Tag: new album

Milwaukee Trio Snag Is One of Modern DIY Hardcore’s Most Unique Voices

Snag shares music video for new LP album opener ‘Unarrest Me.’ Photo: Samer Ghani, used with permission.

Heavy Emo with a Purpose: Milwaukee’s Snag Returns with All The Cages Holding Us Will One Day Turn To Dust

Since their formation in 2016, Milwaukee trio Snag has quietly carved out their own unique space in the DIY underground. They have quickly become a favorite of listeners hungry for emotional hardcore that delivers far more than just aimless chaos. (another side, 2026)

On All The Cages Holding Us Will One Day Turn To Dust—the band’s third LP and first for Deathwish Inc.—Snag continues to develop their signature brand of heavy emo, expanding melodically and texturally without losing an ounce of their edge.

Turning Inward: Personal Struggles and Physical Cages

While Snag’s lyrical approach has historically focused on broader, universal themes like climate anxiety and apocalyptic dread, All the Cages… shows the band looking inward. Many of the tracks draw heavily on the members’ personal experiences with chronic illness and mental health obstacles.

The central motif of cages weaves its way throughout the record. On the album opener, “Unarrest Me,” the cage is literal: a physical jail cell.

“The song is a POV of a wrongful arrest—the confusion, the panic, and the sheer inhuman reaction from the arrester. This song musically tells an eerie story within itself. It sets off on a journey and ends abruptly at its peak.”

— Samm Szymborski (Guitarist/Vocalist)

Bassist and vocalist Peter Murphy emphasizes the visual and thematic story behind the track’s music video:

“The concept for the video is ‘collective liberation through mutual aid.’ The symbols of zip ties and blindfolds against flashlights and sprints put a finer point on the idea that every free person can help free another person.”

Music as an Action Plan

From the very beginning, acting on their message has been central to Snag’s ethos. Their lyrics aren’t just art, they are invitations to active involvement.

  • The Self-Titled LP: Came packaged with a lyric sheet, a book of matches, and an envelope of seeds encouraging listeners to grow habitats for pollinators.
  • All the Cages…: Features a partnership with the Florida-based organization Wire of Hope. The record includes individually labeled envelopes addressed to inmates, inviting listeners to become prison pen pals.

“The logic that says a corporation can destroy the planet to extract profit from it systematically is the same basic logic that says humans can be systematically caged for profit,” Murphy explains.

“It’s probably safe to say every person who hears this album is a lot closer to being incarcerated than to being one of the billionaires that seek ever more control. We thought we could make that connection much more explicit with a homework assignment in the record insert—and hopefully foster friendship and connection as well.”

Expanding the Sonic Palette

The intentionality behind the band’s message extends directly into the music. Snag has always been far more than a mere throwback band, consciously pushing boundaries in a subgenre that often struggles to move past the influence of its forebearers.

All the Cages… recalls the dynamic, progressive energy of acts like Majority Rule, Welcome the Plague Year, and Kidcrash, while forging its own distinct path.

“We made a decision a long time ago to simply make the music that we like and to not try to fit into genre conventions. That decision gave us permission to try different instrumentation and stylistic approaches to songs, which resulted in a few unusual moments on this album.”

— Peter Murphy

A Decade of DIY Resilience

A decade into their existence, Snag remains one of the most unique and vital voices in modern DIY hardcore. The band members’ commitment is deeply personal, they need the music just as much as the music needs them. At its core, they simply haven’t grown bored with the artform that captured their imaginations as kids.

“When we started the band we were in some of the most depressive periods of our lives, and it offered an outlet, camaraderie, and hope. It hasn’t stopped since.”

— Wysocki

All The Cages Holding Us Will One Day Turn To Dust track list:

  1. Unarrest Me
  2. Debilitated
  3. Pray for Peace
  4. Suburn
  5. Juneberry
  6. Whisper
  7. Shelf Life
  8. Paris, WI
  9. Foam Cup, Pt 3
  10. Cages
  11. Cages (Reprise)

Carly Simon Returns with New Album ‘Comes In Waves’ and Lead Single ‘Howl’

‘Comes In Waves’ is Carly Simon’s first album of original songs since 2008. Photo: Sally Taylor, used with permission.

Carly Simon Announces First Album of Original Songs Since 2008: ‘Comes In Waves’

Legendary singer-songwriter Carly Simon is officially returning with Comes In Waves, her first album of original material since 2008. Set to arrive on August 14, the 12-track album was written and recorded primarily at her Martha’s Vineyard home, bringing together a body of work that feels both deeply personal and quietly expansive. (Miller PR, 2026)

Six decades after her solo debut, Simon’s voice remains unmistakable: emotionally precise, literate, and unguarded. Rather than looking back with simple nostalgia, Comes In Waves is anchored in clarity, exploring the complex emotional terrain of love, memory, family, and self-reckoning.

