A.A. Williams Releases New Album ‘Solstice’ via RPM Records

A.A. Williams’ new album Solstice is out now. Photo: another side, used with permission.

Cinematic Darkness & Radiant Renewal: A.A. Williams Releases ‘Solstice’

A.A. Williams steps into a new era. Out now via RPM, Solstice arrives as Williams’ most powerful and poetic work to date, an album shaped by extremes of light and darkness, weight and fragility, devastation and renewal. (another side, 2026)

Thunderous highs, intimate lows, and vivid emotional shifts unfold across a record that feels both deeply personal and cinematic in scale.

A Sonic World of Extremes

Long celebrated for her haunting vocals, immersive dynamics, and striking emotional clarity, Williams expands her sonic world with an album that moves like a ritual through changing seasons.

The Instrumentation: Guitars churn like gathering weather, while strings glow with a fragile warmth.
The Vocals: Her voice unfolds seamlessly from restrained intimacy into a commanding emotional force.

Solstice captures A.A. Williams at a major creative turning point. Inspired by years of global touring, acclaimed collaborations, and genre-defying reinterpretations, the album finds her fully embracing both vulnerability and power.

Balancing crushing heaviness with moments of startling beauty, Solstice invites listeners into a world where silence can feel as immense as sound itself. It’s intimate, dramatic, and quietly radiant; music for endings, beginnings, and the long road between the two.

About A.A. Williams

Making her debut live appearance at the prestigious Roadburn Festival in the Netherlands off the back of a self-titled EP, A.A. Williams has since toured across the globe with heavyweights like:

Cult of Luna
Explosions in the Sky
Russian Circles
Sleep Token
The Sisters of Mercy

Alongside these massive support slots, she has established herself as a formidable headline artist, including a landmark show at the iconic Queen Elizabeth Hall inside London’s Southbank Centre.

A Track Record of Critical Acclaim

Her standout festival appearances have dovetailed with two widely acclaimed album releases: 2020’s Forever Blue and 2022’s As The Moon Rests. Both records placed Williams at the forefront of a wave of artists taking textured, epic, and folk-rooted heavy music into progressive new directions. A live BBC session at the legendary Maida Vale Studios further bolstered her credentials.

Pushing Boundaries & Companion Pieces

Never one to rest on her laurels, Williams has continuously released innovative companion projects, including:

“Exit In Darkness”: A collaborative single with Japanese post-rock titans MONO.
Songs From Isolation (2020): A solo covers collection recorded during the pandemic lockdown that drew praise from icons like The Cure’s Robert Smith and Smashing Pumpkins’ Billy Corgan.
arco (2021): Perhaps her most impressive feat, where the multi-instrumentalist drew on her classical training to completely rework her debut EP from rock instrumentation into a stunning string ensemble.

Solstice is out now via RPM. Stream or purchase the album here.

Solstice track list:

Poison
Wolves
Little By Little
Hold It Together
Outlines
I’ve Seen Enough
The Veil
Just A Shadow
It Won’t Rain Forever
Breathe
The Gentle Harm

Smirk Announces New Album ‘Speculative Fiction,’ Shares New Single ‘Abide’

New album Speculative Fiction out July 3 via Smoking Room. Photo: another side

Track Premiere: Smirk Shares Melancholic New Single & Video “Abide” Ahead of New Album

Smirk has released the melancholic single and video “Abide” ahead of his highly anticipated new album, Speculative Fiction, due out July 3 on Smoking Room. Pre-order/pre-save here. (another side, 2026)

The indie-leaning track feels like a lost B-side from Surfer Rosa-era Pixies mixed with the twang of Gun Club and a solo straight out of the J Mascis playbook. Lyrically, the track slides right into the album’s overarching theme: abandoning longstanding ties for a fresh start and a new future on the horizon.

“‘Abide’ is based on an old British hymn that I reworked to be about the looming end of a long friendship. It’s about that slow drift where nothing really happens, but you can feel it fading and you aren’t trying to fix it.” — Nick Vicario, Smirk Mastermind

Unrest in the Suburbs: Facing the Past

Growing old sucks, but there comes a point in life when it becomes a necessity to ignore the pull to constantly wild out.

“When this band started in LA, it was a crazy time in my life,” Vicario admits. “I was crashing cars, doing drugs—I was doing horrible things and destroying my life.”

