Tag: Americana

Boston based bluegrass band Mile Twelve returns with new album

Mile Twelve’s new album Close Enough to Hear will be out February 3, 2023. Courtesy photo, used with permission.

Mile Twelve, Boston’s modern string band, is back in motion. From the first manic downbeat of their virtuosic new record, Close Enough to Hear, you will discover a band that is ready to explode from a restless pandemic-induced hiatus. You will hear the same warmth and innovation that earned the band IBMA’s 2019 Album of the Year nomination and 2020 New Artist of the Year Award, which has gained them an international reputation as one of the most dynamic bands in contemporary acoustic music. Heard as a whole, Close Enough to Hear displays the vast creative potential of the bluegrass quintet—banjo (BB Bowness), mandolin (Korey Brodsky), fiddle (Ella Jordan), acoustic guitar (Evan Murphy), and upright bass (Nate Sabat)—in the hands of world-class musicians. (Mile Twelve, 2023)

Fans of Mile Twelve will notice the presence of two new members on Close Enough to Hear: fiddler and vocalist Ella Jordan and mandolinist Korey Brodsky. Take note of the new dimension they add to the band and their ability to lock in with founding members Evan Murphy, Catherine Bowness, and Nate Sabat. These are not session players; this album captures the formation of a new coherent unit.

Both of the bands’ previous full-length albums, as well as their guest star-packed EP, were recorded in Nashville but the new challenges of traveling and dodging positive Covid tests kept the band closer to home. They chose Sam Kassirer’s legendary Great North Sounds in the woods of Parsonsfield, Maine, a studio that has played host to a murderer’s row of Americana acts and has become a fixture of the New England recording scene. Leading up to the making of their new album, Mile Twelve—a flourishing act whose output has helped push the envelope of New England’s progressive bluegrass and string-band scene—learned a whole new level of perseverance, patience, and performance.

Fans can watch the music video for “Close Enough to Hear” and pre-order or pre-save Close Enough to Hear ahead of its February 3 release.

This is a band looking forward—simultaneously shoring up their bluegrass foundations (in the transfixing acapella opening of “If Only,” for example) while also pushing their musical boundaries and driving into new territory. You will detect flavors of jazz (“Red Grapes on the Vine”), acoustic pop (“Take Me As I Am”), and trance music (“Light of Angels”). Heard as a whole, Close Enough to Hear displays the vast potential of acoustic string band music in the hands of capable players.

Close Enough to Hear track list:
Romulus
Johnny Oklahoma
Close Enough To Hear
Red Grapes on the Vine
Light of Angels
Hopping Around Telluride
Waiting
Anywhere Town
Take Me As I Am
If Only

1675423200

  days

  hours  minutes  seconds

until

Close Enough to Hear release date

Upcoming album release: This Road – The Runaway Grooms

The Runaway Grooms will release This Road on February 10, 2023. Photo: Google

For many years, Colorado has been the birthplace for a myriad of unique musical gems and The Runaway Grooms are no exception. The Runaway Grooms’ classic sound is a refreshing take on contemporary jam band music as it celebrates the authenticity and wholesomeness of traditional American roots music through tonality, lyricism, and instrumentation. After finishing their 6th national tour, The Runaway Grooms are now creating a buzz in many different musical communities around the country, sharing bills with nationally renowned and Grammy nominated artists like Umphrey’s McGee, Robben Ford, Leftover Salmon, Twiddle, Trombone Shorty, North Mississippi Allstars, and many more. Their newest album, This Road, is a blending of their previous two albums, marking the band’s return to an American roots rock style of songwriting, while simultaneously sending listeners on extended instrumental journeys through rich and colorful sonic landscapes. (The Runaway Grooms, 2023)

On February 10, the Grooms—guitarist and vocalist Adam Tobin, keyboardist Cody Scott, bassist and vocalist Zach Gillam, drummer Justin Bisset, and guitarist and vocalist Zac Cialek—are releasing their third studio album, This Road, into the world and onto stages nationwide. Recorded on the road at Paloma Sound Studios in Memphis, Tennessee, with former Ardent Studio engineer Jeremy Horn, the Grooms’ third LP marks the band’s return to more of an American roots rock songwriting style, all while keeping one foot in the tight-knit jam band circle from which they emerged. Equally inspired by jazz-fusion exploration from the likes of Steely Dan, Atlanta Rhythm Section, and Yes, and the guitar-driven prowess of Allman Brothers Band, Lynyrd Skynyrd, and Grateful Dead, This Road dives in and out of grooves and moods, turning on a dime, but always focusing on what the band sees as the most important aspect; the song. In addition to telling stories and gleaning wisdom from life, love, and struggle, This Road captures an array of emotions and moods drawn from the dramatic narrative of living on the road in a touring band.

