Bill Scorzari Announces New Album ‘Sidereal Days (Day 2)’ and New Single

‘Open Door’ is the newest single from his new album Sidereal Days (Day 2). Photo: Neilson Hubbard, used with permission.

Related Post: Bill Scorzari’s Sidereal Days (Day 1) is a Soulful Journey Across Time and Truth

New Single Alert: Bill Scorzari Opens the Door to “Sidereal Days (Day 2)”

HUNTINGTON, NY — Singer-songwriter and recording artist Bill Scorzari has officially unveiled “Open Door,” the third track from his highly anticipated sixth studio album, Sidereal Days (Day 2). (Dreamspider Publicity, 2026)

Scheduled for a full release on September 25, 2026, the new single is available to stream now. “Open Door” is an upbeat, folky love song that leans into traditional acoustic instrumentation, featuring a warm vocal duet between Scorzari and Megan McCormick.


The Inspiration Behind “Open Door”

Grounded in a sense of innocence and simplicity, the lyrics for “Open Door” began forming as far back as the early spring of 2013. Scorzari’s writing process is famously observational; he draws from a mosaic of life experiences, including:

  • Overheard conversations and personal memories.
  • The tactile imagery of melting snow or a coiled telephone cord.
  • Dreams, news stories, and literature.

By weaving these disparate threads together, Scorzari creates a cohesive narrative that feels intimate yet universal.

Single Art. Courtesy photo.

Catch Up on the Singles

If you haven’t started your journey through Sidereal Days (Day 2) yet, two other singles are currently streaming:

  • “I Stayed” – A stunning love-lost ballad featuring Scorzari’s lead vocals and acoustic guitar, accompanied by Erin Rae on harmony and the legendary “Shoals Sisters” (Marie Lewey and Cindy Richardson Walker).
  • “That’s A Good Thing” – A tender Americana roots track. At just 3 minutes and 14 seconds, it serves as a light, upbeat counterpoint to the album’s longer, more atmospheric compositions.

Completing the “Sidereal Days” Duology

Sidereal Days (Day 2) serves as the second half of a massive double-album project. Its predecessor, Day 1 (released October 17, 2025), received significant critical acclaim:

“Bill Scorzari possesses an ‘amorous vulnerability’…” — Robert Christgau, Consumer Guide (Grade: A)

The album also earned the #11 spot on Tom Hull’s “Best Non-Jazz Albums of 2025.” Across the 11 tracks on Day 2, Scorzari continues his exploration of interconnectedness, often presenting his lyrics as a lived-in conversation with the listener.

Album Art. Courtesy photo.

The Studio Band

To bring this vision to life, Scorzari collaborated with an elite group of musicians:

  • Bill Scorzari: Lead/harmony vocals, guitars, mandolin, banjo
  • Brad Talley: Dobro
  • Chelsea McGough: Cello
  • The Shoals Sisters (Cindy Richardson Walker & Marie Lewey): Backing vocals
  • Danny Mitchell: Piano, Hammond B3, flugelhorn, trumpet
  • Eamon McLoughlin: Violin/fiddle
  • Erin Rae & Megan McCormick: Harmony vocals
  • Joshua Britt: Mandolin, mandola
  • Juan Solorzano: Electric/pedal steel/baritone guitars, ganjo
  • Michael Rinne: Upright and electric bass
  • Neilson Hubbard: Drums and percussion

Looking Ahead: Upcoming Releases

Four additional singles will be released in the lead-up to the September 25th album launch:

  1. “I Think It’s Gonna Rain” – A haunting, cinematic piece written during a Florida thunderstorm.
  2. “I Know You Know” – An upbeat traveling song exploring the deep intuition of long-term relationships.
  3. “Middle Class Middle Child” – The album’s longest track (6:30), blending semi-autobiographical sentiments with emotional storytelling.
  4. “Sandcastles Waiting” – A melody-driven track years in the making, finalized during the 2024 recording sessions.

