Izaak Opatz’s new single Wild-Eyed George Bailey Heebie Jeebies

Izaak Opatz has a real It’s a Wonderful Life moment on new single ‘Wild-Eyed George Bailey Heebie Jeebies’ from upcoming album Extra Medium, due out April 29. 2022. Courtesy photo, used with permission.

Songwriter Izaak Opatz has a thing for words. More specifically, fitting them together in couplets and verses of wry humor, thoughtful simile, and close observation—a therapeutic process of narrating his own life that, almost as a byproduct, turns out savory nuggets of literate, confessional pop, processing life’s tough stuff into downright enjoyable musical moments. Extra Medium, Opatz’s upcoming release—out April 29 via Mama Bird Recording Co.—splits time between his native Montana, up the East Coast, and in faraway Los Angeles. (Izaak Opatz, 2022)

Montana and LA become the main characters of more than a few tunes on Extra Medium, including the freshly debuted “Wild-Eyed George Bailey Heebie Jeebies,” which was written after Opatz was suddenly dumped in Montana by a lady friend who, a couple months later in LA, refused to acknowledge their previous relationship. “She’d visited me in LA when we were dating, and the contrast in feeling between the two visits almost gave me the sense that I had gone crazy, and maybe our relationship never existed, similar to George Bailey’s experience of having never been born in It’s a Wonderful Life,” remembers Opatz. “We went for a walk in Glendale’s Forest Lawn cemetery, where a number of celebrities are buried, and only after finishing the song did I find out that James Stewart, who played George Bailey, was actually buried there!” Opatz released the tremendous, perfectly-disjointed music video for “Wild-Eyed George Bailey Heebie Jeebies,” directed by Aaron Curry. Fans can hear “Wild-Eyed George Bailey Heebie Jeebies” now at this link and pre-order or pre-save Extra Medium ahead of its April 29 release right here. 

Extra Medium features Opatz’s bandmates and collaborators, Malachi DeLorenzo and Dylan Rodrigue, who he met in Los Angeles while working alongside Jonny Fritz at the infamous Dad Country Leather. DeLorenzo, Rodrigue, and Opatz worked together on taking the album’s songs from demo form to the quirkily-arranged, ever-evolving final track list of Extra Medium. Utilizing varying instrumentation, creative engineering, and blends of non-traditional hooks with classic song forms, the trio creates a living, breathing work, at once familiar—borderline nostalgic—and wholly unique. Fans of country and Americana will be just as likely to enjoy Extra Medium as those who lean more indie rock or experimental, perpetuating Opatz’s hard-to-describe but easy-to-listen-to style, one that Opatz and his band have dubbed dirtwave. From the feel changes and horn stabs in the previously-released single “Chinook Wind,” to the tension of the unison melody line that opens “Wild-Eyed George Bailey Heebie Jeebies,” Opatz provides never ending excitement for adventurous listeners, windows-down fun timers, and jaded industry vets alike. If Izaak Opatz’s life outside of music was noy interesting and free-wheeling enough, a step inside of his sonic world is sure to enrapture fans and fans-to-be upon first listen.

1651235820

  days

  hours  minutes  seconds

until

Extra Medium release date

Upcoming new album: Ebunctions’ This Just In

Self-described ‘yacht soul supergroup’ brings together top tier touring and studio musicians for a modern take on beloved vintage sounds. Photo: Ebunctions, used with permission.

A combination of all things funky—and a stacked list of Los Angeles’ finest, hardest working musicians—is exactly what vocalist/saxophonist Woody Mankowski envisioned when he started piecing together quarantine tunes with keyboardist/songwriter Jeff Babko for Ebunctions’ debut album This Just In. With touring sidelined in 2020, every piece of their puzzle fell miraculously into place. (Ebunctions, 2022)

Ebunctions—the band’s name stemmed from a dream in which Mankowski was a contestant on American Idol introduced by Ryan Seacrest as “Ebunctions Hef”—gathered in the studio with giddy enthusiasm running high and nailed down the ten tunes that make up This Just In. The first of which to see the light of day is the roller-rink ready, get yourself unstuck anthem, “Running In Place.” “I wrote ‘Running In Place’ on bass as a nod to Freddy Washington’s bass line on Patrice Rushen ‘Forget Me Nots’ and Cameo’s ‘Alligator Woman,’” says Babko. With bassist Ethan Farmer bringing slap bass into this millennium and horn work from Mankowski, Babko, and the additional “Hef Horns,” “Running In Place” provides a throwback straight from the late 70s to the early 80s for modern fans to nerd out to. Check out the hilariously fitting video for “Running In Place” at this link and pre-order or pre-save This Just In ahead of its April 22 release right here.

