Funk band Lettuce announces new album Unify

Unify will be out June 3 and Unify World Tour kicks off March 24, 2022. Photo: Lettuce, used with permission.

Lettuce is the greasiest, funkiest band on today’s music scene. On June 3, the GRAMMY-nominated six-piece—Adam Deitch (drums), Ryan Zoidis (saxophone), Adam ‘Shmeeans’ Smirnoff (guitar), Erick ‘Jesus’ Coomes (bass), Nigel Hall (keyboards/vocals), Eric ‘Benny’ Bloom (trumpet)—will be delivering a whole host of new tunes to the world in the form of Unify, the eighth studio album from Lettuce and the third consecutive record made at Denver’s Colorado Sound Studios. It completes a loose trilogy starting with 2019’s GRAMMY-nominated Elevate, and continuing with 2020’s Resonate. Fans can expect the same tight, wildly-funky instrumentals Lettuce has been known for, but in the tightest form they have ever taken. This time around, the guys have gotten the stamp of approval from one of the genre’s most legendary icons, Mr. Bootsy Collins, himself, who can be heard singing on the track “Keep That Funk Alive.” (Lettuce, 2022)

Lettuce recently premiered “Gravy Train,” the first single from Unify, featuring a tightly evolved rhythm section, pin-point accurate horns, and a guitar-bass unison part not executed this well since Leo and George did it down in New Orleans all those years ago. “‘Gravy Train’ just has that classic Lettuce vibe,” says Smirnoff. “It’s one of those songs that’s timeless and could have shown up on any of our first albums. Give “Gravy Train” a spin right now at this link, pre-order or pre-save Unify ahead of its June 3 release right here.

Dealing with the pandemic, being in separate places, trying to survive without our best friends, without touring, not to mention the political divide in this country,” says Deitch. “We really needed to unify.” Zoidis recalls, “This album came together at a time when we were away from each other longer than we had been in years.” Although the band was able to do a lot of writing and pre-production from their respective home studios, they had not been in the same room or on the same stage together since their European tour was cut short in March 2021, so the first song on Unify captures the raw energy of a much-needed reunion at Colorado Sound Studios—though, that is not exactly where the story begins.

Beginning March 24 in St. Petersburg, Florida, Lettuce will take their brand new material out on the road, and across the pond, for the Unify World Tour. Between their U.S. leg and September’s Europe run, the band will hit some of the country’s most beloved festivals including Bonnaroo, Electric Forest, Sonic Bloom, and High Sierra. A full list of tour dates is below and ticket information is available online. 

Catch Lettuce on tour:
March 24 – St. Petersburg, FL – Jannus Live
March 25 – Charlotte, NC – Neighborhood Theatre
March 26 – Asheville, NC – The Orange Peel
March 27 – Wilmington, NC – Greenfield Lake Amphitheater
March 30 – Columbus, OH – Newport Music Hall
March 31 – Baltimore, MD – Sound Stage
April 2 – Philadelphia, PA – Brooklyn Bowl
April 3 – Syracuse, NY – Westcott Theater
April 6 – Hartford, CT – Infinity Music Hall
April 7 – Burlington, VT – Higher Ground
April 8 – Boston, MA – House of Blues
April 9 – Portland, ME – State Theatre
April 20 – Patchogue, NY – Blue Point Brewing
April 21 – Albany, NY – Empire Live
April 22 – Port Chester, NY – The Capitol Theatre
April 23 – Washington, DC – National Cannabis Cup
April 24 – Asbury Park, NJ – The Stone Pony
April 27 – St. Louis, MO – The Big Top
April 28 – Little Rock, AR – The Hall
April 29 – Jackson, MS – Duling Hall
April 30 – New Orleans, LA – The Joy Theater (with Soul Rebels)
May 7 – Mill Valley, CA – Mill Valley Music Festival
May 26-29 – Martinsville, VA – Rooster Walk Music & Arts Festival
June 16-19 – Hummingbird Ranch, CO – Sonic Bloom Festival
June 19 – Manchester, TN – Bonnaroo Music and Arts Festival
June 23-26 – Rothbury, MI – Electric Forest Festival
June 24-25 – Swanzey, NH – Northlands Music & Arts Festival
June 30-July 3 – Quincy, CA – High Sierra Music Festival
August 11 – Cincinnati, OH – Taft Theatre
August 12 – Huber Heights, OH – Rose Music Center at The Heights
August 13 – Richmond, VA – Jam Packed Craft Beer & Music Festival
August 26 – Martha’s Vineyard, MA – Beach Road Weekend Festival
September 20 – London, UK – Scala
September 21 – Tourcoing, France – Le Grand Mix
September 23 – Paris, France – Billard L’alhambra
September 24 – Rouen, France – Le 106 club
September 26 – Frankfurt, Germany – Batschkapp
September 27 – Rotterdam, Netherlands – Bird
September 28 – Amsterdam, Netherlands – Paradiso Noord
September 29 – Leuven, Belgium – Het Depot
September 30 – Berlin, Germany – Gretchen
October 2 – Copenhagen, Denmark – Pumpehuset
October 3 – Oslo, Norway – Cosmopolite Scene
October 4 – Jahanneshov, Sweden – Slaktkyrkan
October 5 – Gothenburg, Sweden – Jazzklubben Nefertiti
October 7 – Hamburg, Germany – Mojo Club
October 8 – Brno, Czechia – Groove Brno
October 9 – Vienna, Austria – Club Porgy & Bess
October 11 – Bern, Switzerland – Bierhübeli
October 12 – Pisa, Italy – Lumiere
October 13 – Rome, Italy – Monk Club
October 14 – Milano, Italy – Santeria Toscana 31
October 15 – Rovereto, Italy – Auditorium Melotti
October 17 – Stuttgart, Germany – Im Wizemann
October 18 – Mulhouse, France – Noumatrouff
October 20 – Barcelona, Spain – Sala La Nau
October 21 – Madrid, Spain – Sala Caracol
October 22 – Cenon, France – Le Rocher de Palmer