Listen to the latest singles on all major streaming platforms today.



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Seth James Releases ‘Motormouth’: A New Era of Texas Soul and Blues

Seth James announces new album ‘Motormouth.’ Photo: Erin Valkner, used with permission.

Texas Soul Meets Nashville Groove: Seth James Drops New Album ‘Motormouth’

NASHVILLE, TN — The wait is over for fans of authentic, soul-infused roots music. Texas-bred guitarist and singer-songwriter Seth James has officially released his latest album Motormouth via Qualified Records. (Aristo PR, 2026)

Produced by multi-Grammy winner Kevin McKendree, the project features groove-driven songwriting, further solidifying James as a premier voice in the modern blues and roots circuit.


A Legacy of Lone Star Excellence

A veteran of the Texas music scene, James didn’t take shortcuts to success. He built his reputation through years of sweat and strings in roadhouses, blues clubs, and major festival stages. While his sound pays homage to legends like Delbert McClinton, James’ disciplined songwriting and distinct voice have earned him a devoted following through previous acclaimed albums like Different Hat and Good Life.

The Making of ‘Motormouth’

The album was recorded at the legendary Rock House studio in Franklin, Tennessee. To bring these songs to life, James assembled an elite “all-star” roster of session heavyweights:

  • Kevin McKendree: Piano and Organ
  • Rob McNelley: Guitar
  • Steve Mackey: Bass
  • Lynn Williams: Drums
  • The Time Jumpers: Featured members

“Kevin speaks a musical language that’s rare these days,” James says of the collaboration. “He truly understands where I come from musically… It’s akin to making music with family.”

McKendree was equally inspired by the sessions, noting that James possesses a “rare mix of raw emotion and pure soul.”


Building on Chart-Topping Momentum

Motormouth arrives as the highly anticipated follow-up to Lessons, James’ debut with Qualified Records. That project didn’t just resonate with fans, it dominated the industry, hitting No. 1 on the Blues charts and breaking into the Top 25 on the Americana charts.

With this new release, James leans harder into his signature blend of:

  • Deep Texas Blues
  • Stax-inspired Soul
  • Gritty Roots Rock

Catch Seth James Live

To celebrate the launch, Seth James will be hitting the road for a series of high-profile appearances. Mark your calendars for the official release event and upcoming tour dates:

DateLocation / EventVenue
May 8Franklin, TNMockingbird Theater (Release Event)
TBATexas TourVarious Locations
TBASandy Beaches CruiseAt Sea
SeptNashville, TNAmericana Music Festival

‘Motormouth’ is available now on all major streaming platforms and via Qualified Records.


Motormouth Track Listing:

  1. “Why Should I Suffer”
  2. “Motormouth”
  3. “I’m In Trouble”
  4. “It’s Later Than You Think”
  5. “I’ll Be Gone”
  6. “High Horse”
  7. “I Can’t Find Your Mind”
  8. “Just A Thought”
  9. “I Can’t Wait”
  10. “I Got To Know”
  11. “Lonely Avenue”
  12. “I Feel The Burden”
  13. “Start A Brand New Day”

Newport’s Own Asher Brinson Drops Debut Bluegrass Album ‘Midnight Hurricane’

Asher Brinson. Photo: Sarah K. Photography, used with permission.

Coastal Rhythms & Bluegrass Roots: Asher Brinson Debuts ‘Midnight Hurricane’

Newport, North Carolina, has a new voice in bluegrass, and he’s playing it left-handed. Asher Brinson, the young picker and songwriter who has been turning heads from MerleFest to the IBMA, has officially released his debut album, Midnight Hurricane. (Dreamspider Publicity, 2026)

Blending refreshingly honest storytelling with the salt-air influence of the Carolina coast, Brinson’s debut is a standout in modern bluegrass collaboration.


A Self-Taught Journey to the Main Stage

Asher has been around music his entire life in family jams and the legendary circles of the Galax Fiddlers Convention. His talent caught the eye of the late, legendary luthier Wayne Henderson, who became a mentor and friend, even building Asher a rare, custom left-handed guitar.