This Just In is a fun-loving testament to the power of sharing music with friends. When Mankowski found himself “looking for his lost mojo” after being burnt out on the music business, he finally moved back to California full of devotion and dedication to a life in music, eager to make something happen. An open heart and a head full of ideas led to his connecting with Babko, which led to the creation of Ebunctions, which leads to a sense of joyfulness for anyone who puts their ears to the music. As Mankowski says it best, “I would like this music even if I wasn’t a part of it. It reminds me of happy times.”

This Just In track list:
Nothing But Your Love
Feast or Famine
Running In Place
This Ain’t Over
The Real Thing
One Year
I Wouldn’t Change A Thing
Cold Hard Truth
Somebody Like You
She Don’t Love Me

1650613680

  days

  hours  minutes  seconds

until

This Just In release date

New movie release: The Occupant

The Occupant is now available on Digital and Video On Demand. Photo: google

The Occupant stars Rik Billock (The Barn) David Flick (American Pastoral, Jack Reacher, One for the Money) Dylan Grunn (The Retreat, Lake Artifact) Nathan Hollabaugh (Concussion, Father’s & Daughters) Caroline Nicolian, and Megan Bolton. It was released March 29 on premium TVOD followed by a full digital release on all platforms cross USA and Canada by DevilWorks. (DevilWorks, 2022)

Directed and written by Samuel Krebs, the film follows four estranged siblings who find themselves in the grip of demonic possession after inheriting their family home. When an eccentric stranger arrives claiming the house was left to her, they start experiencing strange, inexplicable manifestations, which have malevolent effects on everyone in the house.

Director: Samuel Krebs
Run time: 72 minutes
Genre: horror
Rated: R
Available to rent on amazon, Google Play, Vudu, Microsoft, and DIRECTV

New movie release: The Last Possession

Dan Riddle’s new supernatural spine-chiller The Last Possession is available on Terror Films AVOD Channel and Video On Demand. Photo: Terror Films, used with permission.

From director Dan Riddle and writer Greg Shouse and featuring Fear the Walking Dead’s Stephen Brodie, experience the spine-chilling thrills of The Last Possession. Out of options after a foreclosure, Kent Peroni is forced to move his wife, Stephanie, nine-year old son, Jack, and six-year-old daughter, Gabby into the home where his estranged father committed suicide years ago. Once there, the young family begins to notice strange events around the house, which become so terrifying they finally turn to a medium. Spirit guide, Granny Inez arrives, hoping to cleanse the home for Kent’s family, only to learn they are horrifyingly wrong about the nature of the evil that surrounds them. (Terror Films, 2022)

The Last Possession, starring Stephen Brodie, Cassie Shea Watson, Tom Proctor, and Patricia Rae is available on the Terror Films Channel and digital and Video On Demand.

“The Last Possession is a foreboding tale about a family at odds with themselves and each other as they move into a new home. Sometimes families want to love each other, but daily annoyances, financial pressures, and personal insecurities get in their way. In order to survive this house’s dark history, they’ll have to accept unwanted gifts, accept love where it’s offered, and trust each other. It’s hard to be a busy mom. It’s hard to be a father who is struggling to provide for his family. It’s hard to face adolescence. It’s hard to be the powerless little kid. …And it’s even harder when something diabolical is at your doorstep. Cassie and Stephen brought to life this uncomfortable family dynamic of tension and longing. Lourelle and Sawyer were shockingly astute for child actors, delivering naturalistic childhood taunting and true dread. Sometimes the last thing you want, becomes the last thing you have.” – Dan Riddle, director

Director: Dan Riddle
Cast: Stephen Brodie, Cassie Sea Watson, Tom Proctor
Genre: Horror
Run time: 94 minutes
Rating: NR

Dallas Ugly’s debut album Watch Me Learn

Dallas Ugly explores the vast reaches of three cords and the truth on their debut album Watch Me Learn, due out April 8, 2022. Courtesy photo, used with permission.

