Category: music

New album release: Beth Whitney’s Into the Ground

Beth Whitney’s new album Into the Ground will be out May 28, 2021. Photo: google

Beth Whitney released her first album, Leave Your Shoes, in 2007, which garnered heavy airplay in the Seattle area. She released Yellow in 2010 and Ukulele in 2012, both of which won songwriting awards and were put into heavy rotation by local AAA station in the Seattle area. In 2013, Beth partnered with neighbor and fellow artist, Bradford Loomis, to write and record a self-titled album, The Banner Days (2014) and Hand Me A Hymnal (2015.) The collaboration garnered critical acclaim while they toured extensively across the nation including a performance at the Lincoln Center in New York and reached over 2 million streams on Spotify for their co-write, “My Beloved.” In 2017 she released The Wild Unrest. Whitney’s new album Into the Ground will be released May 28, 2021 on Tone Tree Music.  (IV-PR, 2021)

With the partnership of producer and mixer Brandon Bee and engineer Matt Terjeson, Whitney’s new collection of songs lands effortlessly on beds of organic and orchestral—and at times overdriven and rhythmic—production; never coming close to overpowering the songs and the voice singing them. This week, American Songwriter premiered “Two Sons,” the third single from Into the Ground, following “In Another Life” and “Wild Horse.” American Songwriter wrote, “Reimagining the beloved parable in a modern, Americana setting, Whitney’s understated arrangement beautifully serves the winder theme…the video and the song unite to express a timely message of celebrating those who were lost, but now are found.” “Somehow over my lifetime, this idea of home has become more familiar, and more foreign, all in the same cosmic breath,” says Whitney of “Two Sons.” “I suppose many of my songs thread-in an underlying search for someone or somewhere that would take me in. This desire to be fully known and embraced is so strong in us and yet so difficult to realize. ‘Two Sons’ is a parable Jesus told and one I’ve never forgotten.” Fans can pre-save “Two Sons” now at this link.

Into the Ground showcases Whitney’s artfulness as a songwriter and her determination as a musician to stare down the chaos in front of her and weave it into something else. She welcomes grief when it is in front of her because she knows what happens when grief is left out to spoil. Whitney looks straight ahead in her music; it’s the reason Into the Ground takes listeners deep into themselves in search of a common humanity.  

Into the Ground Track list:

  1. Wild Roses
  2. Two Sons
  3. Wild Horse
  4. In Another Life
  5. Whole Heart
  6. Moonlight
  7. Huckleberry
  8. Shelter From the Storm
  9. Thunder
  10. I Go 
  11. You Leave a Light On
2021-05-28T14:44:00

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Esther Rose releases final single from upcoming album How Many Times

Esther Rose releases ‘Songs Remain,’ the final single from How Many Times. Photo: google

Esther Rose’s homespun brand of country music has drawn comparisons to legends like Hank Williams, modern trailblazers like Rilo Kiley, and a host of other luminaries in between, but she has her own thing going on. Rose’s innate ability to reflect on her own feelings, to not cast blame, and to keep a smile while doing so brings a spark to her music that sets it apart from her contemporaries and influences alike. On March 26, Rose will release How Many Times, her third full-length album and second with Father/Daughter Records. (IV-PR, 2021)

American Songwriter highlighted Rose’s fourth single, “Songs Remain,” calling it, “Tender and moving,” and noting that, “Rose reveals her vulnerability…through fragile, hesitant lyrics.” Previously, NPR Music included the single, “Keeps Me Running” in their weekly New Music Friday playlist and Forbes praised Rose’s ability to relate to fans. Fans can hear “Songs Remain,” as well as all of the previously released singles, and pre-save or pre-order How Many Times with this link. To Rose, How Many Times, written over the course of two years—including three moves, the end of a relationship, and countless tour dates—is an album symbolizing an awakening.