On Speculative Fiction, Vicario deals with a new twist on an age-old theme for punk rock: unrest in the suburbs. Instead of youthful rebellion, this version of unrest deals with looking back on past indiscretions and dealing with their repercussions—the disruption of the old life, settling into the new, and the reflection that comes with it. These thoughtful lyrics and themes, when paired with Vicario’s guitar-pop confection, make for a unique juxtaposition.

“When I was writing ‘Speculative Fiction’, a lot of that dealt with the ‘old me’ and some of the crazy life choices I made while abusing substances. So while the record is partially about the ‘old me,’ it’s also very much about putting them in my current world and the new set of problems that come from that.”

From Portland Hardcore to Solo Vision

Vicario has a deep history with punk rock. Growing up in Portland, Oregon, in the early 2000s, he was ingrained in the legendary scene that birthed Poison Idea and Wipers. He began playing in bands at an early age, hobnobbing with members of Tragedy and Criminal Damage in cover bands and even on the gridiron. At just 12 years old, his first band, The Diskords, were the toast of the Maximum Rock ‘n’ Roll illuminati, leading to several releases and having The Exploding Hearts take them under their wing.

His musical journey spans an impressive array of genres and projects:

Hardcore & Indie Pop: Playing in hardcore bands like Cower eventually led him to the indie pop outfit Wild Ones, who released two records across eight years (the latter landing on Topshelf Records).
Collaborations & Touring: Stints with Public Eye, Cemento, Crisis Man, and others, alongside touring with Surfer Blood and Dreamdecay.
The Birth of Smirk: Vicario eventually decided to focus his energies on his solo project, Smirk, dropping a self-titled album in 2021 and Material in 2022.

A New Sonic Blueprint

On Speculative Fiction, Vicario is restarting both personally and musically. Smirk is slowing things down, taking a more measured, power-pop approach that strays away from the speedy punk marking earlier releases. The result is decidedly more mid-paced, reflecting the works of Big Star and The Paul Collins Beat as much as early Stiff Records releases, all filtered through the DIY spirit of Guided by Voices.

Written entirely by Vicario, Speculative Fiction is Smirk’s third full-length album. To round out the record, he called upon a stellar cast of old friends and live bandmates, including:

Ross Farrar (Ceremony)
Max Smadja (RIXE)
Ryan Mangione-Smith (Advertisement)
Current members of Smirk’s live lineup (who play in Hotline TNT, Poison Ruin, and Pardoner)

Production Credits

Recording: Mainly recorded in Vicario’s home studio, with additional tracks captured by Ian Rose at Daisy Chain Studios in Brooklyn.
Mixing: Handled for the bulk of the record by Andy Oswald.

Life Imitates Art

With Speculative Fiction, life imitates art. Smirk slows things down, retools, and gets meticulous—making deliberate decisions with respect to songwriting, approach, and collaboration to execute a new vision.

The final result is a refined, focused, and less chaotic approach to punk with an eye on pop-sensibility. It perfectly mirrors Vicario’s new lifestyle: outside of the fast lane and behind a white picket fence.

Smirk’s new album Speculative Fiction arrives July 3 via Smoking Room. Stream the new single “Abide” now.

Speculative Fiction tracklist:

01 – Greetings
02 – Victimry
03 – Cheap Greed
04 – Going Off To Die
05 – Sistine Junk
06 – Dog Years
07 – I Shall Be Released
08 – Perfect World
09 – Abide
10 – Ritual Torture
11 – Interlude
12 – Shit Song
13 – Crime Pays

Girls’ Generation Icon Tiffany Young Celebrates 10-Year Solo Anniversary with ‘Summer’s Not Over’

Tiffany Young celebrates 10 years as a solo artist. Photo: Pacific Music Group, used with permission.

K-Pop Icon Tiffany Young Drops New Single “Summer’s Not Over” & Announces Global 360 Partnership

HONG KONG – Global icon Tiffany Young officially marks a major milestone in her career with the release of her new single, “Summer’s Not Over,” out now worldwide. (Miller PR, 2026)

The track arrives as Tiffany celebrates the 10th anniversary of her solo debut and offers the first glimpse into her highly anticipated upcoming full-length album.

A New Era with Pacific Music Group

The track also signals Tiffany’s first release under Pacific Music Group (PMG) and its flagship label, Pacific Records, following her landmark global 360 partnership with the company. As the flagship artist leading PMG’s Korean expansion, Tiffany’s return represents both a personal achievement and a pivotal strategic moment for the rapidly growing entertainment powerhouse.

