Category: Music News

New music release: Moon and Aries’ Break The Matrix – Episode Two

Break The Matrix – Episode Two is the second EP of a planned three in the Break The Matrix concept series. Photo: Moon and Aries, used with permission.

German composer and producer Tom Aries and Canadian writer / singer Jordana Moon team up as Moon and Aries to bring warmth and assurance for a brighter future. The dynamic duo is back with a new EP: Episode Two of Breaking the Matrix. At first they arrived. Then they activated Paradise. Now they “BREAK THE MATRIX.” Moon and Aries is back with a big and bold statement. They will overcome the old World and build the new World with a fusion of nostalgic and futuristic celestial sounds, like nothing you have heard before. The self proclaimed, Synth Pop Opera Duo have a deep driving desire to raise the vibrations and activate a higher version of reality with their music. Break The Matrix – Episode Two is out now. (Moon and Aries, 2022)

With Tom Aries’ memorable, seductive melodies and captivating instrumentals, blending with Jordana Moon’s thought provoking and poetic lyrics and emotionally intimate vocals, they are back with a new Trilogy of music. A three-part music series, broken up into different episodes, Moon and Aries hope to hook you into their sensual, uplifting and spiritually charged Universe of sound. Episode 1 was released September 8 and Episode 3 will come out in the first quarter of 2023. All these 3 x 3 songs are part of a concept/connected story.

BREAK THE MATRIX (Episode 1-3):

3 x 3 songs with a fusion of Electro Pop, Trip Hop, cinematic Synth Pop – the dynamic duo has brought a slightly new vibe to their classic Synth Pop Opera sound. Expect music that is a little more confidential and closer to their chest. As they release, you will release and relax as you receive the upgrades. Riding off the success of The Arrival album and Paradise EP, Moon and Aries keep striving to bring the most relevant music and stay at the forefront of the movement. So, it is. Moon and Aries proudly present:  Break The Matrix – Episode Two with three new songs.

Three new videos will be out on YouTube:

  1. Rescued – lyric video on November 3
  2. The Butterfly Effect – lyric video on November 4
  3. Codes and Circles – full video on November 5

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Jordana Moon is a singer songwriter from Western Canada who composes and creates lyrics and melody with the goal to inspire and empower her listeners. Her approach to music is to mix a higher level of consciousness and concepts and bring these more philosophical ideas to modern music. Jordana composes her music with a wide variety of instruments, playing the piano, acoustic guitar, Bass guitar, electric guitar, mandolin, ukulele, and violin. Jordana studied creative writing at Vancouver film school, and she enjoys writing music with themes of high consciousness, sexual healing, and empowerment. Jordana finds inspiration from old jazz, 70s and 80s soul / pop / RnB music, trip hop and current neo soul and artists like Portishead, Shivaree, Eliza, Tori Amos, Joni Mitchell, Lauryn Hill, Massive Attack and composers like Cole Porter and Steven Sondheim.

Tom Aries is an electronic synthesizer musician, songwriter, and producer from Western Germany. He is a composer of mostly instrumental tracks, analog and digital synthesizer sequences. Tom’s music fuses his classical piano education with influences stemming from synthesizer sounds of the 80s. He produced songs and sounds for computer games and soundtracks for short videos and films. Influenced by bands and artists like Depeche Mode, Kraftwerk, Jean-Michel Jarre, Massive Attack, Portishead, Röyksopp – and the sound of the 80s, he created more and more songs, instrumental ideas, and music. The combination of pictures, films and art with music has been Tom’s first creative base. Tom composes his songs mainly on the piano. After this first acoustic piano melody version he is producing the songs within his little home studio.

Jordana and Tom started the cooperation officially as Moon and Aries on March 1, 2021 – only working together via file sharing and communication across the ocean. (With 9hrs time distance between Canada & Germany = Jordana still living in Canada and Tom still living in Germany). Since then, they have released 14 songs to date: one concept album The Arrival with 9 original songs and one EP Paradise with 5 songs. Played on more than 100 radio stations in Australia, Europe, Africa and America, including New York City Radio station in 2021 and 2022.

