Category: Music News

New album: John Smith’s The Fray

The Fray is John Smith’s new album. Photo: google

British songwriter John Smith was born in Essex and raised on the Devon seaside. Known for his intimate songwriting, his honey-on-gravel voice, and pioneering guitar playing, he has spent the last fifteen years touring internationally and has amassed over 40 million streams on Spotify. As a session musician, he has played guitar with artists as diverse as Joan Baez, David Gray, Joe Henry, Lianne La Havas, and Tom Jones.  He holds on to optimism with his new album The Fray. (IV-PR, 2021)

The song ‘Hold On’ embodies a thread of hopefulness in a blanket of bad news; a thread that runs throughout his new full-length album, The Fray—available now to stream or purchase at this link. Smith co-produced The Fray with long-time friend and producer Sam Lakeman at Peter Gabriel’s Real World Studio. Calling on an all-star band—pianist Jason Rebello, bass player Ben Nicholls, Drummer Jay Sikora, and Jessica Staveley-Taylor of The Staves—Lakeman and Smith honed an honest sound not unfamiliar to existing fans; a focus on the songs as well as the beautiful way in which Smith picks and plucks them. Not allowing a global pandemic to prohibit collaboration, Smith’s guests on the album recorded remotely and sent their contributions digitally over international borders—Sarah Jarosz, Courtney Hartman, The Milk Carton Kids, and Bill Frisell from the Americas and Smith’s frequent touring partner Lisa Hannigan via a virtual studio session in Dublin. 

Throughout The Fray, Smith touches on not just his own emotional turmoil experienced over the past year, but also his observance of the pain of those around him. But it is Smith’s stubborn optimism that shines through and differentiates his experiences and songs from his influences and contemporaries, which PopMatters and Americana Highways recently touched on, the latter highlighting his “excellent, consistent songwriting.” His traits of holding onto hope, forgiving transgressions, and reckoning with his place in a world which does not always reciprocate are not only necessary for Smith to deal, but they are also contagious to anyone who finds themselves in similar situations, adrift in the wind. Atwood Magazine commented, “Pain, loss, isolation, sadness—these are all a part of life, and they will knock us down. Smith’s music reminds us that we will rise again, stronger than before.” For those who echo that sentiment, from experience, Smith shares his message on The Fray; “If we don’t hold on, we’re lost.”

On April 11, Smith will be hosting a Behind the Music livestream in which he will discuss what it takes to put an album together; from writing and arranging to production and recording. For more information and to purchase a pass, please visit Mandolin online. 

The Fray Track listing: 

  1. Friends
  2. Hold On
  3. Sanctuary
  4. Deserving
  5. The Best Of Me (feat. Bill Frisell)
  6. Star-Crossed Lovers (feat Lisa Hannigan)
  7. To The Shore
  8. Eye To Eye (feat Sarah Jarosz)
  9. Just As You Are
  10. The Fray (feat. The Milk Carton Kids)
  11. She’s Doing Fine
  12. One Day At A Time

Ervin Stellar’s new EP Nothing to Prove out now

Ervin Stellar’s feel-good Americana EP, Nothing to Prove. Photo: google

Ervin Stellar channels the energy and integrity of American roots music with his new EP, Nothing to Prove. Using the name Ervin Stellar as his public persona, Nashville musician Andrew Jordan self-produced and mixed the five-song project and released it independently. During his 12 years living in Brooklyn, New York, Jordan discovered a community of session players who were as comfortable with country as they were with jazz. By blending those styles into his own music—from banjo and pedal steel to drums and electric guitar—Ervin Stellar brings a compelling perspective to Americana music. (IV-PR, 2021)

“I left New York City with a gold nugget in my pocket,” sings Ervin Stellar in the opening line of the opening song on his new EP Nothing to Prove. A dancing, melodic bassline and tastefully twangy guitar flourishes could slip in unnoticed on Dylan’s Blood On The Tracks were it not for Stellar’s smooth, intimate vocal delivery. An album that will certainly warrant more than one listen to catch each impeccably crafted line, Nothing to Prove is a shining example of how Stellar pulls off a balancing act of being earnest, lighthearted, and virtuous—one song at a time. Fans can now hear Nothing to Prove in its entirety at this link.

