Category: music

New album: Surely Will Be Singing by Tammy Rogers and Thomm Jutz

Surely Will Be Singing is the new album by Tammy Rogers and Thomm Jutz, available now everywhere. Photo: Tammy Rogers and Thomm Jutz

Parallel creative paths and a singular chance meeting of Tammy Rogers and Thomm Jutz are the origins of the duo’s forthcoming album, Surely Will Be Singing which released on January 21 via Mountain Fever Records. Bluegrass and Americana fans are treated to the album’s final single, “Long Gone”—available to stream everywhere at this link. Rogers named the song, taking the classic bluegrass train theme and turning it on its head. (Tammy Rogers/Thomm Jutz, 2022)

“In my mind, ‘Long Gone’ is set in the 1920s, a time of great social movement and upheaval. I picture a young man from the country who is either going to catch the train his lover is on, or stay left behind. What’s he going to do? Stick with the old or go somewhere new? This song is a reminder to all of us that no matter what we do, time is short, and we had better get to doing what we’re supposed to do.” – Thomm Jutz.

Surely Will Be Singing is a twelve-song collection selected from the 140+ songs King and Jutz have written over the years. “We’d always talked about making a duo record,” Jutz says. “We’re both very serious about what we do but we’re also very easygoing in the way we approach things. That’s at the heart of how we write. We’re both willing to see where things naturally go. I love that because at the end of the day, we usually wind up with something I wouldn’t have come up with on my own.” Rogers adds.

Previously, Rogers and Jutz released “The Tree of Life,” another single from the album which explores the concept of duality, something the duo were discussing after having read the writing of Joseph Campbell. Fans can hear “The Tree of Life” now at this link.

When Tammy Rogers was around five years old, her family moved from Rogersville, Tennessee, to Texas. Her father bought her a three-quarter size fiddle a few years later and it immediately became an extension of herself. Along with playing and touring with her family’s bluegrass band, she absorbed the music of her grandmother’s records whenever she would travel back to Tennessee in the summertime. Rogers landed her big break when she was hired to play fiddle in Patty Loveless’ band in 1990. Later in that decade, she co-founded one of Nashville’s earliest alt- country indie labels, Dead Reckoning Records. In 2016, Rogers won her first Grammy with the SteelDrivers for their album, The Muscle Shoals Recordings, which was awarded best bluegrass album.

Thomm Jutz’ pivotal moment came when he watched Bobby Bare singing “Detroit City” and “Tequila Sheila” on a German television show. That epiphany set him on a course of learning to play guitar and seeking out as many bluegrass and folk records as he could. After writing songs for the bands he formed in high school, Jutz began to study the craft. Following his lifelong dream, and inspired and encouraged by his mentor, songwriter Richard Dobson, Jutz moved to Nashville in 2003. Now firmly established as a producer, musician, and songwriter, Jutz received his first Grammy nomination, in the Best Bluegrass Album category, for his 2020 set, To Live in Two Worlds, Vol. 1. He has written or co-written innumerable bluegrass radio hits, recorded by artists like John Prine, Balsam Range, and The Steeldrivers and most recently, in 2021, Jutz was named IBMA’s songwriter of the year.

 

Mariachi Herencia de México presents ‘It’s the Most Wonderful Time of the Year’

Mariachi Herencia de México’s new mariachi take on ‘It’s the Most Wonderful Time of the Year.’ Courtesy photo, used with permission.

The Latin GRAMMY®-nominated group of young Mexican-American musicians ring in the holiday season with a new mariachi take on “It’s the Most Wonderful Time of the Year.” Mariachi Herencia de México, composed of both male and female musicians from Chicago, recreate the Andy Williams Christmas classic with a fresh and modern sound that is sure to leave you filled with holiday cheer. It is available now on all music platforms. (Mariachi Herencia de México, 2021)

“We’re excited to release our own version of this Christmas classic. It’s the perfect track for everyone’s holiday playlist. We made the track for everyone to enjoy, no matter where you’re from or how old you are, everyone loves Christmas.” – Ruben Núñez, lead vocalist and trumpet player for the band

Composed by Eddie Pola and George Wyle, “It’s the Most Wonderful Time of the Year” was originally recorded and released in 1963 by pop singer Andy Williams. For this version, Mariachi Herencia de México collaborated once again with the band’s musical director Rigoberto Alfaro ( Latin GRAMMY® winning producer), one of the most revered and innovative composers of the mariachi genre credited for his work with the likes of Vicente Fernandez, Juan Gabriel, Joan Sebastian, Rocio Durcal, Alejandro Fernandez just to mention a few.

