Tag: Alternative/Indie

The Enduring Legacy of SNFU’s …And No One Else Wanted to Play

SNFU reissues pivotal punk LP ‘…And No One Else Wanted to Play.’ Photo: Doug Humiski, used with permission.

SNFU’s …And No One Else Wanted to Play Turns 40

Trust Records Announces Deluxe Anniversary Reissue

In 1985, underground rock was staunchly divided. At the heart of it was the crossover movement, the confounding middle ground between the longhairs and their arch enemies, the punks and hardcore kids. While each style had its own version of the punk-meets-thrash approach (itself a confrontation of scene norms), hardcore punk found its true disruptor in SNFU. (another side, 2025)

By bucking all the rules and writing their own, SNFU created a singular document that proved frenetic hardcore pacing and genuine catchiness were not mutually exclusive.

Trust Records is proud to announce the reissue of the bona fide classic, SNFU’s debut full-length …And No One Else Wanted to Play.

A 40th Anniversary Release

This reissue marks the 40th anniversary of the pivotal album and is available now in stores and across digital retailers.

The physical release includes two versions:

  • Standard Edition: A repress of the original LP
  • Limited Deluxe Edition:
    • Housed in a box set
    • Includes a bonus rarities LP featuring all-new artwork incorporating elements from the original seminal release
    • Accompanied by a 104-page book documenting the band from 1981–1985

Inside the Deluxe Book

The 104-page book is a treasure trove for fans and historians alike, featuring:

  • Unseen early photographs
  • Original fanzine interviews
  • Flyers, letters, and assorted ephemera
  • Ty Stranglehold’s oral history of SNFU (1981–1985)
  • Vocalist Chi Pig’s original yearbook photo

Both editions are available in several color variants.

A Cornerstone of Skate Punk

…And No One Else Wanted to Play stands as a cornerstone of skate punk and a monument to punk rock writ large, helping usher in the burgeoning genre of melodic hardcore.

With the sung vocals of Mr. Chi Pig, the dueling guitars of the Belke brothers, and a pummeling rhythm section capable of blinding velocity and sudden turns, the album achieves the rare feat of doing it all, anchored by a deep-rooted sense of melody and an ear for well-honed songwriting.

Across fourteen classic tracks, SNFU proves they can stand comfortably alongside genre-defining acts like Bad Religion, 7 Seconds, and the Descendents, influencing countless artists and sparking a shift still felt across modern music today.

The Origins of SNFU

SNFU formed in 1981 in Edmonton, Alberta, with core members:

  • Mr. Chi Pig (Ken Chinn) – vocals
  • Marc “Muc” Belke – guitar
  • Brent “Bunt” Belke – guitar

Bonding over skateboarding and punk, the band originally went by Society’s NFU (short for No F*cking Use).

The debut LP was recorded across two hectic days at Track Record Studios in Hollywood, CA, in December 1984, with BYO Records founders Mark and Shawn Stern producing. Jimmy Schmitz (bass) and Evan C. “Tadpole” Jones (drums) rounded out the lineup, departing shortly after the sessions.

Hitting the Road and Making History

Following the album’s release, SNFU embarked on a 48-date North American tour, spreading these then-new classics live and earning cult success from coast to coast.

With the release of …And No One Else Wanted to Play, and the shows that followed, those cities, and the world of punk, would never be the same. And now, after decades out of print, neither will your turntable.

New Music Video: “Cannibal Café”

SNFU is also pleased to share their new official music video for album centerpiece “Cannibal Café.” Compiled by Nathan Drillot, the video features unseen live footage and a special appearance by Mike Belke.

…And No One Else Wanted to Play – Standard LP tracklist:

Side One
1. Broken Toy
2. She’s Not on the Menu
3. Money Matters
4. I’m Real Scared
5. Joyride
6. Seein’ Life Through the Bottom of a Bottle

Side Two
7. Cannibal Café
8. Misfortune
9. Plastic Surgery Kept Her Beautiful
10. The Gravedigger
11. Bodies in the Wall
12. Get Off Your Ass
13. Loser at Life / Loser at Death
14. This Is the End

Begging Dog: Jeff Kleinman’s Gritty Tribute to Everyday Life

Begging Dog shares new single Common Place from forthcoming album. Photo: Photo By Kat Nijmeddin, used with permission.