Ervin Stellar is the public persona of Andrew Jordan, who moved from New York to Nashville following his 2018 album, The Moment. That relocation is referenced in the first line of Nothing to Prove’s title track, setting up a series of musical snapshots that encompasses three original songs and two well-chosen covers—all of which are executed in a hard-to-pin-down mix of organic tones and greasy grooves. His sound reflects his youth in Southern Michigan, where his mother preferred country on the radio while his dad enjoyed playing jazz records at home.

In addition to his three outstanding originals on Nothing To Prove, Jordan included covers of Jonathan Edwards’ “Shanty” and John Fogerty’s “Who’ll Stop the Rain.” Jordan recalls hearing “Shanty” every Friday afternoon on the radio in Grand Rapids, Michigan, and decided to work it up after realizing it fit the lockdown vibe. As for “Who’ll Stop the Rain,” Jordan slows down the tempo of the Creedence Clearwater Revival original, though the message resonates as much as ever.

Nothing To Prove Track listing:
Nothing To Prove
Love Is Love
Who’ll Stop The Rain
S.O.S.
Shanty

Rapper and producer W Corona releases new album

W Corona’s new album is Rancho Gang. Courtesy photo, used with permission.

Rapper and producer W. Corona continues his journey through the Regional Mexican landscape with the release of his latest album ‘Rancho Gang.’ Showcasing a creative fusion of acoustic and electronic sounds, the new album was co-written and produced by the Monterrey-based rapper himself and reflects his relentless search for new rhythms and melodies. (Vesper Public Relations, 2021)

‘Rancho Gang’ features 13 songs infused with hip hop, sierreño, and norteño influences, taking listeners on an audible trip through the genres that have formed a principal part of W. Corona’s childhood experiences in his home city of Monterrey, Mexico. It also includes Reggaeton and Cumbia rhythms, creating a multicultural album nourished by Latin American and Mexican sounds.

W. Corona is well known for the diversity of his music. Thanks to his honesty, listeners are consistently offered tales of his experiences, triumphs, romances, heart breaks, celebrations, nostalgias, and failures. While in the studio, he always follows his heart and uses fear as an incentive to work harder and to take risks to achieve his goals: to grow as an artist and evolve, have fun with friends and enjoy the journey without “taking it too serious.”

One year and eleven months have passed since W. Corona began this new era in his career with the single “Cuadro Chico” ft. El Chino Del Rancho, which he followed up with “Bendecido” and more recently with “Sed De La Mala”. The young producer and MC has found a new path by mixing modern hip hop styles with organic Regional Mexican sounds while melodically telling poignant stories with colloquial lyrics.

The two bonus songs included on the album are “Duro” ft. Zkylz García & Fatboi and “El Clavo.” Both singles and their music videos showcase the wide range of influences that W. Corona brings to the plate. ‘Rancho Gang’ is a map that reflects the experiences of W’s life, with each of the thirteen songs taking listeners on a journey filled with many wild twists and turns.

Track list:

  1. California High Ft. El Chino Del Rancho
  2. Bendecido
  3. Duro Ft. Zkylz García, Fatboi
  4. El Clavo
  5. Cuadro Chico Ft. El Chino Del Rancho
  6. Abusando #1
  7. Agítalo Ft. Mad Fuentes
  8. Sed De La Mala
  9. Hong Kong Ft. Los Del Nido
  10. Mal De Amor
  11. Route 66 Ft. El Chino Del Rancho
  12. La Carga Pesada
  13. La Mejor Del Condado Ft. Zkylz García

Indie rockers Arts Fishing Club release new EP, The Show

Arts Fishing Club’s new EP The Show will be out April 30. Courtesy photo, used with permission.

An alternative rock band with pop hooks, indie sensibilities, and indie-folk roots, Arts Fishing Club built its audience the old-school way; by piling its members into a van and hitting the road. As Arts Fishing Club’s touring schedule grew, so did the band’s sound. It was a natural evolution of a band whose members had begun to turn up their guitar amps, dig into their 90s’ rock influences, and create new songs that were every bit as electrifying as their shows. That live energy found a permanent home in the band’s music, turning their upcoming EP—appropriately titled The Show—into the band’s most representative work to date. The group brings these themes to life across five songs with raucous rock and roll, mid-tempo grooves, and folk balladeering all making an appearance. (IV-PR, 2021)

This week, Live for Live Music gave fans a glimpse into The Show with the video premiere for album-closer “With Us All,” a tune in which the band gives a nod to Bob Dylan with their modern twist on a classic protest song—with a decidedly non-holier-than-thou attitude. “It’s with that not-so-thinly veiled reference to Bob Dylan that “With Us All” gets its raw, understated power,” the article says. “A much-needed 21st-century update to the landmark 1964 folk song about the changing nature of society, Arts Fishing Club is now reminding their parents—who were the very children that Dylan sang about—that “your sons and your daughters are beyond your command,” as Dylan originally sang. Watch the video for “With Us All” here and pre-order or pre-save The Show ahead of its April 30 release at this link.