With the integrity of Dean Johnson, Faustina Masigat, and Kiki Cavazos serving as primary influences, Rose expands her alt-country sound into a blossoming world of folk pop, rustic americana, and tender harmonies. “They’re the holy trinity of songwriter magic,” she says, “and when I listen to them I feel like I can explore my own heartache.” Creative touches add detail throughout the album. Rose uses a 1962 Gibson ES-120T, her first semi-hollow body electric guitar, to play unplugged for a distinct tone. On “Mountaintop,” she includes a blustery voice memo recorded at the summit of Mount Philo, an homage to the field recording in a Bright Eyes song she holds dear. From “Coyote Creek” to “Without You,” Rose’s compelling voice is ferried masterfully by the musicians that join her: Matt Bell on lap steel, Max Bien Kahn on electric guitar, Dan Cutler on upright bass, Cameron Snyder on drums, and Lyle Werner on fiddle. A collection of complete takes recorded live to tape with rich instrumentation, soul-tugging hooks, and resonating vocal melodies, How Many Times carries you into the room in which it was made. There to help realize this was co-producer Ross Farbe of synthpop band Video Age, who Rose also credits for bringing a stereo pop glow to these new songs.

Overall, it is Rose’s way of handling life that singles her out in a crowd of other singers and songwriters. Her positive attitude is uplifting while never seeming too earnest and her heavier moments never crash the party. Her trials of moving through and reflecting on both adversity and beauty are present across the record, and her voice delivers an honest and open window into her heart with graceful dexterity. While comparisons to the musical greats are flattering, Rose is on her own path, marching to not just the beat of a different drum, but to a big brass band in her very own parade.

2021-03-26T13:43:00

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The Accidentals’ new EP Time Out (Session 1) out May 7

The Accidentals new EP features songwriting collaborations. Photo: google

Female-fronted, multi-instrumentalist power trio, The Accidentals, (Sav Buist, Katie Larson, and Michael Dause) kicked off 2018 with the release of their debut album, Odyssey, with Sony Masterworks. They followed the album release with two-hundred days of touring nationally, seventeen festivals, sync placement with Turner Classic Movies and FOX sports, and a RAM Trucks BANDvan #tourtough commercial. In 2019, The Accidentals released a self-titled live album and toured the UK; all while scoring an indie film, teaching workshops across the country, playing with symphonies, and recording new music. Amid quarantines, protests, marches, political division, and unprecedented uncertainty, Buist, Larson, and Dause continually do what they do best; create. (IV-PR, 2021)

In the beginning of March 2020, the band was on their way to South By Southwest Music Festival in Austin, Texas, after a whirlwind 23-show tour. They were told to turn around in Arkansas and head home. It was no longer safe to keep touring. On May 7, the fruits of their lockdown labor will be available on Time Out (Session 1). A five-song EP of all-new co-written material, Time Out features songwriting collaborations between The Accidentals and renown songwriters including Kim Richey, Dar Williams, Maia Sharp, Tom Paxton, and Mary Gauthier & Jaimee Harris.

“When the road came to a hard stop and everything went quiet, we realized the extent of what we had lost. It was devastating. We drove back to Nashville, packed some things and quarantined together in Northern Michigan. Our industry shut down completely. For the first time in eight years we didn’t have anywhere to be. We found ourselves reaching out to each other in that process of navigating the isolation. We ended up collaborating with these incredible writers because for the first time in eight years we all had time. These songs might not have happened otherwise. We wanted to somehow capture the idea that even after all of this unbelievable heartbreak, some beauty can still come from it. Time Out is a healing anthem for us, and we hope it is for you too.” – Sav Buist

Under The Radar took time to chat with The Accidentals in conjunction with premiering the music video for “Wildfire,” noting that, “…rather than simply falling into nostalgia, the band looks to the future, hoping for the promise of new life and offering a simple hand of comfort.” Fans can watch the video at this link and listen to “Wildfire” right here.