Pre-save Comes In Waves

A Striking Reintroduction: “Howl”

Serving as the album’s opening track and lead single, “Howl” captures the emotional depth Simon continues to explore. Co-written and produced with platinum- and gold-certified producer David Spencer, the track pairs Simon’s signature vocals with a lyric that moves from the sting of betrayal toward the peace of forgiveness.

Speaking on the inspiration behind the single, Simon shares:

“‘Howl’ lives in that space between betrayal and forgiveness, where anger has to be voiced before it can be released. It’s about letting the frustration out so it doesn’t sit and simmer. The song begins in anger, but it moves toward forgiveness, and speaks to any situation where trust has been broken.”

Themes of Healing and “Slowly”

The album’s title is drawn from “Slowly,” a song centered on patience, return, and emotional renewal. In the track, feelings rise and recede like the tide—a concept that serves as the emotional anchor for the entire record. Across these 12 tracks, love, grief, anger, memory, and healing all arrive in waves, moving with their own natural force and timing.

Rather than trying to recreate her past hits, Comes In Waves continues the honest, vulnerable conversation Simon has shared with her audience for decades.

A Close Circle of Collaborators

This record was brought to life alongside a tight-knit circle of family, friends, and longtime creative partners:

  • John Forté: Features on the album posthumously, following his passing earlier this year.
  • Ben Taylor (Son): Contributed throughout the project as a singer, musician, producer, and songwriter.
  • Sally Taylor (Daughter): Contributed vocals and created the single’s cover artwork.

Comes In Waves track list

  1. Howl
  2. Maybe I Never Loved You
  3. Peaches
  4. Love Has No Ending
  5. Mother Of Pearl
  6. Slowly
  7. Four In The Morning
  8. The More I Look For You
  9. Love The Way I Do
  10. The Father Daughter Dance
  11. Share the End
  12. Do It Anyway

About Carly Simon

For those who need a quick refresher on the incredible legacy of this trailblazing artist:

  • A Trailblazing Career: Emerging in the early 1970s, Carly Simon helped redefine pop music as an intimate, emotionally intelligent form of storytelling.
  • The EGOT-Adjacent Legend: Her catalog includes generation-defining hits like “You’re So Vain,” “Anticipation,” and “Let the River Run.” The latter earned her an Academy Award, a Golden Globe, and a Grammy, making her the first female artist to win all three as both a performer and composer.
  • Accolades: Simon is a five-time Grammy winner (with 19 additional nominations) and an inductee into both the Rock & Roll Hall of Fame and the Songwriters Hall of Fame.
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A.A. Williams Releases New Album ‘Solstice’ via RPM Records

A.A. Williams’ new album Solstice is out now. Photo: another side, used with permission.

Cinematic Darkness & Radiant Renewal: A.A. Williams Releases ‘Solstice’

A.A. Williams steps into a new era. Out now via RPM, Solstice arrives as Williams’ most powerful and poetic work to date, an album shaped by extremes of light and darkness, weight and fragility, devastation and renewal. (another side, 2026)

Thunderous highs, intimate lows, and vivid emotional shifts unfold across a record that feels both deeply personal and cinematic in scale.

A Sonic World of Extremes

Long celebrated for her haunting vocals, immersive dynamics, and striking emotional clarity, Williams expands her sonic world with an album that moves like a ritual through changing seasons.

  • The Instrumentation: Guitars churn like gathering weather, while strings glow with a fragile warmth.
  • The Vocals: Her voice unfolds seamlessly from restrained intimacy into a commanding emotional force.

Solstice captures A.A. Williams at a major creative turning point. Inspired by years of global touring, acclaimed collaborations, and genre-defying reinterpretations, the album finds her fully embracing both vulnerability and power.

Balancing crushing heaviness with moments of startling beauty, Solstice invites listeners into a world where silence can feel as immense as sound itself. It’s intimate, dramatic, and quietly radiant; music for endings, beginnings, and the long road between the two.

About A.A. Williams

Making her debut live appearance at the prestigious Roadburn Festival in the Netherlands off the back of a self-titled EP, A.A. Williams has since toured across the globe with heavyweights like:

  • Cult of Luna
  • Explosions in the Sky
  • Russian Circles
  • Sleep Token
  • The Sisters of Mercy

Alongside these massive support slots, she has established herself as a formidable headline artist, including a landmark show at the iconic Queen Elizabeth Hall inside London’s Southbank Centre.

