‘Carmen From Mexico’ returns to the Guadalupe Theater

The Guadalupe Cultural Arts Center’s Teatro Salon announces the return of ‘Carmen From Mexico’ this April 15 and 16. Photo: Anthony Garcia, used with permission.

The Guadalupe Cultural Arts Center’s Teatro Salon proudly announces the return of Anna De Luna’s original solo performance of ‘Carmen From Mexico.’ Scheduled for April 15 and 16, 2022 at the Guadalupe Theater, 1301 Guadalupe St., curtain is at 8 p.m. with general admission of $12. ‘Carmen From Mexico’ was presented as a world premiere at the historic Guadalupe Theater in 2021 to sold out audiences. Tickets are available here. Teatro Salon is a project of the Guadalupe Cultural Arts Center that showcases and helps develop new work by theater artists. (Teatro Salon, 2022)

‘Carmen From Mexico’ is an original solo multimedia play with live musical accompaniment that reflects the playwright’s own personal family history of her mother’s “illegal” immigration from Mexico to South Texas. Playwright Anna De Luna portrays her mother Carmen (in several stages of her youth) in this powerful true story of survival, struggle and yet sometimes comical experiences of adapting to South Texas racism and prejudices.

“We are so excited to bring back Anna De Luna’s wonderful and powerful one-woman show, and especially thrilled knowing that our production of Carmen From Mexico has been selected to tour the stage of Denver’s own Su Teatro Cultural & Performing Arts Center scheduled for April 22 and 23, 2022.” – Jorge Piña, Guadalupe Theater Manager.

“I am so honored to back at the Guadalupe Theater stage, having presented this production as a world premiere at this historic theater last year.” – Anna De Luna.

De Luna has performed in various leading roles at the Guadalupe Theater and Jump-Start Performance Company.  She also appeared at the Public Theater in ‘Anna In The Tropics,’ for which she received the San Antonio Globe Award for Best Actress.  She produced her original solo plays ‘Chicana Atheist,’ ‘The AIDS Lady,’ and ‘My Arab Fall’ with sustaining success.  In 2016 De Luna was selected Creative of the Month by the City of San Antonio Department for Culture and Creative Development.  ’Carmen from Mexico’ was first presented as a short 20-minute work-in-progress at the Luminaria Contemporary Arts Festival in 2018 and at Jump-Start Performance Company in 2019.

Photo: Guadalupe Cultural Arts Center, used with permission.

Theater review: ‘Jekyll & Hyde’ at the Camille Playhouse

‘Jekyll & Hyde’ is now playing at the Camille Playhouse in Brownsville. Photo: Camille Playhouse

Now playing at the Camille Playhouse is ‘Jekyll & Hyde,’ based on Robert Louis Stevenson’s classic thriller. After a successful opening night, it continues this weekend for the final three performances on Friday, and Saturday at 8p.m. and Sunday at 2p.m. Tickets are $25 for general admission and are available online. Jekyll & Hyde was conceived for the stage by Steve Cuden and Frank Wildhorn with book & lyrics by Leslie Bricusee, music by Frank Wildhorn, orchestrations by Kim Scharnberg and arrangements by Jason Howland. ‘Jekyll & Hyde’ is the gripping tale of a brilliant mind gone horrifically awry, set to a powerful pop-rock score by Frank Wildhorn with book and lyrics by Leslie Bricusse.

‘Jekyll & Hyde’ begins with the introduction of John Utterson (Raul Lozano), Jekyll’s lawyer and best friend and Sir Danvers Carew (Bobby Torres), Jekyll’s future father in law. They take the audience back to a time when Jekyll (Anthony Ruiz) is in an insane asylum singing of his comatose father “Lost In the Darkness.” Jekyll believes that the evil in his father’s soul has caused his illness and tells the audience how he wants to find out why people are both good and evil and about his attempts to separate the good from the evil in the human personality. When the Board of Governors of St. Jude’s Hospital denies him a research proposal to test his formula on a human subject “Board of Governors,” the undeterred Jekyll decides to test the formula on himself “This Is the Moment.” He inadvertently creates an alternate personality of pure evil, named Mr. Hyde, who inflicts murderous devastation on the city of London. As his fiancée Emma (Evany Jackson) grows increasingly fearful for her betrothed, a prostitute, Lucy (Jocelyn Michelle), finds herself dangerously involved with both the doctor and his alter ego. Struggling to control Hyde before he takes over for good, Jekyll races to find a cure for the demon he has created in his own mind.