Best known as a member of Girls’ Generation, one of the most influential groups in global pop history, Tiffany Young has spent over a decade shaping the global reach and evolution of K-pop. Now, 10 years into her solo career, she steps confidently into a new era defined by:

Creative independence
Global vision
Artistic growth

The Sound of “Summer’s Not Over”

“Summer’s Not Over” perfectly embodies her evolution. Built on warm synths and polished electronic production, the mid-tempo pop track captures the feeling of a love that feels like home—where time slows, joy lingers, and moments stretch endlessly.

The song beautifully blends nostalgia with forward momentum, mirroring Tiffany’s own journey as an artist celebrating her past while stepping boldly into the future.

With this release, Tiffany sets the tone for a defining chapter, one that celebrates her journey while embracing bold new directions. The single also carries a deeply personal message of love for her fans around the world, while sparking curiosity about the exciting direction her artistry will take next.

Meet the Artist & The Label

About Tiffany Young

Born in Los Angeles, Tiffany Young moved to Seoul alone at just 15 to pursue her dream of becoming a performer, ultimately debuting as a member of the legendary K-pop group Girls’ Generation.

As one of the most influential girl groups in pop history, the group has achieved:

16 No. 1 singles
1.8 Billion+ YouTube views
120+ awards worldwide
15 album releases

After years of global tours and millions of records sold, Tiffany launched a highly successful solo career, debuting at No. 5 on the Billboard Next Big Sound chart and earning the Best Solo Breakout award at the iHeartRadio Music Awards. Now entering a new chapter with Pacific Music Group, Tiffany is gearing up for a major year with new music, global collaborations, and exciting projects on the horizon.

About Pacific Music Group

Pacific Music Group is a next-generation music company founded by industry heavyweights NE-YO, Sonu Nigam, MC Jin, and Jonathan Serbin. Headquartered in Hong Kong with a Pan-Asian presence, the company is committed to developing global careers from Asia and fostering cultural exchange between East and West. The label supports emerging and established artists through world-class production, strategic promotion, and mentorship from industry icons.

Maya de Vitry Announces New Album ‘All My Faith’ and 2026 Tour Dates

Maya de Vitry offers rhythms of time, love, & self-acceptance in self-produced 5th studio album. Photo: Ethan Jodziewicz, used with permission.

Maya de Vitry Announces Fifth Studio Album ‘All My Faith’ & Summer/Fall Tour

Energized by the spontaneity of live performance and a revelatory pursuit of truth in her lyric writing, Maya de Vitry returns with her fifth full-length album, All My Faith. Prioritizing presence and grit over studio polish, she sounds joyously at home in the alt-country and indie-folk realms. (Dreamspider Publicity, 2026)

Recorded and mixed by 5-time Grammy Award-winning engineer Sean Sullivan and self-produced by de Vitry, All My Faith is a buoyant gathering of songs brought to life by a cast of her closest confidantes and collaborators.

Release Date: All My Faith will be released on de Vitry’s own Mad Maker Studio label on July 24 and it’s available for pre-order.

Capturing the Magic in Real Time

From canyons to kitchens, from cold lakes to highway truck stops, the songs form a vibrant collage of joy, sorrow, and gut-wrenching honesty. Whether spinning an inspirational tale about hungover bachelorettes at the Nashville airport or exploring the prison of our own adaptations, de Vitry brings a grounded confidence and quiet charisma rooted in her belief in the power of song to change us.

All My Faith consists of 10 original songs written by Maya over the last year. Forgoing the technology often used to “perfect” studio recordings, de Vitry chose instead to fully trust the moment-to-moment musical conversations of the players and singers gathered around her.

A Commitment to No Edits

“When the band realized that I was planning to do no edits whatsoever on these tracks, the level of commitment from everyone just soared. It was a really exciting atmosphere in the studio,” de Vitry recalls.

True to her vision, everything you hear on this record was captured in real time and recorded over three days at The Tractor Shed in Goodlettsville, TN, from November 23 to 25, 2025.

The All-Star Studio Lineup

To bring this raw energy to life, de Vitry assembled an incredible crew of musicians:

Spencer Cullum & Ethan Ballinger (Miranda Lambert’s touring band) – Pedal steel and guitar
Jo Schornikow (Phosphorescent) – Keys
Ethan Jodziewicz – Bass
Dominic Billett – Drums
Shelby Means & Joel Timmons – Harmony vocals

Inspiration and Themes

A profound connection to nature runs throughout the record, not as a passing metaphor, but as an elemental and transformative force shaping both her voice as a songwriter and her orientation as an artist. At its heart, the album reflects on the ways human beings choose to care for one another in myriad forms and on the generative healing and wisdom that emerge from our relationships with each other and with the natural world. There’s also a common thread running through this record of being willing to name the painful and difficult parts of human relationships.