Time Out (Session 1) Track listing and Co-writers:
Might As Well Be Gold (Maia Sharp)
Night Train (Dar Williams)
Wildfire (Kim Richey)
Anyway (Tom Paxton)
All Shall Be Well (Mary Gauthier & Jaimee Harris)

“Some of the most compelling writers of our time… they display equal interest in the focused musical forms of indie rock and pop and the expansive potential of orchestral arrangements, jam band open-endedness, and impressionistic singer-songwriter expression.” – NPR

2021-05-07T14:26:00

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Miles Gannett’s single from solo debut Meridian out now

Miles Gannett’s Meridian album is due out on April 16 but the first single is out now. Photo: google

Miles Gannett, a Louisiana native, who now calls Maryland home, hears the seamless character of all music, blending and balancing strains of bluegrass with psychedelic folk textures, classic country phrasing with the propulsive notes of acid rock, and earthy blues with spectral ambience. His inventive lyrics combine the curious meditations of Jason Isbell with the story-song style of Townes Van Zandt and John Prine and the swinging rhythms of Willie Nelson. Gannett put together a group called Fractal Cat in early 2011, recording three albums of original music with them and building a reputation on Baltimore’s airwaves and live music scene. After meeting up with recording engineer/producer Frank Marchand to record Fractal Cat’s third album, Gannett started working on his “first countryish album,” which reflects his deep love of progressive bluegrass and classic country. That album, Meridian, will be released on April 16, 2021. (IVPR, 2021)

Produced by Gannett and Frank Marchand, Meridian is one part country and western, one part bluegrass, and one part roots-rock; seasoned, simmered, and garnished with a dose of psilocybin mushrooms. A pinch of overdriven guitar and a dash of Latin percussion in the occasional tune round out a unique, cosmic foundation from which Gannett tells his stories. “Meridian”—the first track on Gannett’s debut solo album of the same name—paints a waltzing, pedal-steel steeped picture of beauty in disrepair; of a city that was once grand and of the kindness of its current-day residents. On Friday, Glide Magazine premiered “Meridian,” saying, “Gannett’s warm vocals carry listeners on shimmering waves of pedal steel through various musical landscapes.” Hear “Meridian” now right here and pre-order or pre-save the entire Meridian album ahead of its April 16 release date at this link.

Gannett’s music honors the contours of traditional music even as he continues to innovate freely and ingeniously within those contours. “I’m always adding elements that might be considered irreverent or blasphemous. I always try to build on old music, but I am not making museum music.”

Meridian Track listing:
Meridian
The Lucky Ones
Thunder River, Tumbling Down
Persuasion
Let’s Have Each Other for a While
Short Haired Willie
Give and Take
Spores on Grass
Screw Loose
Dark Time
Long Burning Bridge
Maria Sabina

2021-04-16T10:42:00

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Marc Scibilia releases new single from Seed of Joy deluxe reissue

Marc Scibilia’s Seed of Joy album’s deluxe reissue is set for April 9. Rivals is the first single from that album. Photo: google

Born and raised in Buffalo, NY, chart-topping singer/songwriter Marc Scibilia has been on a steady rise ever since the 2012 release of his breakout single, “How Bad We Need Each Other.” In the last several years alone, he has racked up more than 125 million streams across platforms, garnered praise from the likes of pop star Demi Lovato and Matchbox Twenty’s Rob Thomas, and toured with James Bay, Zac Brown Band, Butch Walker, and Nick Jonas, among others. (IV-PR, 2021)

Since its release last year, Marc Scibilia’s album Seed of Joy has been streamed more than 130 million times across digital platforms, garnered 700,000+ monthly listeners on Spotify, and physical copies of the album sold out on the day they were announced. His fans—new and old—cannot get enough of his ability to observe profound moments in his personal life and craft them into universal anthems and ballads for others to love or grieve with. With Seed of Joy, Scibilia’s calling card is the purity found in simultaneously caring for his father during a hard-fought bout with brain cancer and watching life bloom in his young family. It is his simple reassurances of love that are equally felt when whispered to one or sung out to millions. On Friday April 9, Scibilia will share an expanded, deluxe edition of Seed of Joy with his fans, and its first single, “Rivals” is available right now at this link. 