Since then, Asher’s trajectory has been exceptional:

  • Mentorship: Studied under Christopher Henry (Noya Mountain Music Studio), who produced the new record.
  • The Stage: Shared spotlights at the Wayne C. Henderson Festival and recently joined The Travelin’ McCourys Young Guns Tour.
  • What’s Next: Catch him live at the Bijou Theatre in Knoxville (4/9), Ocrafolk Festival (6/5-7), and the Outer Banks Bluegrass Island Festival (10/15-17).

Inside the Tracks: Midnight Hurricane

The album features eight original songs, two traditional instrumentals, and a gritty Billy Strings cover. To bring these stories to life, Asher assembled an “all-star” studio band:

  • Asher Brinson: Lead Vocals & Guitar
  • Cory Walker: Banjo
  • Jason Carter: Fiddle
  • Christopher Henry: Bass & Mandolin

Album Highlights

“This song naturally evolved from living on the North Carolina coast, experiencing the late-night intensity of hurricanes—where you hear everything but see nothing.”Asher Brinson on the title track.

SongFeaturingInspiration
“Midnight Hurricane”Sierra Hull & Lindsay LouThe sensory overload of coastal storms.
“Lonesome Hobo Song”Sam BushClassic tales of train hopping.
“And Why Is That”Smith Curry (Pedal Steel)A tribute to a family friend who lived on a sailboat.
“Queen Anne’s Waltz”Bronwyn Keith-HynesLocal maritime history and the swaying of a boat.
“Low Hanging Fruit”Sam BushThe very first song Asher ever wrote.

The record rounds out with the driving “I’m Going Back to Galax,” a nod to his competitive roots, and a high-energy cover of Billy Strings’ “Seven Weeks in County.”


Where to Hear Him

Asher Brinson is currently on the road, bringing his energy to stages across the Southeast. Whether it’s the underground depths of The Caverns or the salty breeze of the Outer Banks, Asher’s honest sound is one you don’t want to miss.

Stream Midnight Hurricane now and follow Asher’s journey as he carves out a new legacy in North Carolina music.

Album Cover. Photo: Sarah K. Photography

Belles’ Journey to the Release of ‘Son of Jolene’

Belles and Dolly Parton unite on ‘Song of Jolene,’ bridging generations of country music. Photo: ashtronot, used with permission.

The Legacy Continues: Belles Teams Up with Dolly Parton for “Son of Jolene”

NASHVILLE, Tenn. — Emerging country artist Belles is set to make waves with a historic new collaboration. On April 17, she will release “Son of Jolene,” a special track featuring the legendary Dolly Parton. (Aristo PR, 2026)

This release serves as a massive milestone for Belles, leading up to her highly anticipated debut full-length album slated for 2026. Fans can expect the track to hit country radio airwaves on May 11.


A Modern Twist on a Classic Tale

Inspired by the narrative that has captivated country fans for decades, Belles penned “Son of Jolene” as a character-driven sequel to Parton’s 1973 hit. The song imagines a chance encounter years later with the son of the infamous Jolene, blending vivid storytelling with a sharp, modern country edge.

The Parton Connection

The collaboration was born from a creative spark and mutual respect. Upon hearing the track, Dolly Parton immediately connected with the concept, seeing it as a natural evolution of the story she started over 50 years ago. Her iconic vocals on the track bridge the gap between country music’s golden era and its bright future.

“I grew up so inspired by Dolly and the worlds she created through her songs. Having her lend her voice to this record is beyond anything I could have imagined. It feels like a full-circle moment and a true honor.” — Belles


High Praise from PEOPLE

The industry is already buzzing about the release. PEOPLE recently debuted an exclusive feature on the song, offering fans a behind-the-scenes look at its inspiration. They described the collaboration as:

“…the equivalent of a musical and generational bridge being built between the two artists.”