“Maestro Alfaro wrote a beautiful arrangement that combines references from traditional mariachi music, with the timeless pop sound of the original recording. The song has such a happy and uplifting vibe, which is exactly what we wanted to share with our fans this Christmas season.” – Melanie Juárez, lead vocalist and guitar player for the band

“It’s the Most Wonderful Time of the Year” features a beautiful duet, a fusion of both male and female voices, with lead vocals from both Núñez and Juárez.

“It’s a masterpiece. This is mariachi music at its most sophisticated and most modernistic. It’s almost the antithesis of folklore, almost futuristic. Maybe 20 or 30 years from now, all groups will sound like this, I don’t know. But it is state-of-the-art.” – Jonathan Clark, a mariachi expert and historian

Mariachi Herencia de México was formed in Chicago and is composed of eighteen young musicians between 17 and 22 years old. The Latin GRAMMY-nominated band has released four highly acclaimed studio albums with chart-topping debuts on both the Billboard and the iTunes Latin Albums charts, defying a music industry trend and pointing to a revival in recorded mariachi music.

“In every recording, this group proves their commitment to Mexican music. These young musicians understand the essence of our music. They have an important role to play in helping to preserve mariachi music with new generations.” – Cesar Maldonado, the band’s Director and Founder.

To celebrate the Christmas season, Mariachi Herencia de México embarks on a special holiday tour titled “A Very Merry Christmas” on December 17, 18 and 19, 2021 at Chicago’s Thalia Hall and the Old Town School of Folk Music. Tickets are on sale now.

Signed to IMG Artists, a major international talent agency, Mariachi Herencia de México has toured throughout the U.S., Mexico and Canada. The band has performed alongside major artists like Lila Downs, Aida Cuevas, Los Lobos, Pedro Fernández, and Mariachi Vargas de Tecatitlán, demonstrating that this group of young musicians has the talent, training and bravado to hold their own with the best in the world.

Loney Hutchins releases new album of gems from Nashville’s lauded past

Loney Hutchins’ new album Buried Loot, Demos from the House of Cash and Outlaw Era, ’73 – ’78 will be out December 10. Courtesy photo, used with permission.

A native of Appalachia, Loney Hutchins grew up across the holler from Clinch Mountain with one foot in Virginia and the other in Tennessee. His songwriting and flat-picked guitar style are indicative of his upbringing, grounded by the hard life of poverty he was born into, while inspired by the region’s natural beauty and the earliest sounds of Country Music. Hutchins left Tennessee for college through the GI Bill but returned for music in 1972 and soon finagled a job at the House of Cash. He inspired the character, “Loney” in Cash’s ’76 bicentennial rumination “Sold Out of Flagpoles.” (Loney Hutchins, 2021)

Around 1972, in a chance encounter with June Carter Cash, now-legendary Nashville song-man Loney Hutchins’ future was forever changed. After hearing his demo reel, June’s husband Johnny signed Hutchins to their House of Cash publishing company and the rest is history. Hutchins’ time at House of Cash coincided with the rise and pinnacle of America’s outlaw country movement, and on December 10, from the archives of Loney Hutchins, fans will be treated to a treasure trove of long-forgotten tunes of the era on a brand new release on Appalachia Record Co. titled Buried Loot, Demos from the House of Cash and Outlaw Era, ‘73- ‘78. Buried Loot is full of never-before-heard recordings, presented for the first time from 80+ hours of tape tucked away through the years by Hutchins. Much of the material is fully produced demos made for Johnny Cash when Hutchins managed the House of Cash publishing catalog, performed by in-demand session players of the time. Wide Open Country premiered “Pinball King,” writing “Hutchins flaunts his way with words.” Fans can hear “Pinball King” today at this link and pre-order or pre-save Buried Loot ahead of its December 10 release right here. 