A love song custom-made to reverberate from the rafters (just as soon as live music is back), “Rivals” exemplifies Scibilia’s mastery of the whispered verse turned soaring chorus; equally at home in sold out venues and on road trips with the windows down. “I wrote ‘Rivals’ at a hotel Munich, Germany, while on tour with Robin Schulz,” Marc says. “We were playing these massive arena shows. It was a career highlight but it reminded me of the things that are most important to me. I always had my friends, family…the things that have no rivals.” His stomping, brassy ode to those friends and family is a perfect fit for the same arenas from where it came.  He recently performed the song live via SPIN’s Instagram—watch the performance here. 

Posthumous Tony Joe White album Smoke from the Chimney

Tony Joe White’s Smoke from the Chimney is set for May 7 release. Photo: google

Across five decades as a performer and storyteller, Tony Joe White—a.k.a. “The Swamp Fox”—left an indelible mark on American music. His catalog offers indisputable classics such as “Polk Salad Annie” and “Rainy Night in Georgia” and his songs have been recorded by Ray Charles, Kenny Chesney, Waylon Jennings, Tim McGraw, Willie Nelson, Elvis Presley, Dusty Springfield, and Tina Turner. On Friday, May 7, Smoke from the Chimney, a nine-song album of never-before-heard Tony Joe White tunes, will be released on Easy Eye Sound. Produced by Dan Auerbach and rounded out by Nashville’s most seasoned studio musicians, Smoke from the Chimney started out as several unadorned voice and guitar demos from White’s home studio before being transformed into full band arrangements harkening back to the albums he recorded in the late 60s and early 70s in Nashville and Muscle Shoals—just as he was emerging as an internationally recognized songwriter and recording artist. (IV-PR, 2021)

On Friday, NPR/World Cafe gave fans their first listen of “Boot Money,” a gritty, thumping ode to keeping a little bit of extra scratch hidden away. “Boot Money” comes accompanied by an animated video from director Robert Schober which colorfully places White and Auerbach in the recording studio to kick off the tune before following along while White lives out the song’s storyline. Fans can see the video for “Boot Money” at this link and pre-order or pre-save Smoke from the Chimney here.

After his father’s death in 2018, Jody White, White’s son and manager, started transferring his father’s multitrack home recordings to digital files. Looking back on the moment he unearthed the demo of “Smoke from the Chimney,” he recalls a mix of happiness, gratification, and shock. As he continued to find other songs that did not make an album, he moved the material into a separate folder. Within a year, those select recordings would evolve into Smoke from the Chimney. Jody says that even in those basic tracks, that definitive Tony Joe White groove instantly stood out. “He always finds a tempo and a pocket that is exactly right. And it’s a little bit different than anybody else would choose themselves,” he says. Jody believes that his father would love the way Smoke from the Chimney turned out.

Smoke from the Chimney Track list:
Smoke from the Chimney
Boot Money
Del Rio, You’re Making Me Cry
Listen to Your Song
Over You
Scary Stories
Bubba Jones
Someone Is Crying
Billy

“Smoke From The Chimney” is more than a faithful tribute to one of the great Americana musicians and national treasures, performed by an ensemble who capture the DNA of Tony Joe White’s songs with beauty, warmth, and reverence.” – NPR’s Bruce Warren

Nitty Gritty Dirt Band releases all-star cast cover of Bob Dylan classic song

Nitty Gritty Dirt Band gathers all-star cast for a timely cover of Bob Dylan’s The Times They Are A-Changin. Photo: google

