Poetic Dystopian Fiction: ‘Autumn Blooms Red’ by L Cuzidora

Poetic Dystopian Fiction: ‘Autumn Blooms Red’ by L Cuzidora
‘Autumn Blooms Red’ by L Cuzidora Photo: Amazon

L Cuzidora is a proud rat mother from Transylvania, Eastern Europe. She studied Sociology and Environmental Sciences and wishes she’d had started writing at an earlier age. Now she’s determined to make up for all the years spent jumping from one passion to another and devotes herself to exploring even more flawed characters. Her book “Autumn Blooms Red” (Red Gladiola Book 1) centers around Avril and Irina’s relationship in a dystopian society.

Synopsis: It’s been a decade since Avril’s family was exiled to Ordea’s smallest province. While not entirely stripped of power, her mother’s bitterness blinds her to Avril’s needs. So when an old friend of her mother’s shows up with plans of rehabilitation, Avril is quick to join. As months pass and no concrete steps are taken, her own approach becomes ever more reckless. After all, she can count on her parents’ support. But what’s the weight of family in a society striving towards equality?

Orphaned at a young age, Irina clings to her family’s traditions in a secular world. She finds little comfort in the State’s promises of safety, determined, despite the risks, to help those unable or unwilling to live by the party directive. To her, Avril is a special sort of circumstantial victim, one who’s not even aware of her imprisonment. But when her faith revolves around leading others onto the right path, who’s to watch that she won’t lose herself? (Amazon, 2024)

Review: “Autumn Blooms Red” by L. Cuzidora is an intriguing story that explores the elements of romance, mystery, and self-discovery. Set against the backdrop of a militaristic society complete with parades, soldiers, one child policies, and food rations, it follows the journeys of Avril and Irina. Avril’s family has been exiled and her mother has selfish motivations that don’t include Avril. Irina was orphaned at a young age and struggles to survive emotionally in a repressive society. They seem like polar opposites, but they find each other.

The narration is in the first person point of view and the chapters are short and alternate between the two, so readers get an insight into their specific mindset. While the main characters are deeply developed and relatable, the secondary characters have their own compelling stories and motivations, adding depth and dimension to the narrative.

The author’s prose is rich and beautifully poetic, filled with vivid imagery, which paints a picturesque landscape that effortlessly transports readers into the heart of the narrative: “Orange light knives through the shutters of our bedroom. I’ve exhausted every corner of my pillow, searching for a cool spot.” She expertly weaves twists and turns that keep the suspense alive and make the action flow effortlessly through the pages.

Overall, it’s a poignant and compelling story about resilience and the power of human connection. It will no doubt linger in the hearts of readers long after they’ve turned the final page. It is an easy read and recommended for readers who enjoy dystopian fiction filled with flawed characters amid unique worlds and settings.

*The author was contacted for an honest review of this book. The views and opinions expressed here belong solely to her.

Rating: 5 out of 5.

New book release: ‘Neon Lights and Plane Tickets’ by Eli AlemĂĄn

‘Neon Lights and Plane Tickets: A Cosmic Poetic Prose Collection’ Photo: Eli AlemĂĄn, used with permission.

Poetry is a type of artistic writing meant to stir a reader’s emotions or imagination. It is very near to my heart because it is the first type of writing I used to express myself. Combined with science fiction, one of my favorite genres of novels, it makes for a unique reading experience. This is the case in today’s new book release: “Neon Lights and Plane Tickets” by Eli Alemán. It is a sci-fi poetic prose collection with themes of horror, science fiction, and urban legends and poems such as: District, Phantasmagoric Reverie, The Bloody Birth of Conscience, and Layers of Silence. If you love poetry and science fiction, this is one poetry collection that should be next on your TBR (to be read) list. “Neon Lights and Plane Tickets” is available on Amazon, Barnes and Noble, and Goodreads. Pick up your copy today and experience this fascination book of poetry. 

Eli AlemĂĄn has been an avid reader since childhood, spending countless hours immersing herself in fantastic worlds and daydreaming of being a part of them. An adventurous and curious spirit led her to become a world traveler and a scientist. She is a microbiologist currently working on marine biology research. She loves nature and the ocean. Despite her field’s logical and analytical nature, her artistic heart beats strong. Eli AlemĂĄn is an award-winning artist and now author. Her favorite genres are science fiction, fantasy, horror, and comedy.

“Neon Lights and Plane Tickets” – Neon Lights and Plane Tickets is a sci-fi-themed collection of poetic prose, featuring tales of cosmic horror and galactic urban legends. Explore lush and vibrant cities across the universe, the terrifying creatures they hide, and their inhabitants’ adventures (or misadventures, as the case may be). Bright neon lights and illusions of technological advancement are fine distractions to keep their rotting societies hidden within their foundations—reflections on the intricacies of human nature. (Amazon, 2024)

Sponsored Post

New book release: ‘R/N/A: Deadly Sequence’ by Mikael Lundt

‘R/N/A: Deadly Sequence’ is the new fast-paced medical thriller by Mikael Lundt. Photo: Mikael Lundt, used with permission.

When it comes to thrillers, my all time favorite are medical thrillers and it is no wonder: they often explore the deadly consequences of medical science when it falls into the wrong hands, all in the name of greed or in the quest for ultimate power and control. One of the first authors I read in this genre was Robin Cook, then I discovered Michael Palmer, Tess Gerritsen, Patricia Cornwell, and most recently, Dr. Cristina LePort. After reading a sample, this new book release reminds me so much of the best of Robin Cook, whose antagonists are often pharmaceutical companies. If like me, you love getting lost in a gripping medical thriller, check out Mikael Lundt’s “R/N/A: Deadly Sequence” and find out what happens when a Pandora’s Box of chaos is unleashed. It is available on Amazon.

