Category: music

Blood Incantation’s Absolute Elsewhere: A Mind-Bending Exploration of Death Metal’s Boundaries

Blood Incantation is: L-R Paul Riedl (Guitars, Vocals), Morris Kolontyrsky (Guitars), Jeff Barrett (Fretless Bass), Isaac Faulk (Drums). Photo: Julian Weigand, used with permission

Death metal is a subgenre of extreme metal characterized by its aggressive, fast-paced sound, often featuring growled or screamed vocals, heavy guitar riffs, and complex drumming. Its appeal lies in its raw energy and cathartic nature, offering a way for listeners to release pent-up emotions. Fans are drawn to the technical skill required to play the intricate rhythms and fast tempos, as well as the intensity of the performances. The dark themes, often exploring death, decay, and existential questions, provide a sense of escapism for some, while the sheer heaviness of the music creates an adrenaline-fueled experience.

If you’re a fan of the genre, there’s a new album out by Blood Incantation worth noting.

Blood Incantation is an American death metal band from Denver, Colorado formed in 2011. Their new album Absolute Elsewhere is the sound of a star being born. (another side, 2024)

“The Stargate” Side One: A violent storm invokes the familiar before a grand cosmic key turn for a hint of sweeping scope to come with spiritual acknowledgement and accompaniment by Tangerine Dream’s Thorsten Quaeschning on synths on the song’s second tablet. Musically as violent as it is mediative, with subtle spoken passages flitting between Nicklas Malmqvist’s (Hällas) busy synthesizer keys and Mellotron strings invoking both the modern and ancient, and it is all given sharp focus by Arthur Rizk’s powerfully dynamic and enveloping mix. Blood Incantation depart Extreme Metal’s traditionally antiquated waystation, warping their way towards “Genre of One” stature, as “The Stargate” intones the disembodiment of consciousness itself, careening through the stargate towards Samsara-like reincarnation, punctuated by the occasional growl from Sijjin/ex-Necros Christos main man, Malte Gericke.

“The Message” Side Two: A step through doorways of unearthly beauty, playfulness, quirk and horror. As if David Gilmour jams beside Chick Corea and Trey Azagthoth melting together through psychedelic hyperspace, eliciting mystical vibes and a tangible metaphysical transcendence. Dalos briefly reengages with this track in his native language, alongside star-riding Malmqvist, whose iconic synth/keys work throughout the album adds to the unearthly atmospherics that with Absolute Elsewhere defines a new musical epoch for Blood Incantation, as much as 21st century Metal itself. 

In total the piece hovers at nearly 45 minutes, their longest full length recording yet, the album’s two movements are as confounding as they are engaging, exponentially expanding upon the formulas laid down by their scene-shattering debut Starspawn (2016) and landmark follow up Hidden History of the Human Race (2019).

For inspiration, the group looked to the mid-70s progressive rock collective, Absolute Elsewhere as the album’s namesake. For the uninitiated, Absolute Elsewhere’s obscure 1976 album, In Search of Ancient Gods, was constructed as a musical accompaniment to the works of Chariots of the Gods author, Erich Von Daniken, and his theories of non-terrestrial humanoid prompts towards mankind’s evolution. The subject matter of which should serve as no surprise to anyone familiar with Blood Incantation’s cosmically philosophical leanings. But make no mistake, the four musicians working under the Blood Incantation banner for the past decade – guitarist and vocalist Paul Riedl, drummer Isaac Faulk, guitarist Morris Kolontyrsky and bassist Jeff Barrett – have successfully left the microgravity of genre behind and are re-writing the Rosetta Stone of extreme music with a new language entirely. 

Absolute Elsewhere is available from Century Media. Its physical version features a 73 minute feature film All Gates Open: In Search Of Absolute Elsewhere which tells the story of their time in Berlin during the summer of 2023, while recording at the legendary Hansa Studios. It is available on Blu-Ray with the album’s deluxe media book package and includes the documentary’s original soundtrack, All Gates Open (Original Motion Picture Soundtrack) which includes 60 minutes of exclusive new music distinct from the new album.

This special edition will also include Blood Incantation’s 2023 maxi-single, “Luminescent Bridge” for the first time ever on CD, and of course, Absolute Elsewhere in both standard and Dolby Atmos / 5.1 mixes, alongside exclusive liner notes, exclusive interviews, behind the scenes photos and a forward by Ross Dolan of Immolation. Underscoring the classic Progressive Rock vibe, the album is adorned with contemporary visionary paintings by the iconic and reclusive 70s Sci-Fi artist Steve R. Dodd.