The songs compiled on Buried Loot are unmistakably influenced by the era in which they were recorded. There is the never-before-heard “Stoney Creek,” written by the woman often credited as coining the “outlaw” label, the late Hazel Smith, and Hutchins’ own material ranges from Byrds-ish country rock, Everly-esque ballads, to Appalachian folk and down and out honky-tonkers. Meanwhile, there are Cash-penned songs performed here as demos before they would officially be recorded and released—tongue in cheek numbers far from the Music Row norm like, “Committed To Parkview,” as well as a Helen Carter-penned tune never recorded, “You Gotta Live It Brother (If You Wanna Serve the Lord).”

Buried Loot Demos from the House of Cash and Outlaw Era, ‘73- ‘78 Track list:
Pinball King
Who’s Gonna Be My Fire?
Paradise
Fools Gold
Stoney Creek
One More Habit
Wouldn’t Say It If It Wasn’t So
Daughter Of A Railroad Man
I Do Declare
Nashville Suite
Every Day’s A Monday
We Got It All
Four More Reasons
Whippoorwill
Whisky Lady
Taxi Please
Five Years In Hell
Committed To Parkview
Ya Gotta Live It
Hillbilly Ghetto
Reedy Creek
I’ll Always Have The Good Lord Watching Over Me
Sheets Of Green Clover
My Tennessee Hills

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TikTok star Galvancillo launches Regional Mexican music career and music label

Part of a growing trend of using social media to launch music careers, twenty year old influencer makes the jump from custom car TikTok videos and Instagram fashion posts to Regional Mexican singer-songwriter. Courtesy photo, used with permission.

With social media platforms such as TikTok and Instagram becoming a legitimate outlet for breaking new musical acts, social media influencer Galvancillo, aka Lorenzo Ochoa, pivots from posting custom car videos and fashion photos to that of “Regional Mexican” singer-songwriter. (Galvancillo, 2021)

Twenty year-old Galvancillo’s more than four million followers know him for his custom car videos that he shoots from his friend’s auto shop and posts on TikTok. He also has a burgeoning modeling career. Now in addition to his good looks, cute smile, fashion sense, eye for style, and amazing personality, he is adding to his resume the title of singer-songwriter. Building off the TikTok videos that made him famous, Galvancillo stays true to the fans of his custom car videos and fashion posts by centering his debut single and music video on the same subjects that made him famous.

TikTok has become an important platform for the independent music scene with an increasing number of musical talents using the social media platform to reach millions of fans in ways only previously available through radio airplay which often appeared to be completely booked up by major record labels. In contrast today, a relatively unknown artist can use a simple TikTok post to launch their career. Since TikTok is the platform that made him known it only makes sense that Galvancillo will use that outlet to launch his musical career.

Says Lorenzo Ochoa, the man known as Galvancillo, “I wanted the song and music video for Placozo Mi Estilo to be similar to what people already know me for, but more extravagant.”

Lyrically the song is an expression of overcoming, of moving from locked door, to locked door until you find that one that opens for you. Visually the music video, directed by rising filmmaker known as “Barf,” features Lorenzo Ochoa’s home town of Houston Texas. The custom auto shop where he shot many of his TikTok videos has been sexily lit to look more like a night club and the finest of tricked out trucks and low rider cars are featured along with flossy fashion that Galvancillo is known for modeling.

“In the end it’s what I relate to and what my TikTok fans relate to, that life of luxury and exuberant experiences that we all wish for and work so hard to get. Of course it’s extra and over the top, but that’s the fun pretend part.” Adds Ochoa.

Galvancillo / Lorenzo Ochoa is not creating music completely independently though. He has started his own music label, “De La H Music,” and has joined forces with Fausto Juárez, CEO of Lamat Records and renowned producer of Regional Mexican music artists. Fausto will be managing Galvancillo’s artistic development and distribution of music, coordinating tours and of course promotion.

Lamat Records will use all the traditional musical mediums, but will also heavily involve social media platforms such as TikTok to expose Galvancillo’s charisma, with posts that maintain his approachable humility.

Galvancillo’s TikTok fans identify with Ochoa because he is a young dreamer just like them, full of goals which they work hard to attain each and every day. Galvancillo’s TikTok videos and now his songs and music videos demonstrate that anything can be achieved through perseverance, ingenuity, and most importantly to remain unique, try not to copy anyone, but instead stay true to yourself and your audience.