The music of Dallas Ugly shines with lustrous nostalgia on their debut album, Watch Me Learn. Built on a foundation of mellow interchanges of electric guitar and pedal steel, the rhythm and flow evoke an old-school country version of lo-fi hip hop radio. Combined with soaring fiddle and heartfelt vocals, it becomes something wholly new – a sound as unique as it is dreamy. Themes of change, loss, and growth, felt alongside the band members’ decade-long friendship, lend themselves naturally to the rolling country music vibes of their melodies and instrumentation. Together, Owen Burton, Eli Broxham, and Libby Weitnauer present a dreamy, last-call rendition of three chords and the truth. If you close your eyes, you can practically feel yourself slow dancing under the lazy orbit of a disco ball at midnight. (Dallas Ugly, 2022)

Dallas Ugly’s unique, quietly intense sound is all at once nostalgic and new, carrying an Americana torch into their own technicolor future. This group of college friends turned dedicated bandmates shared a track from their upcoming full-length debut, Watch Me Learn, out April 8, 2022. You can pre-order the album here.

The song, “Liberated No Ones,” lumbers along, ghostly, with touches of Gillian Welch-esque verses and bursts of spazzy Radiohead-sounding drum beats and violin-turned-arpeggiator fills. Watch the historically inspired video here which features footage of coal miners sourced from documentaries Steel: A Symphony of Industry, “Original Pocahontas” Coal and A Chance To Play.

The whole of Watch Me Learn—produced by Alec Spiegelman (Cuddle Magic, Ana Egge, Taylor Ashton)—explores the missed adventures and misadventures of life in one’s early twenties—mistakes being made, lessons being learned, bonds being formed and broken as one grows into the person they are meant to be. The band explores these themes with fondness and love, a gentle empathy for the inner child they have left behind. More than anything else, they explore them together. “I hope that what people take away from the album is an emotional response—take away the feeling of having just caught up with some old friends in a very intimate experience,” says Weitnauer. After all, that is what the album was to them: a way to reconnect with old friends after time apart—sharing the stories of the hardships and triumphs that led them back to each other. It is an album that in part looks back on the journeys and evolutions we make as individuals, but also looks towards the communities and people who shape our lives in equal measure.

Watch Me Learn track list:
Remember When You’re Leaving
Watch Me Learn
Anyone New
Saint-Louis
Part of a Time
Gold
Money
Liberated No Ones
Fool’s Life
Big Hands
Ought To Miss You By Now
Sleight of Hand

Courtesy photo, used with permission.
1649415900

  days

  hours  minutes  seconds

until

Watch Me Learn release date

New movie release: action thriller Dreaming Hollywood

Dreaming Hollywood is available On Demand and Blu-Ray. Photo: Cleopatra Entertainment, used with permission.

Cleopatra Entertainment released Dreaming Hollywood, a dark action-drama from Writer-Director Frank Martinez, on March 22. Described as “Fear and Loathing in Las Vegas” meets Tarantino, Dreaming Hollywood takes a deep dive into Ray Balfi’s bizarre world of drug dealers, prostitutes, dirty cops, and social rejects as he tries to begin a new life and shops his cartoon screenplay to 100 L.A. production companies. While facing rejection after rejection Ray learns that someone has stolen his script and made his movie, “The Dog’s Meow” without his permission. Now, Ray’s already messed-up life is thrown into catastrophic mayhem as he seeks revenge. Who stole his script? Everyone he meets is suspect as Ray is now motivated with a new lust for life and for blood. (Cleopatra Entertainment, 2022)

In addition to winning the Audience Award at the Erie International Film Festival and winning the Best Feature Film at the London International Monthly Film Festival, Dreaming Hollywood continues its journey thru the Festival circuit, being officially selected at the upcoming Baja California International Film Festival, the Los Angeles Lift Off Film Festival, the Studio City International Film & TV Festival, the Rome International Movie Festival, and the 4TheaterMovies Film Festival in the Best Film and Best Screenplay Categories.

The film stars Turk Matthews, Eliot, Link Ruiz, and Madelyn Allen along with appearances by Rafael Sigler, Ben Lin, and Thomas Evans. The film is available on DVD and VOD Platforms and will also be available as part of a deluxe Home Entertainment Blu Ray package that also includes, as a bonus, a blistering audio soundtrack CD, featuring the music of DMX, ONYX, and more.