Blood Incantation sets out on an extensive North American tour crossing both coasts and more with support from Midwife. All tickets are on sale now here. A full list of dates is available online.

Blood Incantation Absolute Elsetour Dates:

Nov 27: Boston, MA – Brighton Music Hall ~
Nov 29: Montreal, QC – Fairmount ~
Nov 30: Toronto, ON – Lee’s Palace ~
Dec 01: Detroit, MI – Magic Stick ~
Dec 03: Chicago, IL – Metro ~
Dec 04: Minneapolis, MN – Fine Line ~
Dec 05: Omaha, NE – Bourbon Theater ~

~ w/ Midwife

Early Praise For Absolute Elsewhere:

“the metal album of the year” NPR 

“an amazing, proggy, thrilling death metal epic” The Needle Drop

“This album is the work of a band who have proven themselves capable of anything. It belongs on the shelf alongside Pestilence’s ‘Testimony Of The Ancients and Spheres’, The Orb’s ‘UFOrb’ and Pink Floyd’s ‘Wish You Were Here’. It’s a goddamn masterpiece.”  The Wire

“the ultimate Blood Incantation album” Brooklyn Vegan

Courtesy photo, used with permission.

Ghost Hounds Explore Raw Emotion in New Single ‘You’ll Never Find Me’

Ghost Hounds unleash You’ll Never Find Me, a powerful anthem of resilience. Courtesy photo, used with permission.

Ghost Hounds is excited to share their newest single, “You’ll Never Find Me”–out via Gibson Records–along with its accompanying official music video. (Big Hassle, 2024)

“‘You’ll Never Find Me’ is a warriors anthem. This song is dedicated to anyone who has lost themself in a person or to a situation. Know that you can always reclaim your power and remember to stand strong in who you are. We needed the video to show that when your down grit and perseverance are all you need to make it. The idea that you literally need to get back on the horse 8 times when you’ve been thrown off 7.” – SAVNT

“You’ll Never Find Me” follows the release of “Long Ride Home feat. Patty Griffin,” and its accompanying official music video.

Ghost Hounds are a country rock band with a heavy blues influence that proves the genre is not only alive but thriving for the next generation of rock fans. Fronted by SAVNT and backed by guitarists Tyler Chiarelli and Thomas Tull, fiddler Kristin Weber, bassist Bennett Miller, and drummer Sydney Driver, the band has made significant statements with their four studio albums.

Ghost Hounds’ debut, Roses Are Black (2019), earned widespread acclaim from Billboard, American Songwriter, and more as well as millions of streams on streaming platforms. Their follow-up, A Little Calamity (2021), impressed with its classic rock sensibilities and the hit single “Good Old Days.” You Broke Me (2022) continued their tradition of blending classic blues rock with a modern flair. Their latest album, First Last Time (2023) via Gibson Records, features hit single “Last Train To Nowhere,” which racked up millions of hits via TikTok and Instagram, and was featured in Taylor Sheridan’s new TV show Special Ops: Lioness.

Ghost Hounds have honed their sound on the road, having supported legendary acts like The Rolling Stones, ZZ Top, Garth Brooks, Guns N’ Roses, and Bob Seger. With their chemistry at an all-time high, the band is set to bring even more blues-rock brilliance in the future.

Courtesy photo, used with permission.

Peace With a Lion: David Lindes’ Most Personal Album Yet

The Guatemalan-born folk singer/songwriter David Lindes is on a mission to heal with his album Peace With a Lion, produced by Grammy® winner Alex Cuba. Courtesy photo, used with permission.

Los Angeles – On his forthcoming album Peace With a Lion, Guatemalan-born singer-songwriter David Lindes looks deep into the meaning of healing. In doing so, he explores two essential phases: honoring wounds and healing them through creation. (Vesper Public Relations, 2024)

With hints of Cat Stevens in his vocals and echoes of the Latin American neo-folk Trova movement of the ‘60s and ‘70s, Lindes collects folk elements from across the continent in this deeply personal album. In it, he delves into his efforts to heal three wounds: leaving his native Guatemala as a child, being abandoned by his father as a baby, and experiencing physical and emotional abuse. As he moves into his recovery from these wounds, he approaches themes like mental health, the healing power of nature, and forgiveness, all while singing his love and heartbreak to his homeland as if it were a long-lost love. His journey from wound to healing is intimate as well as universal, speaking to the many neglected collective wounds society carries, and the need for healing there as well.

