Bevar Sea signs with Metal Assault Records

India’s premier stoner doom rockers Bevar Sea signs with Metal Assault Records. Courtesy photo, used with permission.

Metal Assault Records is thrilled to announce its first international signing. India stoner/doom metal band Bevar Sea joins the Metal Assault Records roster. Stalwarts of the Indian stoner doom scene for well over a decade in addition to carrying a solid fanbase internationally within the heavy underground, Bevar Sea has inked a multi-album deal with Metal Assault Records and will release the band’s third full-length studio album, The Timeless Zone, in early 2022. Album pre-orders will be launched in Fall 2021. (Metal Assault Records, 2021)

On signing Bevar Sea, Metal Assault Records owner Andrew Bansal states: “This one is special, and close to home (literally). When I briefly moved from Los Angeles to India in 2012-13, little did I know that I’d get to discover this amazing band. I happened to attend a gig in Mumbai wherein I got to see Bevar Sea live for the first time. It was their debut album release show and they left an indelible impression on me with their musicianship and performance that night. I made sure to attend as many of their shows as I could, particularly the ones in their hometown of Bangalore. Even after moving back to the US in 2013, I kept track of Bevar Sea’s progress and stayed in touch with the band members. Fast forward to 2021, they are now signed to my label and I could not be more excited!”

Bevar Sea issued the following statement in celebration of their signing with Metal Assault Records. “Having managed the first two releases ourselves and having seen where most of our fans and orders come from, we looked out for a North America or Europe based label to release The Timeless Zone, essentially to fix some of the issues we’ve had with worldwide distribution and logistics, and also to allow us to focus more on the music itself. We’ve known Andrew as a friend and a fan for many years, and quick trivia, he was also our manager for a short while back in 2012, so his label and its diverse roster is an ideal match for us for this album and beyond.”

Established in 2008, Bevar Sea roared into the live scene in 2011. The following year, their eponymous album was released and earned them rave reviews worldwide along with the title of “Best Emerging Act” at the Rolling Stone Metal Awards India. Bevar Sea also snapped up a performance slot at the coveted Maryland Deathfest in 2013. Their debut album was mixed and mastered by the legendary Billy Anderson. The enthralling 45-min hook-ladened stoner/doom experience quickly garnered the band a firm reputation among fans in their country and internationally. Album track “Abishtu” which tells the story of a serial killer out for hipster blood and on the run from the law quickly became a live show favorite among fans while the 14-min track “Mono Gnome” about a short-statured man and his love for a witch turned out to be the pick in the doom circles.

Bevar Sea followed up their debut album with Invoke the Bizarre in 2015. Drifting into new sonic territories, the band recorded at a breakneck pace over 10 days at Adarsh Recording Studio to complete the album. Mixing and mastering duties were managed by Matt Lynch (LA’s Mysterious Mammal Recording, also from the incredible band Snail). Invoke the Bizarre was well received by music media and fans alike for its intricate song arrangements, unique story-telling and mature, well-rounded execution. Now, five years after releasing Invoke the Bizarre Bangalore’s Bevar Sea utilized the Covid-19 imposed lockdown as an opportunity to regroup and begin working on their third studio album, The Timeless Zone. Against backdrop of enigmatic lyrics portraying a tryst with the consciousness of man during a period of deep introspection; The Timeless Zone pays homage to the glory years of the 70s and 80s hard rock era while keeping things heavy handed in a gloomy haze of gnarly guitar riffs, raspy vocals, and apocalyptic fuzz. Expect even more crushing from Bevar Sea amidst the arrival of The Timeless Zone slated for release early 2022 on Metal Assault Records.

Bevar Sea The Timeless Zone lineup (2021):
Ganesh Krishnaswamy – Vocals
Srikanth Panaman – Guitars
Michael Talreja – Guitars
Avinash Ramchander – Bass

The Timeless Zone track listing:
1. The Timeless Zone
2. Alpha None
3. Sterilise The Divide
4. The Circle
5. Kiss The Sigh
6. Cadaver Awake

The Timeless Zone. Courtesy photo, used with permission.

