Category: Music News

Mariachi Herencia de México releases new single

Mariachi Herencia de México new single Escándalo is a tribute to Hector Lavoe. Courtesy photo, used with permission.

Latin-Grammy nominees Mariachi Herencia de México are on tour with a brand-new album, Herederos (The Heirs). The compositions on Herederos were written by a variety of master songwriters, including Juan Gabriel, Armando Manzanero, Frank Sinatra, Rubén Fuentes, and Cuco Sánchez. (Mariachi Herencia de México, 2022)

“The third single off the album, a love song titled ‘Escándalo,’ [is an] homage to Latin music icon Hector Lavoe” says Marco Villela, vocalist and trumpeter of the young group that is determined to carry on the tradition of boleros, a musical genre that is almost 130 years old.

The band shot the video earlier this Fall in New York City’s Lower East Side after a tour stop at Manhattan’s The Public theater. “We decided to incorporate other Latin sounds in this song. We were inspired by Fania and the New York Latin sounds of the 70s,” says Villela. “Shooting the video in the birthplace of salsa music was very special.”

Simultaneously honoring the past, celebrating the present, and creating the future of regional Mexican music, Mariachi Herencia de México is paving the way for a new generation of mariachi performers. All the music is masterfully arranged by Rigoberto Alfaro, who imparts Mariachi Herencia de México’s trademark sound on each classic. The Chicago natives, Mariachi Herencia de México are in the middle of a wildly successful U.S. tour with stops in many cities: New York, Los Angeles, Austin, Phoenix, Chicago, Houston, and Las Vegas, among them. Latin Grammy nominated songstress Lupita Infante, granddaughter of Mexico’s icon Pedro Infante, will join Mariachi Herencia de Mexico. The Herederos concerts will take place through the end of the year and will continue throughout 2023.

Additionally, Mariachi Herencia de México recorded the Christmas classic, “It’s the Most Wonderful Time of the Year” with a Mariachi twist.

The historic tradition of mariachi music has its roots in cities such as Guadalajara and Mexico City. As the ever-evolving genre’s influence spread, it reached Chicago and birthed the Mariachi Herencia de México. The energetic, virtuosic Latin Grammy-nominated group has issued chart-topping albums and performed across the North American continent. Nuestra Herencia, their 2017 debut album, topped the Latin streaming charts. 2018’s Herencia de la Tierra Mía was produced by celebrated industry veteran Javier Limón and charted atop all major streaming services. 2019’s Esencia topped industry charts, while a second volume, issued in 2020 performed similarly. Now in 2022, Mariachi Herencia De México is set to release their fifth studio album, Herederos.

The Latin Grammy®-nominated group of young Mexican American musicians performed last December at “In Performance at the White House: Spirit of the Season” television special that aired on PBS joining superstar Camila Cabello on a special rendition of the classic “I’ll Be Home For Christmas.”

Tour dates – December 2022

December 10 -Las Vegas
UNLV (University of Nevada, Las Vegas) – 7:30 p.m. at the Artemus W. Ham Concert Hall.

Old Town School of Folk Music (Chicago) -4544 N Lincoln Ave · Gary and Laura Maurer Concert Hall · 773.728.6000

Friday, December 16, 2022 · 7p.m. CST
Saturday, December 17, 2022 · 2p.m. CST
Saturday, December 17, 2022 · 5p.m. CST
Saturday, December 17, 2022 · 8p.m. CST

Stella Prince gracefully examines rejection on new single

Closing Doors is the eighteen year old songwriter’s new single. Courtesy photo, used with permission.