Produced by Wilco co-founder Ken Coomer and mixed by Grammy-winning icon Ryan Hewitt (Red Hot Chili Peppers, The Avett Brothers, and blink-182), The Show is an alt-rock record with a message, filled with songs that sandwich Kessenich’s social commentary between singalong choruses, cinematic melodies, and bursts of Stratocaster guitar. The fact that it was recorded in two days speaks loudly to the band’s strength as a hard-touring, well-oiled machine. It is an anthemic sound that targets the head, heart, and dancing shoes, designed not only to get a crowd moving, but to get them thinking, as well.

The Show Track list:
Hollywood
Horizon Eyes
Tough Shit
The Show
With Us All

“We live in a world where everyone wants to be famous, whether you’re onstage, Tik Tok, or Instagram. I can’t even imagine what middle school must be like these days with social media. I don’t envy that kind of pressure. The Show is an album about fame culture, modern society, and self-reflection.” – Christopher Kessenich, Arts Fishing Club songwriting front man

2021-04-30T15:03:00

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eTown announces initial lineup for anniversary celebration

eTown is celebrating 30th b’Earthday with a virtual celebration on April 22. Photo: google

It has been 30 busy and productive years since the launch of eTown, the world-renowned radio show turned full-blown multimedia nonprofit. In honor of 30 years of great live music paired with social and environmental programming, eTown is throwing a party for the ages, honoring both its 30th birthday and eTown’s induction into the Colorado Music Hall of Fame.  (eTown, 2021)

On Earth Day 2021, April 22, at 6:30 p.m. Mountain Standard Time, eTown’s 30th b’Earthday Celebration will air via live stream and feature performances from Los Lobos, The War and Treaty, Lyle Lovett, Bob Weir, Sam Bush, City and Colour, and Raquel Garcia. Former U.S. Senator and environmental advocate, Tim Wirth, will join for the conversation portion of the livestream. For more information on the b’Earthday Celebration including lineup additions, how to become a supporter of eTown, or to check out past shows and performances, please visit eTown online. 

“Helen and I started eTown in ’91 determined to try something new, to make a different kind of show, one that mixed music and message. It took us a while to find our voice and our place in the media landscape, but over the last three decades, we’ve not only presented—and played—a ton of remarkable live music, we’ve also shared really inspiring conversations and stories of ordinary people doing extraordinary things on behalf of our shared environment.”  – eTown Founder and Host, Nick Forster

Before eTown, Nick toured and recorded for decades with IBMA Entertainers of the Year and Grammy nominees Hot Rize, amongst others, while Helen Forster made her mark as a co-owner and producer of the world famous Telluride Bluegrass Festival, while also performing herself.  This husband and wife team have taken everything they have seen, felt, and learned about music, the environment, and humanity and put it into practice through 30 years of remarkable eTown shows. 

Join Nick, Helen, and the rest of the eTown crew and community on April 22 to celebrate their amazing milestone in the only logical way: engaging song and conversation. 

eTown, the internationally syndicated radio broadcast, podcast, and multimedia- and events-production nonprofit, launched on Earth Day 1991 in Boulder, Colorado. Since then, eTown has produced musical, social, and environmental programming all focused on its ongoing global mission—to educate, entertain, and inspire a diverse audience through music and conversation to create a socially responsible and environmentally sustainable world. Prior to the pandemic, eTown recorded shows in front of a live audience in eTown Hall, a 17,000 square foot former church in downtown Boulder which has been renovated and transformed into a solar-powered performance and recording facility—likely the only zero-carbon facility of its kind in North America. Recently, eTown pivoted to all-virtual episodes.