Donovan Woods announces new label and first signee Cassidy Mann

Cassidy Mann released ‘Election Night,’ her first single with the label. Photo: google

Award-winning songwriter and recording artist Donovan Woods and his long-time manager Michelle Szeto have just announced the launch of their brand new label, End X Music (End Times Music), distributed via The Orchard, and the border-straddling Toronto and Nashville-based imprint is wasting no time loading their roster with inspiring new talent. End X Music’s first signed artist is Cassidy Mann, who just released “Election Night”—her first single with the label.  Written by tweaking melodies with co-producer Roman Clarke (Taylor Janzen, Olivia Lunny), “Election Night” captures the intense awakening and transformation that many people experienced over the four years of the prior U.S. presidency. Please visit this link to watch Mann’s “Election Night” visualizer or click here to stream or purchase “Election Night” today. (End X Music, 2021)

Szeto recalls the moment End X Music’s first signing fell into place: “Since Donovan and I started working together over 5 years ago, the idea of sharing what we’ve learned and the relationships we’ve built with another artist has always thrilled us,” she says. “We never questioned the hard work that would come with it, but rather, we didn’t think we would ever agree on an artist. When we independently came across Cassidy and sent her music to one another, it was a coincidence we couldn’t ignore. Cassidy’s songwriting and production skills are beyond her years, and we’ve been endlessly impressed with her creative instincts.”

Entwining her acoustic roots with gentle electronic textures, Cassidy Mann often reshapes a small moment into a powerful and poetic song that feels both personal and relatable. “My favorite thing is to write about tiny things that make the bigger picture more important somehow.” Mann says. The lyrics of “Election Night” focus on a couple that moved beyond just friends that night but ultimately ended as strangers. “Trump’s Presidency was hell for a lot of people and you hear about that a lot, especially from a political standpoint,” says Mann. “I think it’s a really important conversation, but throughout all of it, I was also craving the more intimate stories. I wanted to explore the idea of how the whole overarching narrative of that time affected people’s personal relationships.

Growing up in the Prairies of Winnipeg, Mann has been singing since she could talk. Her parents bought her a guitar as a birthday present when she was 9. By 14, she started taking songwriting more seriously and her emerging talent led to a nomination for Aboriginal Recording of the Year at the Western Canadian Music Awards.

More about End X Music: The core of End Times’ mission is transparency and adaptability. In the world of streaming, the data is available. Artists should understand their expenses and their earnings as well as anyone they work with. It allows us to interpret and react to how, why, and where songs are being discovered. There are many pathways to success, and success looks different to everyone. Every artist and every project is unique and artists should be confident that the team built around them is being created thoughtfully and purposefully in service of their individuality. We will focus on songwriters, regardless of genre, and work together to make their music valuable by getting it to people who will use it and love it.

Courtesy photo, used with permission.

Ryan Kinder’s debut LP Room to Dream

Ryan Kinder’s Room to Dream LP is available now. Photo: google

In the age of fitting a mold, country music’s newest renaissance man Ryan Kinder has preserved the influences and nuances which set him apart from the crowd on his road warrior ascent to streaming stardom. His debut full-length album Room To Dream unfolds like a masterclass of how to break free from genre-constraints—with distinctive swings from fuzz-laden guitar licks to feel-good drum programming to radio-ready melodies. For years, Kinder’s signature blend—he says “it’s a riff-roaring rock with a sweet side of Southern soul”—has attracted droves of fans through exceptional musicianship and electrifying live shows. He has taken all of the magic straight from the stage into the studio and the result is the eclectic and exciting Room To Dream. Fans can stream or purchase Room To Dream right now at this link. Nashville fans can catch Kinder at the Listening Room Cafe on August 21, no doubt sharing songs from his new album. Ticket information can be found here. (Ryan Kinder, 2021)

Kinder uses his tour dates to bolster his charitable organization, Kinder’s Kids. One image from the Tuscaloosa tornado stuck with him—a child clutching her teddy bear, surrounded by wreckage where their house used to be. Seeing how that toy brought her comfort, he created Kinder’s Kids to personally deliver toys to children in the aftermath of national disasters. In his tour rider, Kinder asks each venue to supply a toy for the foundation.