This has been a groundbreaking year for Stella Prince. Her first single that went to radio, Crying on a Saturday Night, charted on the Americana Singles Chart, was played on over one hundred radio stations internationally, and was the most added song on folk radio in March of 2022. Her debut music video for the song has received over 70,000 views on YouTube alone, and has received support from legendary outlets such as CMT, DittyTV, Heartland, The Country Network, and Discover Music Videos. She has been featured over fifty times in various articles by outlets such as Americana Highways, Country Music Views, Teen Look, Think Country, NY State Music, Cowgirl Magazine, and Music City Magazine, among others. Her debut EP was released on July 22 and charted on both the Alternative Country Charts, Americana Albums Chart, and the Official FAI Folk Charts. (Stella Prince, 2022)

“Facing rejection can be a constant huge hurdle,” says wise-beyond-her-eighteen-years songwriter Stella Prince. Her newest single, “Closing Doors” examines rejection and challenging times “like a door closing in your face.” Produced by Professor Louie at Woodstock Records in Hurley, New York, Closing Doors follows Prince’s recent output of country-inspired folk-pop music, her comforting voice a reassurance for listeners, no matter what door is closing at any given moment. 

“In these difficult and challenging times, it is hard to maintain a sense of hope and possibility,” says Prince. “I decided to write this song, ‘Closing Doors,’ because so many of us are struggling with loss or hardship. Like the lyrics in the song, ‘hope is the only thing that keeps me going/when all the fear of life’s commotions spins around and brings me down.’” Prince’s airy and enchanting vocal delivery reaffirms a true sense of authenticity and soul ever-present in her releases thus far; a characteristic that will surely have her beyond up-and-coming status in no time.

Girls’ Life Magazine premiered Closing Doors, calling her “the artist you *need* to stream this season.” Fans can listen to “Closing Doors” here.

Touring has been another breakthrough for Stella in 2022. She just finished her first international run in the UK, and will soon be embarking on an 18-city tour of the Southwest. She has already performed at some of the world’s most prestigious venues, such as London’s The Bedford and Spice of Life, New York’s The Bitter End and Arlene’s Grocery, and Nashville’s famed Bluebird Cafe. A full list of tour dates and ticket information is available online.

Musician profile: Sanjana Nuwan Bandara

Sanjana Nuwan Bandara’s first song is Don’t Kill My Vibe. Courtesy photo, used with permission.

Sanjana Nuwan Bandara is a Sri Lankan musical artist, a young entrepreneur in the music industry, and a social media figure. Ambitious since he was little, he set up his own company at a very young age and is known for his prolific business success. He started to branch out in music and his first song, Don’t Kill My Vibe, received worldwide recognition. (Sanjana Nuwan Bandara, 2022)

Since then, he has been spreading his love of music worldwide through his various solo songs and international podcasts on Spotify, Deezer, Amazon Music, and Apple Music. His immense passion for music was clear from a young age. He also has impressive talent as a hip-hop artist. Sanjana is currently the founder and CEO of Shopping.lk. He also has the business Social LLC on his resume. He has dropped several songs in the last few years, most notably Regard, Don’t Kill my Vibe, and Don’t ask me to play it softly. He has taken many initiatives in the digital market.

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Gable Price and Friends’ new single Easy To Love You

Easy To Love You is the third single from their new album The Consequence of Being Alive. Courtesy photo, used with permission.

Gable Price and Friends is a 4-piece alternative rock and roll band with a whole lot of damage to do and a whole lot of cities to play. Currently residing in Northern California; 3 Midwest boys and a Californian—Gable Price, Cameron Pablo, Daniel Vargas, and Adam Elizararraz—continue to gain ground, turn heads and provide a euphoric live and recorded experience. From recording their demos in a garage to recently signing with Capitol CMG, the boys have no intention of slowing down anytime soon. Easy To Love You is the introspective new single from their new album The Consequence of Being Alive, which is out now via Capitol CMG. (Gable Price and Friends, 2022)

On this the third and final single, front man Gable Price confesses, “It’s easy to love until you have to tie love in with trust. The two don’t always coexist well,” he continues, “Nearing the end of the album this song is meant to provide a tension, and also guide you to accept the tension for something that will always be there.” As the song builds, Price’s words pierce through the chorus, a visceral plea of sorts, as he lays it all on the table.

Fans can listen to “Easy To Love You” now, check out the previously-released music video for “Brother Jack,” and listen to their second single “Upside.”