Begging Dog: Jeff Kleinman’s Raw, Everyday Poetry Finds Its Voice

Begging Dog is the indie-punk project of Los Angeles–based artist and multi-instrumentalist Jeff Kleinman. Known for his work with Choir Boy, Kleinman created Begging Dog as an outlet for songs that embrace the mundane with a raw, homespun sound. The project leans into garage-punk grit and plain-language lyricism, capturing the poetry of everyday life. (another side, 2025)

A Demo That Sparked a Buzz

Kleinman’s debut, DEMO 1, spread quickly through underground circles. Word reached Dais Records, who soon signed Kleinman and announced a wider vinyl release of the original album.

Clocking in at just 26 minutes, DEMO 1 is packed with rolling bass and synth lines, charismatic riffs, and motorik drum beats. Sonically lean but emotionally weighty, the project showcases Kleinman’s distinctive storytelling and ear for melody.

Characters, Scenes, and Lived-In Observations

Lyrically, DEMO 1 drifts through a series of lived-in characters and scenes:

  • a pushy union rep
  • a mailman with a steady federal job
  • a compulsive gambler
  • a beloved neighborhood homeless man

Ex-lovers flicker in and out of several tracks, collaged into sharp, witty free verse. Kleinman cites Bruce Springsteen as an influence, not in genre, but in philosophy. He writes in “plain ink,” opting for direct simplicity over flowery prose.

Loneliness in Plain Sight

Much of DEMO 1 taps into a shared loneliness, universal and uniquely tied to life in Los Angeles. The title track anchors that feeling as Kleinman sings, “no one loves a begging dog.” Borrowed from a friend, the line encapsulates the project’s core: the world can make you feel like a begging dog searching for affection and security, yet there’s beauty in solitude, routine, and the quiet hum of everyday life.

From Solo Recordings to a Seven-Piece Band

Kleinman recorded DEMO 1 almost entirely on his own. But live, Begging Dog expands into a dynamic seven-piece band, giving the songs a new sense of scale and energy.

“No matter how good or not good you have it, you’re kind of like looking for something more,” Kleinman says. He stops short of assigning grand meaning to the work, maintaining a sense of humility that permeates the project. DEMO 1 thrives on this balance of candor, grit, and hook-driven songwriting.

Release Details

DEMO 1 was mixed and mastered by Matt Whitehurst. It’s currently streaming on all major platforms and will be released on vinyl via Dais Records on December 12. It is available for pre-order.

Kleinman’s latest single, “Common Place,” reflects on his five years living in Salt Lake City, another snapshot of everyday life reframed through Begging Dog’s honest, unvarnished lens.

DEMO 1 Tracklist:
01 – Begging Dog
02 – Cave In On Me
03 – Money Tree
04 – The Eel
05 – Laughing Boy
06 – Clamshell Tune
07 – Continuing Education
08 – Tell Me That You Love Me
09 – Common Place
10 – Here For A Good Time

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The Berries Return: Matthew Berry’s Most Personal Album Yet

The Berries announces forthcoming new album. Photo: Ajalena Dewolf Moura, used with permission.

The Berries Announce New Self-Titled Album — Out August 29

A Return to Form for Matthew Berry

The Berries marks a pure return to form, delivering Matthew Berry’s strongest take yet on the hallowed tradition of the guitar-wielding singer-songwriter. The LP masterfully channels the tradition’s iconic sentiments—naked Americana, chemical winds whistling over barley shafts, longing-swollen livers, and pleading romance—while infusing them with a rich melancholy that is distinctly Berry’s. (another side, 2025)

Breaking from the Past

Berry describes the record as an act of survival and rebirth:

“This record came out of a need to break from my old self, to break from a lifestyle that I could no longer bear waking up to everyday. It’s equally fueled by remorse and relief—I can rejoice a bit in having found a renewed purpose, but I had to finally stare down everything that was standing in the way of that sense of dignity first.”

Sound and Structure

Sonically, The Berries draws inspiration from a long lineage of studio-centered pop songcraft—from the comedown genius of Tusk-era Fleetwood Mac to the reverb-drenched expanses of The War on Drugs.

The album unfolds as a series of impressionistic vignettes, each track carving out its own emotional terrain rather than conforming to established genre convention.

Lead Single: Angelus

On standout track and lead single “Angelus,” Berry threads together tender vocal melodies over a sparse progression, slowly building a wall of melancholy. The song resonates with a distinctly Californian desolation—capturing the loneliness of highway overpasses and the apocalyptic brightness of staring out across the Pacific.

Evolution of The Berries

The Berries began as a bedroom project—cosmic Americana and fuzzy guitar heroics that quickly secured Berry a multi-record deal with Run for Cover Records.