Beyond his music career, Kinder has immersed himself in training for triathlons and Ironman competitions. He completed his first distance cycling ride on the Natchez Trace in memory of a friend who had recently died of cancer, ultimately riding 444 miles. On that ride, he talked to his late friend’s racing buddy, who introduced him to the IRONMAN®–where an athlete swims 2.4 miles, rides 112 miles, and runs 26.2 miles. Being told that his late friend had always wanted to do one, Kinder took it upon himself to achieve that dream in his honor. In October, he will compete in the IRONMAN® World Championships in Kona, Hawaii.

Room To Dream Track list:
Something
Hell Is
Room To Dream
Tangled Up
Blame
Southbound
Want
Friends
Jane
Nothing But Time

Alaskan Rhino’s new album: Caverns

Alaskan Rhino released a new album titled Caverns. Photo: google

Alaskan Rhino is a producer and musician born and raised in Alaska. Traveling around the world and listening to all sorts of different types of music led him down the path of making the type of music he makes today. Most of the time, it turns out to be experimental electronic music. He just released a new album titled Caverns on September 1, 2021. (Alaskan Rhino, 2021)

Experimental music is a general label for any music that pushes the existing boundaries and genre definitions. Caverns is available on Spotify, Apple Music, and YouTube. You can follow him on Instagram.

Caverns track listing:
1. Caverns (3:48)
2. Little Child (3:32)
3. The Bird Whistler (2:57)
4. Using My Illusion (2:59)
5. Pain Power (3:12)
6. Someone Came for Me (3:06)
7. Lakes and Rivers (3:39)
8. Falling Down (3:36)
9. I’ll Meet You There (3:42)
10. We Both Know (2:48)

Total Runtime: 30:79

Alaskan Rhino’s new album Caverns

Scott Krokoff’s new single ‘Far Too Many Times’

Scott Krokoff’s new single ‘Far Too Many Times.’ Photo: google

With a rich sound drawn primarily from his love of 60s and 70s music, New Yorker Scott Krokoff weaves elements of folk rock and country pop into confessional and compelling Americana. He is an evocative and introspective songwriter, and a deft finger-picking in the vein of James Taylor and Paul Simon with “an edge of Replacements styled alt rock to his strum.” (Hiplanta). Scott has opened for Elle King and Grace Weber, toured from Vermont to Nashville, played live in Belgium for his biggest fan, and received radio airplay throughout the United States, Canada, and Europe. His new single “Far Too Many Times” is out now. (Scott Krokoff, 2021)

Scott Krokoff. Photo: google

September album releases from Metal Assault Records

Malison will release Death’s Embrace on September 3, 2021. Photo: google

New album releases are coming next month from Metal Assault Records. These are the September heavy hitters that are releasing new music: Malison, Dawn Fades, and The Blue Prison.  See descriptions below. (Metal Assault Records, 2021)

Malison – Death’s Embrace
Metal Assault Records
Release date: September 3, 2021

Created in 2014, Malison is reaching the heavy metal community with clean vocals and a unique amalgamation of speed, shred and harmony. The band released their first, self-titled album via the legendary Combat Records and embarked on a Southwestern tour in support. Since then, they have become a staple of San Diego metal shows and have toured the Pacific Northwest and Midwest. Malison is ready to release their second album featuring a stable and hungry line-up, as well as a new set of thrashing and melodic songs.

Malison is:
Steven Rondina (vocals, bass)
Mario Lovio (guitar)
Nick Mafi (drums)
Eddie Spade (guitar)

Blending together the best elements of traditional heavy metal, thrash, power metal and neoclassical shred, San Diego, California quartet Malison capture the energy and fury of their live show onto their newest full length studio album, Death’s Embrace. Recorded at San Diego based Plaudit Studios, the new album will be released by Metal Assault Records on physical and digital formats on September 3, 2021. Pre-orders for the album and merch bundles are available online. 

Death’s Embrace track listing:
1. Reborn (4:28)
2. M.A.D. (Mutually Assured Destruction) (4:39)
3. Death’s Embrace (5:37)
4. Lifehunt (3:14)
5. Oblivion (5:04)
6. Corrosion (3:49)
7. Absent Earth (4:19)
8. Armata (4:39)

Total Runtime: 35:49

Dawn Fades – Ode
Metal Assault Records
Release date: September 10, 2021

Los Angeles CA post-metal group Dawn Fades will release their sophomore album Ode on September 10, 2021. Ode will be available on vinyl, CD and all digital platforms via Metal Assault Records. The single and music video for “Taste” is available here.  Pre-order can be place online.  