Gable Price and Friends are known for sentimental, provocative lyrics regarding the human condition, screaming guitars and bass, with driving drums that make you wanna get a speeding ticket. This group of 20-somethings is eager for the public to hear their new record and excited to share the songs with a group of sweaty people in a venue somewhere, sometime. Keep your head straight, hopes up, heart right; and remember to be a good friend.

With the release of The Consequence Of Being Alive, the band is redefining who Gable Price and Friends is. With a more indie-rock sound and songs that are less spiritual and more personal to Price’s life, The Consequence Of Being Alive is a lesson in forging a new path. It does not hurt that there are some killer album credits, too. Gable’s friend and mentor Jon Foreman (Switchfoot) is a featured artist on track #8 “How It Sets You Free,” which they co-wrote together with Tim Foreman. Other noteworthy writing credits include Judah Akers (Judah & the Lion) on “I Don’t Wanna Live Like This” and Caleb Chapman (Colony House) on “Tough Love.”

The Consequence Of Being Alive track list:
Upside
Brother Jack
Tough Love
I LOVE TO STRUGGLE
Treason
I Don’t Wanna Live Like This
Jesus Christ (Hold Me Steady)
How It Sets You Free (with Jon Foreman)
Lucky #17
Easy To Love You
The Consequence Of Being Alive

New album release: Isaac Hoskins’ Bender

Isaac Hoskins’ upcoming album Bender is an ode to unhealthy coping strategies and life on the other side. It will be out November 18, 2022. Courtesy photo, used with permission.

After the global pandemic came to a head in 2020 and the live music world evaporated, things spun to a dark head for singer and songwriter Isaac Hoskins. The writing was on the wall: something had to change. After three days alone in the desert, Hoskins came home and started over. Today, Hoskins is 12 months sober, 30 pounds lighter, and performing full-time after side-hustle stints as a bartender, construction worker, beer truck driver, and ranch hand had previously left him unfulfilled. Every page of Hoskins’ story is laid out throughout his upcoming LP, Bender—out November 18, 2022. (Isaac Hoskins, 2022)

Recorded at The Finishing School in Austin, Texas, and produced and engineered by Gordy Quist of The Band of Heathens, Bender conjures Merle Haggard, Willie Nelson, Guy Clark, and John Prine in an ode to unhealthy coping strategies and life on the other side. And on the other side, Hoskins has already found hope-giving success, namely his upcoming inclusion in the mega-hit television series Yellowstone. From meeting the show’s creator Taylor Sheridan after a show in Ft. Worth, Texas, to having multiple songs featured in Yellowstone’s upcoming season, the larger world is about to discover Hoskins and his story, as well.

Hoskins shared the first single from Bender, “Panhandle Wind.” All at once Country-tinged and Rock-driven, the baritone and steel guitar-led tune embodies Hoskins’ uncanny ability to match up a good story with a catchy refrain, leading to a windows-down, Sunday cruise sing-along. “The idea for this song came to me while driving to Lubbock to play a show,” remembers Hoskins. “That was just one of many very windy, dusty drives to and from the Panhandle of Texas and Northwest Oklahoma.” Outsider premiered “Panhandle Wind” along with an in-depth interview with Hoskins, noting, “his sound straddles the fence between folky heartland Americana and Texas country.” 

Of his music, Hoskins has said that every song comes from his roots. The people, places, and events that unfold around him provide the resonance, and Hoskins himself draws those memories into stories about love, loss, and everything in between. The music is how Hoskins participates in the culture that has shaped him. Country music is known for its traditions and conventions, but Hoskins feels there is a way to honor these without reducing the audience to a caricature of itself. For Hoskins, the work is keeping one foot squarely in country and “roots” music while still exploring new ways to express yourself as an artist.

Bender track list:
H-Town Turnaround
Back to the Saltmine
Panhandle Wind
My Memory
Harder than the Blues
The Pistol and the Prayer
Moments I Would Never Trade
If It’s Meant To Be
Off the Wagon
Leon’s Blues

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New music release: Moon and Aries’ Break The Matrix – Episode Two

Break The Matrix – Episode Two is the second EP of a planned three in the Break The Matrix concept series. Photo: Moon and Aries, used with permission.