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New album release: Adeem The Artist’s White Trash Revelry

Highly- anticipated White Trash Revelry will be out December 2 via Adeem The Artists’ own Four Quarters Records. Courtesy photo, used with permission.

Growing up, Eastern Tennessee-based songwriter Adeem the Artist quickly realized that with the right delivery, dark jokes could offer a socially acceptable way to open up about the tough stuff. “My parents are both from a lot of generational trauma, and I was born right at the heart of it,” Adeem says. “Humor is just how we survived.” Of course, since before 2021’s Cast-Iron Pansexual—the album that earned Adeem the Artist praise from Rolling Stone and American Songwriter, Adeem the Artist has continued to build a dedicated following by blending Appalachian musical influences and poetic flair with their healthy dose of comedic instinct, and recently, they announced an upcoming album on their own Four Quarters Records label, White Trash Revelry. (Adeem the Artist, 2022)

Out on December 2, White Trash Revelry delivers a fresh batch of Adeem’s beloved comedic sensibilities, tempered with vulnerable moments and highly specific personal details. Tender strings and clear vocals give way to nuanced storytelling about small-town rites of passage and mixed messages about love, violence, and honor. Songs like “Heritage of Arrogance” tackle larger societal issues, struggling to reconcile open-minded intentions with the deeply flawed and historical narratives too often peddled by white Southerners. But the album’s namesake revelry is around every corner, too.

Adeem the Artist shared “Middle of a Heart” from White Trash Revelry. “I wrote this song for my friend Bob in many ways,” they say. “Bob was a retired Knoxville Police Officer who I’d make bacon and eggs for every morning and we’d watch the news and watch the birds and he’d tell me stories about Carlene and the boys. I miss him, still.” At times sweet and sad, “Middle of a Heart” is a shining example of Adeem’s skillful storytelling, with a plot turn leaving listeners awestruck. “It hits like a bullet in the middle of a heart.”

Fans can watch Adeem’s previously-released “Going To Hell” video now and pre-order or pre-save White Trash Revelry ahead of its December 2 release. Check out upcoming Adeem the Artist tour dates below.

White Trash Revelry track list: 

  1. Carolina
  2. For Judas
  3. Heritage of Arrogance
  4. Painkillers & Magic
  5. Run This Town
  6. Baptized In Well Spirits
  7. Middle Of A Heart
  8. Going To Hell
  9. Rednecks & Unread Hicks
  10. Books & Records
  11. My America

Adeem’s twang-studded gospel represents a worldview too often excluded from modern country music, one that converts shame into celebration. It turns out, folks like the sound of embracing the parts of ourselves we are told to bury—so much so that when Adeem turned to fans to support the follow-up album to Cast-Iron Pansexual, thousands obliged. Dubbing it a “redneck fundraiser,” the seventh-generation Carolinian raised the money to release White Trash Revelry by asking for one dollar at a time through social media. “With four quarters and a Venmo,” they joked, “baby, you can make this dream come true.” Adeem emerged from the fundraiser $15,000 later with a name for their new record label—Four Quarters Records—and the resolve to write an unapologetic next chapter.

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Upcoming album release: 1992 by Justin Hiltner

Banjoist, songwriter, and activist Justin Hiltner announces solo album 1992, available December 9, 2022. Courtesy photo, used with permission.

Justin Hiltner is a queer, disabled banjo player, songwriter, and music writer known from the Peabody Award-winning podcast Dolly Parton’s America and currently playing banjo with the Broadway national tour of the 2019 Tony Award-winning revival of Rodgers & Hammerstein’s Oklahoma! Past releases include Watch it Burn (2018) and Room at the Table (2022) with Jon Weisberger, Silver Dagger (2021), “Hold Each Other Up” (2020) with Cathy Fink & Marcy Marxer, and “Live and Let Live” (2019) with Bluegrass Pride, Laurie Lewis, Melody Walker, and more. The critically acclaimed instrumentalist and songwriter has announced his debut solo album, 1992 available December 9, 2022. The project’s lead single and title track is a heartbreaking and singular exploration of survivor’s guilt, disability, and embodiment and is available now via streaming platforms, download, and Bandcamp. (Justin Hiltner, 2022)

