Tall Dark Pines will be out January 27, 2022. Photo: David Jameson
David Jameson, a former corporate consultant turned songwriter, is pleased to announce his debut album Tall Dark Pines which will be released on January 27, 2022. Produced by Duane Lundy and engineered by Lundy and Tom Hnatow, the album touches on different aspects of inspiration found through the varied and impactful chapters of Jameson’s life. Although he is often inspired by the music he discovers during his travels, David’s sound and soul remain firmly rooted in the American country and folk tradition. (David Jameson, 2021)
The album’s first single and title track “Tall Dark Pines” harkens back to the musical folklore tradition of murder ballads. A true and tragic story, a husband sets out to rebalance the scales of justice by taking matters into his own hands. Using his near-perfected detail oriented approach to songwriting, Jameson paints a vivid picture for the listener as to transport one to the deep woods in which this tragic story takes place. Inspired by the murder ballad classic “In The Pines,” “Tall Dark Pines” feels at once modern and timeless. Beloved Americana podcast Hippies & Cowboys debuted the track. Click hereto preorder/pre save the album.
David Jameson’s songs, and in particular the ones to be heard on Tall Dark Pines, mirror his life, full of stories marked by vivid imagery and a broad set of influences. The stories featured on his upcoming album are closer to home than most of his adventures. Many of the songs tell the stories of his family and community that were passed onto David during the pandemic. David brings these modern stories to life by incorporating elements of traditional American country and folk ballads of the 19th and 18th centuries as well as those of the British Isles that date back even further. This approach inspired Americana Highways to call David “a master writer and storyteller, propelling a significant folk tradition into the modern era.”
Lord Nelson carries their live show into the recording studio with Transmission. Photo: Lord Nelson
When it came time for Lord Nelson to get back into the studio to make a new album, the band wanted to lean into exactly what has earned them fans and thousands of streams of their songs throughout their career: a burn-down-the-house live show. The Charlottesville-based band was looking for a way to create a calling card for their boisterous live act, something that would bridge the gap between studio and performance, so they took a batch of road tested songs into the studio with a very simple goal in mind and achieved just that. The resulting album, Transmission, will be released January 21, but Lord Nelson recently shared the first track from the album. (Lord Nelson, 2021)
“Tooth and Nail” opens Transmission with a raucous groove and electric guitars every bit appropriate for the kind of lights-down, beginning of the show anticipation usually reserved for the stage. “Navigating this world is a full time job and the person we become may be sometimes far removed from the vision we had when we set out on this journey,” say the band’s members about “Tooth and Nail.” “Own your disasters and keep moving.” Watch the video for “Tooth and Nail” now at this linkand pre-order or pre-save Transmission ahead of its January 21 release here.
For the first time, this Lord Nelson record features three writers and vocalists, with brothers Henry and Calloway Jones contributing to Kai Crowe-Getty’s set of songs. Rounding out the group are Andrew Hollifield and Niko Cventanovich on bass, Johnny Stubblefield on drums, and Dave Pinto on pedal steel and harmonica. The collection of songs marks a wide range of stories and characters, but there is a creeping lightness that settles around the edges of what could be darker themes in other hands. From car crashes, murder, bank robberies, devotion, trucks in lakes, drug busts, and relationships, to hope, triumph, and overcoming the odds, this record engages a wide view of the human experience.
Using a converted barn to track the record, guitarist Calloway Jones and collaborator Ivan Barry engineered two sessions across a few weeks, and the bones of an album were fitted into a suit. Lord Nelson initially worked to move through recording quickly as to release Transmission and get back on the road. Like the rest of the world, those plans came to a sudden halt with the pandemic. The band wondered, “Does the world need this music now? Will it ever see the light of day?” But finishing vocals in blanket forts, tracking guitars in an old farm house, and sending the sessions to friends to record parts enabled this process to grow and change slightly with the enforced break from touring. It allowed the band to pause and take in the songs and choices with a bit more thought. It changed the work and brought a reexamination. Ultimately, this record intends to bring people together—to dance, sing in the car, hum along, crank up on the stereo, and to stop taking life too seriously for a few minutes.