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The Po’ Ramblin’ Boys announce new LP Never Slow Down

The Po’ Ramblin’ Boys connect bluegrass past and present with Never Slow Down, due out March 25 via Smithsonian Folkways. Photo: The Po’ Ramblin’ Boys, used with permission.

Necessity is what brought GRAMMY-nominated, IBMA Award-winning bluegrass group The Po’ Ramblin’ Boys together in the first place—and it is necessity that keeps them fueled today. Initially, a basic need for entertainment at an East Tennessee moonshine distillery brought the band’s original lineup together, but now, after miles and miles of touring and multiple albums recorded, their need is to continue connecting the past to the present, breaking new ground in the unknown future of the “high, lonesome sound.” The quintet symbolizes not only the tradition, legend, and lore that is bluegrass music, they possess a key trait of the ancient tones all too easily forgotten in the 21st century—rebellion. This spirit is at the center of their newest album, Never Slow Down, out March 25 on Smithsonian Folkways, which is also their first album featuring fiddler Laura Orshaw as an official member of the band. Taking on material by their heroes the Stanley Brothers, Hazel Dickens & Alice Gerrard, George Jones, and more, The Po’ Ramblin’ Boys bridge the gap between the past and present, proving the eternal importance of bluegrass and making it accessible to all. (The Po’ Ramblin’ Boys, 2022)

“We know what bluegrass is. We know the history. And we respect the history. But, we’re looking to expand the boundaries of bluegrass—that’s the truth of the matter,” says The Po’ Ramblin’ Boys’ lead singer and mandolinist, C.J. Lewandowski. “A good song is a good song. We want to honor the past, but we also want to do our own material—to have our own sound, and to play our own way.” American Songwriter premiered the lead single “The Blues Are Close at Hand,” calling the single “high-energy” and taking note of the band’s “skilled and respectful approach to bluegrass traditions.” Fans can click here to hear “The Blues Are Close at Hand” and pre-order or pre-save Never Slow Down ahead of its March 25 release at this link.

Never Slow Down also represents the latest chapter of The Po’ Ramblin’ Boys with the addition of fiddler Laura Orshaw as an official band member. Though Orshaw had made appearances on previous offerings from The Po’ Ramblin’ Boys, her new full-time member status is front and center on Never Slow Down, whether it be taking the lead vocals on certain melodies or letting her intricate fiddle work shine through with its razor-sharp tone. “Having the fiddle in there really completes that signature lineup of what bluegrass music is,” Lewandowski says. “And with Laura, we’re able to open up all kinds of harmony structures, which gives each of us more opportunities to expand our palette of what we want to ultimately create and perform live.”