Cleopatra Entertainment is a Los Angeles based multimedia company founded by Cleopatra Records head Brian Perera. Recent films in release include Glenn Danzig’s vampire spaghetti-western Death Rider in the House of Vampires, Danzig’s debut horror feature Verotika, the critically-acclaimed rock and roll biopic Street Survivors: The True Story of the Lynryd Skynyrd Plane Crash, the UK drama Mrs. Lowry & Son starring Academy Award winner Vanessa Redgrave, and the action-adventure extravaganza China Salesman starring Mike Tyson and Steven Seagal.

Funk band Lettuce announces new album Unify

Unify will be out June 3 and Unify World Tour kicks off March 24, 2022. Photo: Lettuce, used with permission.

Lettuce is the greasiest, funkiest band on today’s music scene. On June 3, the GRAMMY-nominated six-piece—Adam Deitch (drums), Ryan Zoidis (saxophone), Adam ‘Shmeeans’ Smirnoff (guitar), Erick ‘Jesus’ Coomes (bass), Nigel Hall (keyboards/vocals), Eric ‘Benny’ Bloom (trumpet)—will be delivering a whole host of new tunes to the world in the form of Unify, the eighth studio album from Lettuce and the third consecutive record made at Denver’s Colorado Sound Studios. It completes a loose trilogy starting with 2019’s GRAMMY-nominated Elevate, and continuing with 2020’s Resonate. Fans can expect the same tight, wildly-funky instrumentals Lettuce has been known for, but in the tightest form they have ever taken. This time around, the guys have gotten the stamp of approval from one of the genre’s most legendary icons, Mr. Bootsy Collins, himself, who can be heard singing on the track “Keep That Funk Alive.” (Lettuce, 2022)

Lettuce recently premiered “Gravy Train,” the first single from Unify, featuring a tightly evolved rhythm section, pin-point accurate horns, and a guitar-bass unison part not executed this well since Leo and George did it down in New Orleans all those years ago. “‘Gravy Train’ just has that classic Lettuce vibe,” says Smirnoff. “It’s one of those songs that’s timeless and could have shown up on any of our first albums. Give “Gravy Train” a spin right now at this link, pre-order or pre-save Unify ahead of its June 3 release right here.

Dealing with the pandemic, being in separate places, trying to survive without our best friends, without touring, not to mention the political divide in this country,” says Deitch. “We really needed to unify.” Zoidis recalls, “This album came together at a time when we were away from each other longer than we had been in years.” Although the band was able to do a lot of writing and pre-production from their respective home studios, they had not been in the same room or on the same stage together since their European tour was cut short in March 2021, so the first song on Unify captures the raw energy of a much-needed reunion at Colorado Sound Studios—though, that is not exactly where the story begins.

Beginning March 24 in St. Petersburg, Florida, Lettuce will take their brand new material out on the road, and across the pond, for the Unify World Tour. Between their U.S. leg and September’s Europe run, the band will hit some of the country’s most beloved festivals including Bonnaroo, Electric Forest, Sonic Bloom, and High Sierra. A full list of tour dates is below and ticket information is available online. 