Transmission Track list: Tooth and Nail Hell or High Water Country Desperation Drag Me Down Putting in the Time Broken Part Rolling Stoned Cheap Red Wine Let It Ride Burn It Down Julia
Jamestown Revival’s new album Young Man will be out January 14, 2022. Photo: google
In 2020, Jamestown Revival released A Field Guide To Loneliness, an intimate collection of songs that finds Clay and Chance reflecting on recent times whereby human contact was limited more than ever. A Field Guide To Loneliness follows Jamestown Revival’s 2019 critically acclaimed release, San Isabel. Recorded in a remote cabin in the majestic and calming landscape of central Colorado, the band embraced a minimalist approach in the recording of San Isabel. Finding inspiration in ‘60s and early 70’s folk and pop, the original songs on San Isabel show reverence for early John Denver and Bob Dylan, as well as Simon & Garfunkel and Crosby, Stills, Nash & Young. Their new album, Young Man, will be released on January 14, 2022. (Jamestown Revival, 2021)
With a swaggering waltz, close harmonies, and a wealth of slide guitars, Jamestown Revival has perfectly summarized the dog days of feeling stranded by the events of the last two years in their brand new single “These Days.” Straddling the line of good-time music and down-and-out feelings, “These Days” feels universal; a blurry memory of a worldwide shared experience, but a little closer to home for those who found themselves out of work for months on end. “‘These Days’ is about being down in the dumps, hamstrung, and unable to work,” say Jamestown Revival bandmates Jonathan Clay and Zach Chance. “The past year needs no introduction. As the months rolled on by, there were surely days when it felt like it got the best of us. We wrote this song on one of those days.” Fans can hear “These Days” now at this link.
“These Days” is the second song to be released from Jamestown Revival’s upcoming LP, Young Man. Produced and mixed by Robert Ellis and Joshua Block and bolstered by a thriving community of friends and musicians in Texas, Young Man is Jamestown Revival’s first project without electric guitars, with the emphasis instead on skillful songwriting, flawless harmony, and intricate fingerpicking. Displaying most of the genres that collectively make up “Americana” music—folk, jazz, bluegrass, roots rock—sometimes all in one song, this upcoming album represents a distilled and pure Jamestown Revival at their finest. Young Man is due out January 14 and can be pre-ordered or pre-saved now right here.
Additionally, Jamestown Revival just announced new tour dates including Thalia Hall in Chicago and Nashville’s new Brooklyn Bowl. A full list of new dates, as well as previously announced tour stops, can be found below. Tickets are available online.
New Jamestown Revival Tour Dates: February 8 – Kansas City, MO. – Knuckleheads Saloon^ February 9 – St. Louis, MO. – Delmar Hall^ February 10 – Chicago, IL. – Thalia Hall^ February 11 – Minneapolis, MN. – Fine Line^ February 12 – Milwaukee, WI. – The Rave/Eagles Club – Rave II^ February 14 – Pittsburgh, PA. – Mr. Smalls^ February 15 – Detroit, MI. – St. Andrews Hall^ February 16 – Lexington, KY. – The Burl^ February 17 – Indianapolis, IN. – The Vogue^ February 18 – Columbus, OH. – Columbus Athenaeum^ February 19 – Nashville, TN. – Brooklyn Bowl^
Previously Announced 2022 Dates: January 14 – New Braunfels, TX. – Gruene Hall^ January 16 – Tucson, AZ. – Rialto Theatre* January 17 – Solana Beach, CA. – Belly Up* January 18 – Solana Beach, CA. – Belly Up* January 19 – Santa Cruz, CA. – Catalyst* January 20 – San Francisco, CA. – The Fillmore* January 21 – Los Angeles, CA. – Fonda Theatre* January 22 – Sacramento, CA. – Ace of Spades* January 23 – San Luis Obispo, CA. – Fremont Theatre* January 25 – Salt Lake City, UT. – Commonwealth* January 26 – Steamboat Springs, CO. – Strings Music Pavilion** January 27 – Denver, CO. – Ogden Theatre* January 28 – Telluride, CO. – Club Red* January 29 – Ft. Collins, CO. – Aggie Theatre** January 30 – Aspen, CO. – Belly Up^
Special Guests: * Mipso & Robert Ellis ** Mipso ^ Robert Ellis
Young Man Track list: 1. Coyote 2. Young Man 3. Moving Man 4. Northbound 5. These Days 6. One Step Forward 7. Slow It Down 8. Way It Was 9. Old Man Looking Back 10. Working On Love
The Infamous Stringdusters’ new album Toward the Fray will be available February 18, 2022. Photo: google
The Infamous Stringdusters is a progressive acoustic/bluegrass band, who first emerged in 2006, consisting of members Andy Hall (dobro), Chris Pandolfi (banjo), Andy Falco (guitar), Jeremy Garrett (fiddle), and Travis Book (bass). The “Dusters” won three awards at the IBMAs in October 2007 for Emerging Artist of the Year, Album of the Year (for Fork in the Road), and Song of the Year for the album’s title track and in 2018 the band won the Grammy for Best Bluegrass Album for Laws of Gravity. (The Infamous Stringdusters, 2021)
As the year starts to wind down, the opposite is true for Grammy-Award winning quintet The Infamous Stringdusters, who are dropping their forthcoming album Toward the Fray via Americana Vibes on February 18, 2022. They will be kicking off the year strong with a three night New Year’s Eve run in Richmond, Virginia, all the while celebrating last week’s Grammy nomination for Bluegrass Album of the Year for their 2021 album A Tribute To Bill Monroe. Additionally on the Dusters’ end of the year dance card, the band released Toward the Fray’s second single “Hard Line.”