First Single: “Confidence of the Sun”

With her armor fading and her fire burning from within, “Confidence of the Sun” is bold and bright. It is the album’s first single and is one of several songs on All My Faith that Maya wrote at Blue Rock Artist Ranch & Studio in Wimberley, Texas, where she had been gifted a weeklong songwriting residency in April 2025.

Catch Maya de Vitry on Tour

Maya continues to tour in North America and Europe, whether solo, with her band, as part of other projects, or supporting artists like The Wood Brothers, Aoife O’Donovan, John Craigie, and Mighty Poplar. Tour dates are available online.

More About Maya de Vitry

Originally from the green rolling hills of Lancaster, PA, Maya de Vitry is a Nashville-based fiddler-turned-songwriter whose music blurs the lines of folk, indie rock, and Americana.

Her earliest years in the music industry are represented by the 4 full-length albums and 2 EPs with the roots-Americana trio The Stray Birds, with whom she toured year-round for 7 years throughout the USA, Canada, and Europe.

After this formative chapter, she launched her solo career with her 2019 album Adaptations, earning praise from Rolling Stone Country, NPR Music, and No Depression. Since then, she has released three more full-length albums—How to Break a Fall (2020), Violet Light (2022), and The Only Moment (2024)—and an EP, Infinite (2023).

When she is not on the road, she works as a record producer for other artists within her musical circle (Joel Timmons, Shelby Means, Hannah Delynn). Maya’s songs have also been recorded by The Milk Carton Kids, Nicholas Jamerson, Lindsay Lou, Steve Poltz, and Bronwyn Keith-Hynes.

The result is music that is, quite literally, the intoxicating sound of faith in action, a bandleader fully trusting in her life experiences, her craft, her collaborators, and the moment. It captures the exact presence she has been cultivating in her live shows, and hearing it magnified on record is its own revelation.

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Choir Boy Teams Up With Producer Jorge Elbrecht for New Track ‘I’ll Always Let You Down’

Choir Boy L-R: Chaz Costello, Adam Klopp, Michael Paulsen, Jeff Kleinman
Photo: Kris Kirk, used with permission.

Ethereal Indie Darlings Choir Boy Triumphantly Return With New Single, “I’ll Always Let You Down”

Ethereal indie darlings Choir Boy have triumphantly returned with their brand-new single, “I’ll Always Let You Down,” produced by the legendary Jorge Elbrecht (Sky Ferreira, Japanese Breakfast). (another side, 2026)

Marking their first taste of new music since 2020, the track hit just in time for their support tour with AFI. The single is available now via Dais Records and is accompanied by a charmingly bizarre, self-directed animated music video.

Sensual, Sinister, Sardonic

“I’ll Always Let You Down” finds Choir Boy at the height of their powers, taking their nostalgia-laced, romantic dream pop to thrilling new depths. The track manages to sound simultaneously sensual and sinister, equal parts delight and sorrow.

Musically, drum machines shuffle over a dirty synth bass while bright bells blossom under the light of frontman Adam Klopp’s angelic vocals. When pressed to describe the deeper meaning behind the track, Klopp offers a grin:

“(I’ll Always) is an anti-love song—a sardonic self-indictment of a failing lover.”

Watch the official music video below:

“Just Say That We ‘Got Lost'”

“Triumphantly return?” Time is a notorious trickster, and the band is jovial when confronting the four-year gap since their last major release.

“Just say that we ‘Got Lost,'” they joke.

Over the past four years, Choir Boy hasn’t exactly been idle. They have continued making surrealist music videos, sharing avant-garde updates on social media, and playing live across North America and Europe. Yet, for their dedicated fanbase, the lack of new music has felt like an eternity.

“Tell everyone the delays are my fault,” Klopp asserts through laughter. “Blame everything on me.”

Following the end of their run with Provoker, Choir Boy’s momentum was at an all-time high. After kicking off 2026 with a series of one-off shows in Las Vegas and Los Angeles, a creative rebirth took place, leading directly to the recording of “I’ll Always Let You Down.”

The Jorge Elbrecht Connection

The final piece of the puzzle fell into place when the band tapped Jorge Elbrecht, a renowned songwriter and stalwart of Los Angeles’s underground music community, to produce the new single.

Together, the band and producer immediately clicked, finding a harmonious workflow and “a shared sense of humor about the bleakness.”