Nitty Gritty Dirt Band gathers an all-star cast for a timely cover of Bob Dylan’s The Times They Are A-Changin’. In the fifty-seven years since Bob Dylan released his career-altering folksong, the times he sang of did seem to change. But now, in another period of national unrest, a President refusing to concede defeat or peacefully transfer power, and a renewed fire for justice in the long-fought battle for civil rights, Nitty Gritty Dirt Band’s new version of Dylan’s classic sounds more poignant and insistent than ever before. On Friday, JamBase shared NGDB’s star-studded version of Dylan’s classic and is available for “name your price” purchase on the band’s Bandcamp page with all proceeds going to Feeding America. On February 8, the song will become available on digital service providers with those proceeds also going towards Feeding America’s cause. (IVPR, 2021)

Amidst the compounding, pleading verses of Scottish ballad by way of Greenwich Village, the Dirt Band’s distinguished musical guests—Jason Isbell, Rosanne Cash, The War And Treaty, and Steve Earle, all of whom are no strangers to writing and singing their beliefs on record, each step to the microphone to contribute a verse with Isbell also adding slide guitar—carry the same tone and energy in their voices as the song’s writer did almost six decades ago; an unfortunate but earnest reaction to the all too evident parallels between now and then. “It moved me deeply then and that hasn’t changed,” NGDB founding member and lead singer Jeff Hanna notes. “The lyrics are as relevant today as they were when Dylan wrote it. Maybe even more so.”

Produced by Ray Kennedy, “The Time’s They Are A-Changin’” was collectively recorded up and down the east coast. John Leventhal recorded his wife, Rosanne Cash’s vocals in their New York City home studio and Steve Earle contributed his verse via the world-famous Electric Lady Studios in Greenwich Village. In Nashville, NGDB and guests joined Kennedy in his Room & Board Studio. Rounding out the already outstanding cast of characters on this track are all the current members of NGDB—Jeff Hanna (lead vocals and acoustic guitar), Jimmie Fadden (drums), Bob Carpenter (accordion), Jim Photoglo (electric bass), Jaime Hanna (electric guitar), and Ross Holmes (fiddle and mandolin)—as well as Fred Eltringham (Sheryl Crow, The Wallflowers) on additional drums and Nashville songwriting legend—and Jeff Hanna’s better half—Matraca Berg on harmonica and harmony vocals. “We’ve got great admiration for all of these folks, not only as artists, but more importantly, as people,” says Hanna.

“I’ve been a fan of Bob Dylan’s since I was a teenager, living in California. I was fortunate enough to see him sing The Times They Are A-Changin’ in concert the year the song was released: 1964.” – Jeff Hanna.

New music release: Bullseye by The Shootouts

The Shootout’s sophomore album Bullseye will be released on April 30. Photo: google

The Shootouts are known for their energetic blend of honky-tonk, Americana, and traditional country. After releasing their acclaimed 2019 debut Quick Draw, the band charted Top 50 on Americana radio and in 2020, were nominated for an Ameripolitan Music Award for “Best Honky-Tonk Group.” They have shared the stage with luminaries Marty Stuart, Jim Lauderdale, the Nitty Gritty Dirt Band, Radney Foster, Sheryl Crow, and many more. Produced by Grammy-nominee and BR549 founder Chuck Mead, their new album Bullseye ranges from catchy pedal steel-filled numbers (“Everything I Know”) to two-step worthy tunes (“Here Come The Blues”) to never recorded fan live favorites (“Rattlesnake Whiskey” and “Saturday Night Town”). (IVPR, 2021)

On Friday April 30, The Shootouts will release their sophomore album Bullseye via Soundly Music, but Wide Open Country just premiered a video for the album’s first track, “Rattlesnake Whiskey,” a live staple and fan favorite from the band’s catalog that is finally being immortalized on record. Fans can watch the video for “Rattlesnake Whiskey” at this link, pre-order or pre-save Bullseye here, and get a glimpse of the album’s eleven other songs via The Shootouts’ album preview video.