 

Barry Waldrep honors Tony Rice with all-star tribute album

Barry Waldrep and Friends Celebrate Tony Rice is due out December 24, 2021. Photo: google

Barry Waldrep is an American Bluegrass, Jam Band, Americana instrumentalist, songwriter, composer and record producer who co-founded the bluegrass/jam band Rollin’ in the Hay in July 1993. Rollin’ In The Hay soon became a full-time band touring the Jam Band circuit of festivals and college campuses across the country until May 2009. The band produced 7 CDs and performed over 300 dates per year for 16 years. During this time, Waldrep recorded 21 bluegrass tribute albums with CMH Records in Los Angeles for Eric Clapton, The Black Crowes, Widespread Panic, Phish, R.E.M., Tim McGraw, The Allman Brothers, Neil Diamond, and others. He was also featured on the CD Masterworks of American Bluegrass also produced by CMH Records. (Barry Waldrep, 2021)

In the era of modern music, describing anybody as the “greatest of all time” is usually met with resistance—if for no other reason than the ever-evolving tastes of both musicians and fans—but if the topic is bluegrass guitar players, there is a universally correct answer to “who’s the best;” the late, great Tony Rice. Rice was one of the most influential, inventive, and beloved musicians in all of bluegrass and Americana music and after he passed away in late 2020, his songs and stylings continue to live on in the musicians he inspired. This year, on the one-year anniversary of Rice’s passing, bluegrass instrumentalist and producer Barry Waldrep will be releasing a tribute to Mr. Rice with the 21-song, special-guest loaded Barry Waldrep and Friends Celebrate Tony Rice. When looking through Waldrep’s list of friends, it is apparent how far Rice’s music reached beyond just bluegrass. Americana greats Rodney Crowell and Jim Lauderdale and Jam-band royalty Warren Haynes and Oteil Burbridge make appearances alongside Rock and Roll Hall of Fame inductees Spooner Oldham and Patrick Simmons and country superstars Vince Gill and Emmylou Harris. And that is just a fraction of who has contributed to this celebration of the music of Tony Rice. Barry Waldrep and Friends Celebrate Tony Rice will be available everywhere on December 24 and can be pre-ordered or pre-saved now at this link.

“Music knows no boundaries and Tony created so many great examples of that. When you cross the line of other genres, that’s when you expand the audience and turn people on to other styles that they would not normally be interested in. The intent of this album and the artists involved is to show what a powerhouse master Tony Rice was at bringing musicians and fans together from different genres.” – Barry Waldrep

A full list of contributors is below and more information is available online.

Featured artists: Jimmy Hall, Rodney Crowell, Darrell Scott, Marty Raybon, Mike Farris, Kim Richey, Warren Haynes, Vince Gill, Radney Foster, Teresa Williams & Larry Campbell, Jim Lauderdale, John Berry, Patrick Simmons, John Paul White, Jacob Bunton, John Jorgenson, Rory Feek, Donna Hall & Kelli Johnson, and John Cowan.

Musicians: Barry Waldrep, Emmylou Harris, Tammy Rogers, Andrea Zonn, Aubrey Haynie, Bryan Hall, Caelan Berry, Spooner Oldham, Oteil Burbridge, James “Hutch” Hutchinson, Jason Bailey, Bryn Davies, Scott Vestal, Benji Shanks, Dillon Hodges, and Heidi Feek.

Barry Waldrep and Friends Celebrate Tony Rice track list:
Why You Been Gone So Long – Featuring Jimmy Hall
Song For The Life – Featuring Rodney Crowell
10 Degrees and Getting Colder – Featuring Darrell Scott
Blue Railroad Train – Featuring Marty Raybon
Walk On Boy – Featuring Mike Farris
Early Morning Rain – Featuring Kim Richey
Wayfaring Stranger – Featuring Warren Haynes
I’ll Stay Around – Featuring Vince Gill
Song For A Winter Night – Featuring Radney Foster
EMD – Featuring Barry Waldrep, Tammy Rogers, John Jorgenson and John Cowan
You Were There For Me – Featuring Teresa Williams and Larry Cambell
Church Street Blues – Featuring Jim Lauderdale
This Old House – Featuring John Berry
9 Pound Hammer – Featuring Pat Simmons
Four Strong Winds – Featuring John Paul White
More Pretty Girls Than One – Featuring Jacob Bunton
Summer Wages – Featuring Barry Waldrep, Tammy Rogers, Spooner Oldham
It’s Cold On The Shoulder – Featuring John Jorgenson
Bury Me Beneath The Willow – Featuring Rory Feek
Where The Soul Never Dies – Featuring Donna Hall and Kelli Johnson
Me And My Guitar – Featuring John Cowan