Premiering on The Bluegrass Situation, Hiltner described the single: “At the time I began writing [‘1992’], I was reading [Randy Shilts’] And the Band Played On and spending a good amount of time studying the movement for queer rights in the ’60s, ’70s, and ’80s. It dawned on me that I was not born after the HIV/AIDS epidemic, I was born into it. And almost certainly there were gay men and queer folks dying of HIV in the very same hospital where I was born.” Accompanied simply by stark, low-tuned banjo, the story within “1992” is entrancing and solemn, a truly original message – especially within the genres and regions Hiltner has called home.

1992 was recorded in September 2020 with Grammy Award winning producers and bluegrass, folk, and children’s music stalwarts Cathy Fink & Marcy Marxer engineering and co-producing at their studio in Lansing, North Carolina – the hometown of bluegrass and old-time forebear Ola Belle Reed. The collection’s twelve original songs, each recorded live and the majority tracked in single takes, were captured atop the idyllic and gorgeous Blue Ridge Mountains with a panoramic view of Pond Mountain, White Top, and New Pinnacle from Ashe County, NC, a setting that complicates and unspools narratives around where queer folks belong while upending stereotypes of “ownership,” “authenticity,” and placemaking in bluegrass, Appalachia, and the South.

Other songs on the album deal with class issues and social justice, love, loss, and longing, and Hiltner’s journey through cancer – his treatment, recovery, disability, and the traumas of surviving cancer only to land in the COVID-19 pandemic. The banjo playing throughout is technically impressive and challenging, but serves each song tastefully and, often, subtly, reminding of solo pickers and performers like John Hartford and Darrell Scott. “Pieces,” a song about the slow drip of losing oneself in love, was co-written with Rounder recording artist Caroline Spence, a longtime friend of Hiltner’s. “Benson Street,” which was written with flat picker and songwriter Molly Tuttle, is full of pining and the imagery of southern summers.

Hiltner’s highly anticipated solo debut feels strikingly mature and sharp, with a point of view rare even in the fast growing queer country movement, a reminder of why NPR Music called him “A leader in the burgeoning movement to welcome and highlight queer voices in bluegrass.”

1992 will be available wherever you download, stream, or purchase music on December 9, 2022. Pre-order open now.

1992 Track List:
Dark Side
U R the HWY 1 (APT 2)
Everglades
Benson Street
1992
Hannah
Oligarchs
10 Years (Gotta Get Out)
Pieces
I Wanted More
I Cry Every Day Now
Another Way

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Eddy Lee Ryder’s new single Smoke and Mirrors

Eddy Lee Ryder’s new single finds a home with multiple audiences; it is featured in cult slasher film Terrifier 2, out now. Courtesy photo, used with permission.

Singer, songwriter, and free spirit Eddy Lee Ryder creates haunting songs that tell dramatic stories through a slightly warped lens. Eddy’s unconventional, theatrical approach to songwriting explodes and sparkles with ‘70s good-time rock riffs, spiced with complex poetry. Proclaimed “demented pop,” her music is propelled by her charismatic voice and lyrics inspired by an intense bizarre world. “My songs are about a quest for utopia on the open road. Wandering through the world, writing and singing songs about the people I meet.” Her uproarious performances invite audiences to dance with her through the apocalypse. Self-confessed demented-pop artist Eddy Lee Ryder has been writing songs and performing them in quite the nomadic way since she was a teenager, but her new single “Smoke and Mirrors” ended up in a place even she could not have imagined; a hardcore slasher horror film. (Eddy Lee Ryder, 2022)

Through a series of informal introductions to Ryder’s music through mutual friends, Damien Leone—creator, director, and writer of Terrifier 2—ended up using “Smoke and Mirrors” in his film after a search for something that sounded like Fleetwood Mac and Kate Bush. “It was actually my friend Jeff Harris, who also was brought into the Terrifier family as a photographer, who messaged me one morning. ‘Can you email Damien? I don’t know why but they are looking for music in your genre, I don’t know how it fits with a slasher flick but that’s what they want!’” remembers Ryder. 

