Tag: new single

The Division Men’s Hymns and Fiery Dances Arrives This August—Here’s What to Expect

The Division Men is the husband-and-wife duo of J. Spencer Portillo and Caroline Rippy Portillo. Courtesy photo, used with permission.

The Division Men Announces New Album Hymns and Fiery Dances, Shares Single “San Saba”

El Paso, TX by way of Berlin acoustic duo The Division Men has shared a haunting new single and video titled “San Saba”, taken from the forthcoming album Hymns and Fiery Dances, due out August 22, 2025, via Motor Music. (US/THEM Group, 2025)

The track debuted in the U.S. via New Noise Magazine and in the EU via Side-Line Magazine, and is now available on all major streaming platforms.
🎧 Listen to “San Saba” HERE
📺 Watch the visualizer on YouTube 👇

About Hymns and Fiery Dances

The new album features an impressive roster of collaborators including:

  • Rafael Gayol (Leonard Cohen)
  • Rick G Nelson (Afghan Whigs, St. Vincent)
  • Jay Reynolds (Asleep at the Wheel)
  • Fredo Ortiz (Beastie Boys, Los Lobos)
  • Leah Shapiro (Black Rebel Motorcycle Club)
  • Dana Colley (Morphine)
  • Asya Sorshneva (CocoRosie)
  • Beto Martinez (Grupo Fantasma)
  • Peter Hayes (Black Rebel Motorcycle Club)
  • Alain Johannes (Queens of the Stone Age, PJ Harvey)
    …and many more.

Available in LP, CD, and digital formats, Hymns and Fiery Dances can be pre-ordered now.
🛒 Pre-order HERE

Who Is The Division Men?

Founded in Berlin, Germany in 2008 and now based in El Paso, Texas, The Division Men is the husband-and-wife duo of J. Spencer Portillo (vocals/acoustic guitar) and Caroline Rippy Portillo (vocals/bass guitar).

The band’s name reflects the original mission: to collaborate with artists worldwide regardless of borders—a philosophy that has remained central to their identity.

Caroline, born in San Antonio, previously played bass for Tito & Tarantula from 2007 to 2012. Spencer, born in Los Angeles and raised in Texas, channels the spirit of border towns into evocative lyrics about love, loss, and life.

Their sound is often described as dark, romantic, ethereal, and haunting. Their previous album, Niños Del Sol, featured Rafael Gayol, Steven Hufsteter, Jay Reynolds, Mitch Hertz, Raiye Rippy, and Jake Garcia (The Black Angels).

Upcoming Live Dates

Catch The Division Men live in support of Hymns and Fiery Dances:

📍 08/15/2025 – Austin, TX – Vinyl Beauty Bar
📍 08/17/2025 – San Antonio, TX – Faust Tavern
📍 08/22/2025 – El Paso, TX – Love Buzz

For more news and updates, follow The Division Men on all official channels.

Hymns and Fiery Dances tracklist:

01. Leonora

02. Dolores

03. Dead Moon

04. The Undertow

05. The Night Calls

06. San Saba

07. Cemetery Girl

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From Viral Covers to Emotional Club Anthems: Mareux Evolves with ‘Ébèné Fumé’

Mareux shares shares Ébèné Fumé video/single feat Riki. Photo: Jason Renaud, used with permission.

Mareux Teams Up with Riki for New Single “Ébèné Fumé” Ahead of Nonstop Romance🎶

Los Angeles, CA – Revered pop/darkwave musician and producer Mareux (Aryan Ashtiani) joins forces with multifaceted artist and singer Riki on his nostalgic new single “Ébèné Fumé,” out now via Revolution/Warner Records. (another side, 2025)

Riki’s charismatic, confessional vocal performance blends seamlessly with Mareux’s intricately crafted electronics, creating a compelling dance-pop track that’s as moody as it is magnetic. Her standout presence shines throughout the song’s striking music video, created by Muted Widows (Michael E Linn, Nedda Afsari, and Michael R. Zumaya), which visually channels the same fusion of elegance and edge.

Where most artists might double down on the slick darkwave and goth-pop that brought them initial fame, Mareux pivots with his upcoming sophomore album, Nonstop Romance, due out June 27. The new project is messy in all the right ways—drunk in love, feverish with emotion, and unafraid to stumble. Picture a frilly valentine dragged through city grit: gushing, fractured, but completely transparent in its longing.

Throughout Nonstop Romance, Mareux sets his songs like Venus fly traps—irresistibly romantic and danceable, but tinged with a sinister red glow. It’s a record that revels in pleasure while hinting at danger, a balance central to its ethos.

“I’m trying to make something that’s reflective of me getting older,” Mareux shares. But rather than quiet introspection, his version of maturity centers on joy: “Could you put it on in your house with people around and not bring the mood down?” That guiding question helped shape the sound and energy of the album.