Comprising six songs spanning ethereal experimentation and crushing heaviness, Ode shows a band unshaken by the time away from the stage, more resolute in their vision and execution. Mixed by heavy music mainstay Josh Newell (Intronaut, Anthrax, Linkin Park), the album manages to be more mature and rawer than their critically acclaimed self-titled 2019 debut. Retaining the core elements of their highly successful debut, Dawn Fades takes their musical evolution to the next level on Ode, undoubtedly leaving an even stronger impression on listeners.

Frontman and songwriter Sam Sherwood says the album is “a picture of feelings about the trappings of the world we find ourselves in.” The band also includes Scott Rosenquist on drums, Markus Erren Pardiñas on 8-string bass, and Nate Hertweck on guitar. LA Weekly describes Dawn Fades as “a mashup of Deftones and Neurosis, with hints of Eyehategod and Enslaved.” Ode will be available everywhere September 10, 2021.

Ode track listing:
1. Dearth (8:17)
2. Taste (5:11)
3. Ode: Part 1 (1:51)
4. Ode: Part 2 (5:56)
5. Front (6:57)
6. Chains (8:36)
7. Turning (3:23)
Total Runtime: 40:11

The Blue Prison – The Blue Prison
Metal Assault Records
Release date: September 17, 2021

Instrumental progressive metal duo The Blue Prison have filmed their first ever official music video and are streaming “Kaleidoscope” from their upcoming self-titled album now. Watch and listen to “Kaleidoscope” here.

Slated for release September 17, 2021 on Metal Assault Records, The Blue Prison will be available on digipack CD and on all digital music platforms along with exclusive merch bundles. Pre-orders for the anticipated debut launched today and can be accessed on The Blue Prison bandcamp page. All pre-orders include an instant download of “Kaleidoscope.

The Blue Prison is:
Keigo Yoshida (guitar)
Jaime Munoz (drums)

Through four EPs and one single released over the past six years, The Blue Prison has presented a stellar blend of sweeping progressive metal patterns, heavy dissonant guitar riffs, groovy rhythms, as well as shades of jazz fusion and ambient music. Their full length debut explores all of these elements and more. The Blue Prison is a multifaceted collection of melodic music that is heavy as hell and teeming with technical prowess and compelling musicianship.

The Blue Prison track listing:
1. Beacon (1:22)
2. Alchemist (4:57)
3. Shadows (5:27)
4. Artemis (3:34)
5. Kaleidoscope (4:28)
6. River (1:30)
7. Tyrant (4:16)
8. Vengeance v2.0 (5:35)
9. Los Angeles (3:23)
10. Rosetta (3:50)

Total Runtime: 38:22

Americana trailblazers The Delevantes return with new album A Thousand Turns

A Thousand Turns, The Delevantes’ first album of new music in twenty years, will be out September 17 on Moon River Records. Photo: google

On the precipice of brothers Bob and Mike Delevante helping define a new collective genre of music, Rolling Stone once said “The Delevantes deliver a broad view of the American musical crossroad where country and rock meet and, in this case, become one.” To put it simply, The Delevantes—along with contemporaries like Lucinda Williams, Wilco, Son Volt, the Jayhawks, and Whiskeytown—were right in the middle of it all when the term “Americana” started getting thrown around in regards to music. Now, after two decades since their last album, The Delevantes find themselves releasing new music into a thriving international scene of the roots-meets-rock-meets-country sound they helped pioneer. On September 17, Bob and Mike are releasing The Delevantes’ A Thousand Turns, a full-length album produced by The Delevantes, long-term production partner and founding member of E Street Band, Garry Tallent, and multi-instrumentalist, Dave Coleman. Fans can hear the album’s first single, “Little By Little,” right now and pre-order or pre-save A Thousand Turns right here. (The Delevantes, 2021)

Opening with a jungle-y drum beat and jangle-y guitars, “Little By Little” is a feel good tune, celebrating life’s perseverance—purposeful or not. Born and raised in a working-class New Jersey family, the brothers’ dynamic harmonies evoke classic duos like The Everly Brothers and The Louvin Brothers before them, and The Avett Brothers and Fleet Foxes after.