Courtesy photo, used with permission.
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The Steel Wheels announce new album Everyone A Song, Vol. 2

The Steel Wheels’ Everyone A Song, Vol. 2 will be out November 5, 2021. Photo: The Steel Wheels

The Steel Wheels have long been at home in the creative space between tradition and innovation, informed by the familiar sounds of the Virginia mountains where the band was formed, but always moving forward with insightful lyrics and an evolving sound. Over thousands of shows at the world’s most prestigious festivals, listening rooms, and clubs, the stubbornly independent band has formed deep bonds with each other and the audience that sustains them. (The Steel Wheels, 2021)

Of all the ways to deliver music to fans amidst a global pandemic, The Steel Wheels took a very clever—and quite intimate—approach. With their signature blend of Appalachian Americana stylings, The Steel Wheels’ primary songwriter Trent Wagler began crowdsourcing personal experiences of fans and forging them into songs in 2020. The project quickly became an avenue for fans of the band to commission works and send musical greetings to their loved ones as well, and the initiative sparked a surprisingly impactful and intimate songwriting process. Eventually, the band released a batch of their new tunes as a full-length record, Everyone A Song, Vol. 1., much to the delight of fans and critics alike.

On November 5, the band will once again open the treasure chest of these special songs with Everyone A Song, Vol. 2. Each song on Vol. 2 was commissioned for a specific relationship or event—a birth, a wedding, a memory of home—yet the emotions evoked are universal. Building on the body of work begun with Vol. 1, the 9 songs of Vol. 2 also have an identity of their own, with themes that reflect the zeitgeist of a country dealing with tragedy and unsettling change. Fans can pre-order or pre-save Everyone A Song, Vol. 2 right here and can visit the band’s merch shop here. And for those who have not heard Vol. 1, it can be streamed here.

Lead off track and first single “Where I’m From” introduces a tension between nostalgia and progress while highlighting the band’s deft balance of traditional instrumentation and driving rhythm. Commissioned for an old Catholic school in Chicago, the song paints a tangible picture of home. The image of slanted floors in the old church building are framed by low-tuned, fretless banjo, a smile-inducing drum groove, and a soaring fiddle solo. The music video for “Where I’m From” is out now and can be viewed at this link.

The Steel Wheels are heading back out on tour this month. A full list of tour dates is available online.

Catch The Steel Wheels On Tour:
November 4 – Rocky Mount, VA – The Harvester
November 5 – Bridgewater, VA – Sipe Center
November 6 – Norfolk, VA – Roper Performing Arts Center
December 1 – Asheville, NC – The Grey Eagle
December 2 – Chattanooga, TN – Arts Avenue
December 3 – Knoxville, TN – Bijou Theatre w/ Acoustic Syndicate
December 4 – Raleigh, NC – Motorco
December 5 – Vienna, VA – Jammin’ Java

Everyone A Song, Vol. 2 Track list:
1. Where I’m From
2. Time Is All I Need
3. Mark On Me
4. Memories In Mind
5. Adventures Of Grace And Henry
6. Lifeline
7. Where Our Future Begins
8. It’s Your Fault
9. Lullaby

Kirk Luye announces new song MA

Kirk Luye is a Latin pop artist on the rise from Chicago, IL. Photo: Untelevised Media.