Written and recorded in Mareux’s Lincoln Heights bedroom throughout 2024, Nonstop Romance draws cinematic inspiration from a muted old CRT TV playing everything from Tarkovsky and Jodorowsky to Hype Williams’ Belly. The result? Smudged tape-residue synths woven into readymade club anthems.

Though Mareux favors vibe over precision, longtime fans won’t feel lost. Whether you discovered him through his viral platinum-certified cover of The Cure’s “The Perfect Girl” or the noir heartache of 2023’s Lovers from the Past, there’s plenty to swoon over. Nonstop Romance is exactly what it promises: emotionally raw, sonically rich, and obsessed with love.

“I only care about one thing,” Mareux says. “And that’s being in love.”

📀 Pre-Order / Save Nonstop Romance

🎤 Upcoming Performances

  • Friday, December 12 – Fox Theater, Pomona
  • Saturday, December 13 – The Novo, Los Angeles

Tickets are on sale now. Stay tuned for more tour announcements!

Nonstop Romance tracklist:
1 – Blackmail
2 – Radio Club
3 – Nonstop Romance
4 – Wild at Heart
5 – Ébène Fumé Ft. Riki
6 – Prodigy
7 – Blue
8 – Laugh Now Cry Later
9 – Snake Eyes

Photo: Cameron McCool, used with permission.

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‘The Isolate’ Explores Inner Turmoil in Demons My Friends’ Latest Heavy Release

Demons My Friends share new single and video for The Isolate. Courtesy photo, used with permission.

Demons My Friends Drop New Single “The Isolate” Ahead of Sophomore Album

Last month, Demons My Friends, the heavy-hitting trio from Mexico City and Austin, unveiled their latest single, “The Isolate,” marking their debut release with acclaimed heavy music label Ripple Music. (US/THEM Group, 2025)

A Sonic Reflection on Teenage Anxiety

“The Isolate” is a deeply personal track, capturing the intense anxiety the band members experienced during their socially awkward teenage years. The song lays the thematic groundwork for their upcoming sophomore album, soon to be officially announced.

“Demons My Friends continues to be a therapeutic effort for all of us,” says guitarist/vocalist Pablo Anton. “With this new song we wanted to shine a light on our teen years… so much of the drama in our lives is invented by our own minds, by our own demons.”

Behind the Music

  • Music by: Demons My Friends
  • Lyrics by: Pablo Anton and Luis Salinas
  • Recorded at: One Pot Mexico (Querétaro, Mexico) and Red Nova Ranch (Austin, TX)
  • Produced & Mixed by: Jeff Henson (Red Nova Ranch)
  • Mastered by: Alberto de Icaza

Band Members:

  • Pablo Anton – Guitars and vocals
  • Lu Salinas – Bass and vocals
  • Tarro Martinez – Drums

From SXSW to Sonic Catharsis

Formed during an impromptu session at SXSW 2022, Demons My Friends brings together members of Fellowcraft (Washington, DC) and Mexican rock veterans QBO. What began as a spontaneous collaboration quickly evolved into a fully-formed musical identity.

Their concept is clear: confront inner demons—anxiety, depression, rage—and transform them into creative fuel.

Debut Album Demons Seem To Gather (Out Now)

Their 2023 debut Demons Seem To Gather (via Gravitoyd Heavy Music) showcases a powerful blend of drop-tuned grunge riffs, doom-laden structures, psychedelic harmonies, and groove-heavy rhythms. Fans of Monolord, King Buffalo, All Them Witches, Soundgarden, and Baroness will feel right at home.

“The Austin/Mexico City groove unit applies their sonic dominance toward deftly-written, clever songs… climactic hooks shake up their luxuriously groovy pacing.” — Invisible Oranges

Available now on LP, CD, and streaming platforms.

Demons Seem To Gather tracklist
1.The Tower Falls
2.Bring The Night
3.Inner Slay
4.Ghosts Of You
5.Make Them Pay
6.Fire Mountain
7.Your Bones
8.We Are The Resistance

Stay tuned for more from Demons My Friends as they gear up for their next chapter—haunting melodies, introspective themes, and thunderous grooves included.

Grayson Jenkins Finds His Voice on ‘Hard Heart to Hold’ and Forthcoming Album Country Parables

Grayson Jenkins leans into the rock side of country with new song and video. Courtesy photo, used with permission.

Grayson Jenkins Unveils New Single “Hard Heart to Hold” Ahead of Forthcoming Album Country Parables

Kentucky-born country artist and songwriter Grayson Jenkins has released his new single “Hard Heart to Hold,” an anthemic country-rock track from his upcoming album Country Parables, set to release everywhere on July 25. (Covered Bridge Creative Co-op, 2025)

The single is paired with a live performance music video, filmed at Jenkins’ 2025 headlining show at The Burl in Lexington, KY—the very venue that inspired the song’s creation.