German composer and producer Tom Aries and Canadian writer / singer Jordana Moon team up as Moon and Aries to bring warmth and assurance for a brighter future. The dynamic duo is back with a new EP: Episode Two of Breaking the Matrix. At first they arrived. Then they activated Paradise. Now they “BREAK THE MATRIX.” Moon and Aries is back with a big and bold statement. They will overcome the old World and build the new World with a fusion of nostalgic and futuristic celestial sounds, like nothing you have heard before. The self proclaimed, Synth Pop Opera Duo have a deep driving desire to raise the vibrations and activate a higher version of reality with their music. Break The Matrix – Episode Two is out now. (Moon and Aries, 2022)

With Tom Aries’ memorable, seductive melodies and captivating instrumentals, blending with Jordana Moon’s thought provoking and poetic lyrics and emotionally intimate vocals, they are back with a new Trilogy of music. A three-part music series, broken up into different episodes, Moon and Aries hope to hook you into their sensual, uplifting and spiritually charged Universe of sound. Episode 1 was released September 8 and Episode 3 will come out in the first quarter of 2023. All these 3 x 3 songs are part of a concept/connected story.

BREAK THE MATRIX (Episode 1-3):

3 x 3 songs with a fusion of Electro Pop, Trip Hop, cinematic Synth Pop – the dynamic duo has brought a slightly new vibe to their classic Synth Pop Opera sound. Expect music that is a little more confidential and closer to their chest. As they release, you will release and relax as you receive the upgrades. Riding off the success of The Arrival album and Paradise EP, Moon and Aries keep striving to bring the most relevant music and stay at the forefront of the movement. So, it is. Moon and Aries proudly present:  Break The Matrix – Episode Two with three new songs.

Three new videos will be out on YouTube:

  1. Rescued – lyric video on November 3
  2. The Butterfly Effect – lyric video on November 4
  3. Codes and Circles – full video on November 5

Listen on Spotify

Listen on SoundCloud

Watch on YouTube

Follow on Instagram and TikTok

Jordana Moon is a singer songwriter from Western Canada who composes and creates lyrics and melody with the goal to inspire and empower her listeners. Her approach to music is to mix a higher level of consciousness and concepts and bring these more philosophical ideas to modern music. Jordana composes her music with a wide variety of instruments, playing the piano, acoustic guitar, Bass guitar, electric guitar, mandolin, ukulele, and violin. Jordana studied creative writing at Vancouver film school, and she enjoys writing music with themes of high consciousness, sexual healing, and empowerment. Jordana finds inspiration from old jazz, 70s and 80s soul / pop / RnB music, trip hop and current neo soul and artists like Portishead, Shivaree, Eliza, Tori Amos, Joni Mitchell, Lauryn Hill, Massive Attack and composers like Cole Porter and Steven Sondheim.

Tom Aries is an electronic synthesizer musician, songwriter, and producer from Western Germany. He is a composer of mostly instrumental tracks, analog and digital synthesizer sequences. Tom’s music fuses his classical piano education with influences stemming from synthesizer sounds of the 80s. He produced songs and sounds for computer games and soundtracks for short videos and films. Influenced by bands and artists like Depeche Mode, Kraftwerk, Jean-Michel Jarre, Massive Attack, Portishead, Röyksopp – and the sound of the 80s, he created more and more songs, instrumental ideas, and music. The combination of pictures, films and art with music has been Tom’s first creative base. Tom composes his songs mainly on the piano. After this first acoustic piano melody version he is producing the songs within his little home studio.

Jordana and Tom started the cooperation officially as Moon and Aries on March 1, 2021 – only working together via file sharing and communication across the ocean. (With 9hrs time distance between Canada & Germany = Jordana still living in Canada and Tom still living in Germany). Since then, they have released 14 songs to date: one concept album The Arrival with 9 original songs and one EP Paradise with 5 songs. Played on more than 100 radio stations in Australia, Europe, Africa and America, including New York City Radio station in 2021 and 2022.

