broadened sound on New Day Symptoms is that the album was written far more democratically than Mourning Moon, allowing multiple creative voices to shape its direction.


Themes of Acceptance and Moving Forward

That open-mindedness, paired with a firm grip on underground roots, gives New Day Symptoms its galvanizing force. While its predecessor dealt directly with personal loss and anxiety, this album approaches similar themes from a different angle.

“With this one, I didn’t want it to be as personal,” says Jake. “But then reading the lyrics back, I ended up feeling differently about them—they were personal on a different level. A lot of these songs are written from an outside perspective, what could’ve happened if things were different, but ultimately it didn’t end that way. You can’t change what’s already been done, so you just have to move on. It just means it’s a part of who you are now.”


A Record Built to Last

Above all, New Day Symptoms is one of those rare killer rock ’n’ roll albums whose conviction and honesty set it apart, an album primed to stand the test of time.

As acclaimed tours with Abbath, Gatecreeper, Fiddlehead, Poison Ruin, Devil Master, and Imperial Triumphant make clear, Final Gasp’s appeal is both expansive and unbounded.

Last month, Final Gasp announced a headlining North American tour which crosses both coasts, the Midwest and more.

See below for a full list of dates. Tickets are on sale here.

Feb 26: Cambridge, MA – Sonia
Mar 01: Cincinnati, OH – Dsgn Clltcv
Mar 02: Kansas City, MO – Howdy
Mar 04: Denver, CO – Bar 404
Mar 05: Salt Lake City, UT – Aces High Saloon
Mar 07: Portland, OR – The High Water Mark
Mar 08: Vancouver, BC – The Cobalt
Mar 09: Seattle, WA – The Funhouse
Mar 11: Sacramento, CA – Cafe Colonial
Mar 12: Oakland, CA – Stork Club
Mar 13: Los Angeles, CA – The Moroccan Lounge
Mar 14: Joshua Tree, CA – Joshua Tree
Mar 15: San Diego, CA – Brick By Brick
Mar 16: Mesa, AZ – The Nile Underground
Mar 19: Tulsa, OK – Whittier Bar
Mar 20: Austin, TX – The Lost Well
Mar 21: Dallas, TX – Dusty’s
Mar 22: Little Rock, AR – Vinos


Final Gasp is:
Jake Murphy – Vocals
Alex Consentino – Guitar/Synth
Sean Rose – Bass
Peter Micanovic – Guitar
Kevin Ordway – Drums

Photo: Caleb Gowett, used with permission


New Day Symptoms tracklist:
01 – Eternal Silence
02 – Look Away
03 – The Apparition
04 – Gifted Shame
05 – No Hand To Lead
06 – Prediction
07 – Burials Of Birth
08 – Fractures
09 – New Day Symptoms
10 – Pale Sun


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Bad Brains Partners With Trust Records to Preserve Punk’s Most Powerful Legacy

Bad Brains 1981 backstage at CBGB New York City. Photo: Glen E. Friedman, used with permission.

Bad Brains Partners With Trust Records to Preserve Punk Legacy

NEW YORK, NY —  The iconic and highly influential punk rock band Bad Brains announced last month that they have partnered with Trust Records, the company formed to ensure that classic punk and hardcore music continues to endure. (another side, 2025)

A New Chapter With Trust Records

Under the new deal, Trust Records will ensure that Bad Brains’ music remains available for generations to come. In addition, Trust Records has established an Artist Advisory Board, on which Bad Brains bassist Darryl Jenifer will serve. The board will help guide the future creative vision of Trust Records.

The partnership will govern and administer the entirety of Bad Brains’ owned and controlled intellectual property, including:

  • Music publishing
  • Recorded music
  • Name and likeness
  • Trademarks
  • Visual intellectual property

This includes the band’s self-titled debut album as well as seminal releases Rock for Light, I Against I, and Quickness.

