The documentary Our American Family will premiere at the Woodstock Film Festival 2021. Courtesy photo, used with permission.
Our American Family is a radically honest, unfiltered portrait of a close-knit Philadelphia family fighting its greatest nemesis: generational addiction. Beginning with a pivotal, “nothing to lose” moment, then captured over the course of the following year, five family members tired of life plagued by addiction on center stage, each struggle to transcend their crippling histories: a mother who learned from childhood to enable her own mother’s addiction, a daughter who doesn’t know who she is without a substance, a son who learned everything about “Heroin 101” from his sister, a younger son who feels alone but acts content to ease the family’s burden, and a stepfather who wonders if addiction is really a disease or simply a by-product of laziness. What will it take to shift this entrenched, wrenching pattern in their lives? How will they each free themselves from their interlocking fates? Will they be able to make significant changes to help their next generation? The members of Our American Family invite us into their lives to find hope and to explore what is possible. No experts. No drug use. No melodrama. (Our American Family, 2021)
WORLD PREMIERE–Feature Length Documentary (USA) RT 87 mins Directed and produced by Hallee Adelman and Sean King O’Grady
Tickets are available for the Woodstock Film Festival 2021 Screenings World Premiere: Saturday October 2 at 3:45p.m. Bearsville Theater 291 Tinker St Woodstock, NY 12498
Sunday October 3 at 2p.m. Orpheum Theatre Saugerties 156 Main St Saugerties, NY 12477
Zych’s will release debut album Dante’s Inferno Part I via Metal Assault Records on October 22, 2021. Photo: google
Multi-instrumentalist and composer Justin Zych, better known as Zych, has joined the Metal Assault Records roster as the label’s first ever solo artist signing. He has toured internationally and worked with bands such as Zephaniah (Indiana), Viking (Los Angeles), Munroe’s Thunder (US / UK), Them (NY / Germany) and many more. (Justin Zych, 2021)
Dante’s Inferno Part I, slated for release October 22 on Metal Assault Records, will initiate a series of solo albums dedicated to the poetry of Dante Alighieri by Zych. Unlike other albums based on Dante’s Inferno, this album goes in-depth into each canto. The album is nearly 70 minutes long with eight intense songs (No fillers). This progressive metal heavyweight of an album evaporates the boundaries between all genres. Every track takes on its own direction with an all-star musical cast of internationally well-known musicians. Each song is also accompanied by outstanding artwork from a well-established visual artist. This is THE heavy metal soundscape to lend your ear to as you read the first eight cantos of The Inferno.
Metal Assault Records will release Dante’s Inferno Part I on October 22, 2021 on deluxe digipack CD and digital platforms. The album’s cover is a scan of a canvas piece created by Tricia Cavender. Pre-orders for the digital album, deluxe digipack CD (with a full 16-page booklet included), and special merch bundles featuring the “Canto VII” t-shirt design, 12” x 12” giclee prints of the album cover art, stickers, and guitar picks, are available now via the Zych Bandcamp page.
The album’s lead single and opening track, “Canto I – Overture” premiered on August 6 along with a stunning music video in all its 4K glory.