A Track Record of Critical Acclaim

Her standout festival appearances have dovetailed with two widely acclaimed album releases: 2020’s Forever Blue and 2022’s As The Moon Rests. Both records placed Williams at the forefront of a wave of artists taking textured, epic, and folk-rooted heavy music into progressive new directions. A live BBC session at the legendary Maida Vale Studios further bolstered her credentials.

Pushing Boundaries & Companion Pieces

Never one to rest on her laurels, Williams has continuously released innovative companion projects, including:

  • “Exit In Darkness”: A collaborative single with Japanese post-rock titans MONO.
  • Songs From Isolation (2020): A solo covers collection recorded during the pandemic lockdown that drew praise from icons like The Cure’s Robert Smith and Smashing Pumpkins’ Billy Corgan.
  • arco (2021): Perhaps her most impressive feat, where the multi-instrumentalist drew on her classical training to completely rework her debut EP from rock instrumentation into a stunning string ensemble.

Solstice is out now via RPM. Stream or purchase the album here.

Solstice track list:

  1. Poison
  2. Wolves
  3. Little By Little
  4. Hold It Together
  5. Outlines
  6. I’ve Seen Enough
  7. The Veil
  8. Just A Shadow
  9. It Won’t Rain Forever
  10. Breathe
  11. The Gentle Harm

Smirk Announces New Album ‘Speculative Fiction,’ Shares New Single ‘Abide’

New album Speculative Fiction out July 3 via Smoking Room. Photo: another side

Track Premiere: Smirk Shares Melancholic New Single & Video “Abide” Ahead of New Album

Smirk has released the melancholic single and video “Abide” ahead of his highly anticipated new album, Speculative Fiction, due out July 3 on Smoking Room. Pre-order/pre-save here. (another side, 2026)

The indie-leaning track feels like a lost B-side from Surfer Rosa-era Pixies mixed with the twang of Gun Club and a solo straight out of the J Mascis playbook. Lyrically, the track slides right into the album’s overarching theme: abandoning longstanding ties for a fresh start and a new future on the horizon.

“‘Abide’ is based on an old British hymn that I reworked to be about the looming end of a long friendship. It’s about that slow drift where nothing really happens, but you can feel it fading and you aren’t trying to fix it.” — Nick Vicario, Smirk Mastermind

Unrest in the Suburbs: Facing the Past

Growing old sucks, but there comes a point in life when it becomes a necessity to ignore the pull to constantly wild out.

“When this band started in LA, it was a crazy time in my life,” Vicario admits. “I was crashing cars, doing drugs—I was doing horrible things and destroying my life.”

On Speculative Fiction, Vicario deals with a new twist on an age-old theme for punk rock: unrest in the suburbs. Instead of youthful rebellion, this version of unrest deals with looking back on past indiscretions and dealing with their repercussions—the disruption of the old life, settling into the new, and the reflection that comes with it. These thoughtful lyrics and themes, when paired with Vicario’s guitar-pop confection, make for a unique juxtaposition.

“When I was writing ‘Speculative Fiction’, a lot of that dealt with the ‘old me’ and some of the crazy life choices I made while abusing substances. So while the record is partially about the ‘old me,’ it’s also very much about putting them in my current world and the new set of problems that come from that.”

From Portland Hardcore to Solo Vision

Vicario has a deep history with punk rock. Growing up in Portland, Oregon, in the early 2000s, he was ingrained in the legendary scene that birthed Poison Idea and Wipers. He began playing in bands at an early age, hobnobbing with members of Tragedy and Criminal Damage in cover bands and even on the gridiron. At just 12 years old, his first band, The Diskords, were the toast of the Maximum Rock ‘n’ Roll illuminati, leading to several releases and having The Exploding Hearts take them under their wing.

His musical journey spans an impressive array of genres and projects:

  • Hardcore & Indie Pop: Playing in hardcore bands like Cower eventually led him to the indie pop outfit Wild Ones, who released two records across eight years (the latter landing on Topshelf Records).
  • Collaborations & Touring: Stints with Public Eye, Cemento, Crisis Man, and others, alongside touring with Surfer Blood and Dreamdecay.
  • The Birth of Smirk: Vicario eventually decided to focus his energies on his solo project, Smirk, dropping a self-titled album in 2021 and Material in 2022.

A New Sonic Blueprint

On Speculative Fiction, Vicario is restarting both personally and musically. Smirk is slowing things down, taking a more measured, power-pop approach that strays away from the speedy punk marking earlier releases. The result is decidedly more mid-paced, reflecting the works of Big Star and The Paul Collins Beat as much as early Stiff Records releases, all filtered through the DIY spirit of Guided by Voices.