In signing with Smithsonian Folkways, the group has become a part of a nearly century-long legacy of musical celebration and preservation as they join the ranks of Hazel Dickens & Alice Gerrard, Del McCoury, Bill Monroe, The Stanley Brothers, and many other innovators of previous eras of Bluegrass that have material in the label’s fabled catalog.

The Po’ Ramblin’ Boys are gearing up for their next, unwritten phase with an album release tour and spring festival engagements right around the corner, and carrying bluegrass into the future will always be their number one focus. “The beauty of bluegrass music is not just the tradition of it, but also its constant evolution,” Lewandowski says. “No matter what we do, we’re always going to be honoring something in some kind of way. And that because it’s just what we like to do—it’s part of every one of us in this band.”

Never Slow Down track list:
Missing Her Has Never Slowed Me Down
Where Grass Don’t Grow
Lonesome
The Blues Are Close at Hand
When Are You Gonna Tell Me?
Take My Ashes to the River
Little Glass of Wine
Ramblin’ Woman
Woke Up With Tears in My Eyes
Mason’s Lament
Old Time Angels

Catch The Po’ Ramblin’ Boys on tour:
April 9 – Bristol, VA – Bristol Spring Bluegrass Festival
April 23 – Oakboro, NC – Big Lick Bluegrass Festival
April 30 – Floyd, VA – Floyd Country Store
May 4 – Branson, MO – Silver Dollar City
May 5 – Branson, MO – Silver Dollar City
May 6 – Webster, KY – The Randall Barn
May 7 – Cincinnati, OH – Appalachian Festival
May 26 – McClure, VA – Dr. Ralph Stanley’s Hills of Home Bluegrass Festival

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Jonas Bak’s award-winning film Wood and Water

Wood and Water: A Film by Jonas Bak. Courtesy photo, used with permission.

KimStim presents a Trance Film Production of Wood and Water, a film by Jonas Bak. Winner: Berlin International Film Festival – Special Mention: Compass-Perspektive-Award and Official Selection: New Directors/New Films Festival at BFI London Film Festival. Wood and Water will be released in New York (MOMA) on March 24 with a Los Angeles and national release to follow. (KimStim, 2022)

Wood and Water – With seamless grace, German director Jonas Bak moves from the tall spires of the Black Forest to the teeming skyscrapers of Hong Kong in his tranquil, deeply moving feature debut. Newly retired from her church job, Anke dreams of spending time with her grown children—including her uncommunicative and elusive son, Max, who has been living for years in Hong Kong, and who is unable to join his mother and sister back in Germany due to the ongoing pro-democracy protests.

In a daring decision, Anke, though suffering from loneliness and loss, travels to Hong Kong to find Max and perhaps also herself. The people she encounters, and her experience of the city help her to break down the inner walls she constructed years ago, and make way for a new chapter in her life.
In his hushed, wholly original approach to this fish-out-of-water set-up, Bak constructs a gentle, ambiguous fable of becoming, shot on 16mm and featuring a wondrous, naturalistic performance by his own mother, Anke Bak.

Starring Anke Bak, Ricky Yeung, Alexandra Batten, Patrick Lo, Theresa Bak, Patrick Shum, Edward Chan, Susanne Johnssen, Lena Ackermann, Amy Aceituna, and Christel Johnssen.
Run time: 79 Minutes (Germany/ France/ HK- Feature Film)
In German, English and Cantonese

Jonas Bak (Writer/ Director/ Editor) Born in Konstanz in 1985, and now based in Freiburg, Jonas Bak studied film directing at Edinburgh College of Art before moving to London in 2015, and then Hong Kong in 2018 to work as a freelance film director and director of photography. He wrote and directed two short films, Wanderdrachen (2016) and One and Many (2017), both of which were screened at international film festivals including Molodist, Curtacinema Rio de Janeiro and Pacific Meridian. Wood and Water (2021) is his first feature film.

KimStim is a Brooklyn-based, full-service distribution company dedicated to releasing exceptional independent, foreign, and documentary films. KimStim brings to the US, and North American audiences selected films from around the world gleaned from the most prestigious film festivals and includes top prize winners from Sundance, Cannes, Venice, Toronto, Berlin, and Tribeca. Signature releases include Hu Bo’s epic masterpiece, An Elephant Sitting Still, the 2020 Oscar Shortlisted Best International Feature Hope, and Happy Hour by the Oscar-Nominated Director of Drive My Car, Ryusuke Hamaguchi.