Catch Lettuce on tour:
March 24 – St. Petersburg, FL – Jannus Live
March 25 – Charlotte, NC – Neighborhood Theatre
March 26 – Asheville, NC – The Orange Peel
March 27 – Wilmington, NC – Greenfield Lake Amphitheater
March 30 – Columbus, OH – Newport Music Hall
March 31 – Baltimore, MD – Sound Stage
April 2 – Philadelphia, PA – Brooklyn Bowl
April 3 – Syracuse, NY – Westcott Theater
April 6 – Hartford, CT – Infinity Music Hall
April 7 – Burlington, VT – Higher Ground
April 8 – Boston, MA – House of Blues
April 9 – Portland, ME – State Theatre
April 20 – Patchogue, NY – Blue Point Brewing
April 21 – Albany, NY – Empire Live
April 22 – Port Chester, NY – The Capitol Theatre
April 23 – Washington, DC – National Cannabis Cup
April 24 – Asbury Park, NJ – The Stone Pony
April 27 – St. Louis, MO – The Big Top
April 28 – Little Rock, AR – The Hall
April 29 – Jackson, MS – Duling Hall
April 30 – New Orleans, LA – The Joy Theater (with Soul Rebels)
May 7 – Mill Valley, CA – Mill Valley Music Festival
May 26-29 – Martinsville, VA – Rooster Walk Music & Arts Festival
June 16-19 – Hummingbird Ranch, CO – Sonic Bloom Festival
June 19 – Manchester, TN – Bonnaroo Music and Arts Festival
June 23-26 – Rothbury, MI – Electric Forest Festival
June 24-25 – Swanzey, NH – Northlands Music & Arts Festival
June 30-July 3 – Quincy, CA – High Sierra Music Festival
August 11 – Cincinnati, OH – Taft Theatre
August 12 – Huber Heights, OH – Rose Music Center at The Heights
August 13 – Richmond, VA – Jam Packed Craft Beer & Music Festival
August 26 – Martha’s Vineyard, MA – Beach Road Weekend Festival
September 20 – London, UK – Scala
September 21 – Tourcoing, France – Le Grand Mix
September 23 – Paris, France – Billard L’alhambra
September 24 – Rouen, France – Le 106 club
September 26 – Frankfurt, Germany – Batschkapp
September 27 – Rotterdam, Netherlands – Bird
September 28 – Amsterdam, Netherlands – Paradiso Noord
September 29 – Leuven, Belgium – Het Depot
September 30 – Berlin, Germany – Gretchen
October 2 – Copenhagen, Denmark – Pumpehuset
October 3 – Oslo, Norway – Cosmopolite Scene
October 4 – Jahanneshov, Sweden – Slaktkyrkan
October 5 – Gothenburg, Sweden – Jazzklubben Nefertiti
October 7 – Hamburg, Germany – Mojo Club
October 8 – Brno, Czechia – Groove Brno
October 9 – Vienna, Austria – Club Porgy & Bess
October 11 – Bern, Switzerland – Bierhübeli
October 12 – Pisa, Italy – Lumiere
October 13 – Rome, Italy – Monk Club
October 14 – Milano, Italy – Santeria Toscana 31
October 15 – Rovereto, Italy – Auditorium Melotti
October 17 – Stuttgart, Germany – Im Wizemann
October 18 – Mulhouse, France – Noumatrouff
October 20 – Barcelona, Spain – Sala La Nau
October 21 – Madrid, Spain – Sala Caracol
October 22 – Cenon, France – Le Rocher de Palmer

1654266900

  days

  hours  minutes  seconds

until

Unify release date

The Po’ Ramblin’ Boys announce new LP Never Slow Down

The Po’ Ramblin’ Boys connect bluegrass past and present with Never Slow Down, due out March 25 via Smithsonian Folkways. Photo: The Po’ Ramblin’ Boys, used with permission.

Necessity is what brought GRAMMY-nominated, IBMA Award-winning bluegrass group The Po’ Ramblin’ Boys together in the first place—and it is necessity that keeps them fueled today. Initially, a basic need for entertainment at an East Tennessee moonshine distillery brought the band’s original lineup together, but now, after miles and miles of touring and multiple albums recorded, their need is to continue connecting the past to the present, breaking new ground in the unknown future of the “high, lonesome sound.” The quintet symbolizes not only the tradition, legend, and lore that is bluegrass music, they possess a key trait of the ancient tones all too easily forgotten in the 21st century—rebellion. This spirit is at the center of their newest album, Never Slow Down, out March 25 on Smithsonian Folkways, which is also their first album featuring fiddler Laura Orshaw as an official member of the band. Taking on material by their heroes the Stanley Brothers, Hazel Dickens & Alice Gerrard, George Jones, and more, The Po’ Ramblin’ Boys bridge the gap between the past and present, proving the eternal importance of bluegrass and making it accessible to all. (The Po’ Ramblin’ Boys, 2022)

“We know what bluegrass is. We know the history. And we respect the history. But, we’re looking to expand the boundaries of bluegrass—that’s the truth of the matter,” says The Po’ Ramblin’ Boys’ lead singer and mandolinist, C.J. Lewandowski. “A good song is a good song. We want to honor the past, but we also want to do our own material—to have our own sound, and to play our own way.” American Songwriter premiered the lead single “The Blues Are Close at Hand,” calling the single “high-energy” and taking note of the band’s “skilled and respectful approach to bluegrass traditions.” Fans can click here to hear “The Blues Are Close at Hand” and pre-order or pre-save Never Slow Down ahead of its March 25 release at this link.