 

2021-04-22T11:28:00

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eTown’s 30th b’Earthday Celebration

New album release: Beth Whitney’s Into the Ground

Beth Whitney’s new album Into the Ground will be out May 28, 2021. Photo: google

Beth Whitney released her first album, Leave Your Shoes, in 2007, which garnered heavy airplay in the Seattle area. She released Yellow in 2010 and Ukulele in 2012, both of which won songwriting awards and were put into heavy rotation by local AAA station in the Seattle area. In 2013, Beth partnered with neighbor and fellow artist, Bradford Loomis, to write and record a self-titled album, The Banner Days (2014) and Hand Me A Hymnal (2015.) The collaboration garnered critical acclaim while they toured extensively across the nation including a performance at the Lincoln Center in New York and reached over 2 million streams on Spotify for their co-write, “My Beloved.” In 2017 she released The Wild Unrest. Whitney’s new album Into the Ground will be released May 28, 2021 on Tone Tree Music.  (IV-PR, 2021)

With the partnership of producer and mixer Brandon Bee and engineer Matt Terjeson, Whitney’s new collection of songs lands effortlessly on beds of organic and orchestral—and at times overdriven and rhythmic—production; never coming close to overpowering the songs and the voice singing them. This week, American Songwriter premiered “Two Sons,” the third single from Into the Ground, following “In Another Life” and “Wild Horse.” American Songwriter wrote, “Reimagining the beloved parable in a modern, Americana setting, Whitney’s understated arrangement beautifully serves the winder theme…the video and the song unite to express a timely message of celebrating those who were lost, but now are found.” “Somehow over my lifetime, this idea of home has become more familiar, and more foreign, all in the same cosmic breath,” says Whitney of “Two Sons.” “I suppose many of my songs thread-in an underlying search for someone or somewhere that would take me in. This desire to be fully known and embraced is so strong in us and yet so difficult to realize. ‘Two Sons’ is a parable Jesus told and one I’ve never forgotten.” Fans can pre-save “Two Sons” now at this link.

Into the Ground showcases Whitney’s artfulness as a songwriter and her determination as a musician to stare down the chaos in front of her and weave it into something else. She welcomes grief when it is in front of her because she knows what happens when grief is left out to spoil. Whitney looks straight ahead in her music; it’s the reason Into the Ground takes listeners deep into themselves in search of a common humanity.  

Into the Ground Track list:

  1. Wild Roses
  2. Two Sons
  3. Wild Horse
  4. In Another Life
  5. Whole Heart
  6. Moonlight
  7. Huckleberry
  8. Shelter From the Storm
  9. Thunder
  10. I Go 
  11. You Leave a Light On
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Beth Whitney’s Into the Ground release

Pearl announces the launch of Pearl Studio

Pearl Studio is available to individuals and companies alike for creative needs. Photo: Pearl, used with permission.

San Antonio’s popular Pearl district is excited to announce the launch of Pearl Studio, a space for creative content development and strategic partnership in the heart of one of San Antonio’s cultural hubs. Pearl Studio has multi-medium content capabilities that will be available to individuals and companies alike. The studio is ideal for photo and video shoots and is open to the public for rentals. (Pearl, 2021)

Pearl Studio is led by Senior Studio Manager Rebecca Berzewski and Creative Director JP Garrigues. The studio is available for everything from creative content development, brand consultation, space rental to full video production, and photography sessions. The Studio’s capabilities are ideal for culinary, product packaging, portraiture, architectural, lifestyle, and e-commerce photography as well the creation of educational, lifestyle, commercial, social media, and narrative videography. 

The 900+ square foot studio comes equipped with various paper rolls, c-stands, sandbags, a rolling table, speaker, Reversible V-flat, rolling 8’ x 8’ backdrops, gaffer tape, reflector, extension cord, changing room, chairs, flag kit, Wi-Fi, and more. Pearl Studio is located on the Pearl property at 300 E. Grayson, Suite 100.

During the era of COVID-19, Pearl Studio will be taking all the necessary precautions to make sure everything is safe for both staff and clients—including additional sanitizing, frequent hand washing, mandatory masks for clients, associates, and operators, socially-distant shoots, temperature checks of employees, regular COVID-19 testing of employees, and hand sanitizer stations throughout. 

“We are thrilled to debut Pearl Studio, which will generate multi-use seasonal narrative content for Pearl, its tenants, partners, and third-party clients. With in-house experts and a roster of fully-vetted photographers, videographers, and designers, Pearl Studio acts as a liaison to connect brands with tailored talent and dynamic content.” –  Pearl’s Chief Marketing Officer Elizabeth Fauerso. 