Steve Dawson announces new album Gone, Long Gone

Juno Award-Winner Steve Dawson makes the best out of his time with upcoming album Gone, Long Gone, out March 18, 2022. Courtesy photo, used with permission.

When 2019 turned into 2020, Canadian guitarist, composer, and seven-time Juno Award-winning musician Steve Dawson was as busy as he had ever been in his life—playing with his friends Matt Anderson or Birds of Chicago and helming his acclaimed Music Makers and Soul Shakers podcast, all while producing albums for a multitude of roots artists and touring under his own name. So when the pandemic hit and pulled the ripcord to slow down Dawson’s life, he took the positives with the negatives and relished in some time off to work on music that may have never seen the light of day otherwise. His flurry of activity resulted in enough solo material for three distinct albums, the first of which, Gone, Long Gone—an album focused entirely on Dawson’s songcraft—will be released on March 18. (Steve Dawson, 2022)

American Songwriter premiered “Dimes,” Gone, Long Gone’s horn-laden, funk-infused opener. With a punchy, funky guitar attack akin to Ry Cooder, “Dimes” explores the age-old idea of quality versus quantity. “I just wanted to have a nice laid-back, funky feel going on over this, and then in the middle, a 70s cop-show theme song breaks out,” says Dawson, reflecting on recording the tune which features an all-star lineup of players. Fans can hear “Dimes” now at this link and check out the song’s lyric video, which premiered yesterday across the pond with Americana UK. Gone, Long Gone can be pre-ordered or pre-saved ahead of its March 18 release at this link.

Gone, Long Gone is Dawson’s first collection of songs since Solid States and Loose Ends came out in 2016, and features nine original cuts (mostly co-written with Alberta songwriter Matt Patershuk) and a soulful cover of The Faces’ “Ooh La La.” These new originals represent the first time Dawson has collaborated on songs with another artist, conceding that co-writing was a process that he previously found uncomfortable. Once Patershuk started firing off ideas to Steve, the ball got rolling, ideas flowed back and forth, and once the dust had settled, they had come up with a batch of new songs. The finished product proves that, as much as anything else, Steve Dawson is a singer-songwriter of the highest caliber and that Gone, Long Gone is the most realized album to be released under his own name to date.

As much as everyone has suffered through the past year, the beautiful music featured on Gone, Long Gone shows us that there is a bright side to our enforced isolation. It is not simply a record of the pandemic. These are songs with a life of their own that will resonate long after the memories of our current situation have faded.

Steve Dawson has long been recognized as one of Canada’s finest instrumentalists and record producers. He has collected seven Juno awards and 22 more nominations, was named Western Canadian Music Awards’ “Producer of the Year” three times and Canadian Folk Music Awards’ “Producer of the Year” four times with nominations too many to count between the two organizations. Dawson is the mastermind behind the popular podcast Music Makers and Soul Shakers, which has now published more than 100 episodes. His new album Gone, Long Gone is the first of three releases coming from a bountiful quarantine recording streak and is available on March 18, 2022. Phantom Threshold, a psychedelic pedal steel-driven instrumental album, is expected in July 2022.

Gone, Long Gone Track list:
1. Dimes
2. King Bennie Had His Shit Together
3. Bad Omen
4. Gone, Long Gone
5. I Just Get Lost
6. Kulaniapia Waltz
7. 6 Skeletons
8. Ooh La La
9. Cicada Sanctuary
10. Time Has Made A Fool Out Of Me

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New album release: Jason Erie’s Tiny Fires

Jason Erie reconciles with country’s past and present on new album Tiny Fires, due out March 25 via Wirebird Records. Photo: Jason Erie, used with permission.