Since then, Berry has explored:

  • Berryland — country-inflected balladeering
  • Throne of Ivory — distorted, stadium-sized melodrama
  • High Flying Man — Californian burnout pop

Now, with The Berries, Berry steps fully into his role as a self-made studio auteur. Written in early 2025 and recorded that summer at engineer Jimmy Dixon’s home studio, the record reflects both urgency and precision, co-produced by Berry and Dixon.

Release Details

The Berries (self-released) will be available in stores and online August 29, 2025. It is available for pre-order/pre-save.

The Berries tracklist: 

1 – Sedentary Blues
2 – Vagabond
3 – Angelus
4 – White Peach
5 – Wind Chime
6 – Run You Down
7 – Salt Of The Earth
8 – Lie In The Fire Again
9 – Something Better
10 – Seventh
Album Art/Photo By Ajalena Dewolf Moura

Skeleten Unleashes His Boldest Sound Yet with ‘Let It Grow’—A Glimpse into Mentalized

Skeleten shares ‘Let It Grow’ single from new album Mentalized, out on February 7, 2025. Courtesy photo, used with permission.

Eora/Sydney-based artist Skeleten (aka Russell Fitzgibbon) unveils his final single “Let It Grow” from his forthcoming second album, Mentalized, out February 7 via 2MR / Astral People Recordings. (another side, 2025)

Amidst a record absorbed in the ways we’re disconnected from ourselves every day – “mentalized for better or worse” – “Let It Grow” immerses in a dissociative surrender. Over a sensual synth line, Skeleten breathes life into the inexplicable weight of intimate connection. It’s a submission to that feeling of an “it” that cannot be denied. The song hangs heavy in the air, unmoving like the heat of an overpacked club, and the only way out is up.

“‘Let It Grow’ was so natural it just kinda started existing without me even realising it. Which I guess is the whole vibe of the song. Surrender and acceptance??”- Skeleten

“Let It Grow” completes a lineup of adored singles “Deep Scene”, “Love Enemy”, “Viagra,” and “Bodys Chorus” alongside respective remixes by Axel Boman and Spray, in laying the foundations for Mentalized. The releases have earned tastemaker nods from Pitchfork, Stereogum, Paste, Brooklyn Vegan, KEXP, KCRW, BBC 6Music, FBi Radio, Apple Music’s ‘Best of 2024’ playlists, and more.

This month Skeleten will complete a 3-month residency at Sydney’s Pleasure Club, spotlighting local talent across the city’s different scenes, alongside Skeleten and his full live band. Having already united acts like Hugh B and the Modern Pop Ensemble, Dylan Atlantis, Scruffs. and Killian, stay tuned via Skeleten’s socials for the final surprise announcement. Skeleten will also perform at Golden Plains Festival in March, alongside esteemed artists PJ Harvey, Fontaines D.C, Kneecap and more.

Mentalized tracklist:
1 – These People
2 – Love Enemy
3 – Bodys Chorus
4 – Crack In The Shell
5 – Deep Scene
6 – Raw
7 – Let It Grow
8 – Viagra
9 – Ravers Dream
10 – Mindreader

Skeleten Live Dates:
Mar 8 – 10, 2025: Golden Plains Festival, Meredith Supernatural Amphitheatre, VIC

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Vlad Holiday’s My Favorite Drug: The Soundtrack for a Modern Love Story

Sonic shapeshifter Vlad Holiday announces debut record with release of new single Closer. Photo: Kate Lamendola, used with permission.

Romania-born, Nashville-based melancholy romantic Vlad Holiday recently announced that his debut record, My Favorite Drug, will be released on November 15 via ONErpm. Along with this news comes the second single Closer. Feeling like a covert mission, or a secret known only between two lovers, the deeply layered song seems to endlessly build before it is quickly punctuated. (Big Hassle, 2024)

The most recent release features guest vocals from Cage The Elephant’s Matt Shultz, who is also a co-writer on the track. For careful listeners, Shultz’s voice can be heard singing the “ah ah ah ah” hook and some repeated “closers” in the outro.

On the single, Holiday shares, “This is a love song. It introduces the romantic element of the album. It’s about going with the flow and letting the universe do its thing, rather than forcing things into existence.”

Kacey Musgraves joined Holiday for the bender-ender, genre-fusing track I Don’t Wanna Party Anymore. The sultry, mischievous track arrived right on time for his tour dates alongside Cage The Elephant, Young the Giant and Bakar. See all upcoming dates here and below.