The first two singles off the album, Te Vengo a Perdonar (I’ve Come to Forgive You) and Gold in the Ashes, deal with facing childhood trauma and finding a way to accept it and transform it into wisdom, compassion, and even beauty.

Te Vengo a Perdonar uses Caribbean elements to assemble a sort of post-storm celebration. The lyrics put a forceful end to a self-imposed sentence of pain that only ends with forgiveness.

Gold in the Ashes, poignant and introspective, looks to the Blues and Americana for its palette, to take listeners from pain to hope. In its chorus, Lindes celebrates finding gold in the ashes of his past.

The songs have been released, alongside an official video for Te Vengo a Perdonar (I’ve Come to Forgive You), featuring Lindes himself, who acts out, step by step, his own death and burial.

“Maybe that’s why I’m here,’ contemplates Lindes. ‘If I can take my past, exactly as it is, and turn it into a story and a song, maybe that will bring me a little closer to not wanting a different past. And if I like the story, and I like the song, someday, I might even embrace my past,” he states hopefully.

Grammy® Winner Alex Cuba describes his role in producing the album as “a huge responsibility to shine a light on David’s beautiful voice and message, especially in a time like today, when so many are looking for ways to heal their spirits.”

Lindes will kickoff the album launch with a concert in Mexico City on February 8, 2025, at Casa Florecer, a spiritual center in the woods surrounding the city. He describes the show as “an intimate affair that will be part concert and part healing circle. It’ll include songs, stories from my life, and even a ceremonial element.” He’ll also encourage concert goers to talk about their own pain and recovery. An official album launch event will follow in Los Angeles in the Spring of 2025.

November Shows at Stable Hall: Your Ultimate Guide to This Month’s Live Performances

Stable Hall’s November concert lineup includes Charli Parti, Tyler Farr, Rumours ATL, and more. Photo: Oscar Moreno, used with permission.

SAN ANTONIO, TX – San Antonio’s music venue, Stable Hall is excited to share its concert lineup. In a reimagined draft horse stable from 1894, Stable Hall is inspired by the legendary Texas dance halls and Pearl’s unerring commitment to historic preservation and San Antonio culture. Infused with the rich music ethos of Texas, Stable Hall welcomes a wide range of artists and music lovers from around the world to experience this one-of-a-kind venue. Its muraled and curtained jewel-box stage presents shows of all sizes – from 100 to 1,000 in seating and standing formats. (Stable Hall, 2024)

Stable Hall features include six full-service bars, house and band merchandise in the house store, hand-made culinary delights for purchase, along with mezzanine, floor, and VIP Hayloft ticket options available. Stable Hall is also a special event venue whose event department specializes in producing social, corporate, and philanthropic affairs. Stable Hall also offers a unique membership program, Hall Pass, for music lovers who want to take their music experience and access to the next level.

For the full calendar and to purchase tickets for these upcoming performances, please visit Stable Hall’s online.

The November schedule is found below:

Trampled By Turtles with Maggie Antone | Thursday, November 7, 2024
Trampled by Turtles, formed in 2003 by frontman Dave Simonett in Duluth, Minnesota, began as a side project after car thieves stole most of his gear. Left with just an acoustic guitar, Simonett built a new band, drawing inspiration from bluegrass, folk, and other acoustic genres.

Tyler Farr with Mac Hankins & The Moonlighters | Friday, November 8, 2024
Tyler Farr, the first artist signed to Jason Aldean’s Night Train Records, made his mark with three No. 1 hits, including “Redneck Crazy” from his 2013 debut album, which hit No. 2 on the Billboard Country Albums Chart. The opera-trained singer was a 2014 CRS New Faces of Country Radio and Music Row “Breakthrough Artist” nominee, and has toured with stars like Jason Aldean, Luke Combs, and Florida Georgia Line.

Old 97’s with Fastball | Saturday, November 9, 2024
The Old 97’s, an alternative country band from Dallas, Texas, are known for their high-energy shows and albums that blend rock and roll, punk, and old-school twang. Their distinctive sound features breakneck tempos, distorted guitars, and wry storytelling.

Real Friends with Can’t Swim, Carly Cosgrove, Slow Joy | Sunday, November 10, 2024
Since their 2010 debut, Real Friends has stayed true to their mission – creating unapologetically emotional music that embraces life’s highs, lows, and everything in between. The Chicago-based quintet continues to embarrass their blend of pop-punk and emo, charging toward raw emotion with distortion cranked and hearts wide open.