Written entirely by Vicario, Speculative Fiction is Smirk’s third full-length album. To round out the record, he called upon a stellar cast of old friends and live bandmates, including:

  • Ross Farrar (Ceremony)
  • Max Smadja (RIXE)
  • Ryan Mangione-Smith (Advertisement)
  • Current members of Smirk’s live lineup (who play in Hotline TNT, Poison Ruin, and Pardoner)

Production Credits

  • Recording: Mainly recorded in Vicario’s home studio, with additional tracks captured by Ian Rose at Daisy Chain Studios in Brooklyn.
  • Mixing: Handled for the bulk of the record by Andy Oswald.

Life Imitates Art

With Speculative Fiction, life imitates art. Smirk slows things down, retools, and gets meticulous—making deliberate decisions with respect to songwriting, approach, and collaboration to execute a new vision.

The final result is a refined, focused, and less chaotic approach to punk with an eye on pop-sensibility. It perfectly mirrors Vicario’s new lifestyle: outside of the fast lane and behind a white picket fence.

Smirk’s new album Speculative Fiction arrives July 3 via Smoking Room. Stream the new single “Abide” now.

Speculative Fiction tracklist:

01 – Greetings
02 – Victimry
03 – Cheap Greed
04 – Going Off To Die
05 – Sistine Junk
06 – Dog Years
07 – I Shall Be Released
08 – Perfect World
09 – Abide
10 – Ritual Torture
11 – Interlude
12 – Shit Song
13 – Crime Pays

Photo: Emily Vicario

Maya de Vitry Announces New Album ‘All My Faith’ and 2026 Tour Dates

Maya de Vitry offers rhythms of time, love, & self-acceptance in self-produced 5th studio album. Photo: Ethan Jodziewicz, used with permission.

Maya de Vitry Announces Fifth Studio Album ‘All My Faith’ & Summer/Fall Tour

Energized by the spontaneity of live performance and a revelatory pursuit of truth in her lyric writing, Maya de Vitry returns with her fifth full-length album, All My Faith. Prioritizing presence and grit over studio polish, she sounds joyously at home in the alt-country and indie-folk realms. (Dreamspider Publicity, 2026)

Recorded and mixed by 5-time Grammy Award-winning engineer Sean Sullivan and self-produced by de Vitry, All My Faith is a buoyant gathering of songs brought to life by a cast of her closest confidantes and collaborators.

Release Date: All My Faith will be released on de Vitry’s own Mad Maker Studio label on July 24 and it’s available for pre-order.

Capturing the Magic in Real Time

From canyons to kitchens, from cold lakes to highway truck stops, the songs form a vibrant collage of joy, sorrow, and gut-wrenching honesty. Whether spinning an inspirational tale about hungover bachelorettes at the Nashville airport or exploring the prison of our own adaptations, de Vitry brings a grounded confidence and quiet charisma rooted in her belief in the power of song to change us.

All My Faith consists of 10 original songs written by Maya over the last year. Forgoing the technology often used to “perfect” studio recordings, de Vitry chose instead to fully trust the moment-to-moment musical conversations of the players and singers gathered around her.

A Commitment to No Edits

“When the band realized that I was planning to do no edits whatsoever on these tracks, the level of commitment from everyone just soared. It was a really exciting atmosphere in the studio,” de Vitry recalls.

True to her vision, everything you hear on this record was captured in real time and recorded over three days at The Tractor Shed in Goodlettsville, TN, from November 23 to 25, 2025.

The All-Star Studio Lineup

To bring this raw energy to life, de Vitry assembled an incredible crew of musicians:

  • Spencer Cullum & Ethan Ballinger (Miranda Lambert’s touring band) – Pedal steel and guitar
  • Jo Schornikow (Phosphorescent) – Keys
  • Ethan Jodziewicz – Bass
  • Dominic Billett – Drums
  • Shelby Means & Joel Timmons – Harmony vocals

Inspiration and Themes

A profound connection to nature runs throughout the record, not as a passing metaphor, but as an elemental and transformative force shaping both her voice as a songwriter and her orientation as an artist. At its heart, the album reflects on the ways human beings choose to care for one another in myriad forms and on the generative healing and wisdom that emerge from our relationships with each other and with the natural world. There’s also a common thread running through this record of being willing to name the painful and difficult parts of human relationships.

First Single: “Confidence of the Sun”

With her armor fading and her fire burning from within, “Confidence of the Sun” is bold and bright. It is the album’s first single and is one of several songs on All My Faith that Maya wrote at Blue Rock Artist Ranch & Studio in Wimberley, Texas, where she had been gifted a weeklong songwriting residency in April 2025.