The Delevantes debut album, Long About That Time, was released by Rounder Records to considerable critical acclaim in 1995. Garry Tallent, long-time bass player in Bruce Springsteen’s E Street Band, co-produced the record. A growing fanbase creating a buzz, hits on the new Gavin Americana radio chart, and a memorable roots-rockin’ performance at SXSW in Austin helped the Delevantes seal a major label deal with Capitol Records. Their second album and major label debut Postcards From Along The Way, was again co-produced by Tallent.

Tallent is back yet again as co-producer on A Thousand Turns. In 2019, Bob and Mike Delevante returned to New Jersey to open for Southside Johnny, joined by Bruce Springsteen and Tallent, at the legendary Stone Pony Summer Stage in Asbury Park, New Jersey. Performing together again sparked new creative energy. With an invitation from Nashville’s Blackbird Academy to record, the brothers reunited with bandmates Tallent and Bryan Owings. The sessions gave birth to A Thousand Turns, produced by the Delevantes, Garry Tallent and Dave Coleman, and mixed by Mixmaster Bill Schnee.

A Thousand Turns Track list:
All In All
Little By Little
Short Bed Blues
The Rain’s Been Falling
Come And Go
The Light Of Your Eyes
If You Let It
Dear Kate
Deeper Shade Of Blue
Every Sunset
This Old House
The Junkman
A Lot On My Mind
I See

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Ealdor Bealu sign to Metal Assault Records

Ealdor Bealu’s sophomore album Spirit of the Lonely Places to be released on CD September 24, 2021. Photo: google

Ealdor Bealu is a progressive stoner rock quartet from the high desert of Boise, ID. With a focus on shifting dynamics from the ambient to the massive and back again, their intriguing sound expands genre boundaries to create a mosaic of sonic praise. The band’s first full-length offering Dark Water At The Foot Of The Mountain (Independent 2017) drew local, regional, and even international praise as a standout debut. Initially released on vinyl/digital on July 20, 2019, Ealdor Bealu’s sophomore full-length album Spirit Of The Lonely Places will now be released for the first time ever on Metal Assault Records September 24, 2021, followed by live tour dates across the west coast. (Ealdor Bealu, 2021)

Ealdor Bealu:
Carson Russell – Guitar, Vocals
Rylie Collingwood – Bass, Vocals
Travis Abbott – Guitar, Vocals
Michael Mulcock – Drums

Boise, Idaho progressive stoner rock / doom quartet Ealdor Bealu is the latest band to join the Metal Assault Records label roster. The band self-released their sophomore album Spirit of the Lonely Places on vinyl and digital platforms in 2019, and the album will be released on CD for the first time via MAR on September 24. In addition, the label will release the next Ealdor Bealu album in early 2022. Even more details surrounding the new release will be revealed later in 2021. For a preview of Spirit of the Lonely Places watch and listen to the official music video for lead album single, “Smoke Signal” here.

The band has also recently announced live performance dates for their Fall 2021 US West Coast tour in support of their new release. Ealdor Bealu’s tour itinerary includes an appearance in Los Angeles for a Metal Assault Records showcase event at the Old Towne Pub Pasadena on October 2. This event will also feature MAR bands Old Blood and Solar Haze.

Ealdor Bealu released the following statement on their upcoming tour dates and joining the MAR roster: “We are thrilled to announce the signing of a multi-album deal with Metal Assault Records from Los Angeles, CA! We are honored to be joining such the massively diverse, dynamic MA roster including Old Blood, Through the Occulus, Solar Haze, Beekeeper, and many more. Our first order of business together will be a limited run of 4-panel DigiPak CDs of our sophomore album Spirit of the Lonely Places, available this September. We are also very pleased to announce our Fall West Coast Tour today!! We are returning to a lot of our favorite cities on the coast as well as new stops in Sacramento, Los Osos, and Olympia. SEE YOU ON THE ROAD.”