Silverada with Taylor Hunnicutt | Friday, November 15, 2024
In their early 20s, Mike Harmeier and his band gained recognition as working-class country artists through five-hour sets in Austin. By the early 2020s, they had become global ambassadors of Texas music, recording at Abbey Road Studios and performing at the Grand Ole Opry. As their sound evolved, Harmeier and his bandmates—Taylor Englert, Catlin Rutherford, Omar Oyoque, and Zachary Moulton—embraced a fresh start with “Silverada,” marking their boldest release and the name of their revitalized band.

Bob Schneider with Fastest Land Animal | Saturday, November 16, 2024
Austin, Texas-based singer-songwriter and former frontman of The Ugly Americans and The Scabs, Bob Schneider is one of the most-celebrated musicians in the live music capital. Combining diverse styles, Schneider’s music spans genres, blending elements of folk, rock, rap, funk, bluegrass, reggae and country with the more traditional singer/songwriter aesthetic.

La Doña with Max & Josh Baca of Los Texmaniacs, Ritmo Lokura and ¡Viaje! | Thursday, November 21, 2024
La Doña is a solo artist, music educator, activist, and cultural worker from San Francisco, CA. Embarrassing her Latinx traditional arts like corrido, bolero, cumbia, and mariachi, she blends these ancestral traditions with contemporary styles such as reggaeton, hip-hop, and jazz. Her live performances foster collective healing and political action, as she and her audiences sing, dance, cry, and chant together.

Better Than Ezra Presents Legends Of The Fall: Tokyo Drift with Graham Colton Band | Friday, November 22, 2024
Since debuting at LSU house parties in 1988, Better Than Ezra has left a lasting impact on the music world. Founded by Kevin Griffin and Tom Drummond, the New Orleans quartet is known for catchy melodies, strong guitar riffs, and confessional lyrics. From their 1995 hit “Good” to Taylor Swift’s 2010 cover of their classic “Breathless,” they’ve stood the test of time.

Emo Night Brooklyn | Saturday, November 23, 2024
Emo Night Brooklyn—a late-night dance party where the best emo and pop-punk jams take center stage! Stable Hall may even surprise guests with appearances from some favorite artists and bands. Attendees should get ready to scream, mosh, and dance alongside friends as they revel in the electrifying atmosphere of Emo Night Brooklyn!

Rumours ATL: A Fleetwood Mac Tribute | Sunday, November 24, 2024
Formed in 2014, Rumours ATL has taken the U.S. by storm with their stage scorching renditions of Fleetwood Mac songs. Fans from across the nation claim that Rumours ATL is the band to see if you are looking for an authentic recreation of live Fleetwood Mac shows.

The Texases | Friday, November 29, 2024
The Texases transport their audience back in time with classic country hits from ’66 to ’96, covering everyone from Merle and Willie to George and Garth. They are excited to transport their audience back to the era of guitars, Cadillacs, and hillbilly music. Whether someone is an urban cowboy or has been country since it wasn’t cool, The Texases are here to satisfy their craving for classic country covers straight from the Lone Star State!

Siggno with Nathan Acosta | Saturday, November 30, 2024
Known for their high-energy performances and unique blend of Tejano, Norteño, and rock influences, Siggno is set to deliver an electrifying show that fans won’t want to miss.

Stable Hall
307 Pearl Parkway
San Antonio, TX 78215

Stable Hall. Photo: Karissa Rangel & Giant Noise Partners, used with permission.

Serj Tankian’s Foundations: A New Chapter in His Musical Journey

Serj Tankian’s new EP Foundations is out now. Photo: George Tonikian, used with permission.

Los Angeles, CA – Singer, poet, songwriter, visual artist, film producer, activist, and author Serj Tankian, lead singer and lyricist for the GRAMMY© Award-winning rock band System Of A Down, has released Foundations, his EP of new music, worldwide via Gibson Records. He has also debuted the new video for the song Cartoon Buyer which begins with hushed, folk tones of Serj playing acoustic guitar, gradually building in intensity before exploding in sonic and spiritual catharsis. (Prime PR Group, 2024)

Serj Tankian’s Foundations mines music and lyrics from previous decades and reframes them in a hard-hitting, intensely focused collection. Like all of his work, the five songs that comprise Foundations encompass a wide range of sounds and styles. It is music that traverses multiple eras and vast swaths of emotions. It is also very much a rock album – “music of rebellion,” says Serj.