Darryl Jenifer on the Partnership

“After 40 plus years of forging the spirit PMA through our brand of progressive punk rock aka Hardcore, I’m happy that Bad Brains will be sharing the wheel with TRUST in our ongoing quest to keep Bad Brains alive in the hearts and minds of our supporters as we step into the future. TRUST’s love and knowledge of Bad Brains and the PMA ethos makes them a perfect match to partner with as we keep Bad Brains ‘Sailin’ On’. Stay tuned for what’s next to come. One love and a hefty dose of PMA.”
Darryl Jenifer, Bad Brains bassist

The Legacy of Bad Brains

Formed in 1978 in Washington, DC, Bad Brains is one of the most influential American recording artists to emerge from the punk and hardcore scene. The band’s pioneering artistry, strong ethics, and virtuosic musicianship have had a profound effect on global culture.

Bad Brains are cited as an influence by countless artists, including Rage Against the Machine, Beastie Boys, Metallica, Red Hot Chili Peppers, No Doubt, Sublime, Green Day, Pearl Jam, Foo Fighters, and Deftones.

The original lineup consisted of H.R. (vocals), Dr. Know (guitar), Darryl Jenifer (bass), and Earl Hudson (drums).

Trust Records on the Partnership

“We started Trust Records to promote, preserve, and protect punk and hardcore music and the culture that surrounds it. Bad Brains is the absolute top of the mountain in punk and hardcore. They taught the rest of us how to do it. It is the highest honor to partner with Darryl and Bad Brains in the stewardship of their iconic work.”
Matt Pincus, Founder, Trust Records

“Bad Brains are an iconic and legendary band whose impact on global culture cannot be overstated. We are thrilled that they’ve chosen Trust Records as their home and we look forward to working with them to continue to build their fan base around the world.”
Joe Nelson, Co-founder, Trust Records


About Trust Records

Founded in 2020, Trust Records was created to give classic punk and hardcore records the home they deserve. Born from DIY roots, the genre’s most influential releases shaped generations of disaffected youth around the world. As the industry moves further into the streaming age, preserving both the spirit and legacy of this music is more important than ever.

Trust Records focuses on ensuring this music remains accessible to future generations while maintaining historical accuracy and high-quality releases.

Their catalog includes 40th Anniversary Deluxe editions of Circle Jerks’ Group Sex and Wild in the Streets, 7Seconds’ landmark 1984 album The Crew, and reissues of Youth Brigade’s Sound and Fury, DFL’s My Crazy Life, SSD’s The Kids Will Have Their Say, Ink & Dagger’s The Complete Works, and more.

The Enduring Legacy of SNFU’s …And No One Else Wanted to Play

SNFU reissues pivotal punk LP ‘…And No One Else Wanted to Play.’ Photo: Doug Humiski, used with permission.

SNFU’s …And No One Else Wanted to Play Turns 40

Trust Records Announces Deluxe Anniversary Reissue

In 1985, underground rock was staunchly divided. At the heart of it was the crossover movement, the confounding middle ground between the longhairs and their arch enemies, the punks and hardcore kids. While each style had its own version of the punk-meets-thrash approach (itself a confrontation of scene norms), hardcore punk found its true disruptor in SNFU. (another side, 2025)

By bucking all the rules and writing their own, SNFU created a singular document that proved frenetic hardcore pacing and genuine catchiness were not mutually exclusive.

Trust Records is proud to announce the reissue of the bona fide classic, SNFU’s debut full-length …And No One Else Wanted to Play.


A 40th Anniversary Release

This reissue marks the 40th anniversary of the pivotal album and is available now in stores and across digital retailers.

The physical release includes two versions:

  • Standard Edition: A repress of the original LP
  • Limited Deluxe Edition:
    • Housed in a box set
    • Includes a bonus rarities LP featuring all-new artwork incorporating elements from the original seminal release
    • Accompanied by a 104-page book documenting the band from 1981–1985

Inside the Deluxe Book

The 104-page book is a treasure trove for fans and historians alike, featuring:

  • Unseen early photographs
  • Original fanzine interviews
  • Flyers, letters, and assorted ephemera
  • Ty Stranglehold’s oral history of SNFU (1981–1985)
  • Vocalist Chi Pig’s original yearbook photo

Both editions are available in several color variants.