Dante’s Inferno Part I track listing: 1. Canto I – Overture (8:56) 2. Canto II – Gates Of Sorrow (5:23) 3. Canto III – All Hope Abandon (8:27) 4. Canto IV – Limbo (10:04) 5. Canto V – Lust (6:37) 6. Canto VI – The Gluttonous (8:24) 7. Canto VII – The Avaricious & The Wrathful (9:08) 8. Canto VIII – Into the Depths of Hell (11:21) Total Runtime: 1:08:20
Full list of participating musicians: Justin Zych (Zephaniah, Viking) – Guitars, Synths, Bass, Vocals Albert Rybka (Acracy, Kategory V) – Vocals Ronny Munroe (Ex-Metal Church, Between Worlds) – Vocals Ty Christian (Lords of The Trident) – Vocals Troy Norr (THEM, Coldsteel) – Vocals Patick Parris (Project Roenwolfe) – Vocals Zebah Latifi (Zephaniah) – Vocals Angel Cotte (Demolition Hammer, THEM) – Drums Ed Stephens (Ringworm, Vindicator) – Bass Ian Bender (Zephaniah) – Bass Paul Kendall (Valhalla) – Piano, synth, guest soloist Shaun Cothron (Zephaniah) – Guest Soloist Brian Koenig (Lords of the Trident) – Guest soloist Kyle Smith (Death On Fire) – Percussion Kenny Woods – All Saxophones Paul Rowan – All trumpets David Cooke – All trombones Ilona Orban – All violins Derek Reeves – All violas Bennett Spickelmier – All Cellos
Zych (Justin Zych) is a musician specializing in guitar, bass, and piano. He earned his bachelor’s degree in music performance from IPFW and currently teaches music online. He is an experienced international touring musician and guitar technician, who has worked with world renowned bands such as Zephaniah (IN), Viking (CA), THEM (NY/GER), Munroe’s Thunder (USA/UK) and many others.
As a composer, Zych has created several compositions for musical groups, commercials, and scores for online videos. His technical prowess and heartfelt melodies define his style and inspire young and old musicians. He has played guitar for over 20 years and continues to excel at his craft by introducing new techniques and musical concepts to his playing.
Zych has created over four hundred arrangements/transcriptions for clients over the last three years and continues to on a regular basis. Some are as simple and short as a thirty second piano piece and some are as complex and intense as a ten minute orchestral piece. His compositions reflect a mixture of romantic period composition mixed with the complex structures of 20th century composition and jazz. Add a heavy metal element to that and you get a new, diverse and extremely full sound.
Justin Zych. Courtesy photo, used with permission.
Brandy Zdan’s new album Falcon will be released October 29. Courtesy photo, used with permission.
Brandy Zdan is a Canadian musician, songwriter, multi-instrumentalist, and record producer based in Nashville, TN. After spending several years in Texas-supergroup, The Trishas, Zdan released her self-titled debut album in 2015. In 2018, Zdan’s second album, Secretear, was released on Tallest Man Records. Around that time, Rolling Stone dubbed Zdan “a guitar hero of the highest order,” only further cementing a truth which tour mates like Buddy Guy, Will Hoge, and Aaron Lee Tasjan knew all along. Her third album, the entirely self-produced and engineered Falcon, will be released on October 29, 2021. (Brandy Zdan, 2021)
For anyone who has ever said something along the lines of “You can’t do everything”—they have obviously never met Brandy Zdan. Amongst the most tumultuous season of her life to date, Canadian-turned-Nashvillian Zdan set out to make her new album Falcon on her own—writing, playing, producing, and engineering it by herself—leaving not the slightest clue that most of the recording was done in her laundry room during her baby’s nap times. The deeply personal recording process mirrors Falcon’s deeply personal songwriting. “Falcon is my story of the last two years. A story of miscarriage, loss, grief, pregnancy, motherhood, trauma, isolation, depression, hope, and love,” says Zdan. “I wanted to express all of those tangled feelings, and I hope that it encourages other women to express their grief and loneliness in whatever ways they choose.” But it is not the hardship that Falcon blossomed from that sticks with you after listening to the album, rather the unique liberation of disclosure it provides. “Everyone talks about being vulnerable, but there’s something different about this. This is the type of shit women aren’t supposed to be vocal about,” says Zdan. “It’s a stigma that needs to end, and now that I’ve broken that barrier in my own life I want to help others experience what a freeing place it can be.” Falcon is the hyper-personal and the universal wrapped into one record, and Zdan’s songwriting prowess—the razor-sharp detailing of the detangling of her life—is what makes these songs a salve for anyone else experiencing loss, or grief, or heartache.