A true creative tour de force, he recorded Foundations primarily at his own Serjical Strike Studios in L.A. He wrote, performed, orchestrated and produced all the material, as well as contributed the artwork – an original piece titled “Sunburst” – that adorns the album cover. Dan Monti (guitars, bass and drum programming), provided additional instrumentation on the record and bassist Mario Pagliarulo and SOAD drummer John dolmayan on Cartoon Buyer.

Foundations, Serj says, is “A retrospective of songs from different eras of my life, meant to complement the memoir,” and caps what has been an incredibly prolific year for him, from the release of his memoir the New York Times bestseller “Down with the System,” to the massive, sold-out System of a Down headlining show at Golden Gate Park in San Francisco with over 50,000 fans. But even as he is now revealing his “foundations,” Serj is already looking ahead. “The next record will likely be a record of covers, collaborations and collages,” he envisions.

Serj has also released a diverse selection of limited edition variants of the Foundations EP on colored vinyl with an etching featured on Side B of every package. The Foundations vinyl package includes a Red & Black Starburst vinyl available on his own official webstore and an Opaque Purple version only available in U.S. record stores nationwide.

Courtesy photo, used with permission.

As the lead singer and songwriter for System Of A Down, Serj Tankian has released five studio albums, winning a GRAMMY© Award in 2006 for “B.Y.O.B.” He’s performed for millions of fans and sold more than 42 million albums worldwide. Serj is also a solo artist, composer, activist, painter, poet, and filmmaker.

He was introduced to the melding of cultures, ideas, and ideals from a very young age. An Armenian born in Lebanon and raised in Los Angeles, the principles learned from this integration have led to his understanding of the oneness of all things and have since maneuvered and transfigured into the music and art that he lives to create. A proud Armenian American and a dedicated activist; along with Tom Morello, Tankian co-founded the non-profit organization Axis of Justice, which strived to bring together musicians, music fans, and grassroots political organizations to fight for social justice.

He has composed scores for many films and television series, had his paintings exhibited in galleries in the U.S. and New Zealand, and released two books of his own poetry. He has also been an executive producer on multiple documentaries, including I Am Not Alone, which tells the story of Armenia’s 2018 revolution, and which won awards at the Toronto International Film Festival, DOC NYC, The American Film Institute Festival, and the Palm Springs International Film Festival, among others.

Foundations (Gibson Records)

1.   “A.F. Day”

2.   “Justice Will Shine On”

3.   “Appropriations”

4.   “Cartoon Buyer”

5.   “Life’s Revengeful Son”

Vlad Holiday’s My Favorite Drug: The Soundtrack for a Modern Love Story

Sonic shapeshifter Vlad Holiday announces debut record with release of new single Closer. Photo: Kate Lamendola, used with permission.

Romania-born, Nashville-based melancholy romantic Vlad Holiday recently announced that his debut record, My Favorite Drug, will be released on November 15 via ONErpm. Along with this news comes the second single Closer. Feeling like a covert mission, or a secret known only between two lovers, the deeply layered song seems to endlessly build before it is quickly punctuated. (Big Hassle, 2024)

The most recent release features guest vocals from Cage The Elephant’s Matt Shultz, who is also a co-writer on the track. For careful listeners, Shultz’s voice can be heard singing the “ah ah ah ah” hook and some repeated “closers” in the outro.

On the single, Holiday shares, “This is a love song. It introduces the romantic element of the album. It’s about going with the flow and letting the universe do its thing, rather than forcing things into existence.”

Kacey Musgraves joined Holiday for the bender-ender, genre-fusing track I Don’t Wanna Party Anymore. The sultry, mischievous track arrived right on time for his tour dates alongside Cage The Elephant, Young the Giant and Bakar. See all upcoming dates here and below.

UPCOMING TOUR DATES
November 6 – Grand Rapids, MI – Pyramid Scheme
November 7 – Indianapolis, IN – LO-FI Lounge

On his upcoming debut album Holiday said, “I’ve been releasing music for years, and a full-length album never really seemed like a thing I wanted to do. But as these songs were being written, I was noticing a pattern. Fragments of a story I had to tell. More for myself than for anyone else. It’s definitely one of those, ‘listen to it in order’ albums.”

Vlad Holiday has made a career of romanticizing the past, the human condition, and looking at love and relationships through dark-tinted lenses. With downtempo crooner tracks all tinged with melancholy, Holiday has built a sonic world of his own that tries to find comfort in accepting the darker moments in life. Having gained over 40 million streams as a completely independent artist, it seems as if he’s resonating with a subculture of people that are also trying to do the same. 