Belles by the Numbers

Following the success of her self-titled EP and the viral breakout of “Crazy As Me,” Belles has cemented her status as a powerhouse in the digital age of country music.

MetricAchievement
Social Media Followers1.5 Million+
TikTok Followers450,000+
Total Views & Streams100 Million+
iTunes Country ChartPeaked at No. 3
Stream Growth400% Increase post-viral success

What’s Next for Belles?

Since moving to Nashville in 2018, Belles has shared the stage with superstars like Miranda Lambert and Old Dominion. Currently signed with East Music Row Records and managed by Red Light Management, her momentum is undeniable.

With “Son of Jolene” serving as the centerpiece of her current rise, all eyes are on her upcoming 2026 debut album. Keep an eye on this rising star—she isn’t slowing down anytime soon.



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American Sharks Returns: New Single ‘Not Dead Yet’ and 2026 Album Release Date

Austin’s American Sharks. Courtesy photo, used with permission.

American Sharks Are Back: New Single and Album “Not Dead Yet” Announced

The wait is finally over. After a six-year hiatus, Austin’s favorite punk-metal hybrid, American Sharks, has officially returned. The trio dropped their brand-new single this month, the title track from their upcoming album, Not Dead Yet. (Us/Them Group, 2026)

Listen to “Not Dead Yet.”

The new track is a blistering reminder of why this band was missed.


The Sound: “Weezer Goes Stoner Rock”

Hailing from Austin, TX, American Sharks have perfected a high-energy sound that blends infectious pop hooks with “blasting-yer-face” riffs. Imagine the melodic sensibility of Weezer mashed into a heavy Stoner Rock aesthetic, and you’re halfway there.

Centering around founders Roky Moon (vocalist/bassist) and Nick Cornetti (drummer), the new album features nine fast-paced, pummeling tracks that prove the band is far from finished.

A Heavyweight Guest List

The band isn’t coming back alone. Not Dead Yet features an impressive roster of special guest guitar soloists from across the rock and metal world:

  • Mike Derks (GWAR)
  • Zach Blair (Rise Against)
  • Kyle Shutt (The Sword)
  • David Sullivan (Red Fang)
  • Leo Lydon (Rickshaw Billie’s Burger Patrol)

Catch Them On Tour

American Sharks will be hitting the road this spring as the main support for Rickshaw Billie’s Burger Patrol. The full U.S. tour kicks off in April.

Tickets for all shows are available online.


Album Release Details

Mark your calendars! The full-length album arrives just as the tour gets into gear.

  • Release Date: April 17th, 2026
  • Label: Permanent Teeth
  • Formats: LP, CD, and Digital Download

Since their 2013 debut and their self-produced follow-up 11:11, American Sharks have shared stages with legends like Clutch and Corrosion of Conformity. This 2026 return marks a “breathtaking” new chapter for the band.

Pre-orders are available HERE.

  1. Not Dead Yet
  2. Flowers for The Dead
  3. Going Insane
  4. Fuzz War
  5. Give Me Blood
  6. Bang Yer Head
  7. The Machine
  8. Sunny Sunday
  9. They Want Peace

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Dallas Death Metal Unit Frozen Soul Teams Up with Gerard Way for New Single

Frozen Soul photo by Kate Russell, used with permission.

Frozen Soul Announces New Album No Place of Warmth — Featuring Gerard Way

Dallas’ premiere death metal/hardcore unit Frozen Soul has officially emerged from the frost to announce their third full-length studio album: No Place of Warmth. (another side, 2026)

Arriving May 8 via Century Media, the record is described as a monolithic and exigent collection of anthems. It promises the band’s signature blend of ferocity and subtle melody, guided by soaring guitar leads through a “dark chasm of merciless riffs.”

A Letter to the Fans from the Wasteland

While their previous work explored glacial territories, No Place of Warmth turns inward. The album surveys the emotional wasteland of everyday struggle, serving as an open letter to fans. It decries the cold realities of life while providing the tools and motivation to conquer them.