Fans can now digitally pre-order or pre-save Toward the Fray now at this link. The Dusters also designed new merchandise to celebrate the release of Toward the Fray—including, but not limited to, a Stringdusters North Face jacket, limited edition colored vinyl, and an adorable Toward the Fray teddy bear. Pre-order all of these and more at the Infamous Stringdusters online store.
“This is a song about taking a hard line stance on something, and being so dug in you can’t ever change your mind,” shared Jeremy Garrett. “What a beautiful thing it might be if we could all come to the table, so to speak, once again and have meaningful and truthful discussions about the things going on in our world.” “Hard Line” is available here.
“Hard Line” comes on the heels of the release of the album’s previous single and title track, “Toward the Fray” which was written by guitarist Andy Falco with his dear friend Travis McKeveny who passed away tragically in September 2021.
Izaak Opatz deftly compares ex-lover to a tricky natural phenomenon in new song ‘Chinook Wind.’ Photo: google
The most concise way to describe musician Izaak Opatz is “well-experienced,” but, like his razor-sharp songs, there are deeper details to his life that deserve to be highlighted. Opatz is now back in graduate school at the University of Montana studying Environmental Science and Natural Resource Journalism at the same school from which he earned a degree over a decade ago. Between his two distinct periods of study, Opatz spent ten summers on a trail crew in Glacier National Park and a stint working in Jonny Fritz’s infamous Los Angeles leather shop. All that is to say, Opatz’ music draws on his “well-experienced” life. (Izaak Opatz, 2021)
Opatz has a new song entitled “Chinook Wind,” a clever comparison between an attempt to get back with an ex and the false-summer warm wind of the Rockies. A catchy, reverb-y guitar hook gives way to a rollicking verse punctuated by stabbing horns before giving way to a half-time feel change in the song’s chorus. Fans of country and Americana will be just as likely to enjoy “Chinook Wind” as those who lean more indie rock or experimental, perpetuating Opatz’ hard-to-describe but easy-to-listen-to style, one that Opatz and his band have dubbed dirtwave. Watch the music video for “Chinook Wind” now and check out Opatz’ op-ed with Talkhouse covering his already-mentioned history and much more at this link. “Chinook Wind” is out now on Mama Bird Recording Co..
“Between the occasionally Muppet-y background vocals and the yackety brass, this song has some ‘Flea Bag’ to it, which suits the wild-goose-chase-of-the-heart it describes. A chinook is an unseasonably warm, dry wind that pours down the east side of the Rockies at the end of winter, sometimes tricking trees into thinking a premature spring is upon them, leading them to pull the sugars from their roots and get ready to bud out, which hurts the trees when winter inevitably reasserts itself. As per the metaphor, I ‘thawed out my resistance’ at the prospect of getting back together with my ex-lover, only to get dinged when it became clear it was a one-off— just a chinook wind.” – Izaak Opatz
On the music video, Opatz says, “Featuring an abundance of sweat, tears, and cream cheese, ‘Chinook Wind’ is the brainchild of Michael T. Workman, who turned my meteorological phenomena-inspired song about a romantic head fake into an absurd, pulpy crime caper, set in the gritty underbelly of Missoula, Montana.”
