Andrew Duhon paints picture of love and adventure on new album Emerald Blue

Emerald Blue will be out July 29, 2022 and features backing band Jano Rix, Myles Weeks, and Dan Walker; Engineered by GRAMMY-winner Trina Shoemaker at Dockside Studios. Courtesy photo, used with permission.

For an artist who grew up, in his words, “beside the turbulent, chocolate milk of the mouth of the Mississippi,” it is no wonder that Andrew Duhon was so awestricken by his time exploring the Pacific Northwest over the past few years. But it was when Duhon connected the shades of his unfamiliar surroundings with the depth of color in his partner’s eyes that sparked the writing of “Emerald Blue,” the title track of his upcoming album. (Andrew Duhon, 2022)

Holler. premiered the music video for “Emerald Blue,” writing, “…‘Emerald Blue’ sits happily at the crossroads of harmony-drenched pop, rustic Americana, Appalachian folk and about a half-dozen other styles, all meeting and mixing around the warmth of Duhon’s vocals; world-weary, stretched and full of soul.” Fans can watch the music video for “Emerald Blue”, check out previously-released singles “Everybody Colored Their Own Jesus” and “Castle On Irish Bayou, and pre-order or pre-save Emerald Blue ahead of its July 29.

Joined by Jano Rix on drums, percussion, and harmonies; Myles Weeks on upright and electric basses and harmonies; and Dan Walker on keys and accordion, Duhon headed into Maurice, Louisiana’s storied Dockside Studios with GRAMMY-award winning engineer and longtime collaborator of Andrew’s, Trina Shoemaker, to capture every inch of vibe and beauty and texture each song had to offer.

The tracks on Emerald Blue show serious time spent in listening mode—both to himself, and to the world around him. These are songs that come from a very particular time and place, when so many of us—often alone with our flaws and feelings, with few of our regular, dependable distractions—were forced to face hard truths. And yet, using the time-tested language of folk, of the blues, storytelling and soul-searching, voice and keys and strings, Andrew Duhon proves himself worthy of heroes like John Prine—who makes a fantasy cameo in “As Good As It Gets,” the album’s closer—by similarly crafting four-minute worlds in song, that feel purely timeless, as old or as young as the chronic condition of stumbling across Earth with a human heart. Emerald Blue shows us the vast worlds that can be discovered and traveled when we sit still, and the breathtaking vistas on view when we look within—or at the people right beside us. 

Catch Andrew Duhon on tour:
7.21 – Boulder, CO – The Barn – Benefit Concert
7.22 – Pallisade, CO – Pallisade Brewery
7.29 – Lafayette, LA – Grouse Room
7.30 – New Orleans, LA – One Eyed Jacks
7.31 – Mobile, AL – Callaghan’s
8.01 – Birmingham, AL – Dave’s Pub
8.02 – Decatur, GA – Eddie’s Attic
8.03 – Asheville, NC – The Grey Eagle
8.04 – Greenville, SC – Radio Room
8.05 – Charlotte, NC – The Evening Muse
8.07 – Raleigh, NC – Pour House Music Hall
8.10 – Port Townsend, WA – Wheeler Theater
8.11 – Seattle, WA – Tractor Tavern
8.12 – Portland, OR – Doug Fir
8.13 – Kingston, WA – Concerts in the Barn
8.14 – Nine Mile Falls, WA – Live at Andre’s
8.17 – New York, NY – Cafe Wha?
8.18 – Wayne, PA – 118 North

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