“Life is always coming at you, and death doesn’t stop—you might slow it down, but it’s always coming—so you have to make the best out of it and march on.”

Chad Green, Vocalist


The Title Track: “No Place of Warmth” (feat. Gerard Way)

In a landmark collaboration, the album opener and title track features Gerard Way (My Chemical Romance). The track is available now on all digital platforms.

  • The Concept: The song explores the choice between letting the cold consume you or finding warmth in a void.
  • The Video: Directed by Brendan McGowen, the visual features actor London Smith (from 2023’s “Morbid Effigy”) returning to play the personification of Death.
  • The Collaboration: Green and Way became friends a few years ago. “I knew he had a love for metal,” Green recalls. “Gerard is an amazing artist and musician whose creative vision has shaped generations.”

Evolution of the “Cold” Sound

Musically, the album sees Frozen Soul distilled to their primordial essence. Expect a “menacing” version of the band focused on maximal minimalism across eleven new songs.

AspectDescription
Vocal StyleChad Green’s “sandpaper-y bellow” acting as a dungeon master/soothsayer.
Musical DNAHardcore punk aggression meets classic American Death Metal (Obituary, Mortician).
InspirationEarly Earache ruination (Carcass, Bolt Thrower).
Philosophy“Stop overthinking it… emphasizing brutality but with an ear for hooks.”

On the Road

Frozen Soul has solidified their place as leaders of metal’s next generation. This April, they will hit the road across the states with Avatar and Fleshgod Apocalypse. See tour information here.

Frozen Soul is:

  • Chad Green / Vocals
  • Michael Munday / Guitar
  • Chris Bonner / Guitar
  • Samantha Mobley / Bass
  • Matt Dennar / Drums

No Place of Warmth – Tracklist:
1 – No Place of Warmth (Feat. Gerard Way)
2 – Invoke War (Feat. Machine Head)
3 – Absolute Zero
4 – Dreadnought (Feat. Sanguisugabogg)
5 – Chaos Will Reign
6 – Eyes of Despair
7 – Ethereal Dreams
8 – Skinned by the Wind
9 – DEATHWEAVER
10 – Frost Forged
11 – Killin Time (Until its Time to Kill)


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Poison Ruin Announces New Album ‘Hymns from the Hills’ via Relapse Records

L-R: Allen Chapman (drums), Nao Demand (guitar), Mac Kennedy (vox, guitar), Will McAndrew (bass). Photo By Kat Bean, used with permission.

Scythes, Spirits, and Synths: Poison Ruin Announces ‘Hymns from the Hills’

Poison Ruin’s upcoming release, Hymns from the Hills, ambitiously rewrites the rules of punk. The Philadelphia outfit is pushing their sound into expansive new terrains without sacrificing an ounce of the bleak symbolism and uncompromising aggression that established them as one of extreme music’s most urgent voices. (another side, 2026)

Expanding their signature approach to grim mythmaking, these new songs feel equal parts natural, undeniably of this world, and phantasmal.

Release Date: April 3 via Relapse Records

Formats: Vinyl, CD, and Digital

Available for pre-order.


A Tapestry of Dispossession

On Hymns from the Hills, Poison Ruin’s previous stories of toil are revealed to be but one chapter etched upon a bleaker tapestry. This is a landscape populated by:

  • Spirits traversing sunless deserts and wilted hillsides.
  • Demonic torture objects lining the psyche.
  • Bodies transfigured into Luciferian snakes.
  • Sadean prisoners bound to the screaming silence of abandoned towers.

Lead Single: “Eidolon”

The band’s signature raw, anthemic aggression pummels through on the lead single “Eidolon,” recently released alongside its official video.

Frontman, lyricist, and guitarist Mac Kennedy explains the track’s bleak inspiration:

“‘Eidolon’ is about being stuck in a broken reality, a cog in a fate-machine doomed to play out the same cursed loop until it fully breaks down. The ones who had the power to affect change have abandoned the scene… Grim reminders of what could have, but will not be.”