The upbeat song itself has a much different backstory. “It’s about friends of mine, amazing independent awesome women, who started doubting themselves or losing themselves after getting married to men who didn’t treat them very well,” says Ryder. “One of the husbands I reference in this song would text other girls but the messages would pop up on my friend’s synced iPad. He once said, ‘Sometimes I wait for her plane to burn in flames.’ That line made it into the song. And this was coming from a guy who would judge me for not being married!”

Fans can hear “Smoke and Mirrors” here. Terrifier 2 is out in theaters and on streaming services including Netflix, Hulu, and Amazon Prime Video.

Barrett Davis releases acclaimed debut album The Ballad of Aesop Fin

The Ballad of Aesop Fin is longtime Carolina songwriter Barrett Davis’ solo debut album. Courtesy photo, used with permission.

“I just came to this serious point in my life where I realized that if I want to make music and perform, then it’s now or never—I’ve got to make something of it,” remembers 29-year-old musician Barrett Davis of the time leading up to his debut album The Ballad of Aesop Fin. Luckily, for us listeners, Davis’ dedication to his dream paid off in spades. Released last week, The Ballad of Aesop Fin delivers a vibrant tapestry of songs, ranging from modern Americana to classic country, indie-folk to the “high, lonesome sound” of bluegrass—the last of which comes with a little help from Woody Platt, longtime lead singer for Davis’ hometown, Grammy-winning bluegrass outfit, Steep Canyon Rangers. The record itself is a kitchen sink of tones—as heard on “Quiver,” “Lazarus,” and “Carolina Still”—one which ideally showcases the wide-range and unknown depths of Davis, his musical pursuits, and exploits. (Barrett Davis, 2022)

Fans can hear The Ballad of Aesop Fin in its entirety and check out some intimate, in-studio videos of “Carolina Still,” “Lazarus,” and “Quiver feat. Woody Platt.” 

The Ballad of Aesop Fin In The News: Fretboard Journal premiered Aesop Fin’s first single, “Quiver,” writing, “We love this track from Davis and we especially love seeing Woody Platt, formerly of Steep Canyon Rangers, helping out on backing vocals.” JamBase premiered the album’s penultimate track, “Lazarus,” a song about “friendship and renewal.” The Bluegrass Situation premiered the video for “Carolina Still,” an ode to Davis’ ancestry, his family’s deep roots in North Carolina, and his great-grandfather Gus.

John Apice reviewed the album for Americana Highways, commenting, “North Carolina’s Barrett Davis has style, ear-caressing sincerity in his music & an arresting voice in many of these well-crafted songs.” 

The Ballad of Aesop Fin track list:

  1. Highway 64
  2. Carolina Still
  3. Quiver
  4. Oh Sleeper
  5. Bama Shores
  6. Your Worth
  7. Lazarus
  8. Aesop Fin

“Aesop Fin is a mythical character, raised in the woods. His dad is a moonshine runner, his mother nowhere to be found,” Davis says. “Aesop finds a lover and ends up getting killed in a gambling incident, then she ends up tumbling into a waterfall—it’s symbolic of the vicious cycle of tragedies in these mountains of Appalachia.” 

Growing up in Lake Toxaway, North Carolina, a rural outpost community in the mountainous ridges of Transylvania County, Davis was surrounded by music from an early age—exposed to the blues licks of his guitar-playing father, the swirling classical sounds of his mother’s piano playing or the inner echoes of his sister, now a professional opera singer. Davis himself went on hiatus for several years, getting married and raising a young family, all while starting his own construction business to put food on the table for his wife and two kids.

New album release: Jack Schneider’s Best Be On My Way

Jack Schneider announces debut album with first single ‘Josephine.” Best Be On My Way will be out November 11, 2022. Courtesy photo, used with permission.