A Rising Voice in the Appalachian Country Scene

“Hard Heart to Hold” follows a string of successful releases, including:

  • “Nobody’s Stopping You Anyhow” (feat. Brit Taylor), featured on Spotify’s All New Country playlist
  • “Taxes & Time”
  • “Good Times Go” (feat. Pony Bradshaw), highlighted by The Bluegrass Situation and Whiskey Riff

Fans can watch the video, stream the new single, and pre-order vinyl and merch online.

A “Hillbilly Springsteen” Sound

Jenkins’ bandmates jokingly describe “Hard Heart to Hold” as sounding like a “hillbilly Springsteen”—a track driven by pulsing drums and heavy guitars, elevating Jenkins’ vocals and vivid storytelling.

Jenkins views the song as a reflection of both his influences and his ongoing sonic evolution.

Telling Stories from the Heart of Kentucky

Lyrically, the track tells the story of a young woman navigating early adulthood and finding comfort in the Lexington music scene—a nod to the thriving musical culture of Kentucky and the greater Appalachian region.

Nearly a Decade on the Road

Grayson Jenkins is no newcomer. With nearly ten years in the music industry, his career has weathered:

  • The ups and downs of indie artistry
  • A global pandemic
  • Over 250,000 miles touring across the US, Canada, and Europe

Raised on a small farm in Muhlenberg County, KY—yes, that Muhlenberg County from John Prine’s “Paradise”—Jenkins carries with him a strong work ethic and resourcefulness that continues to shape his music and career.

Country Parables: Jenkins’ Most Ambitious Work Yet

Now in his 30s, Jenkins returns with Country Parables—a ten-track LP that marks his most comprehensive and mature work to date. The album combines the lyrical depth fans have come to expect with a fully realized sonic palette that Jenkins has long been chasing.

Crafted by a Powerhouse Team

To bring this album to life, Jenkins teamed up with frequent collaborator and touring partner Pony Bradshaw to co-produce the record. The album was recorded at Fellowship Hall Sound in Little Rock, AR, with a team of acclaimed musicians, including:

  • Paddy Ryan (Parker Millsap, John Fullbright)
  • Jesse Aycock (JR Carroll, John Moreland)
  • Aaron Boehler (Wilderado)
  • Fats Kaplin (Jack White, John Prine)

Collaborations on the album include Brit Taylor, Madelyn Baier, and Pony Bradshaw, with two tracks co-written by Nashville veteran Pat McLaughlin (John Prine, Bahamas).

With Country Parables, Grayson Jenkins offers a heartfelt, roots-driven collection that further cements his place in the next wave of Americana storytellers.

Country Parables tracklist:

1.Old Trails
2.Hard Heart to Hold
3.Nobody’s Stopping You Anyhow (feat. Brit Taylor)
4.Grand Slam
5.Scarecrow
6.Taxes & Time
7.Good Times Go (feat. Pony Bradshaw)
8.From Now On
9.Calling Out Your Name (feat. Madelyn Baier)
10.Country Parables

“But beyond the smoky bars and days out on the farm, Jenkins embodies one of Country’s more abstract, yet most important qualities: its philosophical soul.”

— American Songwriter

“In case you aren’t familiar with Grayson Jenkins’ prior work, the Muhlenburg County, KY native aptly follows in the footsteps of John Prine and all of the other folk and country troubadours before him who forged their career on the strength of clever lyricism and truthfully authentic storytelling.”

— Whiskey Riff

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‘Alone in a World of Wounds’: Steve Von Till’s Meditative Ode to Nature and Loss

Steve Von Till releases new single/video from Alone in a World of Wounds. Photo: Bobby Cochran, used with permission.

Steve Von Till’s Alone in a World of Wounds: A Haunting Tapestry of Loss, Nature, and Reflection

Ploughing a different furrow from his work with post-metal pioneers Neurosis, Steve Von Till’s latest solo album, Alone in a World of Wounds, is a sweeping, gothic-tinged collection of Americana infused with ambient textures and world-weary vocal melodies. It’s a deeply introspective journey—both sonically and thematically. It will be released on May 16 via Neurot Recordings. (another/side, 2025)

A Cinematic Opening

The album opens with “The Corpse Road,” a track that unfolds in a haze of mauve-toned drone textures, immediately immersing listeners in a creaking, dust-laden wilderness. Von Till sings of being placed in the “solitude of our inner spaces,” his voice framed by the mournful resonance of French horn and beautifully subtle cello arrangements by Brent Arnold. The track is accompanied by a haunting visual, directed by Josh Graham.