Catch Maya de Vitry on Tour

Maya continues to tour in North America and Europe, whether solo, with her band, as part of other projects, or supporting artists like The Wood Brothers, Aoife O’Donovan, John Craigie, and Mighty Poplar. Tour dates are available online.

More About Maya de Vitry

Originally from the green rolling hills of Lancaster, PA, Maya de Vitry is a Nashville-based fiddler-turned-songwriter whose music blurs the lines of folk, indie rock, and Americana.

Her earliest years in the music industry are represented by the 4 full-length albums and 2 EPs with the roots-Americana trio The Stray Birds, with whom she toured year-round for 7 years throughout the USA, Canada, and Europe.

After this formative chapter, she launched her solo career with her 2019 album Adaptations, earning praise from Rolling Stone Country, NPR Music, and No Depression. Since then, she has released three more full-length albums—How to Break a Fall (2020), Violet Light (2022), and The Only Moment (2024)—and an EP, Infinite (2023).

When she is not on the road, she works as a record producer for other artists within her musical circle (Joel Timmons, Shelby Means, Hannah Delynn). Maya’s songs have also been recorded by The Milk Carton Kids, Nicholas Jamerson, Lindsay Lou, Steve Poltz, and Bronwyn Keith-Hynes.

The result is music that is, quite literally, the intoxicating sound of faith in action, a bandleader fully trusting in her life experiences, her craft, her collaborators, and the moment. It captures the exact presence she has been cultivating in her live shows, and hearing it magnified on record is its own revelation.

Album cover artwork by Lee Ferris
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Victoria Cardona’s Que Pasó: Chart-Topping Album Meets Live-Looping Mastery

Victoria Cardona releases a solo video series performing songs from her debut album Que Pasó. Photo: Dreamspider Publicity, used with permission.

Artist Spotlight: Victoria Cardona is Redefining the One-Woman Band

West Palm Beach, Fla. — Based out of South Florida, Victoria Cardona is a Cuban American singer/songwriter, guitarist, and multi-instrumentalist who is rapidly turning heads in the music world. (Dreamspider Publicity, 2026)

Her live looping performances are a true sonic and visual experience, taking the audience on a ride through the mind of a spontaneous improvisationalist. With the aid of the Boss RC-600 loop pedal, Victoria masterfully stacks intricate layers of guitar, bass, percussion, and vocal harmonies. The result? A rich, massive backdrop for her smokey alto vocals and ripping lead guitar solos.

The Critical Success of Que Pasó

Victoria recently released her debut studio album, Que Pasó, to critical acclaim across Latin and world radio and media. The record has put up some seriously impressive numbers on the charts:

  • #1 on The Roots Music Report’s Top 50 World Album Chart (holding the top spot for three consecutive weeks).
  • Top 20 on the NCAA (North American College and Community) Radio Chart for 20 weeks, peaking at #10.
  • Currently Climbing: The album is now making fresh waves on Americana and Triple A radio.

Que Pasó Fast Facts

FeatureDetails
ProducerTim Goodman (Founding member of Southern Pacific)
Tracklist8 original tracks + 3 creative covers
The SoundA blend of Cuban rhythms, jazz, rock, and world influences

The album features a powerhouse lineup of legendary guest musicians, including Jimmy Haslip on bass, Jimmy Branley on drums, Justo Almario on horns, Bill Payne on piano, Francisco Torres on trombone, and Tim Goodman pulling multi-instrumental duty on organ, mandolin, guitar, marimbas, and synthesizer.

From Studio Elegance to Live Looping Mastery

While Que Pasó showcases Victoria’s music with the lush backing of a full studio band, she is best known for the raw energy of her live-looping solo performances.

To bridge these two worlds, Victoria recently filmed an exclusive solo performance showcasing the songs from Que Pasó at The Grange in Martha’s Vineyard.

What’s Next: She will be releasing a series of videos from this session across her social media platforms and YouTube. The series kicks off with her original song “Ghost” and will drop every other week.

It’s one thing to deliver a stellar studio record, but it’s another talent entirely to recreate that dynamic, full-band sound completely solo on stage.

Roots, Rhythm, and Global Influence

Victoria’s Cuban roots and deep familiarity with multicultural genres provide the driving inspiration for her music. She delivers a heavy rhythmic undertone fused seamlessly with jazz, blues, soul, Afro-Cuban, Afro-Caribbean, salsa, and rock ’n’ roll.

  • The Upbringing: Growing up in a traditional Cuban household, she was heavily influenced by legends like Celia Cruz, Buena Vista Social Club, and Gloria Estefan.
  • Modern Inspiration: Today, she closely resonates with culturally conscious contemporary acts like Bad Bunny and Peso Pluma.