Americana newcomer Jack Schneider has a laundry list of eclectic descriptors fitting to precede his name—record producer, songwriter, tape machine enthusiast, Vince Gill’s rhythm guitarist, and NYU grad, to name a few—but on November 11, Schneider will be adding “recording artist” to that list with the release of his debut LP Best Be On My Way. Recorded live to tape in Nashville with some of the city’s biggest names—the aforementioned Gill, David Rawlings, Stuart Duncan, and Dennis Crouch—Schneider’s inaugural record is a testament to tradition, timelessness, the modern relevance of old ways, and above all, the necessity of looking at the past in order to know just where you are headed. Riddled with raw truths, compelling stories, and unforgettable sonic motifs, Best Be On My Way is necessary listening for life’s long road ahead. (Jack Schneider, 2022)

Holler premiered Best Be On My Way’s first single, the album-opening “Josephine.” Showing their highest praise for the opening track they stated, “If listening to Jack Schneider feels like traveling back in time then maybe that’s because in some ways you are. Records are capable of taking you places and Jack Schneider and his band have every intention of setting you on a journey back through the years to a time when everything felt a little more real somehow.” The song finds Schneider strumming his beloved 1956 Martin D-28 guitar, “Big Jim,” in front of an all-star band of acoustic musicians. A delicate blend of love and longing, “Josephine” will be a shoo-in for fans of The Band, Bob Dylan, or James Taylor—and contemporary favorites like Gillian Welch, Watchhouse, or The Avett Brothers. Fans can hear “Josephine” right now and pre-order or pre-save Best Be On My Way ahead of its November 11 release.

Best Be On My Way was recorded on a hot day in June at Nashville’s Sound Emporium. Inside the air-conditioned studio, there was a slight quiver in the air—the hum of a tape machine, the impression that the atmosphere was churning inside a black-and-white photograph. The session felt as though it were a real-life culmination of a long and tenuous journey on Schneider’s part, in which he had collected friends and strangers along the way and gathered them together for the odyssey’s retelling. From childhood friends to recent mentors, the motley crew of musicians sat in a wide circle in the live room as around a campfire, much to the contemporarily trained Engineers’ dismay. The players themselves are evidence of a gap Schneider is bridging between musical generations: Grammy award-winning artists Vince Gill and David Rawlings played alongside both Stuart Duncan and Dennis Crouch—longtime Nashville session musicians—and Liv Greene and Griffin Photoglou, two twenty-something artists fresh out of college.

Throughout the long months of quarantine, Schneider began working intensively with former Gruhn Guitars colleague and frequent collaborator, Wes Langlois. Shut up in the studio together for weeks, the two wrote, recorded, and released what they referred to as “vanishing albums:” full-length records accessible for a week at a time each during the pandemic, after which they were removed from streaming services and unavailable for physical purchase. It was from these ephemeral collections of songs that the seed for Schneider’s (permanent) debut record was born.

Best Be On My Way track list:
Josephine
Farewell Carolina
Marietta
Tennessee
Best Be On My Way
Don’t Look Down
Slow Things Down
Nothing Left To Show
In The Morning
Del Rio Blues

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New album release: Petra-Fi by Stephen Akina

Petra-Fi is the new album by Stephen Akina. Photo: Google

Stephen Akina is a music composer and arranger who enjoys collaborating and producing original music. Following the premiere of his work “Seven,” commissioned by the Pasadena Pops Orchestra in 2006, Stephen began writing for films, television, and video games. His compositions and arrangements have been performed worldwide. Along with his future wife Kimberly, they founded Special Blend Music, a music service provider for the Film & Television industry. Over the years he has scored original music for over two dozen films, composed production music for over 100 + television shows worldwide and supplied soundtracks to highly acclaimed video games. Several of these scores have been converted into music that can be enjoyed on its own and available on all music streaming services. (Stephen Akina, 2022)

His new album Petra-Fi features new and popular remasters of downtempo/chill piano inspired by the ancient petroglyph locations throughout Hawai’i.

Petra-Fi 12 songs, 43 minutes

Track list:

  1. Glass Pagoda (04:11)
  2. For Sure (02:45)
  3. Wavedancer (Remaster) (04:56)
  4. Electro Peace (Remaster) (06:17)
  5. Moon Over Kahala (02:23)
  6. Beatitude (03:00)
  7. Greek Holiday (03:04)
  8. Simple Life (02:20)
  9. Makani (04:01)
  10. Mirage (03:50)
  11. Nightfall (03:07)
  12. Makani Solo (Piano) (4:01)

Petra-Fi is is available on all streaming/digital stores.