“In [the song’s] previous incarnation, before we were working with Jorge, there was something missing,” the band reflects. While producing the track, Elbrecht contributed fresh sounds and arrangements, encouraging the band to dive even deeper into the depths.

The result? A new day, carrying on right where they belong. Serendipitously, the themes of their upcoming music and the greater arc of Choir Boy are finally coming together.

Their ultimate takeaway? “Redemption.”

About Choir Boy

The Origin

“Choir Boy” was what kids called singer/songwriter Adam Klopp in his early teens when he fronted punk cover bands in Cleveland, Ohio. Though intended as an insult, the label seemed fitting given Klopp’s religious upbringing and angelic voice. After high school, Adam left Ohio for college in Utah. While his academic career was short-lived, he seamlessly integrated into Provo and Salt Lake City’s underground music and art scenes, left religion behind, and officially named his new project Choir Boy. (Dais Records, 2026)

The Evolution

Since their debut album, Passive With Desire, the dream-pop outfit has gained a massive cult following in underground circles. Choir Boy’s signature sound relies on a perfect blend of nostalgia-laced romantic pop music, brought to life by a stellar lineup:

Adam Klopp – Stunning vocal range, lyrics, and melodies
Chaz Costello – Bass (Fossil Arms, Sculpture Club, Human Leather)
Jeff Kleinman – Saxophone and Keyboards
Michael Paulsen – Guitar

“I’ll Always Let You Down” is out now on Dais Records.

Victoria Cardona’s Que Pasó: Chart-Topping Album Meets Live-Looping Mastery

Victoria Cardona releases a solo video series performing songs from her debut album Que Pasó. Photo: Dreamspider Publicity, used with permission.

Artist Spotlight: Victoria Cardona is Redefining the One-Woman Band

West Palm Beach, Fla. — Based out of South Florida, Victoria Cardona is a Cuban American singer/songwriter, guitarist, and multi-instrumentalist who is rapidly turning heads in the music world. (Dreamspider Publicity, 2026)

Her live looping performances are a true sonic and visual experience, taking the audience on a ride through the mind of a spontaneous improvisationalist. With the aid of the Boss RC-600 loop pedal, Victoria masterfully stacks intricate layers of guitar, bass, percussion, and vocal harmonies. The result? A rich, massive backdrop for her smokey alto vocals and ripping lead guitar solos.

The Critical Success of Que Pasó

Victoria recently released her debut studio album, Que Pasó, to critical acclaim across Latin and world radio and media. The record has put up some seriously impressive numbers on the charts:

#1 on The Roots Music Report’s Top 50 World Album Chart (holding the top spot for three consecutive weeks).
Top 20 on the NCAA (North American College and Community) Radio Chart for 20 weeks, peaking at #10.
Currently Climbing: The album is now making fresh waves on Americana and Triple A radio.

Que Pasó Fast Facts

Feature	Details
Producer	Tim Goodman (Founding member of Southern Pacific)
Tracklist	8 original tracks + 3 creative covers
The Sound	A blend of Cuban rhythms, jazz, rock, and world influences

The album features a powerhouse lineup of legendary guest musicians, including Jimmy Haslip on bass, Jimmy Branley on drums, Justo Almario on horns, Bill Payne on piano, Francisco Torres on trombone, and Tim Goodman pulling multi-instrumental duty on organ, mandolin, guitar, marimbas, and synthesizer.

From Studio Elegance to Live Looping Mastery

While Que Pasó showcases Victoria’s music with the lush backing of a full studio band, she is best known for the raw energy of her live-looping solo performances.

To bridge these two worlds, Victoria recently filmed an exclusive solo performance showcasing the songs from Que Pasó at The Grange in Martha’s Vineyard.

What’s Next: She will be releasing a series of videos from this session across her social media platforms and YouTube. The series kicks off with her original song “Ghost” and will drop every other week.

It’s one thing to deliver a stellar studio record, but it’s another talent entirely to recreate that dynamic, full-band sound completely solo on stage.

Roots, Rhythm, and Global Influence

Victoria’s Cuban roots and deep familiarity with multicultural genres provide the driving inspiration for her music. She delivers a heavy rhythmic undertone fused seamlessly with jazz, blues, soul, Afro-Cuban, Afro-Caribbean, salsa, and rock ’n’ roll.

The Upbringing: Growing up in a traditional Cuban household, she was heavily influenced by legends like Celia Cruz, Buena Vista Social Club, and Gloria Estefan.
Modern Inspiration: Today, she closely resonates with culturally conscious contemporary acts like Bad Bunny and Peso Pluma.