Kirk Luye is a Latin artist from Chicago, IL. Raised by his Puerto Rican mother in Chicago, Luye developed a passion for his music. Being a well-rounded artist is something he strives for as he continues to tap into his Latin roots and his sound resonates with the rhythms found on the streets and in the neighborhoods of Chicago. His new song, MA stresses that “behind every great man there’s a powerful woman. The two become one.” (Kirk Luye, 2021)

His music comes from the heart of an artist who celebrates the hope found in the building of the city and in redemption from a hard past. His lyrics are the poetry of a true rapper. His sound resonate with the rhythms found on the streets. Since his start as a musician, he has grown as an artist, expanding his sound and widening his musical scope. Luye’s work has received acclaim from local artists, fans, and well-known DJs, who cite the extremely high quality of its production and hail it as very needed in the city. (Ace Music Booking Agency, 2021)

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Asleep at the Wheel to release new studio album ‘Half A Hundred Years’

Half A Hundred Years is the new studio release from Asleep at the Wheel. Courtesy photo, used with permission.

Founded in 1970, Asleep at the Wheel has been part of the American roots music landscape for more than fifty years. Although the band got its start on a farm in Paw Paw, West Virginia, Asleep at the Wheel became a cornerstone of the Austin, Texas, scene upon its arrival in 1973. Inspired by Western swing and honky-tonk country, the band has accrued ten Grammy Awards. In the fall, a career retrospective recorded with the current lineup and a few special guests will carry the band back onto the road, where they have remained a staple for five decades. (Asleep at the Wheel, 2021)

With a sneaky half-time groove and a slinky fiddle and guitar trade-off, America’s favorite Western Swing masters Asleep At The Wheel—and their special guest, the beloved Grammy Award-winning singer and songwriter Lyle Lovett—ease right into their new single, “There You Go Again.” Written just before the recording sessions for The Wheel’s new album Half A Hundred Years, “There You Go Again” is a feel-good, light-hearted jab at pretentiousness and all the silly ways it shows up in the writers’ lives, brought together with flourishes of fiddle and steel before crescendoing into a full-on New Orleans second line, walking back out the door as quickly as it came in. “I suppose it’s a song about pretentious people!” says The Wheel’s fearless ringleader Ray Benson of their new song. “My pal Lyle Lovett, one of the most unpretentious people I know, joined in and made it a very special track.” Fans can listen to “There You Go Again feat. Lyle Lovett” right now at this link and pre-order or pre-save Half A Hundred Years ahead of its October 1 release right here.

On October 15, Asleep At The Wheel will take the stage at Austin, Texas’ brand new Moody Amphitheater at Waterloo Park for a special guest-laden concert covering the band’s fruitful 50-year-long career. Asleep at the Wheel alumni returning for the event are singer Chris O’Connell, steel guitarist Cindy Cashdollar, bassist Tony Garnier, multi-instrumentalist Danny Levin, pianists Floyd Domino and John Michael Whitby, fiddler Jason Roberts, and drummer David Sanger. Additionally, The Wheel is expecting a special guest or two who are not to be missed. Check out a preview of the concert at Austin 360 and purchase tickets for the October 15 show here.

Half A Hundred Years is a nineteen-track celebration of Asleep At The Wheel’s half-century-long career, filled out by several world-class friends of the band; a guest-list testament to Asleep at the Wheel’s reputation as a cornerstone of American music for the last 50 years. Greats like Willie Nelson, George Strait, Emmylou Harris, Lee Ann Womack, and Lovett appear throughout Half A Hundred Years on a host of classic and destined-to-be-classic Western Swing and Country tunes. Additionally, three original members of Asleep at the Wheel—Chris O’Connell, Leroy Preston, and Lucky Oceans—returned after forty years to lend their voices and musicianship to several tracks on Half A Hundred Years. Ahead of the album release, CMT shared The Wheel’s take on the Bob Wills classic, “Take Me Back To Tulsa,” which features two more Texas icons, George Strait and Willie Nelson, and Rolling Stone premiered the album’s title track, saying, “Elevated by buoyant horns and singer Ray Benson’s drawling baritone, [“Half A Hundred Years”] is the ultimate road song.”