A Cornerstone of Skate Punk

…And No One Else Wanted to Play stands as a cornerstone of skate punk and a monument to punk rock writ large, helping usher in the burgeoning genre of melodic hardcore.

With the sung vocals of Mr. Chi Pig, the dueling guitars of the Belke brothers, and a pummeling rhythm section capable of blinding velocity and sudden turns, the album achieves the rare feat of doing it all, anchored by a deep-rooted sense of melody and an ear for well-honed songwriting.

Across fourteen classic tracks, SNFU proves they can stand comfortably alongside genre-defining acts like Bad Religion, 7 Seconds, and the Descendents, influencing countless artists and sparking a shift still felt across modern music today.


The Origins of SNFU

SNFU formed in 1981 in Edmonton, Alberta, with core members:

  • Mr. Chi Pig (Ken Chinn) – vocals
  • Marc “Muc” Belke – guitar
  • Brent “Bunt” Belke – guitar

Bonding over skateboarding and punk, the band originally went by Society’s NFU (short for No F*cking Use).

The debut LP was recorded across two hectic days at Track Record Studios in Hollywood, CA, in December 1984, with BYO Records founders Mark and Shawn Stern producing. Jimmy Schmitz (bass) and Evan C. “Tadpole” Jones (drums) rounded out the lineup, departing shortly after the sessions.


Hitting the Road and Making History

Following the album’s release, SNFU embarked on a 48-date North American tour, spreading these then-new classics live and earning cult success from coast to coast.

With the release of …And No One Else Wanted to Play, and the shows that followed, those cities, and the world of punk, would never be the same. And now, after decades out of print, neither will your turntable.


New Music Video: “Cannibal Café”

SNFU is also pleased to share their new official music video for album centerpiece “Cannibal Café.” Compiled by Nathan Drillot, the video features unseen live footage and a special appearance by Mike Belke.


…And No One Else Wanted to Play – Standard LP tracklist:

Side One
1. Broken Toy
2. She’s Not on the Menu
3. Money Matters
4. I’m Real Scared
5. Joyride
6. Seein’ Life Through the Bottom of a Bottle

Side Two
7. Cannibal Café
8. Misfortune
9. Plastic Surgery Kept Her Beautiful
10. The Gravedigger
11. Bodies in the Wall
12. Get Off Your Ass
13. Loser at Life / Loser at Death
14. This Is the End

Begging Dog: Jeff Kleinman’s Gritty Tribute to Everyday Life

Begging Dog shares new single Common Place from forthcoming album. Photo: Photo By Kat Nijmeddin, used with permission.

Begging Dog: Jeff Kleinman’s Raw, Everyday Poetry Finds Its Voice

Begging Dog is the indie-punk project of Los Angeles–based artist and multi-instrumentalist Jeff Kleinman. Known for his work with Choir Boy, Kleinman created Begging Dog as an outlet for songs that embrace the mundane with a raw, homespun sound. The project leans into garage-punk grit and plain-language lyricism, capturing the poetry of everyday life. (another side, 2025)

A Demo That Sparked a Buzz

Kleinman’s debut, DEMO 1, spread quickly through underground circles. Word reached Dais Records, who soon signed Kleinman and announced a wider vinyl release of the original album.

Clocking in at just 26 minutes, DEMO 1 is packed with rolling bass and synth lines, charismatic riffs, and motorik drum beats. Sonically lean but emotionally weighty, the project showcases Kleinman’s distinctive storytelling and ear for melody.

Characters, Scenes, and Lived-In Observations

Lyrically, DEMO 1 drifts through a series of lived-in characters and scenes:

  • a pushy union rep
  • a mailman with a steady federal job
  • a compulsive gambler
  • a beloved neighborhood homeless man

Ex-lovers flicker in and out of several tracks, collaged into sharp, witty free verse. Kleinman cites Bruce Springsteen as an influence, not in genre, but in philosophy. He writes in “plain ink,” opting for direct simplicity over flowery prose.