Is it okay to be proud of where one comes from even if that past is far from perfect? Can a country learn from the scars of its past and build something greater than any flawed, hand-me-down patriotism could ever summarize? According to New Jersey-born-and-raised folksinger and songwriter Jason Erie, the answer is a resounding “yes.” On Erie’s new full-length album Tiny Fires he spearheads a rebuilding effort, utilizing his signature hyper-sensory poeticism in intimate, agonizing portraits of the common man’s oft disregarded depth and frailty. Erie explores everything from modern consumerism to isolation, attempting to reconcile the imperfect realities of the U.S.A. and the flawed system passed down by its forebears. With that said, Erie’s message on Tiny Fires runs deeper than any run-of-the-mill, partisan protest record. Rather, it is an inherently unifying exposé on what it means to be human in a seemingly smoldering world and to find a home in its ashes. Tiny Fires can be pre-ordered or pre-saved ahead of its March 25 release at this link. (Jason Erie, 2022)

Over the course of 12 songs, Tiny Fires takes the listener across a sonic landscape that manages to incorporate everything from intimate acoustic ballads to raucous rock anthems—all of which showcase Erie’s unmatched versatility. Whereas producer Brett Ryan Stewart (Wirebird Productions) creates a masterful musical backdrop for the record, it is Erie’s extraordinary lyrical content and the consistency of his heart which ties the whole collection together. Where the first half of Tiny Fires is brimming with raw, dystopian hopelessness, in the latter half, the listener is greeted by a coming to terms of sorts. Erie seemingly begins taking ownership of his own role as a father, son, American, and human being. Perhaps the most obvious illustration of this empowerment comes in the song “Sins of my Father”—a marching rock track that seems equal parts anthem and dirge. It is written by the perspective of a son grappling with the troubled history of his father and his own identity within that lineage. The lyrics are deeply personal to Jason. “I’ve always been close to my dad and realize now that he worked really hard not to become his father. Thanks to that I get to say I hope to become more like him. Now that I am a father, this song serves as a reminder that trauma does not define who we are.” On another layer, the lyrics are also undoubtedly relevant to Americans forced to question their own collective history, the sins of their forefathers. It seems to beg some very important questions.

Within only a few years in Nashville, Jason has established himself as a must-know act in the renowned East Nashville Americana scene and a rising star in the Americana scene abroad. His first studio offering, The Art of Letting Go, gained widespread critical acclaim and landed the #28 slot on the Roots Music Report Americana chart. The Music Mermaid said, “The thing about Erie is that he’s not just a wildly talented musician — he’s a poet, a gut-puncher, a soul-shaker, an artist so in tune with the special ways that words can be spun. Not all singer-songwriters can do this, but somehow Erie does it all.” This sentiment is shared by anyone who has witnessed Jason’s live performances throughout his tours of the North and Southeast U.S.—as evidenced by his victory in the 2019 Eddie Owens Presents: Songwriter Shootout in Duluth, GA. Past winners of this competition include John Mayer, Shawn Mullins, Clay Cook, Jennifer Nettles, Tyler Childers, and Elliot Bronson.

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New documentary: Stronger By Stress

The new documentary Stronger By Stress in now available on digital and on On Demand. Photo: Gravitas Ventures, used with permission.

Stronger by Stress is a documentary film about leveraging the concept of hormesis to our advantage. It talks about the science of stress, how it affects our bodies, what to do for stress management and which kind of positive stressors we should incorporate into our lives. The movie is told through the lens of biohacking and health optimization. It focuses on the idea of preventive healthcare, personalized medicine, self-quantification, experimentation and scientific enquiry. Stronger By Stress: Leverage the science of stress adaptation and become more resilient in your everyday life. From Gravitas Ventures, the documentary is now available on digital platforms and it is directed by Andzei and written and produced by Siim Land. (Gravitas Ventures, 2022)

Stronger by Stress – With conventional medicine struggling to keep up with our ever-increasing stress, biohackers show us their holistic approach to life not only increases a resilience against stress but also helps us to perform on higher level. If there is one thing the past year and a half has taught us, then it is that unexpected events and chaotic situations are bound to happen. No matter how advanced we think we are as a species, there is always something unpredictable that could cripple us as not only individuals but as an entire society. It is not a matter of if but when. We cannot do much about preventing these events from happening – we can only prepare for them in advance.

Humans and other life forms have developed complex systems for dealing with environmental stressors. In fact, these pathways actually make us more resilient against the same kind of stress in the future. Thus, we become stronger by the stress we experience. The biological phenomenon to describe this is called ‘hormesis,’ which is a dose-specific response to a particular toxin or stressor that does have a weakening effect on the body but leads to adaptation and super-compensation afterwards.