Half A Hundred Years Track list:
Half A Hundred Years
It’s The Same Old South feat. Chris O’Connell
I Do What I Must feat. Leroy Preston
There You Go Again feat. Lyle Lovett
My Little Baby feat. Chris O’Connell
Paycheck To Paycheck feat. Leroy Preston
Word To The Wise feat. Bill Kirchen
That’s How I Remember It feat. Chris O’Connell
The Photo feat. Leroy Preston
I Love You Most Of All (When You’re Not Here) feat. Lucky Oceans
The Wheel Boogie
Take Me Back To Tulsa feat. George Strait and Willie Nelson
The Letter That Johnny Walker Read feat. Lee Ann Womack
Bump Bounce Boogie Feat. Chris O’Connell, Elizabeth McQueen, & Katie Shore
Miles And Miles Of Texas
Get Your Kicks On Route 66 Feat. Leroy Preston, Johnny Nicholas, & Ray Benson
Marie Feat. Willie Nelson
Spanish Two Step Feat. Johnny Gimble And Jesse Ashlock
The Road Will Hold Me Tonight Feat. Emmylou Harris And Willie Nelson

Suzanne Santo releases ‘Save For Love’ from new album

‘Save For Love’ is Suzanne Santo’s third single from sophomore solo album Yard Sale, available everywhere August 27, 2021. Photo: google

A tireless creator, Suzanne Santo has built her sound in the grey area between Americana, Southern-gothic soul, and forward-thinking rock & roll. It is a sound that nods to her past—a childhood spent in the Rust Belt which is also where she learned to love a yard sale; a decade logged as a member of the L.A.-based duo HoneyHoney; the acclaimed solo album, Ruby Red, of which Paste called “shameless, self-aware dialogue that opens the door for conversation that leads to real healing;” and the world tour that took her from Greece to Glastonbury as a member of Hozier’s band—while still exploring new territory. With Yard Sale, Santo boldly moves forward, staking her claim once again as an Americana innovator. It is an album inspired by the past, written by an artist who is only interested in the here-and-now. For Suzanne Santo, the here-and-now sounds pretty good. (Suzanne Santo, 2021)

Yard Sale, the sophomore solo album from now Austin, Texas-based Suzanne Santo, is comprised of 12 songs written between Hozier rehearsals, some with Santo holing up in a farmhouse on the rural Irish coast, while others were finished during bus rides, backstage writing sessions, and hotel stays. A multi-faceted creative, fans likely know Santo from her work in musical duo HoneyHoney and from her extensive touring with the aforementioned Hozier in which she was both the opener and a band member. The Cleveland, Ohio-born artist’s creative output also extends to the screen, having had acting roles in several series and features. Recently, Santo released Yard Sale’s third single “Save For Love.” It is available on all streaming platforms by clicking here. Yard Sale releases August 27 via Soundly Music.

The album presents Santo at the very top of her game musically, writing her own string arrangements and singing each song in an agile, acrobatic voice—perhaps in part due to the cathartic making-of process and what that has meant for her professionally and personally. At times, she bridges the gap between indie-rock and neo-soul. On other tracks, she mixes gospel influences with a deconstructed R&B beat. Fans will hear layers of spacey, atmospheric electric guitar and Shakey Graves on a rainy-day ballad driven forward by a metronomic drum pattern, and Gary Clark Jr. punctuating with fiery fretwork. Both Shakey Graves and Gary Clark Jr. represent Santo’s commitment to and respect for Austin’s musical community. Realizing that there is more than just tequila in the water in Texas, Santo’s move to Austin and this album is the musical equivalent of a homeowner’s purging of old possessions in order to clear up some much-needed room.

The album’s first single “Bad Beast” is also available for listening on all DSPs and by clicking here, and finds Santo wrestling creativity out of a particularly gripping bout with insomnia. “Common Sense,” the album’s second single, was released in June, and is also available for streaming by clicking here.

Yard Sale Track listing:
1. Over and Over Again
2. Mercy
3. Gold Rush
4. Save For Love
5. Bad Beast
6. Since I Had Your Love
7. Afraid Of Heights
8. Fall For That
9. Common Sense
10. To No End
11. Idiot
12. Island

