The Contemporary at Blue Star is excited to announce three new exhibitions, The C&s Center of Unfinished Business, Kaysaypac: Portraits and Figures by Leeanna Chipana, and Cheng Xinhao’s Silver…and Other Elements. The summer exhibitions weave an unavoidable thread that sparks conversation around the history of colonialism, its presence in contemporary life, and encourages education and dialogue. They are currently on view until October 6, 2024. (Contemporary at Blue Star, 2024)

The C&s Center of Unfinished Business
Contemporary is thrilled to partner with C&, a multimedia platform for contemporary visual arts, to present the Center of Unfinished Business, a reading room that encapsulates an array of books that explore the persistence of colonialism in various ways, from its origins to how it effects people and places today. You’ll find texts on the way land and culture have been forcibly stripped from native people due to colonialism alongside texts that explore how empire-building also connects to fashion, 21st century capitalism, and more.

Launched in 2017, the Reading Room has traveled to institutions around the world. As it travels, the room integrates books from each of its host venues (and their collaborators), who add text that is relevant to the place the Reading Room inhabits. For the Contemporary’s iteration of this installation, we have partnered with the Guadalupe Cultural Arts Center Latino Bookstore to include texts that touch on the themes of colonialism and borders that are present in the exhibitions in the surrounding galleries.

Kaysaypac: Portraits and Figures by Leeanna Chipana
Born in Long Island, New York to an immigrant Quechuan-Peruvian father and American mother, Leeanna Chipana draws from her Quechuan and American identity by incorporating Incan, Aztec, and Mayan iconography with classical European oil painting techniques and approaches. The blending and blurring of indigenous figures and Western techniques is an effort of disrupting colonial erasure by placing Indigenous-Latinx figures at the forefront of a very Euro-centric style of painting.

The exhibition title, Kaysaypac (pronounced cow-say-pak), a nod to Chipana’s Quechuan-Peruvian heritage, is a phrase often used while making a toast or a cheers and translates to “to live/to life.” Further cementing the presence of indigenous peoples, this sentiment incorporated into the title is a dedication to the descendants of the Incans continuing to live in community, surviving colonialism and violence.

Cheng Xinhao
Silver…and Other Elements
In this four-channel film, Cheng Xinhao investigates the Mang people’s (the indigenous people living at the border of Vietnam and China) adaptation to shifting borders and changing systems. To explore this moving borderline and the migration of its people, Xinhao follows the fluctuating use of currency.

These shifting borders create a state of in-betweenness and displacement—a sentiment many border communities around the world still struggle with, and yet adapt to. Xinhao’s video raises the question: what symbols are appropriated and survive under new regimes? Will they be incorporated into existing systems, or will new forms be created?

Contemporary at Blue Star
116 Blue Star
San Antonio, TX 78204

Public visiting hours during exhibitions:
Monday – Tuesday Closed
Wednesday 12p.m. – 5p.m.
Thursday – Friday 12p.m. – 8p.m.
Saturday – Sunday 10a.m. – 6p.m.

Admission is always free.