Never Slow Down also represents the latest chapter of The Po’ Ramblin’ Boys with the addition of fiddler Laura Orshaw as an official band member. Though Orshaw had made appearances on previous offerings from The Po’ Ramblin’ Boys, her new full-time member status is front and center on Never Slow Down, whether it be taking the lead vocals on certain melodies or letting her intricate fiddle work shine through with its razor-sharp tone. “Having the fiddle in there really completes that signature lineup of what bluegrass music is,” Lewandowski says. “And with Laura, we’re able to open up all kinds of harmony structures, which gives each of us more opportunities to expand our palette of what we want to ultimately create and perform live.”

In signing with Smithsonian Folkways, the group has become a part of a nearly century-long legacy of musical celebration and preservation as they join the ranks of Hazel Dickens & Alice Gerrard, Del McCoury, Bill Monroe, The Stanley Brothers, and many other innovators of previous eras of Bluegrass that have material in the label’s fabled catalog.

The Po’ Ramblin’ Boys are gearing up for their next, unwritten phase with an album release tour and spring festival engagements right around the corner, and carrying bluegrass into the future will always be their number one focus. “The beauty of bluegrass music is not just the tradition of it, but also its constant evolution,” Lewandowski says. “No matter what we do, we’re always going to be honoring something in some kind of way. And that because it’s just what we like to do—it’s part of every one of us in this band.”

Never Slow Down track list:
Missing Her Has Never Slowed Me Down
Where Grass Don’t Grow
Lonesome
The Blues Are Close at Hand
When Are You Gonna Tell Me?
Take My Ashes to the River
Little Glass of Wine
Ramblin’ Woman
Woke Up With Tears in My Eyes
Mason’s Lament
Old Time Angels

Catch The Po’ Ramblin’ Boys on tour:
April 9 – Bristol, VA – Bristol Spring Bluegrass Festival
April 23 – Oakboro, NC – Big Lick Bluegrass Festival
April 30 – Floyd, VA – Floyd Country Store
May 4 – Branson, MO – Silver Dollar City
May 5 – Branson, MO – Silver Dollar City
May 6 – Webster, KY – The Randall Barn
May 7 – Cincinnati, OH – Appalachian Festival
May 26 – McClure, VA – Dr. Ralph Stanley’s Hills of Home Bluegrass Festival

1648199340

  days

  hours  minutes  seconds

until

Never Slow Down release date

Jonas Bak’s award-winning film Wood and Water

Wood and Water: A Film by Jonas Bak. Courtesy photo, used with permission.

KimStim presents a Trance Film Production of Wood and Water, a film by Jonas Bak. Winner: Berlin International Film Festival – Special Mention: Compass-Perspektive-Award and Official Selection: New Directors/New Films Festival at BFI London Film Festival. Wood and Water will be released in New York (MOMA) on March 24 with a Los Angeles and national release to follow. (KimStim, 2022)

Wood and Water – With seamless grace, German director Jonas Bak moves from the tall spires of the Black Forest to the teeming skyscrapers of Hong Kong in his tranquil, deeply moving feature debut. Newly retired from her church job, Anke dreams of spending time with her grown children—including her uncommunicative and elusive son, Max, who has been living for years in Hong Kong, and who is unable to join his mother and sister back in Germany due to the ongoing pro-democracy protests.

In a daring decision, Anke, though suffering from loneliness and loss, travels to Hong Kong to find Max and perhaps also herself. The people she encounters, and her experience of the city help her to break down the inner walls she constructed years ago, and make way for a new chapter in her life.
In his hushed, wholly original approach to this fish-out-of-water set-up, Bak constructs a gentle, ambiguous fable of becoming, shot on 16mm and featuring a wondrous, naturalistic performance by his own mother, Anke Bak.

Starring Anke Bak, Ricky Yeung, Alexandra Batten, Patrick Lo, Theresa Bak, Patrick Shum, Edward Chan, Susanne Johnssen, Lena Ackermann, Amy Aceituna, and Christel Johnssen.
Run time: 79 Minutes (Germany/ France/ HK- Feature Film)
In German, English and Cantonese

Jonas Bak (Writer/ Director/ Editor) Born in Konstanz in 1985, and now based in Freiburg, Jonas Bak studied film directing at Edinburgh College of Art before moving to London in 2015, and then Hong Kong in 2018 to work as a freelance film director and director of photography. He wrote and directed two short films, Wanderdrachen (2016) and One and Many (2017), both of which were screened at international film festivals including Molodist, Curtacinema Rio de Janeiro and Pacific Meridian. Wood and Water (2021) is his first feature film.