On tour:
August 25 – The Kessler w/ Arlo McKinley – Dallas, TX
August 27 – Album release show @ Antone’s – Austin, TX
September 8 – Mercury Lounge – New York, NY
September 13 – Holler On The Hills Festival at Hi-Fi – Indianapolis, IN
September 28 – The Independent – San Francisco, CA^
September 29 – Sessions Music Hall – Eugine, OR^
September 30 – Mississippi Studios – Portland, OR^
October 2 – Tractor Tavern – Seattle, WA^
October 3 – Neurolux Lounge – Boise, ID^
October 4 – The State Room – Salt Lake City, UT^
October 9 – Wildwood Revival – Arnoldsville, GA
November 5 – Space Ballroom – Hamden, CT* – SOLD OUT
November 6 – Big Night Live – Boston, MA*
November 7 – Colony – Woodstock, NY
November 10 – Southern – Charlottesville, VA* – SOLD OUT
November 11 – Black Cat – Washington, DC*
November 12 – Otto Bar – Baltimore, MD*
November 13 – Union Transfer – Philadelphia, PA*
November 14 – Grog Shop – Cleveland Heights, OH* – SOLD OUT
November 16 – Thalia Hall – Chicago, IL*

*with Murder By Death
^supporting Jade Bird

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Jeremy Pinnell’s second single from new album

‘Night Time Eagle’ is Jeremy Pinnell’s second single from his new album Goodbye L.A., due out October 1. Photo: google

When Jeremy Pinnell released OH/KY in the summer of 2015 to stunned acclaim, it felt like an entire career compressed into one knock-out album. Hailed as, a “Mind-blowingly good” (Greg Vandy/KEXP) “tutorial on classic country music” (Popmatters), Pinnell’s debut immediately was set apart as authentic and unflinching. Dogged touring through Europe and the States and celebrated radio sessions followed, cementing Pinnell’s position as a no-fuss master of his craft. (Jeremy Pinnell, 2021)

His 2017 album, Ties of Blood and Affection presented a canny lateral move. Instead of doubling down on the stark themes and values of his debut, the sophomore album found Pinnell finding comfort in his own skin, achieving the redemption only hinted at in his previous batch of haunted songs. Pinnell’s newest album, Goodbye L.A., is set to be released on October 1, 2021.

In a flurry of vocal harmonies, funky telecaster picking, and a steady two step beat, Jeremy Pinnell’s brand new single “Night Time Eagle” is off to the races before listeners even know what hit them. It is a song full of Bakersfield country vibes over which Pinnell’s words narrate the balance of keeping the proverbial tour-train on its tracks. “We spent a lot of time on the road and this song was written to let my wife know everything was on the up and up,” he says. “Night Time Eagle” is the second single from Goodbye L.A., Pinnell’s upcoming album due out October 1 via SofaBurn Records. Glide Magazine premiered “Night Time Eagle” saying “For Pinnell, this tune marks an exciting new direction down yet another real-deal country sound and is only further evidence that he is an artist who is absolutely worthy of widespread acclaim.” Fans can listen to “Night Time Eagle” right now at this link and pre-order Goodbye L.A. ahead of its October 1 release right here.

For vinyl lovers, “Night Time Eagle” will be pressed as a limited run 7-inch release. The primary side of the vinyl will have the album cut of “Night Time Eagle” while the alternate side will house Pinnell’s haunting cover of the 1990 Concrete Blonde classic “Joey” which was released as a stand-alone single in January 2021. “Joey” will not be on Goodbye L.A. therefore this 7-inch will be the only way to own it on vinyl. “Night Time Eagle” will also have its own dedicated, limited edition tee shirt. Both the shirt and the vinyl are available for purchase now at sofaburn.com.

Catch Jeremy Pinnell On Tour:
August 21 – Austin, TX – The White Horse
August 22 – Galveston, TX – The Old Quarter Cafe’
August 24 – Austin, TX – Sam’s Town Point
August 25 – San Antonio, TX – Sam’s Burger Joint
August 27 – Fort Worth, TX – Magnolia Motor Lounge
August 28 – Dallas, TX – The Kessler Theater with Jonathan Tyler
August 29 – Little Rock, AR – The White Water Tavern
September 3 – Indianapolis, IN – Duke’s Indy
September 4 – Monticello, KY – Hidden Ridge Camping

Goodbye L.A. Track list:
Big Ol’ Good
Wanna Do Something
Red Roses
Night Time Eagle
Never Thought Of No One
Doing My Best
Rosalie
Cryin’
Goodbye L.A.
Fightin’ Man

2021-10-01T13:41:00

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Goodbye L.A. release