After formally studying jazz guitar in Florida and Minnesota, Victoria developed her signature live-looping, one-woman-band project. International tours have already taken her across Europe, while her relentless performance schedule throughout the Southeast U.S. continues to sharpen her unique, boundary-pushing sound.

Follow Victoria Cardona on YouTube and social media to catch the bi-weekly Martha’s Vineyard video series!

John Mailander’s Forecast Announces New EP ‘Little Wheel // Hope Looming’

John Mailander’s Forecast has unveiled its spellbinding adaptation of Buffy Sainte-Marie’s ‘Little Wheel Spin and Spin.’ Photo: Steph Heath with Smiling Eyes Media, used with permission.

New Music: John Mailander’s Forecast Announces New EP Little Wheel // Hope Looming

NASHVILLE — Acclaimed multi-instrumentalist John Mailander and his visionary collective, Forecast, have announced the independent release of their new 3-track EP, Little Wheel // Hope Looming, arriving May 8, 2026. (Dreamspider Publicity, 2026)

Following their 2025 full-length album Let The World In, this latest offering marks a poignant exploration of historical cycles, post-rock textures, and adventurous improvisation.

The Tracklist: A Study in Light and Dark

The EP clocks in at 13 minutes and 18 seconds, weaving together a potent mix of vocal urgency and instrumental atmosphere:

  1. “Little Wheel Spin And Spin” (Buffy Sainte-Marie cover)
  2. “Hope, Looming” (Original instrumental)
  3. “(turnstile)” (Ambient sample piece)

Breaking the Cycle: “Little Wheel Spin And Spin”

The EP opens with a timely rendition of Buffy Sainte-Marie’s 1966 classic, featuring guest Kristina Train on lead vocals. Recorded just days before the U.S. entered the conflict with Iran, the track serves as a chilling commentary on the “war machine.”

“It’s chilling to me how relevant these lyrics are today,” says Mailander. “I think our version, and Kristina’s delivery… is felt with a renewed urgency, anger, and resistance… We turned it into a jam vehicle for group improvisation.”

The B-Side: “Hope, Looming”

Inspired by post-rock giants like Godspeed You! Black Emperor and Sigur Ros, this instrumental piece explores the “grey areas” of emotion. It serves as a tonal counterweight to the opening track, a slow-building crescendo meant to signal a glimmer of hope on the horizon.

The Coda: “(turnstile)”

The project is tied together by an unsettling yet hopeful ambient piece, featuring a manipulated sample of a train station turnstile layered over synth improvisations.

Hope Looming EP Artwork

Meet The Forecast

Recorded live at Southern Ground Studio by Dan Davis, the ensemble features some of the finest players in the Nashville scene:

MusicianInstrument(s)
John MailanderFiddle, Piano, Electronics
Ethan JodziewiczUpright & Electric Bass
Chris LippincottPedal Steel Guitar, Wurlitzer
Dean MillerTenor Saxophone
Mark RaudabaughDrums, Percussion
Jake StargelAcoustic guitar

About John Mailander

Beyond leading Forecast, Mailander is a prolific collaborator and a current member of Bruce Hornsby & The Noisemakers.

A Berklee College of Music alumnus, his fiddle and multi-instrumental work have graced recordings by a “who’s who” of modern music, including:

  • Billy Strings (The Grammy-winning Home)
  • Noah Kahan
  • Dermot Kennedy
  • Lin-Manuel Miranda
  • Lucy Dacus

Moving to Nashville in 2015, Mailander formed Forecast to step outside the bounds of bluegrass and explore themes inspired by film scores and jazz-fusion greats like the Pat Metheny Group.

Little Wheel // Hope Looming is available on all major streaming platforms May 8, 2026.

Photo: Michael Weintrob, used with permission.

Bill Scorzari Announces New Album ‘Sidereal Days (Day 2)’ and New Single

‘Open Door’ is the newest single from his new album Sidereal Days (Day 2). Photo: Neilson Hubbard, used with permission.

Related Post: Bill Scorzari’s Sidereal Days (Day 1) is a Soulful Journey Across Time and Truth

New Single Alert: Bill Scorzari Opens the Door to “Sidereal Days (Day 2)”

HUNTINGTON, NY — Singer-songwriter and recording artist Bill Scorzari has officially unveiled “Open Door,” the third track from his highly anticipated sixth studio album, Sidereal Days (Day 2). (Dreamspider Publicity, 2026)

Scheduled for a full release on September 25, 2026, the new single is available to stream now. “Open Door” is an upbeat, folky love song that leans into traditional acoustic instrumentation, featuring a warm vocal duet between Scorzari and Megan McCormick.