Equal parts vintage Nashville, Texas swing, and Bakersfield bravado, the new album draws heavily from the music on which the band’s members were brought up, packaging all of country music’s classic subgenres in their modern, signature sound. Produced by former BR459 lead singer Chuck Mead, Bullseye has The Shootouts mining their roots and expanding the territory they explored with their debut album, Quick Draw. The songs invoke a wide array of country music’s most important contributors, lassoing the band’s classic influences and bringing them straight into the present. The Shootouts’ mission with Bullseye was simply to create an album that puts a smile on listeners’ faces—music that helps them escape from the difficult times they have recently faced.

“For everyone’s sake, this needed to be a fun record. We’re living through a time where people are suddenly out of work, have lost loved ones, and have been experiencing unimaginable stress on a daily basis. Even if it’s just for 30 minutes, we want them to take a break, crank it up, and enjoy themselves.” – Ryan Humbert, The Shootouts’ lead vocalist, guitarist

Bullseye Track Listing:
1. I Don’t Think About You Anymore
2. Rattlesnake Whiskey
3. Another Mother
4. Hurt Heartbroke
5. Bullseye
6. Here Come The Blues
7. Everything I Know
8. Waiting on You
9. Missing The Mark
10. I Still Care
11. Forgot to Forget
12. Saturday Night Town

Willie Nelson’s iconic 4th of July Picnic to air as concert film

willienelsonjuly4.jpg
Willie Nelson’s annual 4th of July Picnic will air as epic hybrid concert film. Courtesy photo, used with permission.

This year, Luck Productions is bringing Willie Nelson’s annual 4th of July Picnic to the people: part Picnics past, part what is to come and all in the spirit of the Picnic’s storied history. On Saturday July 4 starting at 3:30pm Central, fans will be able to enjoy interviews with characters from the Picnic’s past and see new, live performances from their favorite Luck Family artists. (Luck Productions, 2020)

Luck Productions was set to host the 47th annual event, welcoming the Picnic back to its hill country home, and while friends and family will not be crowding into Willie’s Luck, TX, ranch this summer, the man himself will be performing alongside his band from his nearby recording facility, Pedernales Studios. In addition to Willie, performers will include the likes of Sheryl Crow, Ziggy Marley, Margo Price, Steve Earle and Kurt Vile. Tickets for digital admission are $35 ahead of the event and $45 day-of-show are available online.

This July 4th, the Picnic will kick off with a Prime Cuts episode with Chef Scott Roberts of Salt Lick BBQ and special guest Ray Benson, followed by live-streamed performances from Luck’s Saloon and Chapel stages before leading into a 90-minute concert film segment. The film will feature remote performances from Picnic artists, an all-star house band curated by The Texas Gentlemen’s Beau Bedford, featuring Charlie Sexton, John Michael Schoepf, and Josh Blue, and interviews and Picnic memories stitched in throughout. Additionally, SiriusXM’s Willie’s Roadhouse will broadcast the 90 minute stream to subscribers.

Tickets to the event grant access to highly curated food and beverage delivery packages from Assembly Kitchen, Austin Food and Wine Alliance grant recipients, and Sourced Craft Cocktails. One dollar from each ticket sold will support The Luck Reunion Fund, managed by the Austin Community Foundation, directly benefiting five designated organizations. Budweiser, Michelob Ultra, and Karbach Love Street will also be matching donations. Beneficiaries for this event include All Together ATX, Six Square, Health Alliance for Austin Musicians, SIMS Foundation, and Central Texas Foodbank.

Performances will include Willie Nelson & Family , Asleep At The Wheel, Charley Crockett, Devon Gilfillian, John Doe, Johnny Bush, Kinky Friedman, Kurt Vile, Lukas Nelson & Promise of the Real, Lyle Lovett, Margo Price, Matthew Houck (Phosphorescent), The McCrary Sisters, Particle Kid, Randy Rogers & Wade Bowen, Ray Wylie Hubbard, Robert Earl Keen, Shakey Graves, Sheryl Crow, Steve Earle, The Peterson Brothers, Vincent Neil Emerson and Ziggy Marley.