Loneliness in Plain Sight

Much of DEMO 1 taps into a shared loneliness, universal and uniquely tied to life in Los Angeles. The title track anchors that feeling as Kleinman sings, “no one loves a begging dog.” Borrowed from a friend, the line encapsulates the project’s core: the world can make you feel like a begging dog searching for affection and security, yet there’s beauty in solitude, routine, and the quiet hum of everyday life.

From Solo Recordings to a Seven-Piece Band

Kleinman recorded DEMO 1 almost entirely on his own. But live, Begging Dog expands into a dynamic seven-piece band, giving the songs a new sense of scale and energy.

“No matter how good or not good you have it, you’re kind of like looking for something more,” Kleinman says. He stops short of assigning grand meaning to the work, maintaining a sense of humility that permeates the project. DEMO 1 thrives on this balance of candor, grit, and hook-driven songwriting.

Release Details

DEMO 1 was mixed and mastered by Matt Whitehurst. It’s currently streaming on all major platforms and will be released on vinyl via Dais Records on December 12. It is available for pre-order.

Kleinman’s latest single, “Common Place,” reflects on his five years living in Salt Lake City, another snapshot of everyday life reframed through Begging Dog’s honest, unvarnished lens.


DEMO 1 Tracklist:
01 – Begging Dog
02 – Cave In On Me
03 – Money Tree
04 – The Eel
05 – Laughing Boy
06 – Clamshell Tune
07 – Continuing Education
08 – Tell Me That You Love Me
09 – Common Place
10 – Here For A Good Time



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Gran Moreno Ignites with New Single ‘Temple of Fire’ Ahead of Debut Album El Sol

Gran Moreno is Ricardo (guitarist and vocals) and Christian (drums). Photo: Tico Mendoza, used with permission.

Gran Moreno Unleashes New Single “Temple of Fire” Ahead of Debut Album El Sol

This week, Austin duo Gran Moreno released their newest single, “Temple of Fire,” now available on all major streaming platforms. The track originally premiered via The Obelisk, offering an early glimpse into the band’s evolving sonic universe. (US/THEM Group, 2025)


A New Force in Psychedelic Rock

Gran Moreno is quickly emerging as one of the most compelling voices in the new wave of psychedelic rock. Their sound, rooted in analog warmth, expansive textures, and hypnotic grooves, creates an immersive experience that blurs the line between distortion and introspection. With heavy rhythms, emotionally charged melodies, and atmospheric layers, their music feels like a sonic mirage: shifting, evocative, and deeply felt.


A Conceptual Debut: El Sol and La Luna

At the heart of Gran Moreno’s artistry is a dedication to storytelling through sound. Their upcoming debut album is a conceptual, two-part experience:

  • Side A: El Sol — urgency, energy, and clarity
  • Side B: La Luna — shadow, mystery, and reflection

The first release, El Sol, captures the band at full intensity, offering a vivid and unfiltered introduction to their creative identity.


A Live Experience That Transcends the Stage

Gran Moreno’s live performances elevate their music into a full-body encounter. Blending sonic power with rich visual elements, their shows draw audiences into a shared trance, one that feels both deeply personal and profoundly communal. Their fierce independence and bold creativity continue to shape a musical world entirely their own.


Release Info

El Sol will be available on LP and digital download on January 17, 2026.
Pre-orders are available HERE.


El Sol tracklist:

  1. Las Montañas
  2. Aztlan
  3. Huracan
  4. Temple of Fire
  5. La Mentira
  6. Oaxaca – Please Don’t Cry
  7. Hikuri
  8. California Blues

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Ink & Dagger’s Complete Works Rise Again

Pivotal 90s hardcore/punks Ink & Dagger announces catalog reissue. Photo: Chris P., used with permission.

Ink & Dagger: The Complete Works — The Vampiric Legends of Philadelphia Rise Again

Philadelphia, PA — From 1996 to 1999, Philadelphia’s Ink & Dagger burned like a Roman candle, blurring the lines between punk, hardcore, and psychedelia. They were an enigma wrapped in rumors, vampire lore, and blood-spattered theatrics. Equal parts chaos and prank, their ever-shifting lineup fed on energy and spat it back as something entirely their own. (another side, 2025)

Controversial, influential, and long out of print, the band’s complete legacy has finally risen from the grave. Trust Records has announced a full reissue of Ink & Dagger’s discography across three standalone LPs:

  • Drive This Seven Inch Wooden Stake Through My Philadelphia Heart
  • The Fine Art of Original Sin
  • Ink & Dagger

All audio has been remastered by David Cooley (M83, Tame Impala, Jimmy Eat World). Each album will be available in stores and on digital platforms for the first time ever on October 31.