The Inspiration Behind “Open Door”

Grounded in a sense of innocence and simplicity, the lyrics for “Open Door” began forming as far back as the early spring of 2013. Scorzari’s writing process is famously observational; he draws from a mosaic of life experiences, including:

  • Overheard conversations and personal memories.
  • The tactile imagery of melting snow or a coiled telephone cord.
  • Dreams, news stories, and literature.

By weaving these disparate threads together, Scorzari creates a cohesive narrative that feels intimate yet universal.

Single Art. Courtesy photo.

Catch Up on the Singles

If you haven’t started your journey through Sidereal Days (Day 2) yet, two other singles are currently streaming:

  • “I Stayed” – A stunning love-lost ballad featuring Scorzari’s lead vocals and acoustic guitar, accompanied by Erin Rae on harmony and the legendary “Shoals Sisters” (Marie Lewey and Cindy Richardson Walker).
  • “That’s A Good Thing” – A tender Americana roots track. At just 3 minutes and 14 seconds, it serves as a light, upbeat counterpoint to the album’s longer, more atmospheric compositions.

Completing the “Sidereal Days” Duology

Sidereal Days (Day 2) serves as the second half of a massive double-album project. Its predecessor, Day 1 (released October 17, 2025), received significant critical acclaim:

“Bill Scorzari possesses an ‘amorous vulnerability’…” — Robert Christgau, Consumer Guide (Grade: A)

The album also earned the #11 spot on Tom Hull’s “Best Non-Jazz Albums of 2025.” Across the 11 tracks on Day 2, Scorzari continues his exploration of interconnectedness, often presenting his lyrics as a lived-in conversation with the listener.

Album Art. Courtesy photo.

The Studio Band

To bring this vision to life, Scorzari collaborated with an elite group of musicians:

  • Bill Scorzari: Lead/harmony vocals, guitars, mandolin, banjo
  • Brad Talley: Dobro
  • Chelsea McGough: Cello
  • The Shoals Sisters (Cindy Richardson Walker & Marie Lewey): Backing vocals
  • Danny Mitchell: Piano, Hammond B3, flugelhorn, trumpet
  • Eamon McLoughlin: Violin/fiddle
  • Erin Rae & Megan McCormick: Harmony vocals
  • Joshua Britt: Mandolin, mandola
  • Juan Solorzano: Electric/pedal steel/baritone guitars, ganjo
  • Michael Rinne: Upright and electric bass
  • Neilson Hubbard: Drums and percussion

Looking Ahead: Upcoming Releases

Four additional singles will be released in the lead-up to the September 25th album launch:

  1. “I Think It’s Gonna Rain” – A haunting, cinematic piece written during a Florida thunderstorm.
  2. “I Know You Know” – An upbeat traveling song exploring the deep intuition of long-term relationships.
  3. “Middle Class Middle Child” – The album’s longest track (6:30), blending semi-autobiographical sentiments with emotional storytelling.
  4. “Sandcastles Waiting” – A melody-driven track years in the making, finalized during the 2024 recording sessions.

Listen to the latest singles on all major streaming platforms today.

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Seth James Releases ‘Motormouth’: A New Era of Texas Soul and Blues

Seth James announces new album ‘Motormouth.’ Photo: Erin Valkner, used with permission.

Texas Soul Meets Nashville Groove: Seth James Drops New Album ‘Motormouth’

NASHVILLE, TN — The wait is over for fans of authentic, soul-infused roots music. Texas-bred guitarist and singer-songwriter Seth James has officially released his latest album Motormouth via Qualified Records. (Aristo PR, 2026)

Produced by multi-Grammy winner Kevin McKendree, the project features groove-driven songwriting, further solidifying James as a premier voice in the modern blues and roots circuit.

A Legacy of Lone Star Excellence

A veteran of the Texas music scene, James didn’t take shortcuts to success. He built his reputation through years of sweat and strings in roadhouses, blues clubs, and major festival stages. While his sound pays homage to legends like Delbert McClinton, James’ disciplined songwriting and distinct voice have earned him a devoted following through previous acclaimed albums like Different Hat and Good Life.

The Making of ‘Motormouth’

The album was recorded at the legendary Rock House studio in Franklin, Tennessee. To bring these songs to life, James assembled an elite “all-star” roster of session heavyweights:

  • Kevin McKendree: Piano and Organ
  • Rob McNelley: Guitar
  • Steve Mackey: Bass
  • Lynn Williams: Drums
  • The Time Jumpers: Featured members

“Kevin speaks a musical language that’s rare these days,” James says of the collaboration. “He truly understands where I come from musically… It’s akin to making music with family.”