Adam Shoenfeld’s new solo album All the Birds Sing will be out in January. Photo: LYRIC Magazine
In 1994, at 20 years old, Adam Shoenfeld moved to Nashville and soon integrated himself into the music community. He formed a band with “Big Kenny” Alphin called LuvjOi, which became one of the most popular draws on Nashville’s rock scene in that era. When Big Kenny then formed country duo Big & Rich with John Rich, they enlisted Shoenfeld to play guitar on their 2004 breakout hit, “Save a Horse, Ride a Cowboy.” Around this same time, Shoenfeld and Rich teamed up to write a hit for Faith Hill, resulting in her 2005 No. 1 single, “Mississippi Girl.” He will release his first solo album, All the Birds Sing, in January 2022. (Adam Shoenfeld, 2021)
From the first notes of Shoenfeld’s new record – out January 28 via Lozen Entertainment Group/Copperline–the musicianship and wealth of drawn influences are readily apparent. Spending the last two decades bringing his rock-leaning sound to Nashville’s premier country music scene and his last nine years in Tim McGraw’s touring band, Shoenfeld has channeled all of these words and melodies of his own for something brand new; something apart from his country “day-job.” “I love getting to play guitar for people and making a living doing that,” he says. “It’s the best job in the world, but I’ve always been an artist at heart.” The Boot premiered the first single from All the Birds Sing, “The Sky is Falling Down” paired with an exclusive interview with Shoenfeld. Although the ELO-string section-influenced song alludes to the chaos in the world, there is a silver lining in its message. Fans can hear “The Sky is Falling Down” now at this link and pre-order or pre-save All the Birds Sing ahead of its January 28 release right here.
Although he opted out of becoming known as a country artist, Shoenfeld’s playing has shaped the genre for decades now. He believes that being around the industry for this long, watching what artists go through, gave him the confidence to step out as a solo performer. “It’s all built up to this point where I’m like, ‘You know what? I need to do this. I need to put it out there to see if I can touch some people with this music,’” he says. From the rock anthem “Getting to Me” to the poetic songwriting of “Say a Word,” Shoenfeld is doing exactly that. The cornerstone of All the Birds Sing is the poignant title track, which he wrote in ten minutes in a hotel room, in tears, for someone close to him who was going through a tough time. However, its tender lyrics resonate in his own life too.
All the Birds Sing Track list: The Sky is Falling Down Gettin’ to Me All the Birds Sing Eleven Son Pave Those Highways Lose to Win Her Song Norwegian Wood Say a Word
Agarita celebrates San Antonio Museum of Art’s 40th anniversary with free community concert. Photo: Agarita
An innovative chamber ensemble dedicated to producing bold, collaborative musical events, Agarita offers a new way to experience classical and contemporary music. Rooted in San Antonio and founded by Daniel Anastasio (piano), Marisa Bushman (viola), Ignacio Gallego (cello), and Sarah Silver Manzke (violin), Agarita nourishes the local community through artistic collaborations, community engagement, and free, adventurous programming. (Agarita, 2021)
Agarita was recently named San Antonio Magazine’s Best of the City 2021: Culture winner for its collaboration with area partners. It works intimately with local artists of various genres to weave cross-artistic narratives for each concert. Agarita’s past collaborations have included the McNay Art Museum’s Pop América exhibit, lighting artist Chuck Drew, Cameron Beauchamp from the Grammy Award-winning vocal group Roomful of Teeth, chef Elizabeth Johnson and Pharm Table restaurant, poet Laura Van Prooyen, sculptor Danville Chadbourne, educational arts institution SAY Sí, and the Luminaria Contemporary Arts Festival for a concert inside San Antonio’s historic Mission San José.
As a nonprofit organization, Agarita believes that the arts should be accessible to everyone in its community. Agarita presents free public concerts, performs at local schools, and offers opportunities for other artists through its collaborations. The next event will take place on Sunday, December 12 at the San Antonio Museum of Art.
Agarita Celebrates SAMA’s 40th! Date: Sunday, December 12, 2021 Time: 11a.m. – 12:15p.m. Location: San Antonio Museum of Art, 200 West Jones Ave, San Antonio, TX 78215 Collaborator: Highlights of SAMA’s permanent collection Description: Agarita returns to the San Antonio Museum of Art for a concert celebrating the museum’s 40th anniversary. Musical selections will reflect artworks on display in the special exhibit. This concert is FREE and open to the public.
Mariachi Herencia de México’s new mariachi take on ‘It’s the Most Wonderful Time of the Year.’ Courtesy photo, used with permission.