Mikael Lundt is an author who stands for gripping thrillers, dark science fiction, and thought-provoking fantasy. In his books, technology, philosophy, the supernatural, and the extraterrestrial often blend into a stirring combination. Unveil the terrifying underbelly of modern medicine in “R/N/A: Deadly Sequence,” his riveting new pharmaceutical thriller. (Mikael Lundt, 2023)

“R/N/A: Deadly Sequence” – A dramatic increase in unexplained side effects calls WHO expert Dr. Laura Delille to the scene. Infertility, miscarriages and deaths are on the rise. Initial evidence points to a new mRNA-based vaccine. As the symptoms worsen and people who have never received the vaccine begin to fall ill, it becomes clear that there is more at stake than just the obvious side effects.

As Laura investigates the mysterious causes on the African continent, reporter Hugh Stevens follows her lead. His research shows: this is neither a tragic coincidence nor a natural phenomenon, but the ruthless plan of a pharmaceutical company. Most puzzling of all, there is no trace of a clear pathogen. Laura’s superiors at the WHO, on the other hand, seem to keep putting obstacles in her way.

Soon, Laura and Hugh find themselves in the middle of a sinister conspiracy – and in grave danger. With time running out for them, the phenomenon spreads worldwide, soon threatening millions. Is the world at the beginning of a planned pandemic that could threaten the very existence of the human species?

Sponsored Post

Book review: ‘Hospital’ by Han Song

‘Hospital’ by Han Song, translated by Michael Berry. Photo: Amazon

Han Song is a journalist with Xinhua News Agency and one of China’s leading science fiction writers. A native of Chongqing, Han earned an MA in journalism from Wuhan University. He began writing in 1982 and has published numerous volumes of fiction and essays. His novels include “The Red Sea,” “Red Star over America,” the Rails trilogy (“Subway,” “High-Speed Rail,” and “Orbits”), and the Hospital trilogy (“Hospital,” “Exorcism,” and “Dead Souls”), which has been described as a new landmark in dystopian fiction. “Hospital” is a twisted, experimental narrative of one man’s mysterious illness and his journey through a dystopian hospital system. It is translated to English by Michael Berry.

Michael Berry is Professor of Contemporary Chinese Cultural Studies and Director of the Center for Chinese Studies at UCLA at UCLA. He is the author of “Speaking in Images: Interviews with Contemporary Chinese Filmmakers” and “A History of Pain: Trauma in Modern Chinese Literature and Film,” among other books. He is a two time NEA Translation Fellow (2008, 2021) and has received Honorable Mentions for the MLA Louis Roth Translation Prize and the Patrick D. Hanan Book Prize.

“Hospital” – It begins in the Prologue – Red Cross On Mars where the destination of the SS Mahamayuri is Mars but inevitably ends in disaster. It has nothing to do with the rest of the book, which is divided into 3 main parts: Illness, Treatment, and Postscript: Surgery. Illness is where Yang Wei’s story gets underway. He is traveling to C City for work but aside from the usual business trip, he mainly expects a break from his daily routine and a pleasant stay at a nice hotel.  When he checks into his hotel room, that is where his problems begin. A complimentary bottle of mineral water from the hotel minibar results in sudden and debilitating stomach pain, followed by unconsciousness. When he wakes three days later, things do not improve; they only get worse. With no explanation, the hotel forcibly sends him to a hospital for examination. There, he receives no diagnosis, no discharge date, just a diligent guide to the labyrinthine medical system he is now circulating through. Armed with nothing but his own confusion, Yang Wei travels deeper into the inner workings of the hospital and the secrets it is hiding from the patients. As he seeks escape and answers, his mysterious illness takes him on a quest through a corrupt system and his own troubled mind.

This novel is described as dystopian, a “twisted and dreamlike tale of a man’s journey,” and indeed, reading through it, it definitely feels dreamlike and unstructured. It has elements of science fiction, suspense, social satire, experimental fiction, and commentaries on the Chinese social structure. It is narrated in the first person point of view but does not have much of a plot; it is mainly Yang Wei’s hospital experience in the ‘Age of Medicine.’ What begins as a normal hospital admittance warps into philosophical musings: “the pain reminded me that I was still alive” which leads to his spiritual enlightenment. Halfway through it, he feels like he has no control over what happens to him in the hospital, which could be considered a metaphor for life itself. The writing style is at times descriptive “Her blood flowed over my chest and dripped down over my stomach, which added some cozy warmth and colorful excitement to my pain,” but sometimes tends to drone on just like the philosophical musings. Even though Yang meets several people throughout his journey, they are in his life briefly and have little character development, unlike Yang himself. This review is for the English translation, so some cultural aspects might be overlooked or misinterpreted. Overall, “Hospital” is a long and dark novel with hints of satire, allegory, and social commentaries and is recommended for readers who appreciate dystopian fiction and dark humor.

“The bench was littered with a dense mass of patients huddled together like flies, their moans converging into a constant buzz-like drone as if they were all trying to tell me, Thank goodness you made it here to the hospital in time.”

*The author received a copy of this book for an honest review. The views and opinions expressed here belong solely to her.

Rating: 3 out of 5.