“Our goal with the 2020 Picnic is to bring it back to what it was—in the only way we can during these times. We were set to host this year’s event at Luck, to welcome the Picnic back to its hill country home. The Picnic is really one of a kind, it has always been scrappy. Cars on fire. Mass arrests. You name it…it happened at the Picnic.” – Ellee Fletcher Durniak, co-founder of Luck Productions

 

Guitarist Eric Johnson at the Aztec Theatre

ericjohnson
Eric Johson will be releasing a new studio album in February and his new tour includes a stop at the Aztec Theatre. Photo: Google

Eric Johnson, the Austin, Texas based prolific guitarist, vocalist, composer and multi-instrumentalist, will release a new studio offering titled EJ Vol II, on February 28, 2020. To celebrate this 11th studio album, Johnson has a 55-date tour planned, spanning nearly 3-months. The tour will hit every major city across the U.S. and will also enter into Canada, for one show in Toronto as well. Locally, he will be performing at the Aztec Theatre on Thursday January 30. (Mad Ink PR, 2020)

With EJ Vol II, he presents new repertoire that combines electric and acoustic arrangements and once again represents a collection of originals with a couple of select covers. Among the new songs, there is deep meaning and messaging with each track, sometimes figurative while at times literal. On “Waterwheel,” he captures personal feelings about the gift of the flow of the spirit and synchronicity of all things under the universe in creation, utilizing the water wheel or an old paddle wheel that turns in water as the metaphorical symbolism. The song “Golden Way,” approaches finding the true higher path in life, while the poignant “For the Stars,” captures his introspection surrounding the loss of his mother as he looks up towards the sky at night wondering where she is now. Along with the 11 original songs there are two covers on the album; The Beatles “Hide Your Love Away” and Eric’s arrangement of Bert Jansch’s take on the traditional “Black Waterside.”

The new 2020 tour titled “Classics: Present and Past” will feature EJ Vol. II alongside selections from his prolific career. The EJ touring band will feature Roscoe Beck on bass (Leonard Cohen, Robben Ford, Dixie Chicks), Tom Brechtlein on drums (Kenny Loggins, Chick Corea, Wayne Shorter, Robben Ford), and on keyboards + second guitar, Dave Scher (a rising star from the Austin music scene).

Among Johnson’s many accolades are a Grammy award for “Cliffs of Dover,” a lifetime induction into the Guitar Player Gallery of Greats and his listing among the “100 Greatest Guitarists of the 20th Century” by Musician. In his hometown of Austin, a city full of guitarists, the readers of the Austin Chronicle have voted Eric Johnson the city’s “Best Electric Guitarist” and “Best Acoustic Guitarist” in their yearly poll year after year. They also named him “Electric Guitarist of the Decade” and one of the top five “Musicians of the Decade.”

“Classics – Present and Past” Tour. Complete tour available online.
January 14          Miner Auditorium                      San Francisco, CA
January 15          Crest Theatre                               Sacramento, CA
January 16          Sunset Cultural Center              Carmel, CA
January 17          The Grove of Anaheim              Anaheim, CA
January 18          The Regent Theater                    Los Angeles, CA
January 19          Majestic Ventura Theater         Ventura, CA
January 21          House of Blues                            San Diego, CA
January 22          Rialto Theatre                             Tucson, AZ
January 23          The Crescent Ballroom              Phoenix, AZ
January 24          KiMo Theatre                              Albuquerque, NM
January 25          Paramount Theatre                    Denver, CO
January 26          The Lincoln Center                     Fort Collins, CO
January 29          House of Blues                             Dallas, TX
January 30          The Aztec Theater                      San Antonio, TX
January 31          House of Blues                             Houston, TX
February 1          Paramount Theatre                    Austin, TX
February 18       Cain’s Ballroom                            Tulsa, OK