Fall 2021 Tour Dates:
9/30 Sacramento, CA – Cafe Colonial
10/1 Santa Cruz, CA – Blue Lagoon
10/2 Los, Angeles, CA – Old Towne Pub*
10/3 San Diego, CA – Til Two Club
10/4 Los Osos, CA – Sweet Spring’s Saloon
10/5 Oakland, CA – Elbo Room Jack London
10/6 Chico, CA – The Maltese Bar
10/7 Portland, OR – High Water Mark
10/8 Olympia, WA – Cryptatropa Bar
10/9 Seattle, WA – Victory Lounge
* = MAR Showcase Event w/ Old Blood & Solar Haze

2021-09-24T16:10:00

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Suzanne Santo releases ‘Save For Love’ from new album

‘Save For Love’ is Suzanne Santo’s third single from sophomore solo album Yard Sale, available everywhere August 27, 2021. Photo: google

A tireless creator, Suzanne Santo has built her sound in the grey area between Americana, Southern-gothic soul, and forward-thinking rock & roll. It is a sound that nods to her past—a childhood spent in the Rust Belt which is also where she learned to love a yard sale; a decade logged as a member of the L.A.-based duo HoneyHoney; the acclaimed solo album, Ruby Red, of which Paste called “shameless, self-aware dialogue that opens the door for conversation that leads to real healing;” and the world tour that took her from Greece to Glastonbury as a member of Hozier’s band—while still exploring new territory. With Yard Sale, Santo boldly moves forward, staking her claim once again as an Americana innovator. It is an album inspired by the past, written by an artist who is only interested in the here-and-now. For Suzanne Santo, the here-and-now sounds pretty good. (Suzanne Santo, 2021)

Yard Sale, the sophomore solo album from now Austin, Texas-based Suzanne Santo, is comprised of 12 songs written between Hozier rehearsals, some with Santo holing up in a farmhouse on the rural Irish coast, while others were finished during bus rides, backstage writing sessions, and hotel stays. A multi-faceted creative, fans likely know Santo from her work in musical duo HoneyHoney and from her extensive touring with the aforementioned Hozier in which she was both the opener and a band member. The Cleveland, Ohio-born artist’s creative output also extends to the screen, having had acting roles in several series and features. Recently, Santo released Yard Sale’s third single “Save For Love.” It is available on all streaming platforms by clicking here. Yard Sale releases August 27 via Soundly Music.

The album presents Santo at the very top of her game musically, writing her own string arrangements and singing each song in an agile, acrobatic voice—perhaps in part due to the cathartic making-of process and what that has meant for her professionally and personally. At times, she bridges the gap between indie-rock and neo-soul. On other tracks, she mixes gospel influences with a deconstructed R&B beat. Fans will hear layers of spacey, atmospheric electric guitar and Shakey Graves on a rainy-day ballad driven forward by a metronomic drum pattern, and Gary Clark Jr. punctuating with fiery fretwork. Both Shakey Graves and Gary Clark Jr. represent Santo’s commitment to and respect for Austin’s musical community. Realizing that there is more than just tequila in the water in Texas, Santo’s move to Austin and this album is the musical equivalent of a homeowner’s purging of old possessions in order to clear up some much-needed room.

The album’s first single “Bad Beast” is also available for listening on all DSPs and by clicking here, and finds Santo wrestling creativity out of a particularly gripping bout with insomnia. “Common Sense,” the album’s second single, was released in June, and is also available for streaming by clicking here.

Yard Sale Track listing:
1. Over and Over Again
2. Mercy
3. Gold Rush
4. Save For Love
5. Bad Beast
6. Since I Had Your Love
7. Afraid Of Heights
8. Fall For That
9. Common Sense
10. To No End
11. Idiot
12. Island