Rooted in Atmosphere and Intuition

Initially inspired by the harmonic resonance of piano and synths, Alone in a World of Wounds follows the reflective ambience of 2021’s No Wilderness Deep Enough. This new album sees Von Till opening up his voice like never before, with songs that emerged from intuitive improvisations—raw, emotional, and unguarded.

Music, Poetry, and Purpose

Outside of music, Von Till is also a published poet. His 2021 collection, “Harvestman,” draws from a deep well of personal and philosophical writing. His lyrics and prose often reflect on humanity’s place in the cosmos, touching on themes of longing, loss, and the vastness of existence. In this album, a profound connection to—and disconnection from—nature serves as the thematic core.

The title Alone in a World of Wounds is inspired by a quote from environmental philosopher Aldo Leopold’s 1949 book A Sand County Almanac:

“One of the penalties of an ecological education is that one lives alone in a world of wounds.”

Life Beyond the Music

Von Till’s commitment to the natural world goes beyond his art. He has been an elementary school teacher for over two decades and serves on the board of directors for the Firekeeper Alliance, a non-profit dedicated to reducing youth suicides among the Blackfeet Nation in Montana.

A Sonic and Visual Aesthetic

While Alone in a World of Wounds may seem far removed from the aggressive tones of Neurosis, the raw spirit of punk and DIY ethos remain essential to Von Till’s process. His search for deeper connection, his willingness to live with sorrow, and his instinctive approach to creativity all ground this project in authenticity.

Recorded largely at his barn studio in Idaho and mixed by Randall Dunn at Circular Ruin in Brooklyn, the album also features artwork by Spokane-based alternative process photographer Brian Deemy. Working in colloidal wet plate tintype, Deemy’s visuals perfectly complement Von Till’s ancient-yet-modern aesthetic—a haunting tribute to our bond with the more-than-human world.

Steve Von Till Live Dates:

May 30 – June 1: Prepare the Ground Festival – Toronto, CAN
July 25 – 27: Fire in the Mountains Festival – Blackfeet Nation, MT

Alone in a World of Wounds tracklist:
1 – The Corpse Road
2 – Watch Them Fade
3 – Horizons Undone
4 – Distance
5 – Calling Down the Darkness
6 – The Dawning of the Day (Insomnia)
7 – Old Bent Pine
8 – River of No Return

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Starmony Is Coming: Slumbering Sun’s Next Chapter in Sound

Slumbering Sun shares Midsommar Night’s Dream single from forthcoming sophomore album Starmony. Courtesy photo, used with permission.

Slumbering Sun is set to rise once more with their much-anticipated new album, Starmony—a sonic voyage that promises to blend celestial ambiance with earth-shaking heaviness. As the band teases fragments of what’s to come, early listeners are already whispering about a bold evolution in their sound. Here’s what I know so far:

Austin band Slumbering Sun shares “Midsommar Night’s Dream,” a new single from their forthcoming sophomore album Starmony. Starmony will be available on limited edition LP and digital on May 6, 2025. Fans can pre-order HERE. (US/THEM Group, 2025)

Slumbering Sun is a powerful new melodic doom entity formed by members of underground mainstays Temptress, Destroyer of Light, and Monte Luna. The resulting sound explores broader melodies and sonics than their other bands, inspired as much by Celtic folk standards as by doom, grunge and shoegaze.

Slumbering Sun makes music for crazy romantics. Keegan Kjeldsen, James Clarke, Kelsey Wilson, Garth Condit, and Kelly “Penny” Turner joined forces in 2022 in order to weave a dreamy kind of doom that would incorporate shoegaze, grunge, and prog. All were friends in the Texas metal scene, assembled from bands in Austin and Dallas, who sought to elevate the love and camaraderie they’d found over the years into an artistic vision. 

After releasing their debut, The Ever-Living Fire (2023, #20 debut on Doom Charts), Slumbering Sun played their first show at Stoner Jam during SXSW, embarked on a series of regional tours, and capped off the year with an appearance at Ripple Fest. The band spent all of 2024 making their second effort, Starmony, in between touring the Midwest, and releasing their single “Out of the Blue & Into the Void” — a brilliant mashup of Neil Young’s and Black Sabbath’s classic tracks. With no plans to slow down, the band intends to make more metalheads than ever pound their fists and cry about their exes. 