After formally studying jazz guitar in Florida and Minnesota, Victoria developed her signature live-looping, one-woman-band project. International tours have already taken her across Europe, while her relentless performance schedule throughout the Southeast U.S. continues to sharpen her unique, boundary-pushing sound.

Follow Victoria Cardona on YouTube and social media to catch the bi-weekly Martha’s Vineyard video series!

John Mailander’s Forecast Announces New EP ‘Little Wheel // Hope Looming’

John Mailander’s Forecast has unveiled its spellbinding adaptation of Buffy Sainte-Marie’s ‘Little Wheel Spin and Spin.’ Photo: Steph Heath with Smiling Eyes Media, used with permission.

New Music: John Mailander’s Forecast Announces New EP Little Wheel // Hope Looming

NASHVILLE — Acclaimed multi-instrumentalist John Mailander and his visionary collective, Forecast, have announced the independent release of their new 3-track EP, Little Wheel // Hope Looming, arriving May 8, 2026. (Dreamspider Publicity, 2026)

Following their 2025 full-length album Let The World In, this latest offering marks a poignant exploration of historical cycles, post-rock textures, and adventurous improvisation.

The Tracklist: A Study in Light and Dark

The EP clocks in at 13 minutes and 18 seconds, weaving together a potent mix of vocal urgency and instrumental atmosphere:

“Little Wheel Spin And Spin” (Buffy Sainte-Marie cover)
“Hope, Looming” (Original instrumental)
“(turnstile)” (Ambient sample piece)

Breaking the Cycle: “Little Wheel Spin And Spin”

The EP opens with a timely rendition of Buffy Sainte-Marie’s 1966 classic, featuring guest Kristina Train on lead vocals. Recorded just days before the U.S. entered the conflict with Iran, the track serves as a chilling commentary on the “war machine.”

“It’s chilling to me how relevant these lyrics are today,” says Mailander. “I think our version, and Kristina’s delivery… is felt with a renewed urgency, anger, and resistance… We turned it into a jam vehicle for group improvisation.”

The B-Side: “Hope, Looming”

Inspired by post-rock giants like Godspeed You! Black Emperor and Sigur Ros, this instrumental piece explores the “grey areas” of emotion. It serves as a tonal counterweight to the opening track, a slow-building crescendo meant to signal a glimmer of hope on the horizon.

The Coda: “(turnstile)”

The project is tied together by an unsettling yet hopeful ambient piece, featuring a manipulated sample of a train station turnstile layered over synth improvisations.

Meet The Forecast

Recorded live at Southern Ground Studio by Dan Davis, the ensemble features some of the finest players in the Nashville scene:

Musician	Instrument(s)
John Mailander	Fiddle, Piano, Electronics
Ethan Jodziewicz	Upright & Electric Bass
Chris Lippincott	Pedal Steel Guitar, Wurlitzer
Dean Miller	Tenor Saxophone
Mark Raudabaugh	Drums, Percussion
Jake Stargel	Acoustic guitar

About John Mailander

Beyond leading Forecast, Mailander is a prolific collaborator and a current member of Bruce Hornsby & The Noisemakers.

A Berklee College of Music alumnus, his fiddle and multi-instrumental work have graced recordings by a “who’s who” of modern music, including:

Billy Strings (The Grammy-winning Home)
Noah Kahan
Dermot Kennedy
Lin-Manuel Miranda
Lucy Dacus

Moving to Nashville in 2015, Mailander formed Forecast to step outside the bounds of bluegrass and explore themes inspired by film scores and jazz-fusion greats like the Pat Metheny Group.

Little Wheel // Hope Looming is available on all major streaming platforms May 8, 2026.

Photo: Michael Weintrob, used with permission.

Bill Scorzari Announces New Album ‘Sidereal Days (Day 2)’ and New Single

‘Open Door’ is the newest single from his new album Sidereal Days (Day 2). Photo: Neilson Hubbard, used with permission.

New Single Alert: Bill Scorzari Opens the Door to “Sidereal Days (Day 2)”

HUNTINGTON, NY — Singer-songwriter and recording artist Bill Scorzari has officially unveiled “Open Door,” the third track from his highly anticipated sixth studio album, Sidereal Days (Day 2). (Dreamspider Publicity, 2026)

Scheduled for a full release on September 25, 2026, the new single is available to stream now. “Open Door” is an upbeat, folky love song that leans into traditional acoustic instrumentation, featuring a warm vocal duet between Scorzari and Megan McCormick.