Expanding the Sonic Mythos

The record acts as both a forceful restatement and a bold departure. While listeners will recognize the crackling, cassette-dubbed darkness, it is now supported by a carefully sculpted mosaic of new textures:

  • Killing Joke-style hacksaw primitivism.
  • Blast-beats worthy of the Relapse catalog.
  • Crisp analog synth lines.
  • Ambient serenades reminiscent of Scott Walker and The Durutti Column.

The Craft: DIY Grandeur

Meticulously composed and self-recorded, the LP saw Kennedy relocate to a private practice space to meet the record’s greater sonic demands. To polish this “hissing abyss,” the band enlisted top-tier talent for the final touches:

  • Mixing: Jonah Falco (with Kennedy splicing in gritty tape segments for tonal continuity).
  • Mastering: Arthur Rizk.

The result is a rich structure of unconventional frictions—crystalline flashes of polish ripping through low-end grime, only to shatter against the whipping sting of rusted chains.

Mythic Sensibilities

Lyrically, Hymns from the Hills reaches new poetic heights. While the record continues the tradition of employing medieval-inflected fantasy imagery, Kennedy is quick to note that these figures are not intended to be read as historically accurate, but rather as tools for cynicism and defiant bravado.

“I’m not very interested in conveying the historical facts of medieval culture. If we are to make sense of the present, we need to employ a more mythic mode of language and symbol to reach beyond the spiritual malaise that envelopes us. A mythic truth resonates within any time, but its echoes call from outside of time. Medieval and fantasy imagery are simply effective personal starting points for tapping into that mode of communication.”


Hymns from the Hills tracklist:
01 – Intro
02 – Lily Of the Valley
03 – Hymn from the Hills
04 – Eidolon
05 – Howls From the Citadel
06 – Pilgrimage
07 – Guts (Lay Your Self Aside)
08 – Turn To Dust
09 – Puzzle Box
10 – Serpent’s Curse
11 – Sleeping Giant (Interlude)
12 – Crescent Sun
13 – The Standoff


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A Kaleidoscope of Cumbia: Juanes Returns to His Roots with ‘JuanesTeban’

The new album will be released March 3, 2026. Photo: Google

The Latin Rock Titan Returns: Juanes Announces New Album ‘JuanesTeban’

The wait is almost over for fans of the Colombian legend. Juanes has officially announced that his 12th studio album, titled JuanesTeban, is set to drop on March 6. (Hits Daily Double, 2026)

Alongside the announcement, the Latin rock icon released a teaser trailer giving fans a glimpse into what’s being hailed as one of his most personal projects yet. The LP was co-produced by Juanes himself and the reigning Latin Grammy Producer of the Year, Nico Cotton (known for his work with Aitana and Nathy Peluso).

A “Kaleidoscope” of Sound

According to Juanes, this album is a return to his roots, blending his signature rock style with the rhythmic soul of Latin America.

“It’s like a kaleidoscope of my many moods: joyful, enthusiastic, melancholy,” Juanes shared. “I wanted to make the kind of album that would take me back to the land of dancing and cumbia – the feeling of Latin America, the root of folklore.”

Tracklist Teasers & Collaborations

The album features high-energy collaborations and soulful solo tracks, including:

  • “Muérdeme” (featuring Bomba Estéreo)
  • “Una Noche Contigo”
  • “Hagamos Que”
  • “Cuando Estamos Tú Y Yo”

Upcoming Tour Dates & Honors

It’s going to be a massive spring for the “A Dios le Pido” singer. Before the album even hits shelves, Juanes will be honored by Univision at Premio Lo Nuestro with the Lifetime Achievement Award on February 19.