Band members:
James Clarke (Vocals) – of Monte Luna
Keegan Kjeldsen (Guitar) – of Destroyer of Light
Kelsey Wilson (Guitar) – of Temptress
Garth Condit (Bass) – of Monte Luna, Scorpion Child
Penny Turner (Drums) – of Destroyer of Light

SLUMBERING SUN LIVE 2025:
05/02 Austin, TX – Valhalla (album release show)
06/04 El Paso, TX – Rosewood
06/06 Tempe, AZ – Yucca Tap Room
06/07 Las Vegas, NV – Dive Bar
06/08 Palmdale, CA – Transplants Brewing
06/10 San Francisco, CA – Bottom of The Hill
06/12 Eugene, OR – Sparrow & Serpent
06/13 Portland, OR – High Water Mark – Soundcastle Festival
06/14 Olympia, WA – McCoy’s
06/15 Bellingham, WA – Shakedown
06/17 Moscow, ID – Mikey’s
06/18 Boise, ID – Neurolux
06/19 Salt Lake City, UT – Aces High
06/20 Denver, CO – Squire
06/21 Colorado Springs, CO – What’s Left Records
06/22 Wichita, KS – Kirby’s Beer Store
07/11 Asheville, NC – Doomed and Stoned Festival

Starmony tracklist:

01. Together Forever

02. Keep it Secret

03. Midsommar Night’s Dream

04. The Solar Bear

05. Danse Macabre

06. The Tower

07. Wanderlust

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Trippy, melodic doom metal. From the moment you hit play, ‘Liminal Bridges’ feels like a transitional track meant to guide you along a wispy, winding trail in a slightly foggy forest while on a quest.” — Metal Sucks

“An ice-cold blend of 90s alternative, doom, and prog that will quench your thirst for captivating melodies, thundering percussion, and grungy riffs! They’ve created an epic mash-up of classic doom and added the soaring vocals and towering instrumentation that took us on the sonic journey from Sabbath to Maiden to Soundgarden.” — CvltNation

“Nothing short of fantastic, and should be blasted at full volume.” — Metal Injection

“Possibly the best doom album I’ve heard this year… Front to back it’s an insanely well done work, with remarkably clear vision.” — Invisible Oranges

Psychedelic Revival: The Brian Jonestown Massacre Drops a Hypnotic New Single

The new release sets the tone for a massive North American tour this fall. Photo: Joe Eley, used with permission.

The Brian Jonestown Massacre announces a new single, ‘Makes Me Great / Out Of Body,’ on red transparent 10” vinyl, due to be released on April 25th via Anton Newcombe’s record label A Recordings. Fans can pre-save it here. (Magnum PR, 2025)

Following a hugely successful UK and Europe tour earlier this year, the band will return to North America this fall for an extensive run of live shows, including two dates with special guests, Cast, making their first US appearance in nearly 30 years. Tickets on sale now. 
 
It’s been over 30 years since Anton Newcombe – frontman, songwriter, composer, studio owner, multi-instrumentalist, producer, engineer, father, force of nature – and his band The Brian Jonestown Massacre released their first single She Made Me / Evergreen. Released in 1992, as the British music press descended on the US to anoint the next US guitar band as flavor of the month and major labels were on the hunt for the compliant hopefuls to be their latest quick fix, Anton Newcombe had an idea: say no.

As leader of the Brian Jonestown Massacre, Newcombe had already established himself as a visionary songwriter, a man to whom making music wasn’t a lifestyle choice or a hipster haircut but the very fabric of existence itself, and he had observed in silent horror as his peers meekly consented to everything – yes to contracts, yes to management, yes to suggestions, yes to this, yes to that, yes, yes, yes. But he was different. Anton Newcombe was going to say no to everything. “I just knew I would be more successful in a certain way by saying no, just being contrary because I figured that if people liked me they were gonna like me anyway,” he says. “Or dislike me. It doesn’t matter.”
 
Much of this was documented on the controversial documentary ‘Dig!,’ which is still hailed as one of the best rock documentaries ever made, and celebrates its 20th Anniversary this year with the remastered, expanded version “Dig! XX.”
 
Brian Jonestown Massacre’s shoegazing-tinged debut album Methodrone was released in 1995 and since then numerous band members have joined Newcombe on his sonic escapades, but he has remained the sole constant, the creative mastermind at the centre of one of music’s most fascinating bands. There have been a further 20 albums under the Brian Jonestown Massacre moniker since then, each embarking on their own mind-expanding adventure and exploring the outer realms of rock’n’roll; psychedelic rock, country-blues, snarling rock’n’roll, blissed-out noise-pop and more.
 
Along the way, Newcombe has established himself as a once-in-a-lifetime talent who saw the direction in which mainstream indie-rock was heading and opted to take the long way round. He’s emerged as a revolutionary force in modern music, an underground hero. There was no other way, this was how it had to be. “My only option with everything in life has always been that you just jump into the fire,” he declared. “It doesn’t matter what it is.”
 
It’s with that spirit that he’s hopped around the globe, from the West Coast to New York, from Manhattan to Iceland, and then to Berlin, where he’s lived for 15 years and has two flats, one to live in and one that’s been converted into his studio.