Elliah Heifetz announces new album First Generation American

First Generation American will be out April 1, 2022. Photo: Elliah Heifetz, used with permission.

“Her second tongue was English, but her first was patience,” sings Elliah Heifetz on his new single, “Living Proof”—a loving ode to his mother who, along with his father and sister, came to America in 1990 as political refugees from the Soviet Union. “Everything she did, she had to do.” This story of upbringing is typical for generations of immigrant children, but Heifetz’ tale carries a unique calling card, his unabashed love for American country and roots music. “Living Proof” embodies the hope and resilience of Heifetz’ mother with equal parts John Prine, Townes Van Zandt, and Don Williams, riding a quiet half-time groove accented by sweet pedal steel guitar and true-to-life lyrics. “She was fighting for a corner of a brand new nation, and I, I’m living proof.” The first release from Heifetz’ upcoming full-length album First Generation American, fans can hear “Living Proof” now and pre-order or pre-save the album at this link. (Elliah Heifetz, 2022)

Set to be released on April 1, First Generation American finds this son of eastern European immigrants telling his most personal truths and truly confronting his life-long identity crisis. In late 2020, Heifetz connected with Grammy-nominated producer and fellow first-generation American Andrija Tokic. Flying to Nashville to track thirteen songs with Tokic at his all-analog Bomb Shelter studio, Heifetz recorded with an all-star band of legendary musicians including Dennis Crouch, Jeff Taylor, Jimmy Lester, Jack Lawrence, and JJ Tourville.

The record’s opening title track is a raucous, joyously tongue-in-cheek anthem for all children of immigrants, followed by the honeyed, heartfelt “Living Proof.” Other standouts include “Modern Man,” a rip-roaring blues rocker with a wink in its eye; “Anxiety,” a vulnerable conversation with mental illness; “Keep the Grass in the Ground,” a tonal nod to Heifetz’s late hero John Prine; and “Buzzin’,” the honky tonk shout-along he has always dreamed of leading. First Generation American blows open the door to the musical world inhabited by tour-de-forces like Tyler Childers, Waylon Payne, Joshua Ray Walker, and Margo Price.

Heifetz likes to say that on this record, he is a “tourist through country music”—paying reverent homage to the genre’s traditions while upending every old-guard, exclusionary norm he can find. It is a vital album for a hellishly turbulent time, a way to belly-laugh while we swallow the bitter reality of America’s hateful roots and complex future. And it is a perfect summary of something that has taken Heifetz down a rough road to learn: the stranger it is to listeners that he plays country music, the more right it feels. In this nation of immigrants, this patchwork quilt of a million differences, strangeness is precisely what makes you belong.

First Generation American follows the release of Heifetz’ debut EP, New Folk Songs, from which a number of songs were added to curated playlists—including TIDAL’s 2018 Best Of: Rising Folk/Country. Additionally, Dramatist Guild Foundation Fellow Heifetz has been crowned as one-to-watch as a composer and pop songwriter. In his songwriting career, Heifetz has collaborated with hit pop songwriters and producers like Freddy Wexler, Dave Kuncio, Corey Sanders, and Neff-U.

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New documentary release: Worst to First: The True Story of Z100 New York

Worst to First: The True Story of Z100 New York is available on major US and Canadian Video on Demand platforms. Photo: Gunpowder & Sky, used with permission.

Worst to First is a feature-length documentary that portrays the against-all-odds inspirational story of the launch of the iconic and most successful radio station in history, New York City’s Z100. In 1983, Z100 launched from the swamps of New Jersey, where no artist would venture and the DJs had to buy their own records just to have music to play on air. Fun, poignant and aspirational, the film features Scott Shannon and several other Hall of Fame radio personalities as well as industry legends like Clive Davis and Elvis Duran. (Gunpowder & Sky, 2022)

Released on Video on Demand and cable in the United States and Canada on Friday, February 11.
US VOD platforms include Apple/ iTunes, Amazon, GooglePlay, Vudu, Microsoft, and more.
US cable platforms include InDemand (Comcast, Spectrum, Charter, Cox, Frontier), DirectTV, and more.
Canadian VOD platform: Apple/ iTunes

Worst to First: The True Story of Z100 New York
Feature Documentary/ Rated: G / Running Time: 64 Minutes

Directed, written, and produced by Mitchell Stuart. Produced by Trish Hunter Shannon, Elvis Duran, David Katz, and John McConnell