Pearl, located north of downtown San Antonio, provides a unique experience as a top culinary and cultural destination. The mixed-use space features retail, dining, picturesque green spaces, paseos riverside amphitheater, and the third campus of The Culinary Institute of America. As a former brewery operating from 1883 to 2001, Pearl reflects a vivid past while embracing the future with environmentally sustainable buildings mixed with historic architecture.

Legendary Mexican Jazz artist Tino Contreras to perform at Frida Kahlo’s Casa Azul

Mexican Jazz artist Tino Contreras will perform at Frida Kahlo’s home, the Casa Azul, the flagship museum dedicated to the iconic artist’s life and work. Courtesy photo, used with permission.

Legendary Mexican jazz artist Tino Contreras is set to perform a unique streamed show in the most beautiful space in Mexico City – Frida Kahlo’s home, the Casa Azul, which is also home to the flagship museum dedicated to the iconic artist’s life and work. The globally streamed event will be the first ever music stream from the Frida Kahlo Museum and is a celebration of both Contreras’ dynamic contribution to jazz and his 97th birthday. (Vesper Public Relations, 2021)

Inside the Frida Kahlo Museum, also known as the Blue House, are the artist’s personal belongings, as well as memories of the life that she lived there with Diego Rivera. Original paintings by Kahlo, Rivera, and their friends; a collection of Mexican folk art, handicrafts, pre-Columbian pieces, and Mexican regional textiles; as well as photographs, documents, books, and furniture are all showcased. The beautiful garden is an essential part of the Blue House, and crossing it leads to the internationally acclaimed exhibition of Frida Kahlo’s dresses. Many of the items in the museum were exhibited at London’s Victoria & Albert Museum in 2018, for ‘Frida Kahlo: Making Herself Up’, which was one of the most successful temporary exhibitions in the museum’s history.

Tino Contreras at Frida Kahlo Museum will show at the following times in the following territories on both days and for 24 hours on demand. The stream will not be available on demand after this initial weekend.

Saturday April 10 and Sunday April 11
8pm UK BST (ticket price £12)
9pm Europe CEST (ticket price €14)
7pm Mexico City HV (ticket price $17 USD)
8pm New York EDT (ticket price $17 USD)
8pm Los Angeles PDT (ticket price $17 USD)

Tickets available worldwide from Dice.fm.
“The price you pay. No surprises later.”

During Covid 19 The Frida Kahlo Museum has lost all income from admissions, so there is an opportunity to donate to the museum when purchasing a ticket and during the stream.

Born in Chihuahua in 1924 to a family of musicians, Tino Contreras is a master Mexican jazz drummer who for more than six decades has melded Latin influences with free jazz, psychedelia, avant-garde experimentation, and global sounds from Egypt, India, Turkey, and elsewhere. Tino’s career started in the 1950s and has seen him share stages with many of the greats – including Dave Brubeck, Cannonball Adderley, and the Duke Ellington Orchestra. Turning 97 on 3 April 2021, Contreras continues to play, record, and receive recognition for his contribution to Mexican jazz and beyond. His latest album La Noche de los Dioses was released on Gilles Peterson’s Brownswood record label in October 2020.

Esther Rose releases final single from upcoming album How Many Times

Esther Rose releases ‘Songs Remain,’ the final single from How Many Times. Photo: google

Esther Rose’s homespun brand of country music has drawn comparisons to legends like Hank Williams, modern trailblazers like Rilo Kiley, and a host of other luminaries in between, but she has her own thing going on. Rose’s innate ability to reflect on her own feelings, to not cast blame, and to keep a smile while doing so brings a spark to her music that sets it apart from her contemporaries and influences alike. On March 26, Rose will release How Many Times, her third full-length album and second with Father/Daughter Records. (IV-PR, 2021)

American Songwriter highlighted Rose’s fourth single, “Songs Remain,” calling it, “Tender and moving,” and noting that, “Rose reveals her vulnerability…through fragile, hesitant lyrics.” Previously, NPR Music included the single, “Keeps Me Running” in their weekly New Music Friday playlist and Forbes praised Rose’s ability to relate to fans. Fans can hear “Songs Remain,” as well as all of the previously released singles, and pre-save or pre-order How Many Times with this link. To Rose, How Many Times, written over the course of two years—including three moves, the end of a relationship, and countless tour dates—is an album symbolizing an awakening.