He is also set to headline some of the biggest stages in the world:

  • Viña del Mar (Chile)
  • Vive Latino (Mexico)
  • El Carnaval de Barranquilla (Colombia)
  • Movistar Arena (Madrid, Spain)

About Juanes

With a career spanning over two decades, Juanes remains one of the most influential figures in music history. Since his solo debut Fíjate Bien in 2000, he has secured 26 Latin Grammy Awards and sold over 15 million records worldwide.

Ready to listen? JuanesTeban is available for pre-order.


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trauma ray’s Carnival EP Is a Dark, Shoegaze-Fueled Descent Into Unease

trauma ray announces new album – Carnival. Photo: Erasmo Viera, used with permission.

trauma ray Explores the Dark Funhouse on Carnival EP

trauma ray’s Carnival EP captures the Fort Worth five’s strongest, most intense, and exploratory work within the boundaries of a whirlwind year. Carnival delves into moodier, more cerebral material, like holding their past excursions against a funhouse mirror. There’s a distinct sense of unease in these songs, built in a fleeting window of time, proving the band works best under pressure and when pulling from the darkest corners of their subconscious. (another side, 2026)

Carnival will be available on February 20 via Dais Records.
Pre-save / pre-order here.


Following the Breakout of Chameleon

Carnival follows the breakout success of Chameleon, trauma ray’s 2024 debut on Dais Records. The album helped firmly establish the band amidst the current wave of shoegaze revivalists. Increasingly agile, trauma ray has proven able to weave between scenes, touring extensively with the likes of Deafheaven, Loathe, Touché Amoré, and more.

A confluence of blitzing riffs and stark beauty, trauma ray’s sound continues to evolve, nodding to loud-quiet-loud greats across metal, grunge, and shoegaze, from Slowdive to Smashing Pumpkins.


New Single: “Hannibal”

trauma ray’s new single and video, “Hannibal,” contorts with a tinge of unprecedented evil, slithery and, as vocalist Uriel Avila puts it, “Stone Temple-y, Alice in Chains-y.” Lyrically, the track taps into teenage angst and the feeling of being dissected and rejected.

“It’s a song about the feeling of doing your best as an individual yet still falling short in the eyes of those you hope to make proud,” Avila explains.

“A lot of it stems from internal battles I faced growing up with my father, role models, and religion. Some of it comes from more recent experiences of being put under the microscope by my peers. It’s a gut-wrenching sensation that I was able to tie lyrically to the visceral mood of the instrumentation that kicks off the track and begins the journey through Carnival’s overall theme.”


Recording Under Pressure

During a brief break in their relentless touring schedule last summer, trauma ray regrouped in Texas for a few days to record a flurry of tracks, later sent to Corey Coffman for mixing and mastering. Core songwriting duo Avila and guitarist Jonathan Perez welcomed increased contributions from the rest of the band, most notably guitarist Coleman Pruitt and bassist Darren Baun, who brought an eerier strain of rhythmic and textural ideas.

This shift coincided with a growing sense of collective dread and anxiety, visually captured in a striking photo set of a deserted amusement park near Brighton, England. Shot on tour by drummer Nicholas Bobotas, the images now serve as the EP’s artwork.


Track-by-Track Through the Funhouse

The wordless opener “Carousel” ushers in Carnival’s unsettling atmosphere, with blasts of static and downcast strums giving way to “Hannibal,” the anthemic lead single packed with power riffs and raw emotion.

“Méliès,” named after French illusionist and filmmaker Georges Méliès, cuts between heavy, sludgy chords and a skyward chorus—“from something scary to like a dream state,” Avila says, channeling the surreal abstraction of its namesake.

“Funhouse” dips into doom metal, featuring sparse guitar work and possibly the band’s slowest BPM yet. Lyrics play with shifting perspectives, culminating in a call-and-response outro—“take my hand / this is not your wonderland”—that conjures opposing forces or frames of mind.


A Jarring Exit: “Clown”

In contrast, the final track “Clown” jolts, flashes, and pummels, like emerging from the other end of a house of horrors, now immersed in the disorienting lights of the carnival. Personified by a knotty, synth-soaked lead guitar squall, the song evokes Robin Williams as an archetype of tragic happiness: those who work hardest to make others laugh may privately be the saddest.