UPCOMING TOUR DATES
November 6 – Grand Rapids, MI – Pyramid Scheme
November 7 – Indianapolis, IN – LO-FI Lounge

On his upcoming debut album Holiday said, “I’ve been releasing music for years, and a full-length album never really seemed like a thing I wanted to do. But as these songs were being written, I was noticing a pattern. Fragments of a story I had to tell. More for myself than for anyone else. It’s definitely one of those, ‘listen to it in order’ albums.”

Vlad Holiday has made a career of romanticizing the past, the human condition, and looking at love and relationships through dark-tinted lenses. With downtempo crooner tracks all tinged with melancholy, Holiday has built a sonic world of his own that tries to find comfort in accepting the darker moments in life. Having gained over 40 million streams as a completely independent artist, it seems as if he’s resonating with a subculture of people that are also trying to do the same. 

Born in Bucharest, Romania, later having to flee to New York, and now based in Nashville, Holiday’s sound is heavily shaped by the weight of feeling like an outsider always on the move. Building the foundation of his music career with a downtown NYC lo-fi sound, he’s deeply indebted to his love for vintage microphones, tape machines and other old recording equipment; key elements of his signature sound and production style. 

Now in Nashville, there’s an optimism to Holiday’s current chapter as he builds out his next body of work while collaborating with other artists in Music City. Most recently, he co-wrote Cage The Elephant’s “Neon Pill,” “Metaverse” and “Over Your Shoulder” before being joined by Kacey Musgraves on “I Don’t Wanna Party Anymore. However bright the current moment may be, flecks of Holiday’s past always steep his music in a darkness that shows that he is a human in the middle of his journey. 

Courtesy photo, used with permission.
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Transformative Sounds: The Impact of trauma ray’s Chameleon on Listeners

trauma ray’s Chameleon will be released on October 25, 2024. Photo: Will McCarthy, used with permission.

The powerful new single Bardo from the North Texas rock band trauma ray is eerie, deviating between noisy one string bends and surging headbang, mapping a middle ground between Unwound and nu-metal. (another/side, 2024)

“Bardo is the in-between. Whether that’s life or death, or a purgatory. It’s about being stuck in between one phase and the next. When you can feel the past fading and yet you can’t quite see the path to the future either.” – Jonathan Perez, trauma ray guitarist

The Texas five is set to release their highly anticipated debut album Chameleon on October 25 via Dais Records which has already seen early acclaim from The FADER, Stereogum, Consequence (Heavy Song of the Week), Brooklyn Vegan, New Noise and more. Since first making waves with a S/T EP in 2018, trauma ray has been honing their live set across increasingly adventurous American tours – stacking amps and turning heads show by show, justly earning them a massive following in no time. The band’s three guitar attack is a force to behold, alternately surging, savage and spectral, drenched in precision distortion. 

The core songwriting duo of Uriel Avila and Jonathan Perez has expanded and refined the project’s vision and craft, culminating throughout Chameleon. Rounded out by bassist Darren Baun, drummer Nicholas Bobotas, and guitarist Coleman Pruitt, the album both synthesizes and transcends its influences, a stormy fusion of downer hooks, apocalyptic beauty, and bulldozer riffs.

The name trauma ray was inspired by the German word for ‘daydream, or ‘dream state,’ in classic shoegaze fashion. Avila’s background in a devout Pentecostal community gives his lyrics about guilt, purgatory, and passing to the other side to an emotional authenticity that cuts through the music’s majestic volume.

Chameleon is a masterpiece of craft, balance, melody, lyricism, and gravity, flexing a fresh vision of loud-quiet-loud architectures and the vertigo depths of blasted harmonics. From Slowdive to Deftones to Hum and beyond, trauma ray absorb and expand on their influences into a rare and dedicated alchemy. trauma ray’s cinematic tempest is a gathering storm only just taking flight.

Just after a U.K. run, trauma ray will perform across their home state including dates at Levitation and with Panchiko. Other highlights include two release shows: one headlining The Roxy in LA and San Diego’s Voodoo Room. See all dates below and grab tickets here.