With the integrity of Dean Johnson, Faustina Masigat, and Kiki Cavazos serving as primary influences, Rose expands her alt-country sound into a blossoming world of folk pop, rustic americana, and tender harmonies. “They’re the holy trinity of songwriter magic,” she says, “and when I listen to them I feel like I can explore my own heartache.” Creative touches add detail throughout the album. Rose uses a 1962 Gibson ES-120T, her first semi-hollow body electric guitar, to play unplugged for a distinct tone. On “Mountaintop,” she includes a blustery voice memo recorded at the summit of Mount Philo, an homage to the field recording in a Bright Eyes song she holds dear. From “Coyote Creek” to “Without You,” Rose’s compelling voice is ferried masterfully by the musicians that join her: Matt Bell on lap steel, Max Bien Kahn on electric guitar, Dan Cutler on upright bass, Cameron Snyder on drums, and Lyle Werner on fiddle. A collection of complete takes recorded live to tape with rich instrumentation, soul-tugging hooks, and resonating vocal melodies, How Many Times carries you into the room in which it was made. There to help realize this was co-producer Ross Farbe of synthpop band Video Age, who Rose also credits for bringing a stereo pop glow to these new songs.

Overall, it is Rose’s way of handling life that singles her out in a crowd of other singers and songwriters. Her positive attitude is uplifting while never seeming too earnest and her heavier moments never crash the party. Her trials of moving through and reflecting on both adversity and beauty are present across the record, and her voice delivers an honest and open window into her heart with graceful dexterity. While comparisons to the musical greats are flattering, Rose is on her own path, marching to not just the beat of a different drum, but to a big brass band in her very own parade.

2021-03-26T13:43:00

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Esther Rose’s How Many Times album release

The Accidentals’ new EP Time Out (Session 1) out May 7

The Accidentals new EP features songwriting collaborations. Photo: google

Female-fronted, multi-instrumentalist power trio, The Accidentals, (Sav Buist, Katie Larson, and Michael Dause) kicked off 2018 with the release of their debut album, Odyssey, with Sony Masterworks. They followed the album release with two-hundred days of touring nationally, seventeen festivals, sync placement with Turner Classic Movies and FOX sports, and a RAM Trucks BANDvan #tourtough commercial. In 2019, The Accidentals released a self-titled live album and toured the UK; all while scoring an indie film, teaching workshops across the country, playing with symphonies, and recording new music. Amid quarantines, protests, marches, political division, and unprecedented uncertainty, Buist, Larson, and Dause continually do what they do best; create. (IV-PR, 2021)

In the beginning of March 2020, the band was on their way to South By Southwest Music Festival in Austin, Texas, after a whirlwind 23-show tour. They were told to turn around in Arkansas and head home. It was no longer safe to keep touring. On May 7, the fruits of their lockdown labor will be available on Time Out (Session 1). A five-song EP of all-new co-written material, Time Out features songwriting collaborations between The Accidentals and renown songwriters including Kim Richey, Dar Williams, Maia Sharp, Tom Paxton, and Mary Gauthier & Jaimee Harris.

“When the road came to a hard stop and everything went quiet, we realized the extent of what we had lost. It was devastating. We drove back to Nashville, packed some things and quarantined together in Northern Michigan. Our industry shut down completely. For the first time in eight years we didn’t have anywhere to be. We found ourselves reaching out to each other in that process of navigating the isolation. We ended up collaborating with these incredible writers because for the first time in eight years we all had time. These songs might not have happened otherwise. We wanted to somehow capture the idea that even after all of this unbelievable heartbreak, some beauty can still come from it. Time Out is a healing anthem for us, and we hope it is for you too.” – Sav Buist

Under The Radar took time to chat with The Accidentals in conjunction with premiering the music video for “Wildfire,” noting that, “…rather than simply falling into nostalgia, the band looks to the future, hoping for the promise of new life and offering a simple hand of comfort.” Fans can watch the video at this link and listen to “Wildfire” right here.

Time Out (Session 1) Track listing and Co-writers:
Might As Well Be Gold (Maia Sharp)
Night Train (Dar Williams)
Wildfire (Kim Richey)
Anyway (Tom Paxton)
All Shall Be Well (Mary Gauthier & Jaimee Harris)

“Some of the most compelling writers of our time… they display equal interest in the focused musical forms of indie rock and pop and the expansive potential of orchestral arrangements, jam band open-endedness, and impressionistic singer-songwriter expression.” – NPR

2021-05-07T14:26:00

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