Recently Zdan shared a music video for “Protector,” the first single from Falcon. Leaning into a J.J. Cale-esque, vintage drum machine feel, “Protector” starts off on a jovial foot with Zdan singing the first line: “I wanna get drunk, smoke a thousand cigarettes, chew a pack of Nicorette, and play dumb.” Before the end of the feel-good groove, however, the metaphor opens itself up, revealing an inner battle between Zdan and her tendency to guard her heart from the worst of it all. “This is my plead to call off the protector side of myself so I could really get down to it and deal with some grief and pain,” says Zdan. Like a lot of the songs from Falcon, “Protector” is a masterclass in how to share a bad feeling with a good song, greasy guitar solo and all. Fans can watch the “Protector” music video at this link and pre-order or pre-save Falcon ahead of its October 29 release right here.
After flirting with the idea of calling this new album life/death/life, a reference to the cyclical nature of her experiences, Zdan instead took note of the symbolism surrounding her. While grappling with her miscarriage, she experienced a vision of a spirit floating up to the sky on a falcon’s wing. Shortly afterward, she started to see a falcon fly throughout her neighborhood. Then, the week before her daughter was born, that falcon returned to perch on her property. The bird felt like an obvious icon for what her album stood for; strength despite size, gentle tenacity, and an ability to soar through the roughest weather. Listening to Falcon, those themes of perseverance and understated courage not only come through but are so effective that it feels like being in the room next to Zdan while she plays the album, recognizing those very traits within oneself and becoming part of a community that refuses to stay silent. “This album is a victory to overcoming almost every obstacle that can be thrown at a woman, mother, and musician,” she says, “and coming out on the other side intact and better for it.”
Falcon Track list: Dying Inside The Worst Thing Falcon’s Wing I Am Wild Protector Everyone Wants Canceleer Can You Be Alone Mama
Half A Hundred Years is the new studio release from Asleep at the Wheel. Courtesy photo, used with permission.
Founded in 1970, Asleep at the Wheel has been part of the American roots music landscape for more than fifty years. Although the band got its start on a farm in Paw Paw, West Virginia, Asleep at the Wheel became a cornerstone of the Austin, Texas, scene upon its arrival in 1973. Inspired by Western swing and honky-tonk country, the band has accrued ten Grammy Awards. In the fall, a career retrospective recorded with the current lineup and a few special guests will carry the band back onto the road, where they have remained a staple for five decades. (Asleep at the Wheel, 2021)
With a sneaky half-time groove and a slinky fiddle and guitar trade-off, America’s favorite Western Swing masters Asleep At The Wheel—and their special guest, the beloved Grammy Award-winning singer and songwriter Lyle Lovett—ease right into their new single, “There You Go Again.” Written just before the recording sessions for The Wheel’s new album Half A Hundred Years, “There You Go Again” is a feel-good, light-hearted jab at pretentiousness and all the silly ways it shows up in the writers’ lives, brought together with flourishes of fiddle and steel before crescendoing into a full-on New Orleans second line, walking back out the door as quickly as it came in. “I suppose it’s a song about pretentious people!” says The Wheel’s fearless ringleader Ray Benson of their new song. “My pal Lyle Lovett, one of the most unpretentious people I know, joined in and made it a very special track.” Fans can listen to “There You Go Again feat. Lyle Lovett” right now at this link and pre-order or pre-save Half A Hundred Years ahead of its October 1 release right here.
On October 15, Asleep At The Wheel will take the stage at Austin, Texas’ brand new Moody Amphitheater at Waterloo Park for a special guest-laden concert covering the band’s fruitful 50-year-long career. Asleep at the Wheel alumni returning for the event are singer Chris O’Connell, steel guitarist Cindy Cashdollar, bassist Tony Garnier, multi-instrumentalist Danny Levin, pianists Floyd Domino and John Michael Whitby, fiddler Jason Roberts, and drummer David Sanger. Additionally, The Wheel is expecting a special guest or two who are not to be missed. Check out a preview of the concert at Austin 360 and purchase tickets for the October 15 show here.