The Deluxe Box Set: Ink & Dagger — The Complete Works

A deluxe edition box set, Ink & Dagger: The Complete Works, has also been announced. This limited release (only 500 copies) includes:

  • All three remastered LPs
  • A fourth LP titled Experiments in Nocturnal Sound and Energy: Singles 96–99
  • A book/insert titled “The Almighty” by writer Erik Bader
  • Box design by visual artist Jeremy Dean

Ink & Dagger: The Complete Works ships March 2026.


The Albums

LP 1 — Drive This Seven Inch Wooden Stake Through My Philadelphia Heart

Includes the band’s first two EPs and a bonus track. This marks the first time the collection is available on vinyl, it was originally CD-only in the ’90s.
Featuring blistering early cuts like:

  • “The Changeling”
  • “Frigid Shortcomings”
  • “The Road to Hell”
  • “Full Circle”

LP 2 — The Fine Art of Original Sin

Originally released in 1998, this was Ink & Dagger’s first full-length album, an unholy collision of punk, hardcore, electronica, and rock & roll. Fine Art captured the band at their creative and chaotic peak.

LP 3 — Ink & Dagger

Released posthumously in 2000 by Buddyhead, this album was the band’s final statement, a swirling, psychedelic soundscape that defied category. It offered a haunting glimpse of a future that never came.

LP 4 — Experiments in Nocturnal Sound and Energy: Singles 96–99

Exclusive to the box set, this LP compiles B-sides, singles, and split releases, a sinister showcase of the band’s boundary-pushing sound experiments.


The Legacy

In 1996, Philadelphia hardcore veterans Sean McCabe (Crud Is a Cult, Mandela Strike Force) and Don Devore (Frail, The Icarus Line, The Lilys) set out to create a new kind of band, a century-ending statement that would explode underground music’s boundaries.

Their vision fused punk aggression with occult mystique and a heavy dose of theatrical mischief. They presented rock & roll as a psychic vampire, feeding on energy to achieve immortality.

Tragically, during what was meant to be a short hiatus, frontman Sean McCabe died in 2000 at the age of 27. His death, like much of Ink & Dagger’s story, remains wrapped in mystery, leaving behind a blazing but brief legacy that refused to die.

For decades, their long out-of-print recordings circulated only among collectors and diehards. Stories of blood-soaked performances and chaotic tours became modern myth.


The Resurrection

Now, decades later, Ink & Dagger’s shock and awe return in full force.
A caustic keystone of hardcore history, these reissues don’t just preserve the past, they resurrect it, fangs bared, to inspire a new generation of the wild and the fearless.


Ink & Dagger: The Complete Works
Available October 31 (LPs)
Deluxe Box Set Ships March 2026

Pre-order/Pre-save here.


The Spells’ 1997 Masterpiece The Night Has Eyes Finally Sees the Light

The Spells to release debut LP nearly 30 years later. Photo: Nick Zinner, used with permission.

The Spells Unearth Long-Lost 1997 Debut The Night Has Eyes

Long-lost NYC trio The Spells has announced the long-overdue release of their 1997 debut album The Night Has Eyes, arriving Halloween 2025 on vinyl and digital via Garganta Press. The deluxe LP package includes a 16-page booklet filled with never-before-seen photos and stories from the band’s brief but unforgettable run. (US/THEM Group, 2025)

Originally shelved after the band dissolved in 1998, The Night Has Eyes became the stuff of underground legend, whispered about among fans of ‘90s garage punk and NYC’s darker sonic corners. Now, nearly three decades later, it finally sees the light of day.