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Award winning fiddler Jason Carter’s new album Lowdown Hoedown

Jason Carter gathers all-star lineup and good times tunes for new album Lowdown Hoedown. Courtesy photo, used with permission.

For thirty years, Jason Carter has been the fiddle player for the Del McCoury Band—the most awarded group in bluegrass history. He has won three Grammy awards, including 2018’s “Best Bluegrass Album” with the Travelin’ McCourys, of which he is a founding member. He has taken home five IBMAs for “Fiddle Player of the Year,” a staggering number that is not quite so crazy once you realize just how many bluegrass greats have turned to Carter for collaboration. (Jason Carter, 2022)

Jason Carter has spent years collaborating with a laundry list of all-time great musicians across a multitude of genres—not to mention his three decades as a member of the Del McCoury Band and being a founding member of the Travelin’ McCourys—but, never before have all of his friends, from all those years, joined Carter on his own solo album. That is, until now.

On November 4, 2022, Carter will release Lowdown Hoedown, a thirteen-song collection featuring Carter’s own rich vocals and red-hot fiddling backed up by a stunning lineup of musicians whom he calls friends. Imagine that Carter is throwing the pickin’ party of the century and we are all invited to join in. The guests? Well, there is Dierks Bentley, Aiofe O’Donovan, Vince Gill, Billy Strings, Sarah Jarosz, Jon Fishman, Marty Stuart, and that is just for starters. The multitude of guests speaks not only to Carter’s long-known stellar musicianship but also to his personality, lighting up the backstage hangs of music festivals nationwide. 

Carter shared the opening track from Lowdown Hoedown, “King of the Hill,” a Bruce Hornsby tune that features Sam Bush on mandolin, Jerry Douglas on dobro, Russ Carson on banjo, Dennis Crouch on Bass, and Cody Kilby, Carter’s longtime Travelin’ McCourys bandmate, on guitar. “The story is about a guy who is unhappy with his job and relates to it like a prison. I think it made a great bluegrass song,” says Carter, who was introduced to the song by Kilby. “This was the first song we recorded for the record and the band knocked it out of the park.” 

Fans can hear “King of the Hill” right here and pre-order or pre-save Lowdown Hoedown ahead of its release at this link. 

Lowdown Hoedown track list:
King of the Hill
The Six O’clock Train and a Girl with Green Eyes
The Likes of Me
Paper Angel
Dust Bowl Dream
Hoedown for My Lowdown Rowdy Ways
Good Things Happen
Midnight Flyer
Queen of the Nashville Night
Kissimmee Kid
You Led Me to the Wrong
Highway 52
Bird Song

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Chris Shiflett’s new single ‘Born & Raised’

Chris Shiflett blends West Coast nostalgia and heartland hooks with brand new single “Born & Raised.” Courtesy photo, used with permission.

While Rock & Roll Hall of Fame inductee Chris Shiflett gets recognition for his role in Foo Fighters, the modern-day guitar hero has seemingly always had one foot in the country music world—and, these days, he has been spending plenty of time making music in Nashville. Just last week, Shiflett played the Grand Ole Opry alongside a best-of-Nashville band—Sierra Hull (mandolin), Mike Bub (bass), and Michael Cleveland (fiddle). Now he has released his second of two singles recorded with legendary producer Vance Powell, “Born & Raised.” Shiflett began writing the tune while surfing his hometown Santa Barbara coastline but finished it in Music City where a group of Americana studio all-stars—bassist Jack Lawrence, drummer Julian Doro, keyboardist Mike Webb, and steel guitarist Luke Schneider—brought “Born & Raised” to life. (Chris Shiflett, 2022)

A swirl of West Coast nostalgia, heartland hooks, and Deluxe Reverb drive, the song unfolds like a love letter to one’s roots, delivered by a man who has spent most of his adulthood on the move. “Born & Raised” and Shiflett’s recently released “Long, Long Year” are both songs that find Shiflett in a reflective mood, looking at where he has been before heading toward whatever is next. Fans of Shiflett should certainly be keeping an eye out for even more new music over the next year. They can save “Born & Raised” here and watch the lyric video now at this link. “Long, Long Year” is also available right here.