Half A Hundred Years is a nineteen-track celebration of Asleep At The Wheel’s half-century-long career, filled out by several world-class friends of the band; a guest-list testament to Asleep at the Wheel’s reputation as a cornerstone of American music for the last 50 years. Greats like Willie Nelson, George Strait, Emmylou Harris, Lee Ann Womack, and Lovett appear throughout Half A Hundred Years on a host of classic and destined-to-be-classic Western Swing and Country tunes. Additionally, three original members of Asleep at the Wheel—Chris O’Connell, Leroy Preston, and Lucky Oceans—returned after forty years to lend their voices and musicianship to several tracks on Half A Hundred Years. Ahead of the album release, CMT shared The Wheel’s take on the Bob Wills classic, “Take Me Back To Tulsa,” which features two more Texas icons, George Strait and Willie Nelson, and Rolling Stone premiered the album’s title track, saying, “Elevated by buoyant horns and singer Ray Benson’s drawling baritone, [“Half A Hundred Years”] is the ultimate road song.”
Half A Hundred Years Track list: Half A Hundred Years It’s The Same Old South feat. Chris O’Connell I Do What I Must feat. Leroy Preston There You Go Again feat. Lyle Lovett My Little Baby feat. Chris O’Connell Paycheck To Paycheck feat. Leroy Preston Word To The Wise feat. Bill Kirchen That’s How I Remember It feat. Chris O’Connell The Photo feat. Leroy Preston I Love You Most Of All (When You’re Not Here) feat. Lucky Oceans The Wheel Boogie Take Me Back To Tulsa feat. George Strait and Willie Nelson The Letter That Johnny Walker Read feat. Lee Ann Womack Bump Bounce Boogie Feat. Chris O’Connell, Elizabeth McQueen, & Katie Shore Miles And Miles Of Texas Get Your Kicks On Route 66 Feat. Leroy Preston, Johnny Nicholas, & Ray Benson Marie Feat. Willie Nelson Spanish Two Step Feat. Johnny Gimble And Jesse Ashlock The Road Will Hold Me Tonight Feat. Emmylou Harris And Willie Nelson
Early James releases Dan Auerbach-produced 7-inch featuring ‘Tumbleweed’ and ‘Mama Can Be My Valentine.’ Photo: google
Early James, an Alabama native, released his debut album, Singing For My Supper, via Easy Eye Sound and Nonesuch Records on March 13, 2020. The album spans hard-charging blues, wistful folk, and ages-old pop crooning, anchored by the singer’s voice that alternates from gravel-gruff shout to a honey-smooth whisper. James’ inspirations run from Fiona Apple and Tom Waits to the Southern gothic poets, as heard in the album’s darker themes and in the wry humor with which he writes about them. He recently released the Dan Auerbach-produced 7-inch featuring “Tumbleweed” and “Mama Can Be My Valentine.” (Early James, 2021)
“Don’t got no tattoos cause Grandma knew it’d keep you out of heaven,” sings the prolific, eclectic, and flat-out entertaining singer and songwriter Early James in the opening line of his newly released tune, “Tumbleweed.” Further cementing the Americana blend of styles and sounds he has becoming known for, “Tumbleweed” finds James delivering quick, gravelly verses over a jovial fingerstyle guitar part, exploring an idea he describes as “patting yourself on the back while getting pickpocketed.” Finding a song under a previously unturned stone or in the quickness of a passing thought is, his unique vocal delivery notwithstanding, James’s calling card, and “Tumbleweed” is very much on brand.
“‘Tumbleweed’ is about how you’re always kind of in this limbo of thinking you’re smarter than your older self while falling for someone’s new bullshit at the same time,” says James in his profoundly straightforward way. “Tumbleweed” and its b-side, “Mama Can Be My Valentine” are holdover tunes from James’s 2020 debut, Singing For My Supper, produced by Dan Auerbach and released via his Easy Eye Sound label. After a full year of touring was canceled, the tracks were shelved, but are now available digitally at this link and in 7-inch vinyl format through independent record stores, the Easy Eye Sound online store, and at all Early James tour stops. A complete tour schedule is available online.