From Austin to NYC: A Short, Brilliant Flame

The Spells, made up of Nicole Barrick (guitar, vocals), Marisa Pool (bass, vocals), and Leni Zumas (drums) formed in Austin, TX in 1995, rising from the ashes of an earlier project called The Red Scare. They relocated to New York City, where they recorded their debut with producer Greg Talenfeld (Jon Spencer Blues Explosion, Pavement, The Walkmen) at Waterworks Studio in November 1997.

A Hidden Treasure Resurfaces

The newly mastered LP, produced by Greg Talenfeld and The Spells and mastered for vinyl by Honza Kapak at Hellsound Studio in the Czech Republic, captures the raw energy and shadowy allure of the late-‘90s NYC underground.

The 16-page booklet features unseen photos from Nick Zinner (Yeah Yeah Yeahs, Iggy Pop) and Lilian Lee, taken during the band’s final years in 1997–98.

Read the full story and in-depth interview with The Spells today via It’s Psychedelic Baby Magazine.

Pre-orders for The Night Has Eyes are available now HERE.

Artist: The Spells
Album: The Night Has Eyes
Record Label: Garganta Press
Release Date: October 31, 2025


The Night Has Eyes tracklist:

  1. Lilith
  2. Vanishing Act
  3. Strange
  4. Snow White’s Coffin
  5. The Night Has Eyes
  6. If The World Should End Tonight
  7. Isadora
  8. Yumiko

Photo: Nick Zinner, used with permission


Bill Scorzari’s Sidereal Days (Day 1) is a Soulful Journey Across Time and Truth

Bill Scorzari announces double album release. Photo: Dreamspider Publicity, used with permission.

Bill Scorzari Returns with Sidereal Days (Day 1) — The First of a Double Album Project

HUNTINGTON, NY — New York-based singer-songwriter, recording artist, and performer Bill Scorzari is set to release his fifth and sixth albums, Sidereal Days (Day 1) and Sidereal Days (Day 2). (Dreamspider Publicity, 2025)

The first installment, Sidereal Days (Day 1), arrives October 17, 2025, with Day 2 scheduled for release in 2026.

Scorzari has independently released four acclaimed studio albums to date:

  • Just the Same (2014)
  • Through These Waves (2017)
  • Now I’m Free (2019)
  • The Crosswinds of Kansas (2022)

A Writer’s Writer

Known for his poetic lyricism and emotional depth, Scorzari has often been described as a “writer’s writer.” His music has drawn comparisons to Sam Baker, Bruce Springsteen, Bob Dylan, Johnny Cash, Leonard Cohen, Townes Van Zandt, and Chris Stapleton.

What sets Scorzari apart is his distinctive voice, one that can be both subtle and striking, as he examines the complexities of the human condition.

The Sound of Sidereal Days (Day 1)

The ten tracks on Sidereal Days (Day 1) are both wide-ranging and deeply personal. Listeners will find:

  • Songs of love and regret
  • Tracks that came together quickly, and others that took years to shape
  • Multi-layered arrangements balanced with short, sublime pieces

Scorzari’s music reflects a deep pursuit of clarity — his songs are as much about introspection as they are about connection. The result is a blend of the radio-ready and the contemplative, showcasing his gift for nuance and storytelling.

From Huntington to Nashville

Scorzari recorded his instrumentation and vocals for the double album himself at First Thunder Recording, his studio in Huntington, New York. Beginning in July 2022, he spent two years refining the compositions before heading to Skinny Elephant Recording in Nashville in August 2024 to collaborate with engineer Dylan Alldredge, with Scorzari and Neilson Hubbard co-producing.

Final mixes were completed by engineer Nic Coolidge at Dead Pop Studios in Providence, RI, in early 2025. Mastering was done by Hallie Melton in Nashville in April 2025, bringing the project to its polished conclusion.


Sidereal Days (Day 1) tracklist

  1. All This Time
  2. And Carries Me Away
  3. And So (Deep Into the Dark)
  4. Borrowed Hearts
  5. Can’t Break This Fall
  6. Did We Tie
  7. Endgame
  8. From Your Heart
  9. Grace
  10. Breathe