McKendree was equally inspired by the sessions, noting that James possesses a “rare mix of raw emotion and pure soul.”

Building on Chart-Topping Momentum

Motormouth arrives as the highly anticipated follow-up to Lessons, James’ debut with Qualified Records. That project didn’t just resonate with fans, it dominated the industry, hitting No. 1 on the Blues charts and breaking into the Top 25 on the Americana charts.

With this new release, James leans harder into his signature blend of:

  • Deep Texas Blues
  • Stax-inspired Soul
  • Gritty Roots Rock

Catch Seth James Live

To celebrate the launch, Seth James will be hitting the road for a series of high-profile appearances. Mark your calendars for the official release event and upcoming tour dates:

DateLocation / EventVenue
May 8Franklin, TNMockingbird Theater (Release Event)
TBATexas TourVarious Locations
TBASandy Beaches CruiseAt Sea
SeptNashville, TNAmericana Music Festival

‘Motormouth’ is available now on all major streaming platforms and via Qualified Records.

Motormouth Track Listing:

  1. “Why Should I Suffer”
  2. “Motormouth”
  3. “I’m In Trouble”
  4. “It’s Later Than You Think”
  5. “I’ll Be Gone”
  6. “High Horse”
  7. “I Can’t Find Your Mind”
  8. “Just A Thought”
  9. “I Can’t Wait”
  10. “I Got To Know”
  11. “Lonely Avenue”
  12. “I Feel The Burden”
  13. “Start A Brand New Day”

Newport’s Own Asher Brinson Drops Debut Bluegrass Album ‘Midnight Hurricane’

Asher Brinson. Photo: Sarah K. Photography, used with permission.

Coastal Rhythms & Bluegrass Roots: Asher Brinson Debuts ‘Midnight Hurricane’

Newport, North Carolina, has a new voice in bluegrass, and he’s playing it left-handed. Asher Brinson, the young picker and songwriter who has been turning heads from MerleFest to the IBMA, has officially released his debut album, Midnight Hurricane. (Dreamspider Publicity, 2026)

Blending refreshingly honest storytelling with the salt-air influence of the Carolina coast, Brinson’s debut is a standout in modern bluegrass collaboration.

A Self-Taught Journey to the Main Stage

Asher has been around music his entire life in family jams and the legendary circles of the Galax Fiddlers Convention. His talent caught the eye of the late, legendary luthier Wayne Henderson, who became a mentor and friend, even building Asher a rare, custom left-handed guitar.

Since then, Asher’s trajectory has been exceptional:

  • Mentorship: Studied under Christopher Henry (Noya Mountain Music Studio), who produced the new record.
  • The Stage: Shared spotlights at the Wayne C. Henderson Festival and recently joined The Travelin’ McCourys Young Guns Tour.
  • What’s Next: Catch him live at the Bijou Theatre in Knoxville (4/9), Ocrafolk Festival (6/5-7), and the Outer Banks Bluegrass Island Festival (10/15-17).

Inside the Tracks: Midnight Hurricane

The album features eight original songs, two traditional instrumentals, and a gritty Billy Strings cover. To bring these stories to life, Asher assembled an “all-star” studio band:

  • Asher Brinson: Lead Vocals & Guitar
  • Cory Walker: Banjo
  • Jason Carter: Fiddle
  • Christopher Henry: Bass & Mandolin

Album Highlights

“This song naturally evolved from living on the North Carolina coast, experiencing the late-night intensity of hurricanes—where you hear everything but see nothing.” — Asher Brinson on the title track.

SongFeaturingInspiration
“Midnight Hurricane”Sierra Hull & Lindsay LouThe sensory overload of coastal storms.
“Lonesome Hobo Song”Sam BushClassic tales of train hopping.
“And Why Is That”Smith Curry (Pedal Steel)A tribute to a family friend who lived on a sailboat.
“Queen Anne’s Waltz”Bronwyn Keith-HynesLocal maritime history and the swaying of a boat.
“Low Hanging Fruit”Sam BushThe very first song Asher ever wrote.

The record rounds out with the driving “I’m Going Back to Galax,” a nod to his competitive roots, and a high-energy cover of Billy Strings’ “Seven Weeks in County.”

Where to Hear Him

Asher Brinson is currently on the road, bringing his energy to stages across the Southeast. Whether it’s the underground depths of The Caverns or the salty breeze of the Outer Banks, Asher’s honest sound is one you don’t want to miss.

Stream Midnight Hurricane now and follow Asher’s journey as he carves out a new legacy in North Carolina music.

Album Cover. Photo: Sarah K. Photography