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New album release: Adeem The Artist’s White Trash Revelry

Highly- anticipated White Trash Revelry will be out December 2 via Adeem The Artists’ own Four Quarters Records. Courtesy photo, used with permission.

Growing up, Eastern Tennessee-based songwriter Adeem the Artist quickly realized that with the right delivery, dark jokes could offer a socially acceptable way to open up about the tough stuff. “My parents are both from a lot of generational trauma, and I was born right at the heart of it,” Adeem says. “Humor is just how we survived.” Of course, since before 2021’s Cast-Iron Pansexual—the album that earned Adeem the Artist praise from Rolling Stone and American Songwriter, Adeem the Artist has continued to build a dedicated following by blending Appalachian musical influences and poetic flair with their healthy dose of comedic instinct, and recently, they announced an upcoming album on their own Four Quarters Records label, White Trash Revelry. (Adeem the Artist, 2022)

Out on December 2, White Trash Revelry delivers a fresh batch of Adeem’s beloved comedic sensibilities, tempered with vulnerable moments and highly specific personal details. Tender strings and clear vocals give way to nuanced storytelling about small-town rites of passage and mixed messages about love, violence, and honor. Songs like “Heritage of Arrogance” tackle larger societal issues, struggling to reconcile open-minded intentions with the deeply flawed and historical narratives too often peddled by white Southerners. But the album’s namesake revelry is around every corner, too.

Adeem the Artist shared “Middle of a Heart” from White Trash Revelry. “I wrote this song for my friend Bob in many ways,” they say. “Bob was a retired Knoxville Police Officer who I’d make bacon and eggs for every morning and we’d watch the news and watch the birds and he’d tell me stories about Carlene and the boys. I miss him, still.” At times sweet and sad, “Middle of a Heart” is a shining example of Adeem’s skillful storytelling, with a plot turn leaving listeners awestruck. “It hits like a bullet in the middle of a heart.”

Fans can watch Adeem’s previously-released “Going To Hell” video now and pre-order or pre-save White Trash Revelry ahead of its December 2 release. Check out upcoming Adeem the Artist tour dates below.

White Trash Revelry track list: 

  1. Carolina
  2. For Judas
  3. Heritage of Arrogance
  4. Painkillers & Magic
  5. Run This Town
  6. Baptized In Well Spirits
  7. Middle Of A Heart
  8. Going To Hell
  9. Rednecks & Unread Hicks
  10. Books & Records
  11. My America

Adeem’s twang-studded gospel represents a worldview too often excluded from modern country music, one that converts shame into celebration. It turns out, folks like the sound of embracing the parts of ourselves we are told to bury—so much so that when Adeem turned to fans to support the follow-up album to Cast-Iron Pansexual, thousands obliged. Dubbing it a “redneck fundraiser,” the seventh-generation Carolinian raised the money to release White Trash Revelry by asking for one dollar at a time through social media. “With four quarters and a Venmo,” they joked, “baby, you can make this dream come true.” Adeem emerged from the fundraiser $15,000 later with a name for their new record label—Four Quarters Records—and the resolve to write an unapologetic next chapter.

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Upcoming album release: 1992 by Justin Hiltner

Banjoist, songwriter, and activist Justin Hiltner announces solo album 1992, available December 9, 2022. Courtesy photo, used with permission.