“Mama Can Be My Valentine,” which fills up side two of this new release on Easy Eye Sound, leans a hair more Bakersfield country, grooving and swirling forward as James lists off his ideal “type” of a yet-unattainable lover. The refrain— “Until then, Mama can be my valentine”—came about out of hilarious necessity. “I didn’t have any songs about Mother’s Day or Valentine’s Day so I killed two birds with one stone,” James recalls. Overall, the one-two punch of “Tumbleweed” and “Mama Can Be My Valentine” are a natural extension of the songs from Singing For My Supper, both different examples of just how well James can weave together a story and deliver it with his commanding, earnest voice. “Some people are good singers,” says The Black Keys’ Dan Auerbach, who decided he needed to produce the singer’s debut album at his Easy Eye Sound studio after watching just two seconds of a video of him performing. “And some people are better than good singers, they just have this great form of expression.” That expression which James possesses is on full display with his new 7-inch release and will officially be getting the live treatment on a healthy run of tour dates with The Lone Bellow this fall.
Courtesy photo, used with permission.
Catch Early James On Tour: October 10 – Wildwood Revival – Arnoldsville, GA October 14 – Proud Larry’s – Oxford, MS # October 16 – Standard Deluxe Fall Boogie – Waverly, AL November 4 – Varsity Theater – Minneapolis, MN * November 5 – Majestic Theatre – Madison, WI * November 6 – Shank Hall – Milwaukee, WI * November 7 – Thalia Hall – Chicago, IL * November 8 – The Ark – Ann Arbor, MI * November 10 – Taft Theatre – Cincinnati, OH * November 11 – Asbury Hall Babeville – Buffalo, NY * November 12 – Center for the Arts of Homer – Homer, NY * November 13 – Gateway City Arts – Holyoke, MA * November 14 – Paradise Rock Club – Boston, MA * November 16 – Webster Hall – New York, NY * November 17 – Union Transfer – Philadelphia, PA * November 18 – Troy Savings Bank Music Hall – Troy, NY * November 19 – Vogel Theatre – Red Bank, NJ * November 20 – 9:30 Club – Washington, DC * November 21 – Haw River Ballroom – Saxapahaw, NC *
India’s premier stoner doom rockers Bevar Sea signs with Metal Assault Records. Courtesy photo, used with permission.
Metal Assault Records is thrilled to announce its first international signing. India stoner/doom metal band Bevar Sea joins the Metal Assault Records roster. Stalwarts of the Indian stoner doom scene for well over a decade in addition to carrying a solid fanbase internationally within the heavy underground, Bevar Sea has inked a multi-album deal with Metal Assault Records and will release the band’s third full-length studio album, The Timeless Zone, in early 2022. Album pre-orders will be launched in Fall 2021. (Metal Assault Records, 2021)
On signing Bevar Sea, Metal Assault Records owner Andrew Bansal states: “This one is special, and close to home (literally). When I briefly moved from Los Angeles to India in 2012-13, little did I know that I’d get to discover this amazing band. I happened to attend a gig in Mumbai wherein I got to see Bevar Sea live for the first time. It was their debut album release show and they left an indelible impression on me with their musicianship and performance that night. I made sure to attend as many of their shows as I could, particularly the ones in their hometown of Bangalore. Even after moving back to the US in 2013, I kept track of Bevar Sea’s progress and stayed in touch with the band members. Fast forward to 2021, they are now signed to my label and I could not be more excited!”
Bevar Sea issued the following statement in celebration of their signing with Metal Assault Records. “Having managed the first two releases ourselves and having seen where most of our fans and orders come from, we looked out for a North America or Europe based label to release The Timeless Zone, essentially to fix some of the issues we’ve had with worldwide distribution and logistics, and also to allow us to focus more on the music itself. We’ve known Andrew as a friend and a fan for many years, and quick trivia, he was also our manager for a short while back in 2012, so his label and its diverse roster is an ideal match for us for this album and beyond.”
Established in 2008, Bevar Sea roared into the live scene in 2011. The following year, their eponymous album was released and earned them rave reviews worldwide along with the title of “Best Emerging Act” at the Rolling Stone Metal Awards India. Bevar Sea also snapped up a performance slot at the coveted Maryland Deathfest in 2013. Their debut album was mixed and mastered by the legendary Billy Anderson. The enthralling 45-min hook-ladened stoner/doom experience quickly garnered the band a firm reputation among fans in their country and internationally. Album track “Abishtu” which tells the story of a serial killer out for hipster blood and on the run from the law quickly became a live show favorite among fans while the 14-min track “Mono Gnome” about a short-statured man and his love for a witch turned out to be the pick in the doom circles.