Cast: Scott Shannon, Elvis Duran, Jon Bon Jovi, Nile Rodgers, Clive Davis, Debbie Gibson, Joan Jett, Taylor Dayne, Tony Orlando, Joe Piscopo, “Magic” Matthew Alan, “Professor” Jonathan B. Bell, Anita Bonita, Ross Brittain, Pete Cosenza, Michael Ellis, Gavin DeGraw, Cathy Donovan, Gary Fisher, Frank Foti, Sean “Hollywood” Hamilton, David Hinckley, Donnie lenner, Jim Kerr, Steve Kingston, Ken Lane, Kenny Laguna, Jimi LaLumia, Tom Poleman, Geraldo Rivera, Trish Hunter Shannon, Patty Steele, Claire Stevens, Mitchell Stuart, John Sykes and Jim Wood.

Iconic artists who got their start on Z100 such as Jon Bon Jovi, Joan Jett, Nile Rodgers, and era superstars, Debbie Gibson and Taylor Dayne all share their personal stories of the importance of the station, their love of radio and passion for performing music.

Capturing the times, personalities and music of the era, Worst to First portrays the ultimate David and Goliath story that built the foundation for the world’s biggest radio station and the people behind the legacy that endures and continues to grow, reaching eight-digit audiences daily, and continuing to influence the face of media and entertainment.

Mitchell Stewart is a multiple film festival and Emmy-Award winning filmmaker and storyteller of compelling documentaries, groundbreaking digital series and industry-disrupting brand campaigns. Whether following his heart to tell an inspirational, against all odds story about female freedom fighters in Africa, or honoring his lifelong passion for music and filmmaking, Mitchell tells authentic stories that move and engage an audience. Known for riveting, thought-provoking visuals and for often composing original music for the soundtracks of his films, he has been honored with 15 NY Emmy-Award Nominations for his music and entertainment documentary series. Dozens of film festivals throughout the world have honored him and his partner, Cheryl Halpern, winning awards for directing, best film, social justice, world peace and humanitarian efforts with their documentaries, Natsanat (Ethiopian for freedom), Fighting to be Free and Remembering Maurits Kiek.

Top foreign movies to enjoy this weekend

Train to Busan is an exciting zombie movie. Photo: google

If you are an adventurous movie watcher and looking for foreign movies to watch this weekend, here is a list of my top favorites. I have personally watched them all and depending on your preferences, they are worth watching. With the exception of Snowpiercer, which is in English, these are foreign language films. Even though some have the dubbed version, I prefer to watch them in the original language with English subtitles. Thanks to the various streaming services available nowadays, there are plenty of such movies around, so take a chance, you might surprise yourself. (Wikipedia, 2022)

I tried watching Parasite, the much talked about South Korean movie, but could not get into it, but that is just me. I never got around to watching Guillermo Del Toro’s Pan Labyrinth, though I hear it is good. On my Amazon to watch list is A Hero – an Iranian film about a man who is in prison because of a debt he was unable to pay. During a two day leave, he tries to convince his creditor to withdraw his complaint but this plan does not go as planned. Sounds like an interesting plot, I might watch it this weekend.

Here is my personal list of foreign movies to watch, in no particular order:

Tell No One (2006)
A French neo-noir thriller film based on the 2001 novel of the same name by Harlan Coben. An accidental discovery near a doctor’s estate stirs up painful memories eight years after his wife’s hideous murder and now circumstances are bound to take a turn for the unexpected. Does the good doctor know more than he is letting on? There is plenty of action and suspense.

A Man Called Ove (2015)
A Swedish comedy-drama film. Ove is the typical angry old man next door. An isolated retiree with strict principles and a short fuse, who spends his days enforcing block association rules that only he cares about, and visiting his wife’s grave, Ove has given up on life. After a boisterous young family moves in next door and accidentally flattens Ove’s mailbox, an unlikely friendship forms.

Kung Fu Hustle (2004)
A Chinese action-comedy film. The film tells the story of a murderous neighborhood gang, a poor village with unlikely heroes, and an aspiring gangster’s fierce journey to find his true self. Could be considered a parody of the martial arts genre.