Justin Hiltner is a queer, disabled banjo player, songwriter, and music writer known from the Peabody Award-winning podcast Dolly Parton’s America and currently playing banjo with the Broadway national tour of the 2019 Tony Award-winning revival of Rodgers & Hammerstein’s Oklahoma! Past releases include Watch it Burn (2018) and Room at the Table (2022) with Jon Weisberger, Silver Dagger (2021), “Hold Each Other Up” (2020) with Cathy Fink & Marcy Marxer, and “Live and Let Live” (2019) with Bluegrass Pride, Laurie Lewis, Melody Walker, and more. The critically acclaimed instrumentalist and songwriter has announced his debut solo album, 1992 available December 9, 2022. The project’s lead single and title track is a heartbreaking and singular exploration of survivor’s guilt, disability, and embodiment and is available now via streaming platforms, download, and Bandcamp. (Justin Hiltner, 2022)

Premiering on The Bluegrass Situation, Hiltner described the single: “At the time I began writing [‘1992’], I was reading [Randy Shilts’] And the Band Played On and spending a good amount of time studying the movement for queer rights in the ’60s, ’70s, and ’80s. It dawned on me that I was not born after the HIV/AIDS epidemic, I was born into it. And almost certainly there were gay men and queer folks dying of HIV in the very same hospital where I was born.” Accompanied simply by stark, low-tuned banjo, the story within “1992” is entrancing and solemn, a truly original message – especially within the genres and regions Hiltner has called home.

1992 was recorded in September 2020 with Grammy Award winning producers and bluegrass, folk, and children’s music stalwarts Cathy Fink & Marcy Marxer engineering and co-producing at their studio in Lansing, North Carolina – the hometown of bluegrass and old-time forebear Ola Belle Reed. The collection’s twelve original songs, each recorded live and the majority tracked in single takes, were captured atop the idyllic and gorgeous Blue Ridge Mountains with a panoramic view of Pond Mountain, White Top, and New Pinnacle from Ashe County, NC, a setting that complicates and unspools narratives around where queer folks belong while upending stereotypes of “ownership,” “authenticity,” and placemaking in bluegrass, Appalachia, and the South.

Other songs on the album deal with class issues and social justice, love, loss, and longing, and Hiltner’s journey through cancer – his treatment, recovery, disability, and the traumas of surviving cancer only to land in the COVID-19 pandemic. The banjo playing throughout is technically impressive and challenging, but serves each song tastefully and, often, subtly, reminding of solo pickers and performers like John Hartford and Darrell Scott. “Pieces,” a song about the slow drip of losing oneself in love, was co-written with Rounder recording artist Caroline Spence, a longtime friend of Hiltner’s. “Benson Street,” which was written with flat picker and songwriter Molly Tuttle, is full of pining and the imagery of southern summers.

Hiltner’s highly anticipated solo debut feels strikingly mature and sharp, with a point of view rare even in the fast growing queer country movement, a reminder of why NPR Music called him “A leader in the burgeoning movement to welcome and highlight queer voices in bluegrass.”

1992 will be available wherever you download, stream, or purchase music on December 9, 2022. Pre-order open now.

1992 Track List:
Dark Side
U R the HWY 1 (APT 2)
Everglades
Benson Street
1992
Hannah
Oligarchs
10 Years (Gotta Get Out)
Pieces
I Wanted More
I Cry Every Day Now
Another Way

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Eddy Lee Ryder’s new single Smoke and Mirrors

Eddy Lee Ryder’s new single finds a home with multiple audiences; it is featured in cult slasher film Terrifier 2, out now. Courtesy photo, used with permission.

Singer, songwriter, and free spirit Eddy Lee Ryder creates haunting songs that tell dramatic stories through a slightly warped lens. Eddy’s unconventional, theatrical approach to songwriting explodes and sparkles with ‘70s good-time rock riffs, spiced with complex poetry. Proclaimed “demented pop,” her music is propelled by her charismatic voice and lyrics inspired by an intense bizarre world. “My songs are about a quest for utopia on the open road. Wandering through the world, writing and singing songs about the people I meet.” Her uproarious performances invite audiences to dance with her through the apocalypse. Self-confessed demented-pop artist Eddy Lee Ryder has been writing songs and performing them in quite the nomadic way since she was a teenager, but her new single “Smoke and Mirrors” ended up in a place even she could not have imagined; a hardcore slasher horror film. (Eddy Lee Ryder, 2022)

Through a series of informal introductions to Ryder’s music through mutual friends, Damien Leone—creator, director, and writer of Terrifier 2—ended up using “Smoke and Mirrors” in his film after a search for something that sounded like Fleetwood Mac and Kate Bush. “It was actually my friend Jeff Harris, who also was brought into the Terrifier family as a photographer, who messaged me one morning. ‘Can you email Damien? I don’t know why but they are looking for music in your genre, I don’t know how it fits with a slasher flick but that’s what they want!’” remembers Ryder. 