Trauma Ray Live Dates:
Oct 26: Birmingham, UK – XOYO *
Oct 27: Manchester, UK – B.E.C. Arena (Outbreak Autumn)
Oct 28: London, UK – New Cross
Oct 31: Rubber Gloves – Denton, TX
Nov 01: Levitation – Austin, TX
Nov 03: Oklahoma City, OK – Tower Theatre ~
Nov 04: Little Rock, AR – EJ’s
Nov 06: Kansas City, MO – The Truman ~
Nov 07: Chicago, IL – Sleeping Village #
Nov 08: Indianapolis, IN – Deluxe ~
Nov 09: Grand Rapids, MI – Elevation ~
Nov 10: Pittsburgh, PA – Roxian Theatre ~
Nov 12: Philadelphia, PA – Union Transfer ~
Nov 13: Boston, MA – 4th Wall
Nov 14: New Haven, CT – Toad’s Place
Nov 15: New York, NY – TV Eye #
Nov 16: Washington, D.C. – Comet Ping Pong !
Nov 17: Richmond, VA – Cobra Cabana !
Nov 18: Raleigh, NC – Kings !
Nov 19: Atlanta, GA – Altar #
Nov 20: Birmingham, AL – Saturn #
Nov 21: New Orleans, LA – Siberia #
Nov 22: Houston, TX – TBD #
Nov 23: San Antonio, TX – Paper Tiger #
Nov 29: Los Angeles – The Roxy (Record Release) ^
Nov 30: San Diego – Voodoo Room (Record Release) $

* w/ Citizen
~ w/ Panchiko
# w/ Leaving Time
! w/ Leaving Time and Full Body
^ w/ Toner, Lvster, Slumped
$ w/ Toner, Slumped, Sparkler

Chameleon tracklist:

1 – Ember
2 – Torn
3 – Chameleon
4 – Bardo
5 – Bishop
6 – Elegy
7 – Drift
8 – Breath
9 – Spectre
10 – Flare
11 – ISO
12 – U.S.D.D.O.S.

Sweet Delusions: Eddy Lee Ryder’s Latest Musical Journey

Sweet Delusions is Eddy Lee Ryder’s forthcoming new album. Photo: Jeff Harris, used with permission.

With the release of her first full-length album on the horizon, Eddy Lee Ryder unveils her newest single, “Bad Decisions,” which is coincidentally the birthday of the heartbreaker who inspired the tune. Synthesizing timeless songcraft, dramatic introspection, and infinite pop smarts to create a breathtaking song cycle of apocalyptic romance and anxious regret, badly broken hearts, and wishful hope for the future, Sweet Delusions will be available everywhere soon. (One In A Million Media, 2024)

Quirky and charming while still precise and powerfully personal, Sweet Delusions reveals the self-described “demented pop” chanteuse as a one-of-a-kind new artist, her unabashed heartache and beguiling humor completely her own yet as identifiable and real as any of our own. Penned and performed with uncommon brio and invention, the album sees Ryder musing on lust, longing, and lost love across shimmering choruses and a vertiginous undercurrent of contemplative melancholy, turning her raw pain into expertly wrought anthems that simultaneously hearken back to both truck stop jukeboxes and glittering art deco cafés.

Having earned applause for her sadly beautiful portraits of love and life on the margins, with songs like “Smoke and Mirrors” featured in the cult hit horror film Terrifier 2, Ryder set to work on her long-brewing debut album in 2022, collaborating with producer Dave Cerminara between his studio in LA and the Outlier Inn in New York’s southern Catskill Mountains.

Once Ryder hit the studio, armed with a cache of songs inspired by “an extremely bad ending with someone who was my best friend,” her apocalyptic romanticism naturally led to the album’s “accidental country” sound, a rhinestone-flecked bed of twangy guitars, languid bass, and irresistible melodies created with accompaniment from longtime Father John Misty drummer/musical director Dan Bailey, multi-instrumentalist Daniel Chae, pedal steel player Rich Hinman, and keyboardists Todd Caldwell, and Dave Shephard, along with harmonies and other help from NYC friends like pianist Abby Payne and Rebecca Haviland.

Despite her love of guise and character, the clear through line that unifies Ryder’s still evolving body of work is her storyteller’s gift for cutting to the quick of her own complex, unconventional nature. Impossible to pigeonhole, with Sweet Delusions, Eddy Lee Ryder proudly avoids being fitted into any particular category or genre, her creative adventurousness and tongue-in-cheek humor distinctly and undeniably her own.

“I don’t how to not write from a personal perspective. How do you sit down and write something that’s only surface?” – Eddy Lee Ryder

Sweet Delusions tracklist:

1. Sweet Delusions
2. Highwaymen
3. Bad Decisions
4. Joke Is On Me
5. Antarctica
6. Pennyroyal Tea
7. Simple Touch
8. Shoop Shoop Shut Up
9. Smoke and Mirrors
10. Only Real Cowboy
11. County Fair