KimStim is a Brooklyn-based, full-service distribution company dedicated to releasing exceptional independent, foreign, and documentary films. KimStim brings to the US, and North American audiences selected films from around the world gleaned from the most prestigious film festivals and includes top prize winners from Sundance, Cannes, Venice, Toronto, Berlin, and Tribeca. Signature releases include Hu Bo’s epic masterpiece, An Elephant Sitting Still, the 2020 Oscar Shortlisted Best International Feature Hope, and Happy Hour by the Oscar-Nominated Director of Drive My Car, Ryusuke Hamaguchi.

Steve Dawson announces new album Gone, Long Gone

Juno Award-Winner Steve Dawson makes the best out of his time with upcoming album Gone, Long Gone, out March 18, 2022. Courtesy photo, used with permission.

When 2019 turned into 2020, Canadian guitarist, composer, and seven-time Juno Award-winning musician Steve Dawson was as busy as he had ever been in his life—playing with his friends Matt Anderson or Birds of Chicago and helming his acclaimed Music Makers and Soul Shakers podcast, all while producing albums for a multitude of roots artists and touring under his own name. So when the pandemic hit and pulled the ripcord to slow down Dawson’s life, he took the positives with the negatives and relished in some time off to work on music that may have never seen the light of day otherwise. His flurry of activity resulted in enough solo material for three distinct albums, the first of which, Gone, Long Gone—an album focused entirely on Dawson’s songcraft—will be released on March 18. (Steve Dawson, 2022)

American Songwriter premiered “Dimes,” Gone, Long Gone’s horn-laden, funk-infused opener. With a punchy, funky guitar attack akin to Ry Cooder, “Dimes” explores the age-old idea of quality versus quantity. “I just wanted to have a nice laid-back, funky feel going on over this, and then in the middle, a 70s cop-show theme song breaks out,” says Dawson, reflecting on recording the tune which features an all-star lineup of players. Fans can hear “Dimes” now at this link and check out the song’s lyric video, which premiered yesterday across the pond with Americana UK. Gone, Long Gone can be pre-ordered or pre-saved ahead of its March 18 release at this link.

Gone, Long Gone is Dawson’s first collection of songs since Solid States and Loose Ends came out in 2016, and features nine original cuts (mostly co-written with Alberta songwriter Matt Patershuk) and a soulful cover of The Faces’ “Ooh La La.” These new originals represent the first time Dawson has collaborated on songs with another artist, conceding that co-writing was a process that he previously found uncomfortable. Once Patershuk started firing off ideas to Steve, the ball got rolling, ideas flowed back and forth, and once the dust had settled, they had come up with a batch of new songs. The finished product proves that, as much as anything else, Steve Dawson is a singer-songwriter of the highest caliber and that Gone, Long Gone is the most realized album to be released under his own name to date.

As much as everyone has suffered through the past year, the beautiful music featured on Gone, Long Gone shows us that there is a bright side to our enforced isolation. It is not simply a record of the pandemic. These are songs with a life of their own that will resonate long after the memories of our current situation have faded.

Steve Dawson has long been recognized as one of Canada’s finest instrumentalists and record producers. He has collected seven Juno awards and 22 more nominations, was named Western Canadian Music Awards’ “Producer of the Year” three times and Canadian Folk Music Awards’ “Producer of the Year” four times with nominations too many to count between the two organizations. Dawson is the mastermind behind the popular podcast Music Makers and Soul Shakers, which has now published more than 100 episodes. His new album Gone, Long Gone is the first of three releases coming from a bountiful quarantine recording streak and is available on March 18, 2022. Phantom Threshold, a psychedelic pedal steel-driven instrumental album, is expected in July 2022.

Gone, Long Gone Track list:
1. Dimes
2. King Bennie Had His Shit Together
3. Bad Omen
4. Gone, Long Gone
5. I Just Get Lost
6. Kulaniapia Waltz
7. 6 Skeletons
8. Ooh La La
9. Cicada Sanctuary
10. Time Has Made A Fool Out Of Me

1647631920

  days

  hours  minutes  seconds

until

Gone, Long Gone release date