“My trip out to Nashville in March of 2021 was my first time recording any solo material since I made Hard Lessons. I hadn’t done much traveling post-covid lockdown so I was a little nervous heading out there to work with a producer and roomful of musicians I didn’t really know. In true Nashville style we made our introductions and got right down to work, hammering out the basic tracks in a few hours. Vance was great and made me feel right at home, and the group of players he put together were on point.” – Chris Shiflett

Catch Chris Shiflett on tour:
September 17 – Redondo Beach, CA – BeachLife Ranch Festival 2022
December 3 – Tempe, AZ – Marquee Theatre
December 8 – Anaheim, CA – House of Blues Anaheim
December 17 – Las Vegas, NV – House of Blues Las Vegas
December 28 – Los Angels, CA – The Belasco

A longtime member of Foo Fighters, Shiflett has already played an integral role in shaping the sound, swagger, and scope of rock music throughout the 21st century. He joined the band in 1999, after kicking off his career playing guitar for seminal pop-punk groups like No Use For a Name and Me First and the Gimme Gimmes. While flying the flag for modern rock & roll, he also made time to pursue projects outside of the band. Groups like Jackson United and Chris Shiflett and the Dead Peasants found him in the driver’s seat, establishing his credentials as a front man, while the long-running Americana podcast Walking the Floor found him shining a light on his heroes and contemporaries, its 200+ episodes highlighting the storytellers, songwriters, and road warriors of contemporary roots music. Two critically acclaimed solo albums, 2017’s West Coast Town and 2019’s Hard Lessons, marked Shiflett’s own entry into the Americana world, mixing classic Bakersfield influences with greasy guitar riffs, Marshall amplifiers, and country-rock crunch.

 

Ghost of Paul Revere announces final album

Ghost of Paul Revere signs to Americana Vibes for final album, Goodbye, and catalog deal. Photo: Nicole Wolf, used with permission.

Ghost of Paul Revere, a band with over a decade of accolades and friendship, offer their final collection of songs in the form of a record aptly titled Goodbye, which is available everywhere for streaming. Releasing via Americana Vibes, and featuring the band’s—Griffin Sherry [guitar, vocals], Max Davis [banjo, vocals], Sean McCarthy [bass, vocals], and Chuck Gagne [drums, vocals]—signature blend of folk, bluegrass, rock, country, and Americana rooted in ponderous lyricism and raucous energy, Goodbye is both an offering of gratitude to fans and a celebration. (Ghost of Paul Revere, 2022)

For this release and their back catalog, the band has signed with Americana Vibes, of which the label co-founder Ivory Daniel, says “Everything that we strive for here at Americana Vibes is embodied within the music, art, and humanity behind this album, Goodbye. We’re excited to welcome the Ghosts to our family, and even more so to release this body of work while amplifying the importance of the Ghosts catalog across the globe.”

The collection of songs on Goodbye feels a bit like a victory lap, one in which the band is enjoying the natural end to all good things and inviting fans to attend a rowdy, joyful curtain closing of sorts. The album’s origins are much like the band’s, beginning by decamping to a family cabin to reunite and write in late 2020. 48-hours of writing in ‘20 fueled the creativity to continue writing into ‘21. By the time they hit the studio with co-producer and engineer Dan Cardinal, they had decided the overall direction and opted to primarily record live.

“The record ebbs and flows between soft songs that are more akin to what we used to do and more rocking songs with pretty good grit to them,” says Sherry. The band’s final offering, Goodbye, plays homage to the more-than-a-decade of music-making with friends. “How does one write an obituary of a ghost?” the band asked on social media when announcing their departure from the scene. The answer, of course, is hidden in the 12 songs of Goodbye.

Goodbye track listing:
At Least I Know It’s True
In My Yard
Gratefully Here
In Deep
JTE
Letters From the War of Love and Loss
Me and My Shadow
Rider
Vivid Dream
Older Lately
Knuckle
Goodbye