The Latin GRAMMY®-nominated group of young Mexican-American musicians ring in the holiday season with a new mariachi take on “It’s the Most Wonderful Time of the Year.” Mariachi Herencia de México, composed of both male and female musicians from Chicago, recreate the Andy Williams Christmas classic with a fresh and modern sound that is sure to leave you filled with holiday cheer. It is available now on all music platforms. (Mariachi Herencia de México, 2021)
“We’re excited to release our own version of this Christmas classic. It’s the perfect track for everyone’s holiday playlist. We made the track for everyone to enjoy, no matter where you’re from or how old you are, everyone loves Christmas.” – Ruben Núñez, lead vocalist and trumpet player for the band
Composed by Eddie Pola and George Wyle, “It’s the Most Wonderful Time of the Year” was originally recorded and released in 1963 by pop singer Andy Williams. For this version, Mariachi Herencia de México collaborated once again with the band’s musical director Rigoberto Alfaro ( Latin GRAMMY® winning producer), one of the most revered and innovative composers of the mariachi genre credited for his work with the likes of Vicente Fernandez, Juan Gabriel, Joan Sebastian, Rocio Durcal, Alejandro Fernandez just to mention a few.
“Maestro Alfaro wrote a beautiful arrangement that combines references from traditional mariachi music, with the timeless pop sound of the original recording. The song has such a happy and uplifting vibe, which is exactly what we wanted to share with our fans this Christmas season.” – Melanie Juárez, lead vocalist and guitar player for the band
“It’s the Most Wonderful Time of the Year” features a beautiful duet, a fusion of both male and female voices, with lead vocals from both Núñez and Juárez.
“It’s a masterpiece. This is mariachi music at its most sophisticated and most modernistic. It’s almost the antithesis of folklore, almost futuristic. Maybe 20 or 30 years from now, all groups will sound like this, I don’t know. But it is state-of-the-art.” – Jonathan Clark, a mariachi expert and historian
Mariachi Herencia de México was formed in Chicago and is composed of eighteen young musicians between 17 and 22 years old. The Latin GRAMMY-nominated band has released four highly acclaimed studio albums with chart-topping debuts on both the Billboard and the iTunes Latin Albums charts, defying a music industry trend and pointing to a revival in recorded mariachi music.
“In every recording, this group proves their commitment to Mexican music. These young musicians understand the essence of our music. They have an important role to play in helping to preserve mariachi music with new generations.” – Cesar Maldonado, the band’s Director and Founder.
To celebrate the Christmas season, Mariachi Herencia de México embarks on a special holiday tour titled “A Very Merry Christmas” on December 17, 18 and 19, 2021 at Chicago’s Thalia Hall and the Old Town School of Folk Music. Tickets are on sale now.
Signed to IMG Artists, a major international talent agency, Mariachi Herencia de México has toured throughout the U.S., Mexico and Canada. The band has performed alongside major artists like Lila Downs, Aida Cuevas, Los Lobos, Pedro Fernández, and Mariachi Vargas de Tecatitlán, demonstrating that this group of young musicians has the talent, training and bravado to hold their own with the best in the world.
Secondhand Serenade is currently on tour in support of the upcoming new album Just Because You Sing Loud. Photo: google
Emo-Pop Rocker Secondhand Serenade (AKA John Vesely) is set to release new album Just Because You Sing Loud in 2022 with his first single ONE setting things off in November. The release of this new album will kick off with a tour of the same name across 32 US cities. He will be releasing singles regularly through the tour building up to the release of the new album, his first full project since 2017. The name of his album/tour stems from a unique confrontation Vesely recently had. He and his wife recently moved into a temporary apartment while awaiting construction to finish on their new Nashville home. Following a few months of a not-so-happy neighbor complaining about his songwriting sessions and banging on walls, Vesely woke up to an aggressive letter on his door complaining about the noise that was summed up with the statement “Just Because You Sing Loud Doesn’t Mean Its Good.” At first, the note was hurtful to Vesely as he had never experienced this kind of pushback from neighbors in the past. However, he quickly turned the letter into a form of inspiration for his forthcoming album. Now, the letter remains framed on a wall in his studio serving as a reminder that any of life’s negativity can be turned into something positive. (Secondhand Serenade, 2021)
Regarding his upcoming tour/album Just Because You Sing Loud, Secondhand Serenade said, “To say that I’m excited to get back on the road again is an understatement. I’ve also been working hard to finish this next album, which is a total throwback to my roots. So it should be really fun to add some of these new songs into the set and see some first listen reactions in real time. We’re definitely ending 2021 on a strong note!”