Born in Bucharest, Romania, later having to flee to New York, and now based in Nashville, Holiday’s sound is heavily shaped by the weight of feeling like an outsider always on the move. Building the foundation of his music career with a downtown NYC lo-fi sound, he’s deeply indebted to his love for vintage microphones, tape machines and other old recording equipment; key elements of his signature sound and production style. 

Now in Nashville, there’s an optimism to Holiday’s current chapter as he builds out his next body of work while collaborating with other artists in Music City. Most recently, he co-wrote Cage The Elephant’s “Neon Pill,” “Metaverse” and “Over Your Shoulder” before being joined by Kacey Musgraves on “I Don’t Wanna Party Anymore. However bright the current moment may be, flecks of Holiday’s past always steep his music in a darkness that shows that he is a human in the middle of his journey. 

Courtesy photo, used with permission.
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Healing in Harmony: The Transformative Power of Classical Melodies

Music group performing onstage with empty audience seats. Photo: Manuel Nägeli on Unsplash.

When an artist records a classical album, especially when it’s not their first calling, there’s often a deeper story within the music itself. Mina Tulchinsky’s 2016 album of classical arias and original, classical-inspired compositions was an exploration of exactly this—healing through music. For her, the album became both a refuge and a connection to something timeless, which, despite the years since its release, resonates with listeners anew.

Music has long been a source of comfort and healing for people across the world. Scientists and therapists alike point to music’s power to reduce stress, soothe anxiety, and even aid in physical recovery. Rhythm, melody, and harmony have the unique ability to engage the brain and body simultaneously, creating an immersive experience that transports listeners away from their worries. This transformative quality goes beyond entertainment; it offers a form of solace and renewal, connecting individuals to something larger than themselves. It’s this intangible yet profound effect that makes music—especially the emotionally rich genre of classical—a powerful tool in the journey toward healing.

While classical music can feel out of reach to some, Tulchinsky’s album bridges that divide. Her personal experience, expressed through a mix of well-loved arias and fresh, relatable melodies, offers something that even those unversed in classical music can appreciate. Much like Agarita’s mobile concerts that bring Mozart or Bach to the community, Tulchinsky’s album seeks to bring the warmth of classical music into daily life. It’s this accessibility—classical sounds interpreted through a modern, approachable lens—that makes her album unique. She’s given listeners a glimpse of what healing can sound like, stripped of the formality and focused on the resonance of the experience.

The music, much like healing, is deeply personal yet universally accessible. By recording something so classical in style but infused with personal emotions, Tulchinsky has crafted a work that invites listeners from all walks of life. Classical music, for many, can carry a sense of ceremony, a distance. But this album, by a divorcee finding her way forward, takes that form and molds it into something that feels human and grounded. It’s music that meets listeners where they are, extending the sense that healing isn’t reserved for concert halls or grand stages but is accessible in one’s own space, at one’s own pace.

Photo: Facebook – Mina Joy Music

As listeners follow her journey—through heartbreak, resilience, and a renewed appreciation of self—they find a kindred spirit in music. Tulchinsky’s recent releases on Spotify bring these elements into even sharper focus, continuing to invite a wider audience into the classical fold without the need for pretension or exclusivity. Instead, her work represents healing that anyone can access, a simple melody away.

For anyone curious about classical music but hesitant to dive into a genre so steeped in tradition, Tulchinsky’s album is a reminder that music, in its essence, is for everyone. In opening this space for healing through her art, she’s reminded us all of music’s quiet, powerful ability to soothe and unite. Whether one finds solace by listening to her music or feels inspired to sing, play, or explore their own musical journey, her album stands as a testament to how music’s healing reach can be both deeply personal and universal. Through her melodies, Tulchinsky shows us that healing can start with just a single note, inviting us to embrace music’s transformative power in whatever way feels most meaningful.

Collaborative Post

Transformative Sounds: The Impact of trauma ray’s Chameleon on Listeners

trauma ray’s Chameleon will be released on October 25, 2024. Photo: Will McCarthy, used with permission.

The powerful new single Bardo from the North Texas rock band trauma ray is eerie, deviating between noisy one string bends and surging headbang, mapping a middle ground between Unwound and nu-metal. (another/side, 2024)

“Bardo is the in-between. Whether that’s life or death, or a purgatory. It’s about being stuck in between one phase and the next. When you can feel the past fading and yet you can’t quite see the path to the future either.” – Jonathan Perez, trauma ray guitarist

The Texas five is set to release their highly anticipated debut album Chameleon on October 25 via Dais Records which has already seen early acclaim from The FADER, Stereogum, Consequence (Heavy Song of the Week), Brooklyn Vegan, New Noise and more. Since first making waves with a S/T EP in 2018, trauma ray has been honing their live set across increasingly adventurous American tours – stacking amps and turning heads show by show, justly earning them a massive following in no time. The band’s three guitar attack is a force to behold, alternately surging, savage and spectral, drenched in precision distortion. 