The Inspiration Behind “Open Door”

Grounded in a sense of innocence and simplicity, the lyrics for “Open Door” began forming as far back as the early spring of 2013. Scorzari’s writing process is famously observational; he draws from a mosaic of life experiences, including:

Overheard conversations and personal memories.
The tactile imagery of melting snow or a coiled telephone cord.
Dreams, news stories, and literature.

By weaving these disparate threads together, Scorzari creates a cohesive narrative that feels intimate yet universal.

Catch Up on the Singles

If you haven’t started your journey through Sidereal Days (Day 2) yet, two other singles are currently streaming:

“I Stayed” – A stunning love-lost ballad featuring Scorzari’s lead vocals and acoustic guitar, accompanied by Erin Rae on harmony and the legendary “Shoals Sisters” (Marie Lewey and Cindy Richardson Walker).
“That’s A Good Thing” – A tender Americana roots track. At just 3 minutes and 14 seconds, it serves as a light, upbeat counterpoint to the album’s longer, more atmospheric compositions.

Completing the “Sidereal Days” Duology

Sidereal Days (Day 2) serves as the second half of a massive double-album project. Its predecessor, Day 1 (released October 17, 2025), received significant critical acclaim:

“Bill Scorzari possesses an ‘amorous vulnerability’…” — Robert Christgau, Consumer Guide (Grade: A)

The album also earned the #11 spot on Tom Hull’s “Best Non-Jazz Albums of 2025.” Across the 11 tracks on Day 2, Scorzari continues his exploration of interconnectedness, often presenting his lyrics as a lived-in conversation with the listener.

The Studio Band

To bring this vision to life, Scorzari collaborated with an elite group of musicians:

Bill Scorzari: Lead/harmony vocals, guitars, mandolin, banjo
Brad Talley: Dobro
Chelsea McGough: Cello
The Shoals Sisters (Cindy Richardson Walker & Marie Lewey): Backing vocals
Danny Mitchell: Piano, Hammond B3, flugelhorn, trumpet
Eamon McLoughlin: Violin/fiddle
Erin Rae & Megan McCormick: Harmony vocals
Joshua Britt: Mandolin, mandola
Juan Solorzano: Electric/pedal steel/baritone guitars, ganjo
Michael Rinne: Upright and electric bass
Neilson Hubbard: Drums and percussion

Looking Ahead: Upcoming Releases

Four additional singles will be released in the lead-up to the September 25th album launch:

“I Think It’s Gonna Rain” – A haunting, cinematic piece written during a Florida thunderstorm.
“I Know You Know” – An upbeat traveling song exploring the deep intuition of long-term relationships.
“Middle Class Middle Child” – The album’s longest track (6:30), blending semi-autobiographical sentiments with emotional storytelling.
“Sandcastles Waiting” – A melody-driven track years in the making, finalized during the 2024 recording sessions.

Listen to the latest singles on all major streaming platforms today.

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Seth James Releases ‘Motormouth’: A New Era of Texas Soul and Blues

Seth James announces new album ‘Motormouth.’ Photo: Erin Valkner, used with permission.

Texas Soul Meets Nashville Groove: Seth James Drops New Album ‘Motormouth’

NASHVILLE, TN — The wait is over for fans of authentic, soul-infused roots music. Texas-bred guitarist and singer-songwriter Seth James has officially released his latest album Motormouth via Qualified Records. (Aristo PR, 2026)

Produced by multi-Grammy winner Kevin McKendree, the project features groove-driven songwriting, further solidifying James as a premier voice in the modern blues and roots circuit.

A Legacy of Lone Star Excellence

A veteran of the Texas music scene, James didn’t take shortcuts to success. He built his reputation through years of sweat and strings in roadhouses, blues clubs, and major festival stages. While his sound pays homage to legends like Delbert McClinton, James’ disciplined songwriting and distinct voice have earned him a devoted following through previous acclaimed albums like Different Hat and Good Life.

The Making of ‘Motormouth’

The album was recorded at the legendary Rock House studio in Franklin, Tennessee. To bring these songs to life, James assembled an elite “all-star” roster of session heavyweights:

Kevin McKendree: Piano and Organ
Rob McNelley: Guitar
Steve Mackey: Bass
Lynn Williams: Drums
The Time Jumpers: Featured members

“Kevin speaks a musical language that’s rare these days,” James says of the collaboration. “He truly understands where I come from musically… It’s akin to making music with family.”