Brian Jonestown Massacre released their 20th full-length studio album The Future Is Your Past, in February 2023 on Anton’s record label, A Recordings. In 2022 / 2023, they completed a massive world tour that saw them play 34 dates in North America, 25 dates across Europe and 16 dates in the UK. Towards the end of 2024, they released ‘Don’t Look At Me’ ft. Aimee Nash. It is a delicious slice of hypnotic shoegaze with Nash lyrically casting a spell with the mantra “Do No Harm.”
 
There is no such thing as a defining statement in Anton Newcombe’s world anymore, just more chapters that contribute to the tale. “Nobody can stop me, I’m not asking somebody, I’m not making the rounds at Warners, saying ‘please put out my record!’ It’s just for me,” he says. He hopes he can be an inspiration to others. “I would love to see more groups, people playing music in the UK and everywhere else because I really enjoy it. That’s the only reason I need. It’s the only reason to do stuff.” That hits to the core of what makes Anton Newcombe and Brian Jonestown Massacre tick. He’ll keep jumping in that fire. That’s how he rolls. Savor it.

PRESS FROM THE BJM’S JAN / FEB UK TOUR
 
“Brian Jonestown Massacre have a cult following big enough to warrant the publication of an acclaimed memoir by percussionist Joel Gion and big enough that this large UK tour includes a date at Brixton Academy… Newcombe is really adept at coming up with melodies and guitar figures that sound immediately familiar, as if you know them already from a song you can’t quite place – a genuine skill.” – Guardian
 
“The Brian Jonestown’s ability to create an immersive live experience remains unparalleled and this Brixton gig was a masterclass in psychedelia, intensity, and raw musical craftsmanship.” – Music News
 
“A night of hypnotic grooves, kaleidoscopic guitars, and the kind of immersive psychedelia that only they can provide… The Brian Jonestown Massacre’s live show is not just a performance – it’s an experience. At the O2 Institute Birmingham, they proved once again why they remain one of the most compelling acts in modern psychedelic rock. Newcombe’s vision, combined with the band’s tight musicianship, created a night of sonic transcendence that few in attendance will soon forget.” – RockShot

Courtesy photo, used with permission.

Kadavar’s New Single: ‘Hysteria’ is a Must-Listen for Rock Fans

Kadavar releases ‘Hysteria’ single and music video. Courtesy photo, used with permission.

Berlin, Germany – Berlin based rock band Kadavar has shared the second single from their forthcoming new album I Just Want To Be A Sound out May 16 via Clouds Hill. (Big Picture Media, 2025)

“Hysteria” – with its pulsing, dark rhythm brings the listener into a hypnotic state of mind. Its lyrics explore themes of mental and physical disarray, portraying a sense of confusion, overstimulation, and self-destruction. The repeated refrain of “Hysteria” adds to the overwhelming, frantic atmosphere, spiraling under pressure.

Listen to “Hysteria” here. Pre-order the album at this link.

“We wrote this song down from the feeling of words losing their meaning, when even a stream of consciousness can’t keep up to make sense of the inner chaos,” says the band. “As a state mixed with constant overstimulation and terrifying news, it might just fit this time we’re living in.”

“Hysteria” follows the single “I Just Want To Be A Sound” – the title track of Kadavar’s new album – released last month upon the album’s announcement. The song was added to top playlists with Spotify, Apple, Deezer and TIDAL, gaining traction on lists like Metal Injection’s Top Tracks of the Week, Fresh Noise, New In Rock, Hot New Rock, and more.

‘I Just Want To Be A Sound’ is a manifesto for freedom, transformation and radical presence. An album that repeatedly abandons itself in order to reincarnate in new forms. Rock anthem, ballad, pop song, epic and earthly alternate seamlessly and virtuously. Free and full of momentum.

Now a four-piece led by founders Lupus Lindemann and Tiger Bartelt, and rounded out by guitarist Jascha Kreft and bassist Simon ‘Dragon’ Bouteloup, the declaration “I Just Want To Be A Sound” came from Bouteloup. When Lindemann Bartelt asked him in 2013, shortly after Lindemann and Barlet joined the band, why he didn’t have any social media accounts, he replied: “I just want to be a sound.” A sentence that stuck – and that sums up the band’s self-image.

What was casually formulated at the time has developed into a leitmotif over the band’s 15-year history: an uncompromising claim that demands nothing less than to be completely absorbed in the sound without being distracted by outward appearances. A principle to which Kadavar has remained true since their formation in 2010 and which finds its strongest development to date with this album.

“I Just Want To Be A Sound” is more than a song to us – it’s the essence of Kadavar: A relentless yearning for freedom and the unshakable urge to live through music. We poured everything into it – our lives, our spirit, our truth,” says the band in a joint statement.