Bevar Sea followed up their debut album with Invoke the Bizarre in 2015. Drifting into new sonic territories, the band recorded at a breakneck pace over 10 days at Adarsh Recording Studio to complete the album. Mixing and mastering duties were managed by Matt Lynch (LA’s Mysterious Mammal Recording, also from the incredible band Snail). Invoke the Bizarre was well received by music media and fans alike for its intricate song arrangements, unique story-telling and mature, well-rounded execution. Now, five years after releasing Invoke the Bizarre Bangalore’s Bevar Sea utilized the Covid-19 imposed lockdown as an opportunity to regroup and begin working on their third studio album, The Timeless Zone. Against backdrop of enigmatic lyrics portraying a tryst with the consciousness of man during a period of deep introspection; The Timeless Zone pays homage to the glory years of the 70s and 80s hard rock era while keeping things heavy handed in a gloomy haze of gnarly guitar riffs, raspy vocals, and apocalyptic fuzz. Expect even more crushing from Bevar Sea amidst the arrival of The Timeless Zone slated for release early 2022 on Metal Assault Records.
Bevar Sea The Timeless Zone lineup (2021): Ganesh Krishnaswamy – Vocals Srikanth Panaman – Guitars Michael Talreja – Guitars Avinash Ramchander – Bass
The Timeless Zone track listing: 1. The Timeless Zone 2. Alpha None 3. Sterilise The Divide 4. The Circle 5. Kiss The Sigh 6. Cadaver Awake
The Timeless Zone. Courtesy photo, used with permission.
Cassidy Mann released ‘Election Night,’ her first single with the label. Photo: google
Award-winning songwriter and recording artist Donovan Woods and his long-time manager Michelle Szeto have just announced the launch of their brand new label, End X Music (End Times Music), distributed via The Orchard, and the border-straddling Toronto and Nashville-based imprint is wasting no time loading their roster with inspiring new talent. End X Music’s first signed artist is Cassidy Mann, who just released “Election Night”—her first single with the label. Written by tweaking melodies with co-producer Roman Clarke (Taylor Janzen, Olivia Lunny), “Election Night” captures the intense awakening and transformation that many people experienced over the four years of the prior U.S. presidency. Please visit this link to watch Mann’s “Election Night” visualizer or click here to stream or purchase “Election Night” today. (End X Music, 2021)
Szeto recalls the moment End X Music’s first signing fell into place: “Since Donovan and I started working together over 5 years ago, the idea of sharing what we’ve learned and the relationships we’ve built with another artist has always thrilled us,” she says. “We never questioned the hard work that would come with it, but rather, we didn’t think we would ever agree on an artist. When we independently came across Cassidy and sent her music to one another, it was a coincidence we couldn’t ignore. Cassidy’s songwriting and production skills are beyond her years, and we’ve been endlessly impressed with her creative instincts.”
Entwining her acoustic roots with gentle electronic textures, Cassidy Mann often reshapes a small moment into a powerful and poetic song that feels both personal and relatable. “My favorite thing is to write about tiny things that make the bigger picture more important somehow.” Mann says. The lyrics of “Election Night” focus on a couple that moved beyond just friends that night but ultimately ended as strangers. “Trump’s Presidency was hell for a lot of people and you hear about that a lot, especially from a political standpoint,” says Mann. “I think it’s a really important conversation, but throughout all of it, I was also craving the more intimate stories. I wanted to explore the idea of how the whole overarching narrative of that time affected people’s personal relationships.
Growing up in the Prairies of Winnipeg, Mann has been singing since she could talk. Her parents bought her a guitar as a birthday present when she was 9. By 14, she started taking songwriting more seriously and her emerging talent led to a nomination for Aboriginal Recording of the Year at the Western Canadian Music Awards.