McKendree was equally inspired by the sessions, noting that James possesses a “rare mix of raw emotion and pure soul.”

Building on Chart-Topping Momentum

Motormouth arrives as the highly anticipated follow-up to Lessons, James’ debut with Qualified Records. That project didn’t just resonate with fans, it dominated the industry, hitting No. 1 on the Blues charts and breaking into the Top 25 on the Americana charts.

With this new release, James leans harder into his signature blend of:

Deep Texas Blues
Stax-inspired Soul
Gritty Roots Rock

Catch Seth James Live

To celebrate the launch, Seth James will be hitting the road for a series of high-profile appearances. Mark your calendars for the official release event and upcoming tour dates:

Date	Location / Event	Venue
May 8	Franklin, TN	Mockingbird Theater (Release Event)
TBA	Texas Tour	Various Locations
TBA	Sandy Beaches Cruise	At Sea
Sept	Nashville, TN	Americana Music Festival

‘Motormouth’ is available now on all major streaming platforms and via Qualified Records.

Motormouth Track Listing:

“Why Should I Suffer”
“Motormouth”
“I’m In Trouble”
“It’s Later Than You Think”
“I’ll Be Gone”
“High Horse”
“I Can’t Find Your Mind”
“Just A Thought”
“I Can’t Wait”
“I Got To Know”
“Lonely Avenue”
“I Feel The Burden”
“Start A Brand New Day”

Newport’s Own Asher Brinson Drops Debut Bluegrass Album ‘Midnight Hurricane’

Asher Brinson. Photo: Sarah K. Photography, used with permission.

Coastal Rhythms & Bluegrass Roots: Asher Brinson Debuts ‘Midnight Hurricane’

Newport, North Carolina, has a new voice in bluegrass, and he’s playing it left-handed. Asher Brinson, the young picker and songwriter who has been turning heads from MerleFest to the IBMA, has officially released his debut album, Midnight Hurricane. (Dreamspider Publicity, 2026)

Blending refreshingly honest storytelling with the salt-air influence of the Carolina coast, Brinson’s debut is a standout in modern bluegrass collaboration.

A Self-Taught Journey to the Main Stage

Asher has been around music his entire life in family jams and the legendary circles of the Galax Fiddlers Convention. His talent caught the eye of the late, legendary luthier Wayne Henderson, who became a mentor and friend, even building Asher a rare, custom left-handed guitar.

Since then, Asher’s trajectory has been exceptional:

Mentorship: Studied under Christopher Henry (Noya Mountain Music Studio), who produced the new record.
The Stage: Shared spotlights at the Wayne C. Henderson Festival and recently joined The Travelin’ McCourys Young Guns Tour.
What’s Next: Catch him live at the Bijou Theatre in Knoxville (4/9), Ocrafolk Festival (6/5-7), and the Outer Banks Bluegrass Island Festival (10/15-17).

Inside the Tracks: Midnight Hurricane

The album features eight original songs, two traditional instrumentals, and a gritty Billy Strings cover. To bring these stories to life, Asher assembled an “all-star” studio band:

Asher Brinson: Lead Vocals & Guitar
Cory Walker: Banjo
Jason Carter: Fiddle
Christopher Henry: Bass & Mandolin

Album Highlights

“This song naturally evolved from living on the North Carolina coast, experiencing the late-night intensity of hurricanes—where you hear everything but see nothing.” — Asher Brinson on the title track.

Song	Featuring	Inspiration
“Midnight Hurricane”	Sierra Hull & Lindsay Lou	The sensory overload of coastal storms.
“Lonesome Hobo Song”	Sam Bush	Classic tales of train hopping.
“And Why Is That”	Smith Curry (Pedal Steel)	A tribute to a family friend who lived on a sailboat.
“Queen Anne’s Waltz”	Bronwyn Keith-Hynes	Local maritime history and the swaying of a boat.
“Low Hanging Fruit”	Sam Bush	The very first song Asher ever wrote.

The record rounds out with the driving “I’m Going Back to Galax,” a nod to his competitive roots, and a high-energy cover of Billy Strings’ “Seven Weeks in County.”

Where to Hear Him

Asher Brinson is currently on the road, bringing his energy to stages across the Southeast. Whether it’s the underground depths of The Caverns or the salty breeze of the Outer Banks, Asher’s honest sound is one you don’t want to miss.

Stream Midnight Hurricane now and follow Asher’s journey as he carves out a new legacy in North Carolina music.

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Tag: New music