The upbeat song itself has a much different backstory. “It’s about friends of mine, amazing independent awesome women, who started doubting themselves or losing themselves after getting married to men who didn’t treat them very well,” says Ryder. “One of the husbands I reference in this song would text other girls but the messages would pop up on my friend’s synced iPad. He once said, ‘Sometimes I wait for her plane to burn in flames.’ That line made it into the song. And this was coming from a guy who would judge me for not being married!”

Fans can hear “Smoke and Mirrors” here. Terrifier 2 is out in theaters and on streaming services including Netflix, Hulu, and Amazon Prime Video.

Barrett Davis releases acclaimed debut album The Ballad of Aesop Fin

The Ballad of Aesop Fin is longtime Carolina songwriter Barrett Davis’ solo debut album. Courtesy photo, used with permission.

“I just came to this serious point in my life where I realized that if I want to make music and perform, then it’s now or never—I’ve got to make something of it,” remembers 29-year-old musician Barrett Davis of the time leading up to his debut album The Ballad of Aesop Fin. Luckily, for us listeners, Davis’ dedication to his dream paid off in spades. Released last week, The Ballad of Aesop Fin delivers a vibrant tapestry of songs, ranging from modern Americana to classic country, indie-folk to the “high, lonesome sound” of bluegrass—the last of which comes with a little help from Woody Platt, longtime lead singer for Davis’ hometown, Grammy-winning bluegrass outfit, Steep Canyon Rangers. The record itself is a kitchen sink of tones—as heard on “Quiver,” “Lazarus,” and “Carolina Still”—one which ideally showcases the wide-range and unknown depths of Davis, his musical pursuits, and exploits. (Barrett Davis, 2022)

Fans can hear The Ballad of Aesop Fin in its entirety and check out some intimate, in-studio videos of “Carolina Still,” “Lazarus,” and “Quiver feat. Woody Platt.” 

The Ballad of Aesop Fin In The News: Fretboard Journal premiered Aesop Fin’s first single, “Quiver,” writing, “We love this track from Davis and we especially love seeing Woody Platt, formerly of Steep Canyon Rangers, helping out on backing vocals.” JamBase premiered the album’s penultimate track, “Lazarus,” a song about “friendship and renewal.” The Bluegrass Situation premiered the video for “Carolina Still,” an ode to Davis’ ancestry, his family’s deep roots in North Carolina, and his great-grandfather Gus.

John Apice reviewed the album for Americana Highways, commenting, “North Carolina’s Barrett Davis has style, ear-caressing sincerity in his music & an arresting voice in many of these well-crafted songs.” 

The Ballad of Aesop Fin track list:

  1. Highway 64
  2. Carolina Still
  3. Quiver
  4. Oh Sleeper
  5. Bama Shores
  6. Your Worth
  7. Lazarus
  8. Aesop Fin

“Aesop Fin is a mythical character, raised in the woods. His dad is a moonshine runner, his mother nowhere to be found,” Davis says. “Aesop finds a lover and ends up getting killed in a gambling incident, then she ends up tumbling into a waterfall—it’s symbolic of the vicious cycle of tragedies in these mountains of Appalachia.” 

Growing up in Lake Toxaway, North Carolina, a rural outpost community in the mountainous ridges of Transylvania County, Davis was surrounded by music from an early age—exposed to the blues licks of his guitar-playing father, the swirling classical sounds of his mother’s piano playing or the inner echoes of his sister, now a professional opera singer. Davis himself went on hiatus for several years, getting married and raising a young family, all while starting his own construction business to put food on the table for his wife and two kids.