The core songwriting duo of Uriel Avila and Jonathan Perez has expanded and refined the project’s vision and craft, culminating throughout Chameleon. Rounded out by bassist Darren Baun, drummer Nicholas Bobotas, and guitarist Coleman Pruitt, the album both synthesizes and transcends its influences, a stormy fusion of downer hooks, apocalyptic beauty, and bulldozer riffs.

The name trauma ray was inspired by the German word for ‘daydream, or ‘dream state,’ in classic shoegaze fashion. Avila’s background in a devout Pentecostal community gives his lyrics about guilt, purgatory, and passing to the other side to an emotional authenticity that cuts through the music’s majestic volume.

Chameleon is a masterpiece of craft, balance, melody, lyricism, and gravity, flexing a fresh vision of loud-quiet-loud architectures and the vertigo depths of blasted harmonics. From Slowdive to Deftones to Hum and beyond, trauma ray absorb and expand on their influences into a rare and dedicated alchemy. trauma ray’s cinematic tempest is a gathering storm only just taking flight.

Just after a U.K. run, trauma ray will perform across their home state including dates at Levitation and with Panchiko. Other highlights include two release shows: one headlining The Roxy in LA and San Diego’s Voodoo Room. See all dates below and grab tickets here.

Trauma Ray Live Dates:
Oct 26: Birmingham, UK – XOYO *
Oct 27: Manchester, UK – B.E.C. Arena (Outbreak Autumn)
Oct 28: London, UK – New Cross
Oct 31: Rubber Gloves – Denton, TX
Nov 01: Levitation – Austin, TX
Nov 03: Oklahoma City, OK – Tower Theatre ~
Nov 04: Little Rock, AR – EJ’s
Nov 06: Kansas City, MO – The Truman ~
Nov 07: Chicago, IL – Sleeping Village #
Nov 08: Indianapolis, IN – Deluxe ~
Nov 09: Grand Rapids, MI – Elevation ~
Nov 10: Pittsburgh, PA – Roxian Theatre ~
Nov 12: Philadelphia, PA – Union Transfer ~
Nov 13: Boston, MA – 4th Wall
Nov 14: New Haven, CT – Toad’s Place
Nov 15: New York, NY – TV Eye #
Nov 16: Washington, D.C. – Comet Ping Pong !
Nov 17: Richmond, VA – Cobra Cabana !
Nov 18: Raleigh, NC – Kings !
Nov 19: Atlanta, GA – Altar #
Nov 20: Birmingham, AL – Saturn #
Nov 21: New Orleans, LA – Siberia #
Nov 22: Houston, TX – TBD #
Nov 23: San Antonio, TX – Paper Tiger #
Nov 29: Los Angeles – The Roxy (Record Release) ^
Nov 30: San Diego – Voodoo Room (Record Release) $

* w/ Citizen
~ w/ Panchiko
# w/ Leaving Time
! w/ Leaving Time and Full Body
^ w/ Toner, Lvster, Slumped
$ w/ Toner, Slumped, Sparkler

Chameleon tracklist:

1 – Ember
2 – Torn
3 – Chameleon
4 – Bardo
5 – Bishop
6 – Elegy
7 – Drift
8 – Breath
9 – Spectre
10 – Flare
11 – ISO
12 – U.S.D.D.O.S.

Behind the Lyrics: The Stories Within robbietheused’s New Album

robbietheused announces debut self titled pop LP. Photo: Ryan Muirhead, used with permission.

New York, New York – The Used’s frontman Bert McCracken has announced his debut full length album under his solo project, robbietheused, out October 25 via Big Noise Records. Following the success of his latest singles, Terrible and The Feels, the LP dips its toes into uncharted territory for Bert, as the famously known Alternative Rock star with a lifelong passion for pop music. (Big Picture Media, 2024)

In general, robbietheused always finds solace in writing and recording new music because this creativity has a positive impact on his mental health. Having these songs was particularly vital, as he started writing during the COVID-19 pandemic when he was unable to travel from his home in Australia. 

Producer John Feldmann came onboard to work on robbietheused material. Given that the two men have known and collaborated with each other for decades, it wasn’t a stretch for them to focus on pop-oriented songs. In fact, this camaraderie led to adventurous sound explorations, such as incorporating heavy bass undertones and effects and vocoders. 