In the early days of social networking, there were no classes, no courses, no gurus to assist musicians in building a fan base. Yet in the mid-2000s, Secondhand Serenade used his hard work and determination to connect with fans online and build a community of followers which resulted in the then Bay Area resident reaching the number 1 unsigned artist spot on MySpace after the release of his debut album, Awake. He would later re-release the acoustic project as the first ever artist signed to the now famed Glassnote Records. Vesely followed that up with his 2008 Danny Lohner-produced album, A Twist In My Story, which would catapult the emo-pop songwriter to the top of the charts. The lead single, a part piano ballad, part pop-rock tune called “Fall For You” would solidify the first major hit for both the artist and the young label, securing its spot in the top 5 at US radio, eventually going 3-times platinum. International touring, late night shows and award show appearances became the new norm for the singer-songwriter who was quickly becoming the voice of the emo generation. Fast forward to a post pandemic life and Secondhand Serenade is now priming yet another full album along with a nationwide, headlining tour. The timing could not be better with a resurgence in the emo scene and a new project worth of material rolling out over the coming months.
Just Because You Sing Loud Tour Dates: Wednesday, December 8 – Tempe, AZ – Marquee Theatre Thursday, December 9 – Anaheim, CA – The Parish At House Of Blues Friday, December 10 – Fresno, CA – Strummer Saturday, December 11 – San Diego, CA – House Of Blues Monday, December 13 – Seattle, WA – El Corazon Wednesday, December 15 – Salt Lake City, UT – The Grand @ The Complex Thursday, December 16 – Denver, CO – Bluebird Theater Friday, December 17 – Omaha, NE – Barnato Saturday, December 18 – Joliet, IL – The Forge
Loney Hutchins’ new album Buried Loot, Demos from the House of Cash and Outlaw Era, ’73 – ’78 will be out December 10. Courtesy photo, used with permission.
A native of Appalachia, Loney Hutchins grew up across the holler from Clinch Mountain with one foot in Virginia and the other in Tennessee. His songwriting and flat-picked guitar style are indicative of his upbringing, grounded by the hard life of poverty he was born into, while inspired by the region’s natural beauty and the earliest sounds of Country Music. Hutchins left Tennessee for college through the GI Bill but returned for music in 1972 and soon finagled a job at the House of Cash. He inspired the character, “Loney” in Cash’s ’76 bicentennial rumination “Sold Out of Flagpoles.” (Loney Hutchins, 2021)
Around 1972, in a chance encounter with June Carter Cash, now-legendary Nashville song-man Loney Hutchins’ future was forever changed. After hearing his demo reel, June’s husband Johnny signed Hutchins to their House of Cash publishing company and the rest is history. Hutchins’ time at House of Cash coincided with the rise and pinnacle of America’s outlaw country movement, and on December 10, from the archives of Loney Hutchins, fans will be treated to a treasure trove of long-forgotten tunes of the era on a brand new release on Appalachia Record Co. titled Buried Loot, Demos from the House of Cash and Outlaw Era, ‘73- ‘78.Buried Loot is full of never-before-heard recordings, presented for the first time from 80+ hours of tape tucked away through the years by Hutchins. Much of the material is fully produced demos made for Johnny Cash when Hutchins managed the House of Cash publishing catalog, performed by in-demand session players of the time. Wide Open Country premiered “Pinball King,” writing “Hutchins flaunts his way with words.” Fans can hear “Pinball King” today at this link and pre-order or pre-save Buried Loot ahead of its December 10 release right here.
The songs compiled on Buried Loot are unmistakably influenced by the era in which they were recorded. There is the never-before-heard “Stoney Creek,” written by the woman often credited as coining the “outlaw” label, the late Hazel Smith, and Hutchins’ own material ranges from Byrds-ish country rock, Everly-esque ballads, to Appalachian folk and down and out honky-tonkers. Meanwhile, there are Cash-penned songs performed here as demos before they would officially be recorded and released—tongue in cheek numbers far from the Music Row norm like, “Committed To Parkview,” as well as a Helen Carter-penned tune never recorded, “You Gotta Live It Brother (If You Wanna Serve the Lord).”
Buried Loot Demos from the House of Cash and Outlaw Era, ‘73- ‘78 Track list: Pinball King Who’s Gonna Be My Fire? Paradise Fools Gold Stoney Creek One More Habit Wouldn’t Say It If It Wasn’t So Daughter Of A Railroad Man I Do Declare Nashville Suite Every Day’s A Monday We Got It All Four More Reasons Whippoorwill Whisky Lady Taxi Please Five Years In Hell Committed To Parkview Ya Gotta Live It Hillbilly Ghetto Reedy Creek I’ll Always Have The Good Lord Watching Over Me Sheets Of Green Clover My Tennessee Hills
SA Examiner 