On tour:
August 25 – The Kessler w/ Arlo McKinley – Dallas, TX
August 27 – Album release show @ Antone’s – Austin, TX
September 8 – Mercury Lounge – New York, NY
September 13 – Holler On The Hills Festival at Hi-Fi – Indianapolis, IN
September 28 – The Independent – San Francisco, CA^
September 29 – Sessions Music Hall – Eugine, OR^
September 30 – Mississippi Studios – Portland, OR^
October 2 – Tractor Tavern – Seattle, WA^
October 3 – Neurolux Lounge – Boise, ID^
October 4 – The State Room – Salt Lake City, UT^
October 9 – Wildwood Revival – Arnoldsville, GA
November 5 – Space Ballroom – Hamden, CT* – SOLD OUT
November 6 – Big Night Live – Boston, MA*
November 7 – Colony – Woodstock, NY
November 10 – Southern – Charlottesville, VA* – SOLD OUT
November 11 – Black Cat – Washington, DC*
November 12 – Otto Bar – Baltimore, MD*
November 13 – Union Transfer – Philadelphia, PA*
November 14 – Grog Shop – Cleveland Heights, OH* – SOLD OUT
November 16 – Thalia Hall – Chicago, IL*

*with Murder By Death
^supporting Jade Bird

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Jeremy Pinnell’s second single from new album

‘Night Time Eagle’ is Jeremy Pinnell’s second single from his new album Goodbye L.A., due out October 1. Photo: google

When Jeremy Pinnell released OH/KY in the summer of 2015 to stunned acclaim, it felt like an entire career compressed into one knock-out album. Hailed as, a “Mind-blowingly good” (Greg Vandy/KEXP) “tutorial on classic country music” (Popmatters), Pinnell’s debut immediately was set apart as authentic and unflinching. Dogged touring through Europe and the States and celebrated radio sessions followed, cementing Pinnell’s position as a no-fuss master of his craft. (Jeremy Pinnell, 2021)

His 2017 album, Ties of Blood and Affection presented a canny lateral move. Instead of doubling down on the stark themes and values of his debut, the sophomore album found Pinnell finding comfort in his own skin, achieving the redemption only hinted at in his previous batch of haunted songs. Pinnell’s newest album, Goodbye L.A., is set to be released on October 1, 2021.

In a flurry of vocal harmonies, funky telecaster picking, and a steady two step beat, Jeremy Pinnell’s brand new single “Night Time Eagle” is off to the races before listeners even know what hit them. It is a song full of Bakersfield country vibes over which Pinnell’s words narrate the balance of keeping the proverbial tour-train on its tracks. “We spent a lot of time on the road and this song was written to let my wife know everything was on the up and up,” he says. “Night Time Eagle” is the second single from Goodbye L.A., Pinnell’s upcoming album due out October 1 via SofaBurn Records. Glide Magazine premiered “Night Time Eagle” saying “For Pinnell, this tune marks an exciting new direction down yet another real-deal country sound and is only further evidence that he is an artist who is absolutely worthy of widespread acclaim.” Fans can listen to “Night Time Eagle” right now at this link and pre-order Goodbye L.A. ahead of its October 1 release right here.

For vinyl lovers, “Night Time Eagle” will be pressed as a limited run 7-inch release. The primary side of the vinyl will have the album cut of “Night Time Eagle” while the alternate side will house Pinnell’s haunting cover of the 1990 Concrete Blonde classic “Joey” which was released as a stand-alone single in January 2021. “Joey” will not be on Goodbye L.A. therefore this 7-inch will be the only way to own it on vinyl. “Night Time Eagle” will also have its own dedicated, limited edition tee shirt. Both the shirt and the vinyl are available for purchase now at sofaburn.com.

Catch Jeremy Pinnell On Tour:
August 21 – Austin, TX – The White Horse
August 22 – Galveston, TX – The Old Quarter Cafe’
August 24 – Austin, TX – Sam’s Town Point
August 25 – San Antonio, TX – Sam’s Burger Joint
August 27 – Fort Worth, TX – Magnolia Motor Lounge
August 28 – Dallas, TX – The Kessler Theater with Jonathan Tyler
August 29 – Little Rock, AR – The White Water Tavern
September 3 – Indianapolis, IN – Duke’s Indy
September 4 – Monticello, KY – Hidden Ridge Camping

Goodbye L.A. Track list:
Big Ol’ Good
Wanna Do Something
Red Roses
Night Time Eagle
Never Thought Of No One
Doing My Best
Rosalie
Cryin’
Goodbye L.A.
Fightin’ Man

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