More about End X Music: The core of End Times’ mission is transparency and adaptability. In the world of streaming, the data is available. Artists should understand their expenses and their earnings as well as anyone they work with. It allows us to interpret and react to how, why, and where songs are being discovered. There are many pathways to success, and success looks different to everyone. Every artist and every project is unique and artists should be confident that the team built around them is being created thoughtfully and purposefully in service of their individuality. We will focus on songwriters, regardless of genre, and work together to make their music valuable by getting it to people who will use it and love it.
Ryan Kinder’s Room to Dream LP is available now. Photo: google
In the age of fitting a mold, country music’s newest renaissance man Ryan Kinder has preserved the influences and nuances which set him apart from the crowd on his road warrior ascent to streaming stardom. His debut full-length album Room To Dream unfolds like a masterclass of how to break free from genre-constraints—with distinctive swings from fuzz-laden guitar licks to feel-good drum programming to radio-ready melodies. For years, Kinder’s signature blend—he says “it’s a riff-roaring rock with a sweet side of Southern soul”—has attracted droves of fans through exceptional musicianship and electrifying live shows. He has taken all of the magic straight from the stage into the studio and the result is the eclectic and exciting Room To Dream. Fans can stream or purchase Room To Dream right now at this link. Nashville fans can catch Kinder at the Listening Room Cafe on August 21, no doubt sharing songs from his new album. Ticket information can be found here. (Ryan Kinder, 2021)
Kinder uses his tour dates to bolster his charitable organization, Kinder’s Kids. One image from the Tuscaloosa tornado stuck with him—a child clutching her teddy bear, surrounded by wreckage where their house used to be. Seeing how that toy brought her comfort, he created Kinder’s Kids to personally deliver toys to children in the aftermath of national disasters. In his tour rider, Kinder asks each venue to supply a toy for the foundation.
Beyond his music career, Kinder has immersed himself in training for triathlons and Ironman competitions. He completed his first distance cycling ride on the Natchez Trace in memory of a friend who had recently died of cancer, ultimately riding 444 miles. On that ride, he talked to his late friend’s racing buddy, who introduced him to the IRONMAN®–where an athlete swims 2.4 miles, rides 112 miles, and runs 26.2 miles. Being told that his late friend had always wanted to do one, Kinder took it upon himself to achieve that dream in his honor. In October, he will compete in the IRONMAN® World Championships in Kona, Hawaii.
Room To Dream Track list: Something Hell Is Room To Dream Tangled Up Blame Southbound Want Friends Jane Nothing But Time
Alaskan Rhino released a new album titled Caverns. Photo: google
Alaskan Rhino is a producer and musician born and raised in Alaska. Traveling around the world and listening to all sorts of different types of music led him down the path of making the type of music he makes today. Most of the time, it turns out to be experimental electronic music. He just released a new album titled Caverns on September 1, 2021. (Alaskan Rhino, 2021)
Experimental music is a general label for any music that pushes the existing boundaries and genre definitions. Caverns is available on Spotify,Apple Music, and YouTube. You can follow him on Instagram.
Caverns track listing: 1. Caverns (3:48) 2. Little Child (3:32) 3. The Bird Whistler (2:57) 4. Using My Illusion (2:59) 5. Pain Power (3:12) 6. Someone Came for Me (3:06) 7. Lakes and Rivers (3:39) 8. Falling Down (3:36) 9. I’ll Meet You There (3:42) 10. We Both Know (2:48)
Scott Krokoff’s new single ‘Far Too Many Times.’ Photo: google
With a rich sound drawn primarily from his love of 60s and 70s music, New Yorker Scott Krokoff weaves elements of folk rock and country pop into confessional and compelling Americana. He is an evocative and introspective songwriter, and a deft finger-picking in the vein of James Taylor and Paul Simon with “an edge of Replacements styled alt rock to his strum.” (Hiplanta). Scott has opened for Elle King and Grace Weber, toured from Vermont to Nashville, played live in Belgium for his biggest fan, and received radio airplay throughout the United States, Canada, and Europe. His new single “Far Too Many Times” is out now. (Scott Krokoff, 2021)
SA Examiner 