“Any feeling is valid—and to be able to put it to song is incredible. And there’s so much room in this world for positivity. I want this music to show that there’s room for love. There’s room for growth. There’s room for redemption. There’s so many good people—and so many good things happening.” – robbietheused

Fans can listen to robbie’s latest single, Terrible and pre-save the robbietheused album.

robbietheused will be taking these new tracks on the road, on his highly anticipated, limited 5 stop fall tour kicking off on October 30 in Anaheim, CA,followed by shows in major cities: Los Angeles, Philadelphia and New York City. The tour will wrap up on November 5 in Asbury Park, NJ.

Tickets are now available online for all robbietheused fall tour dates.

2024 Fall Tour Dates
October 30 – Anaheim, CA – House of Blues Anaheim – The Parish
October 31 – Los Angeles, CA – Echoplex
November 3 – Philadelphia, PA – Brooklyn Bowl
November 4 – New York, NY – Gramercy Theatre
November 6 – Asbury, NJ – House of Independents

robbietheused tracklist:

Terrible

Always Gonna Be Like This

Gladiator

The Middle

Just A Little Bit

Wake Up Call

In My Dreams

Blame You

Push Me (ft. Sierra Deaton)

Gold In The Ashes

Something You Can Count On

The Feels

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311’s Full Bloom: A Look Into the Band’s Latest Masterpiece

311 announces their highly anticipated album Full Bloom. Courtesy photo, used with permission.

New York, NY – The platinum certified rock band 311 is back with the announcement of their highly anticipated 14th studio album, Full Bloom, out October 25. In celebration, the band has released their new track and visualizer for “Need Somebody,” out now. The track speaks to avoiding isolation and staying connected with the people that love you. (Big Hassle Media, 2024)

With more than 10 million records sold in just the United States alone, 311 has never been hotter. Having just wrapped a successful headlining US run of their “Unity Tour,” one of the most successful tours of the their 34 year history, they are known to emphasize the importance of community through the lens of communication and connection. 

Full Bloom is 311’s first full length project in 5 years following their album Voyager in 2019. Their first single off the album, “You’re Gonna Get It” is the band’s highest charting song in 13 years, breaking into the top 15 at Alternative Radio. The introspective track reflecting upon the realization that all actions have consequences, even if they aren’t immediate, has over 1M streams since its release this summer. Fans can now pre-save Full Bloom. 

“We hope fans can take from this album 311’s message of positivity and unity. In today’s world it’s so easy to become alienated by the pressures of everyday life. Whether it’s social media, stress at work, an illness, the list goes on.” The band shares with us, “It’s so important to stay open with your loved ones and community so we can all thrive in full bloom” shares the band. 

Music has always been a unifying force, and through their lyrics and melodies, the band seeks to remind everyone that we are never truly alone. Whether it’s reaching out to a friend, a family member, or even a stranger, the act of communication can bridge gaps and heal wounds. In their eyes, having someone to talk to is one of the most essential forms of support, and it’s the foundation upon which unity is built. It’s in those conversations where understanding, empathy, and connection grow.

311 was formed in 1990 in Omaha, Nebraska, featuring Nick Hexum (vocals/guitar), Chad Sexton (drums), Tim Mahoney (guitar), SA Martinez (vocals/dj), and P-Nut (bass). They mix rock, rap, reggae and funk into their own unique, hybrid sound – and 33 years later, the band is still regarded as one of the most entertaining and dynamic live bands in the U.S. 

As veterans of over 2,000 shows across 27 countries, 311 is one of the longest running original lineups in rock, alongside iconic acts like U2 and Radiohead. 311’s celebrated live shows and touring schedule have earned them a vast and dedicated following nationwide. The band has released thirteen studio albums, two greatest hits albums, two live albums, three DVD’s and a boxed-set, and have sold over 9 million records in the U.S.

Ten albums have reached the Top 10 on Billboard’s Top 200 Sales Chart – and nine of their singles have reached the Top 10 on Billboard’s Alternative Radio Chart – including three #1 singles: “Down,” “Love Song,” and “Don’t Tread On Me” – along with ”Amber,” “All Mixed Up,” “Come Original,” “Creatures For Awhile,” “Hey You,” and “Sunset in J.

Full Bloom tracklist:

You’re Gonna Get It

Need Somebody

Full Bloom

Friend

Mountain Top

New Heights

Days Go By

Persimmon

All You’ve Seen

Braver

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