Sonically, the band cites influences like Failure’s “Undone” and “Stuck on You,” alongside the omnipresent Loveless. The result speaks to trauma ray’s growing strength: five musicians absorbing, synthesizing, and expanding on what they love.

Carnival offers a brief, highly loopable detour into darkness from a band growing more formidable by the mile.


Carnival EP tracklist: 

1 – carousel
2 – Hannibal
3 – Méliès
4 – Funhouse
5 – Clown


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Worm Unveils the Dark Majesty of Necropalace

Worm announces new album Necropalace. Photo: Andreas Marschall, used with permission.

Worm Walks Backwards Into the Future with Necropalace

Worm has incessantly built upon their sonic palette of “Necromantic Black Doom” with roots in nearly every worthy corner of extreme metal’s history, from the grandiose heights of ’90s symphonic black metal to the emotional technicality of ’80s shred metal. (another side, 2025)

Four years after their acclaimed full-length Foreverglade, Worm emerges with their next studio album and first release with Century Media Records, Necropalace. The Floridian band has only grown more powerful, showcasing a level of grandiose songcraft that is beyond modern compare. On Necropalace, Worm has managed to do what many others in this day and age can only attempt: they walk backwards into the future.


A World Untouched by Time

Necropalace lives in a world of its own.

A world of lush velvet and ostentatious gold, covered in the dust of time.
A world where shadows seem to move in your peripheral vision, yet the loneliness never ceases.
A world where wounds of the flesh may heal, but those of the heart never do.


The Gates Open: “Necropalace”

The nightmarish omnipotence of album opener and title track “Necropalace” ushers the listener into a journey through obsessive bloodlust. Spellbinding, powerful vocals from Phantom Slaughter guide the descent, while guitarist Wroth Septentrion flaunts his stunningly masterful songwriting throughout.

“Necropalace” feels like an endless maze of subterranean, candle-lit corridors, each riff constantly shifting and evolving. With multiple listens, however, one discovers that the maze contains many paths that ultimately converge into one another.


Into the Crypt: “Blackheart”

Worm’s latest single, “Blackheart,” is a descent into the nether vaults of the Necropalace. As you make your way through the crypts and catacombs beneath the castle, you find Nightfang’s resting place. Beside his black coffin sits the Blackheart, encased in ice and glowing blood red.

This occult artifact pumps life into the ancient palace walls and keeps the vampire lord immortal.

“Blackheart” serves as part two of Worm’s official Necropalace short-film series, heavily inspired by their obsession with horror from the ’80s and ’90s. Director Norman Cabrera, Producer Maya Kay, and Colorist Alex Nicolaou, under the direction of Ted Nicolaou, continue to bring Worm’s dark fantasy into reality following “Necropalace,” now deepening the vision with “Blackheart.”


The Infernal Masquerade

Enter if you dare, but know the consequences of your choice.

Through the opulent finality of album closer “Witchmoon: The Infernal Masquerade,” featuring guitar virtuoso Marty Friedman, Necropalace reveals itself as the true sonic representation of unbridled, night-bound maleficence.

The album manifests as the soundscape to a star-laden winter sky reflecting off the Everglades’ darkest slough, where death meets the deathless. This is a vociferous call to action for anyone who still possesses ancient vampiric blood in their veins.

Prepare yourself for a full-force attack of zealous guitar agility and heretic spellcraft.

The gates are now open.


Release Information

Necropalace will be released February 13, 2026 via Century Media Records. Pre-order/Pre-Save here.

Necropalace tracklist:
1 – Gates to the Shadowzone (Intro)
2 – Necropalace
3 – Halls of Weeping
4 – The Night Has Fangs
5 – Dragon Dreams
6 – Blackheart
7 – Witchmoon – The Infernal Masquerade (Feat. Marty Friedman)



Photo courtesy of artist, used with permission.