This production is different than the past ones this season at the Camille Playhouse. With themes including violence, lies and deceit, repression, and mankind’s duality (good vs. evil), it is darker than most audiences are used to but is well worth experiencing. The talented cast, which includes Anthony Ruiz as Dr. Henry Jekyll/Edward Hyde, Evany Jackson as Emma Carew, and Jocelyn Michelle as Lucy Harris, does an impressive job of bringing this classic but relevant story to life on the local stage. The vocal talent is some of the best seen this season, especially Evany Jackson, whose scene stealing portrayal of the loving but long suffering Emma Crew is outstanding. Unfortunately, the sound system did not cooperate on opening night but hopefully this has been fixed. Anthony Ruiz does an excellent job depicting both the timid but brilliant Jekyll and the aggressive and murderous Mr. Hyde. He effortlessly switches between the personalities and manages to elicit the audience’s sympathy up to his tragic end. The costumes are gorgeous and the brilliant use of red lighting when Jekyll is transforming into Mr. Hyde, “First Transformation,” shows the darkness of the moment, especially at the end when he is struggling between both personalities. Show highlights include “Take Me As I Am” which emphasizes the strength of Jekyll and Emma’s relationship, “Bring On the Men” by Lucy and the prostitutes that temporarily lightens the mood, and “This Is the Moment” when Jekyll decides to throw caution to the wind and test the formula on himself. Overall, ‘Jekyll & Hyde’ is an intense and tragic tale of man’s constant struggle with his inner demons; it is a definite must-see production.

Rating: 4 out of 5.

Upcoming new album: Ebunctions’ This Just In

Self-described ‘yacht soul supergroup’ brings together top tier touring and studio musicians for a modern take on beloved vintage sounds. Photo: Ebunctions, used with permission.

A combination of all things funky—and a stacked list of Los Angeles’ finest, hardest working musicians—is exactly what vocalist/saxophonist Woody Mankowski envisioned when he started piecing together quarantine tunes with keyboardist/songwriter Jeff Babko for Ebunctions’ debut album This Just In. With touring sidelined in 2020, every piece of their puzzle fell miraculously into place. (Ebunctions, 2022)

Ebunctions—the band’s name stemmed from a dream in which Mankowski was a contestant on American Idol introduced by Ryan Seacrest as “Ebunctions Hef”—gathered in the studio with giddy enthusiasm running high and nailed down the ten tunes that make up This Just In. The first of which to see the light of day is the roller-rink ready, get yourself unstuck anthem, “Running In Place.” “I wrote ‘Running In Place’ on bass as a nod to Freddy Washington’s bass line on Patrice Rushen ‘Forget Me Nots’ and Cameo’s ‘Alligator Woman,’” says Babko. With bassist Ethan Farmer bringing slap bass into this millennium and horn work from Mankowski, Babko, and the additional “Hef Horns,” “Running In Place” provides a throwback straight from the late 70s to the early 80s for modern fans to nerd out to. Check out the hilariously fitting video for “Running In Place” at this link and pre-order or pre-save This Just In ahead of its April 22 release right here.

This Just In is a fun-loving testament to the power of sharing music with friends. When Mankowski found himself “looking for his lost mojo” after being burnt out on the music business, he finally moved back to California full of devotion and dedication to a life in music, eager to make something happen. An open heart and a head full of ideas led to his connecting with Babko, which led to the creation of Ebunctions, which leads to a sense of joyfulness for anyone who puts their ears to the music. As Mankowski says it best, “I would like this music even if I wasn’t a part of it. It reminds me of happy times.”

This Just In track list:
Nothing But Your Love
Feast or Famine
Running In Place
This Ain’t Over
The Real Thing
One Year
I Wouldn’t Change A Thing
Cold Hard Truth
Somebody Like You
She Don’t Love Me

1650613680

  days

  hours  minutes  seconds

until

This Just In release date