Kadavar also announces a string of special album release shows that will take place in London, France and Berlin. Dates and ticket links below:

May 13 – London, UK – Rough Trade East // TICKETS
May 14 – Paris, France – Supersonic // TICKETS
May 15 – Berlin, Germany – Urban Spree, presented by Rough Trade Europe // TICKETS

The band is confirmed for this year’s Austin Psych Fest along with artists like Dinosaur Jr, Explosions In The Sky, Kim Gordon, Yo La Tengo and more. The festival will take place April 25-27 in Austin, TX. Tickets are available online.

Change has always been a constant for Kadavar. What remains unchanged is their raw power. Wherever they go, you can feel the intensity – in their songwriting, their dedication, their performances. In the sound! This is the transfer that makes Kadavar incomparable. They explore the potential of music, even in quiet nuances, while always retaining the power of their rock roots. Having grown as a band, they have fulfilled their mission of being completely immersed in their sound.

‘I Just Want To Be A Sound’ tracklist:

1.    I Just Want To Be A Sound

2.    Hysteria

3.    Regeneration

4.    Let Me Be A Shadow

5.    Sunday Mornings

6.    Scar On My Guitar

7.    Strange Thoughts

8.    Truth

9.    Star

10. Until The End

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‘I Just Want To Be A Sound’ release date

Blue Sky Sundays: JD Clayton’s Latest Musical Journey

Arkansas’s country-rock troubadour JD Clayton announces anticipated sophomore LP, Blue Sky Sundays. Photo: David McClister, used with permission.

Fort Smith, AR – In addition to the release of his new single “Dirt Roads of Red,” JD Clayton has announced his highly anticipated sophomore album, Blue Sky Sundays. Due out on February 28 on Rounder Records, Blue Sky Sundays finds Clayton taking the helm as producer in the studio with his touring band to capture the vitality and grit of his crowd-thrilling live show. (IV PR, 2025)

“One morning I was playing golf with a buddy from Georgia down at McCabe Golf Course in Nashville when he turned to me and said that there should be a song about wishing that the streets of gold in Heaven could be streets of Red, referring to the red clay down in Georgia,” remembers Arkansan singer-songwriter JD Clayton.

Wheels turning, Clayton went home, picked up his guitar, and finished writing “Dirt Roads of Red” in under an hour. “Now, being an Arkansas kid, I could never bring myself to write a song about Georgia. Thankfully, my favorite state, Colorado, also has a high concentration of iron deposits in its soil.” 

With a halftime drum beat and a striding, bluesy piano, “Dirt Roads of Red” has an appropriately slinky vibe. “It feels inherently southern to me and has a super cool groove,” says Clayton. That feeling gets amplified with a slide guitar solo before the song’s final chorus: “Good God almighty I beg you please / Just before I’m dead / Turn them streets of gold to dirt roads of red.”

Clayton’s first few lines set up the whole song and come from some personal experience. “It turned out to be a really special track to me because my dad is a pastor and I love the interaction the boy has with his pastor in the first verse of the song,” he says. Typical with the music Clayton has released throughout his budding career, his soulful delivery and funky-leaning instrumentation help frame the story he’s telling in a way all his own.

Fans can stream or purchase “Dirt Roads of Red,” and pre-order or pre-save Blue Sky Sundays ahead of its February 28 release. For tour dates and ticket information, please visit JD Clayton online.

Blue Sky Sundays tracklist:
Let You Down – (JD Clayton)
Dirt Roads of Red – (JD Clayton)
Madelene – (JD Clayton)
Slow & Steady – (JD Clayton)
Arkansas Kid – (Al Kooper, Ronnie Van Zant, Robert Burns)
Give Me One Reason – (Tracy Chapman)
High Hopes & Low Expectations- (JD Clayton, Kendell Marvel)
Dance Another Dance- (JD Clayton)
Goodnight- (JD Clayton)

A native son of Arkansas, JD Clayton delivers a timeless form of country rock that’s wholly the product of his environment: down-to-earth, deliberately unhurried, touched with a carefree ease that’s undeniably infectious. Over the past few years alone, he’s brought his crowd-thrilling show to tours with the likes of Dwight Yoakam, Old Crow Medicine Show, and Parker McCollum, in addition to performing at major festivals such as Bonnaroo and Dreamy Draw and opening for artists like Hank Williams Jr., Brent Cobb, and Ashley McBryde.

As a kid growing up in Fort Smith, Clayton got his start playing guitar and later took up piano, drums, banjo, harmonica, and ukulele. He released the debut EP Smoke Out the Fire while still in college. After grinding it out in Nashville for several years, he returned to his hometown and immersed himself in creating an adventurous new album that soon led to his signing with Rounder Records. With equal parts soulful self-reflection and wildly colorful storytelling, Blue Sky Sundays immediately transports the audience into a world that moves at its own exhilarating rhythm—and ultimately reveals an artist of hard-won character and singular authenticity.

