Within the first few seconds of its first song, John Inghram’s debut self-titled album gives off an unmistakable vintage vibe—swirling guitar arpeggios giving way to thumping drums and deep, perfectly-timed bass—but once he starts singing, the bigger picture quickly comes into focus. This is not just folk-rock nostalgia, but a well-crafted take on connecting modern experiences with old-school sounds, allowing listeners to feel in a more circular than linear fashion. Fans can check out “Palisades” now at this link and pre-order or pre-save John Inghram ahead of its May 13 release right here.  (John Inghram, 2022)

Glide Magazine premiered John Inghram album-opener “Palisades,” writing, “Backed by soulful organ and jagged guitar, Inghram brings together Americana, folk-rock, and a kind of laid back 70s rock sound to make for a song that feels reflective yet forward-thinking.” Like most people hearing Inghram’s brand of Appalachia-drenched songcraft, Glide went on to note just how well he delivers great lyrics via feel-good instrumentation. “With its lyrics that speak to living in the moment and embracing the present, Inghram proves once again to have a penchant for crafting smart tunes that resonate in a universal way and then complementing them with big guitar solos and an inviting, full-band sound.”

“My whole career has been about serving other people, and other people’s music,” Inghram explains, “And that is beautiful. But there was some piece that I felt was missing as a creative. I needed to serve my own original music with the creation of this album.” For Inghram, the past is a complicated topic. “Like a lot of my fellow musicians, I spent much of my 20s strung out, partying, and generally just made a lot of poor life choices,” he says. “A big part of making this album has been deciding that it’s not too late. All I’ve got is the now and I’m going for it.” With a breadth of musical knowledge and experience, Inghram finds his own unique musical mantra on this debut record. While it is always tempting to dwell on the past, or dream about the future, he challenges listeners to move into an existential, yet completely joyful mindset with him. “Now that I have a beautiful family, and life is better than I ever thought it could be,” he says, “I just want to make use of this moment and make sure I give everything I have to offer.”

Recorded at two different studios between 2020 and 2021, Bud Carroll and Justin Francis engineered John Inghram while Francis mixed and mastered it. It features Carroll and Adam Meisterhans on guitars, Randy Gilkey and Micah Hulscher on keys, and Sam Wiseman on drums. 

For nearly two decades, bassist, composer, and producer John Inghram has been making a name for himself as one of the most sought-after musicians in the Appalachian region, Mid-Atlantic, and beyond. John tours and performs regularly with Landau Eugene Murphy Jr. (2011 Winner of “America’s Got Talent”), jazz pianist Bob Thompson (Mountain Stage), bluegrass mandolinist Johnny Staats, and jam-band Fletcher’s Grove. In addition to these, John performs regularly on NPR’s Mountain Stage Radio Show and serves as the show’s assistant producer. He has also toured with and/or backed up musical luminaries such as Chuck Prophet, Vince Herman (Leftover Salmon), Joshua Hedley, Catherine Russell (Steely Dan, Bowie), Roosevelt Collier, Larry Coryell, Branford Marsalis, Janis Ian, Kathy Mattea, Kris Myers (Umphrey’s Mcgee), Patrick Sweany, Christian Lopez, and many more.