Crouching Tiger, Hidden Dragon (2000)
A Chinese martial arts drama film. Master Li, a warrior, asks Yu Shu Lien, the woman he loves, to pass on his sword, Green Destiny, to Sir Te. However, when the sword is stolen, Li embarks on a mission to find it. One of my favorite martial arts movie.

The Ring (1998)
A Japanese psychological supernatural horror film that follows a reporter who is racing to investigate the mystery behind a cursed videotape that kills the viewer seven days after watching it.
Also recommended – the original Japanese versions of The Grudge and Dark Water.

Train to Busan (2016)
A South Korean action horror film directed by Yeon Sang-ho. The film mostly takes place on a high-speed train from Seoul to Busan as a zombie apocalypse suddenly breaks out in the country and threatens the safety of the passengers. These are fast moving zombies like the ones in World War Z.

Snowpiercer (2013)
A South Korean post-apocalyptic science fiction action film. In a future where a failed climate change experiment has killed all life except for a few survivors who boarded the Snowpiercer, a new class system emerges.

The Artist (2011)
A French film that takes place in Hollywood, between 1927 and 1932 and focuses on the relationship between a rising young actress and an older silent film star as silent cinema falls out of fashion and is replaced by “talkies.” A must watch if you enjoy silent movies of the past, emphasis on the “silent” part – you have been warned.

Manikarnika: The Queen of Jhansi (2019)
An Indian Hindi-language period drama film based on the life of Rani Lakshmi Bai of Jhansi. Laxmi Bai was known for her bravery as she led the battle against the British army to protect her kingdom; however, she is killed in the battle. An inspiring historical drama with a female lead. 

New movie release: Exorcist Vengeance

Exorcist Vengeance is now available on Digital and DVD. Photo: Uncork’d Entertainment, used with permission.

Uncork’d Entertainment has acquired North American rights to supernatural horror film Exorcist Vengeance starring internationally recognized action star Robert Bronzi (Death Kiss, The Gardener) and acclaimed actor Stephen Berkoff (Rambo: First Blood Part II, Beverly Hills Cop, “Vikings”). Uncork’d released the Millman Productions, Titan Global Entertainment and Proportion Productions production on Digital and DVD on February 8, 2022. (Uncork’d Entertainment, 2022)

A possession horror movie with state-of-the-art special effects, the film tells of a tough priest (Bronzi), someone the Vatican calls to do their dirty work. When a prominent family is terrorized by a demonic force, the priest is called upon by Bishop Canelo to root out the evil, but soon realizes the solution to this mystery is tied to his own past. He must find the killer and stop the Devil’s hold on the family before it is too late.

Directed by Scott Jeffrey and Rebecca J Matthews and written by Matthew B.C. (Medusa: Queen of the Serpents) and Jeff Miller (The Toybox; Ouija House; Clowntown), Exorcist Vengeance is based on the latter’s story. The film also stars Sarah Alexandra Marks, Nicola Wright, Simon Furness, Nicole Nabi, and Anna Liddell.

Jeff Miller (Death Kiss, The Russian Bride) and veteran filmmaker Mark L. Lester (director of Commando and Firestarter) are the executive producers and Scott Jeffrey, Rebecca J Matthews, and Miller serve as producers.

Exorcist Vengeance is available on Amazon, iTunes, Vudu, Xbox, Google, DirecTV, Dish, and Comcast EST.

“This is my fifth movie with Bronzi, and this one packs an intriguing punch. It’s Death Wish meets The Exorcist meets Knives Out.” – Jeff Miller

“Exorcist Vengeance is a wildly entertaining horror film full of some dynamite scares and brilliant turns from Bronzi and Berkoff. Looking forward to horror fans seeing it.” – Keith Leopard, President Uncork’d Entertainment.

Uncork’d Entertainment was founded in July, 2012 by Keith Leopard, a Home Entertainment industry veteran with more than twenty-three years of experience in purchasing, acquisitions, merchandising, marketing, and analysis of major studio and independent supplier to the home entertainment market. The Company focuses on distribution in six areas: Digital Media, Physical Home Entertainment, Aggregation, Theatrical and Television, Foreign Sales, and has secured relationships across all platforms to ensure your film reaches the widest audience possible. Keith and his team are committed to maximizing revenue, controlling costs, and assuring their Content Partners the highest quality of service, a commitment to market and merchandise their film and a rewarding experience by partnering with Uncork’d Entertainment.