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The Seldom Scene Reimagines a Classic: A Bluegrass Twist on Bob Dylan’s ‘Farewell, Angelina’

The Seldom Scene gives fans a new take on a long-beloved Bob Dylan Song. Photo: Jeromie Stephens, used with permission.

Bethesda, MD -This month, The Seldom Scene released their delicate and masterful version of the timeless classic “Farewell, Angelina.” Written by Bob Dylan for his widely-lauded album Bringing It All Back Home (1965) and famously recorded by Joan Baez, the haunting waltz is still being resurrected six decades later. And not just by US-based songwriters like Jeff Buckley and John Mellencamp—the song has been carried through France and Italy (“Adieu, Angelina,” “Addio Angelina”), India, Sweden, and beyond. The Seldom Scene’s elegiac interpretation glides through intimate conversation between words and strings. (IV PR, 2025)

“This song, written in 1964, is another gem by Bob Dylan,” says Seldom Scene bassist Ronnie Simpkins, whose daughter insisted the band give the song their own treatment. “I’m glad we listened!” he laughs. Basing their arrangement more on Mellencamp’s 1997 Rough Harvest version than the original, the 53-year-running quartet originally from Bethesda, Maryland, gives “Farewell, Angelina” space to breathe and blossom. The track opens with Ron Stewart deftly picking the guitar in duet with Bluegrass Hall of Famer Dudley Connell’s rich, soft voice. One by one, dobro, fiddle, mandolin, and acoustic bass add subtle new layers to the story without overtly announcing themselves. The Seldom Scene’s poignant arrangement gives depth and texture to the song’s surreal poetry.

“Farewell, Angelina” is the latest single from the Seldom Scene’s forthcoming album, Remains to Be Scene—out March 14 on Smithsonian Folkways. Continuing their long-running legacy of pulling gems from outside of and within the bluegrass canon and reimagining them in what is now the Seldom Scene’s signature style, Remains to Be Scene features an interpretation of Jim Croce’s “A Good Time Man Like Me Ain’t Got No Business (Singin’ the Blues),” a pair of songs by Bob Dylan: “Walking Down the Line” and, of course, “Farewell Angelina,” while also revisiting a fan-favorite, “White Line,” from the iconic Live at the Cellar Door album and paying tribute to their inspirations, Flatt & Scruggs, with “Hard Travelin’.”

Americana UK shared an early listen. Today, fans can stream or purchase “Farewell, Angelina” and pre-order or pre-save Remains to Be Scene ahead of its March release here.

Remains to Be Scene tracklist:
Last of the Steam-Powered Trains
Crossroads
A Good Time Man Like Me Ain’t Got No Business (Singin’ the Blues)
Hard Travelin’
Farewell Angelina
Walking Down the Line
Lonesome Day
I Could Cry
White Line
Show Me the Way to Go Home
The Story of My Life

Self-produced with engineering and mixing by Jim Robeson at his studio The Bar in Rockville, Maryland, Remains to Be Scene caps the end of an era for the group in many ways. The album is dedicated to the memory of Bluegrass Hall of Famer and Seldom Scene cofounder Ben Eldridge, who retired from the group in 2014. But Eldridge remained a major presence and friend to the band, penning heartfelt liner notes for this album before his passing in April 2024. 

Also notable is that Remains to Be Scene marks the final album for Dudley Connell, another Bluegrass Hall of Famer as a member of the Johnson Mountain Boys. Connell wrapped up a Seldom Scene tenure of nearly three decades on guitar and vocals with his retirement at the end of 2024. “Twenty-nine years, dude, that’s a long, long time,” Connell says with a laugh. “No regrets, I’ve loved every minute of it, and it’s been a real joy working with these guys for so long. But I want to get out while I still have my mobility and can travel, walk my dog, things like that.”

The Seldom Scene has mostly stayed close to home in the greater Washington, D.C. vicinity for most of its 53 years of existence. Even as the progressive bluegrass quintet’s lineup has turned over multiple times from those early days, The Scene has maintained an admirably high standard of musicality and artistry, on record as well as onstage at live-residency venues like The Birchmere in Alexandria, Virginia.

The band makes old songs sound brand new while putting a bluegrass spin on some of the least-likely cover songs in the genre. Those virtues are all in place on Remains to Be Scene, their 24th album, released on Smithsonian Folkways, on which they cover everybody from Bob Dylan to The Kinks with customary flair. The album is also another milestone effort for the Scene — the first since the passing of co-founder Ben Eldridge (who penned liner notes before his death in April 2024) as well as the last for longtime Scene member Dudley Connell, who is retiring after 29 years in the band. As usual, the rest of the Scene is taking those departures in stride. One way or another, The Seldom Scene will go on. 

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