Songwriter Izaak Opatz has a thing for words. More specifically, fitting them together in couplets and verses of wry humor, thoughtful simile, and close observation—a therapeutic process of narrating his own life that, almost as a byproduct, turns out savory nuggets of literate, confessional pop, processing life’s tough stuff into downright enjoyable musical moments. Extra Medium, Opatz’s upcoming release—out April 29 via Mama Bird Recording Co.—splits time between his native Montana, up the East Coast, and in faraway Los Angeles. (Izaak Opatz, 2022)

Montana and LA become the main characters of more than a few tunes on Extra Medium, including the freshly debuted “Wild-Eyed George Bailey Heebie Jeebies,” which was written after Opatz was suddenly dumped in Montana by a lady friend who, a couple months later in LA, refused to acknowledge their previous relationship. “She’d visited me in LA when we were dating, and the contrast in feeling between the two visits almost gave me the sense that I had gone crazy, and maybe our relationship never existed, similar to George Bailey’s experience of having never been born in It’s a Wonderful Life,” remembers Opatz. “We went for a walk in Glendale’s Forest Lawn cemetery, where a number of celebrities are buried, and only after finishing the song did I find out that James Stewart, who played George Bailey, was actually buried there!” Opatz released the tremendous, perfectly-disjointed music video for “Wild-Eyed George Bailey Heebie Jeebies,” directed by Aaron Curry. Fans can hear “Wild-Eyed George Bailey Heebie Jeebies” now at this link and pre-order or pre-save Extra Medium ahead of its April 29 release right here. 

Extra Medium features Opatz’s bandmates and collaborators, Malachi DeLorenzo and Dylan Rodrigue, who he met in Los Angeles while working alongside Jonny Fritz at the infamous Dad Country Leather. DeLorenzo, Rodrigue, and Opatz worked together on taking the album’s songs from demo form to the quirkily-arranged, ever-evolving final track list of Extra Medium. Utilizing varying instrumentation, creative engineering, and blends of non-traditional hooks with classic song forms, the trio creates a living, breathing work, at once familiar—borderline nostalgic—and wholly unique. Fans of country and Americana will be just as likely to enjoy Extra Medium as those who lean more indie rock or experimental, perpetuating Opatz’s hard-to-describe but easy-to-listen-to style, one that Opatz and his band have dubbed dirtwave. From the feel changes and horn stabs in the previously-released single “Chinook Wind,” to the tension of the unison melody line that opens “Wild-Eyed George Bailey Heebie Jeebies,” Opatz provides never ending excitement for adventurous listeners, windows-down fun timers, and jaded industry vets alike. If Izaak Opatz’s life outside of music was noy interesting and free-wheeling enough, a step inside of his sonic world is sure to enrapture fans and fans-to-be upon first listen.