JamBase premiered the first track from This Road, the piano-driven rocker “Jenny.” Written by Tobin as a letter from his late grandmother to his mother, “Jenny” is a story about love, life, family, and the passing of time. Recorded live in the studio to capture the organic energy found in The Runaway Grooms’ live show, “Jenny” winds higher and higher, punctuated by Cialek’s piercing lap steel guitar and Scott’s change from rhythmic piano to swirling B3 organ. The up and down dynamics of the song’s instrumentation flows beautifully with its lyrical content, exactly as the band intended, and is capped off by an all-engulfing slide guitar solo before the song effortlessly fades into the album’s next track. Westword included the track in their new music column this week, calling it “six minutes of classic-rock bliss that’s equal parts The Band and the Allman Brothers.”

Fans of the aforementioned bands and more modern contemporaries like Goose or Billy Strings should check out “Jenny” today and stay up to date on all things ahead of their February 10 release. 

This Road track list:
Jenny
Mister Ford
Here I Come Again
This Road
Heartwork

1676033043

  days

  hours  minutes  seconds

until

This Road release date

New album release: Darkest Hour – The Gibson Brothers

The Gibson Brothers announce upcoming album Darkest Hour, due out January 27, 2023. Courtesy photo, used with permission.

The Gibson Brothers are the real deal. They can pick. They can sing. And they can write a damn good country song. Country Music Hall of Famer Tom T. Hall was always an early supporter, encouraging their writing, and predicting success. They have won about every bluegrass award you can name and released albums on almost every premier Americana label you can think of including Sugar Hill and Rounder. Their songs have been recorded by bluegrass legends no less than Del McCoury. It is a resume almost anybody in country music would be proud to have. Despite all of this, The Gibson Brothers are not yet household names. Their latest album, Darkest Hour, produced by dobro master Jerry Douglas, might just change that. It is due out January 27, 2023. (The Gibson Brothers, 2022)

Kicking off with a flurry of traditional bluegrass excellence, The Gibson Brothers’ new single Dust is more than a just statement of musicianship. It is the whole package; world-class picking, clear and refined vocals, and rock-solid songwriting. An ode to leaning into down-and-out—“Left in the dust” by ex-lover— Dust puts a clever, positive spin on being left behind. “Me and dust, we do fine.” Dust is the first track The Gibson Brothers have shared from their upcoming album Darkest Hour. Produced by dobro king Jerry Douglas, Darkest Hour represents the purest form of Leigh, Eric, and the band’s stage show, with a room full of exceptional musicians.

Darkest Hour spans from trad-grass to country-soul and back again, utilizing classically bluegrass instruments as well as electric guitars and drums to craft a sound fit for the songs it surrounds. While The Gibson Brothers have achieved a level of success doing things their way, and that is not going to change, those who know—their peers that voted them to two Entertainers of the Year Awards, and their famed crop of producers—know just how talented these guys are and just how much they deserve for Darkest Hour to take The Gibson Brothers to a whole new level.

Fans can purchase or stream Dust today at and pre-order or pre-save Darkest Hour ahead of its January release.

Darkest Hour track list:
1. What A Difference A Day Makes
2. Heart’s Desire
3. So Long Mama
4. I Feel The Same Way As You
5. Shut Up and Dance
6. I Go Driving
7. My Darkest Hour
8. Who’s Gonna Want A Heart Like Mine
9. One Minute Of You (Song For Annie Gray)
10. Your Eyes Say His Name
11. Dust
12. This Good Day

1674816023

  days

  hours  minutes  seconds

until

Darkest Hour release date

Barrett Davis releases acclaimed debut album The Ballad of Aesop Fin

The Ballad of Aesop Fin is longtime Carolina songwriter Barrett Davis’ solo debut album. Courtesy photo, used with permission.

“I just came to this serious point in my life where I realized that if I want to make music and perform, then it’s now or never—I’ve got to make something of it,” remembers 29-year-old musician Barrett Davis of the time leading up to his debut album The Ballad of Aesop Fin. Luckily, for us listeners, Davis’ dedication to his dream paid off in spades. Released last week, The Ballad of Aesop Fin delivers a vibrant tapestry of songs, ranging from modern Americana to classic country, indie-folk to the “high, lonesome sound” of bluegrass—the last of which comes with a little help from Woody Platt, longtime lead singer for Davis’ hometown, Grammy-winning bluegrass outfit, Steep Canyon Rangers. The record itself is a kitchen sink of tones—as heard on “Quiver,” “Lazarus,” and “Carolina Still”—one which ideally showcases the wide-range and unknown depths of Davis, his musical pursuits, and exploits. (Barrett Davis, 2022)

Fans can hear The Ballad of Aesop Fin in its entirety and check out some intimate, in-studio videos of “Carolina Still,” “Lazarus,” and “Quiver feat. Woody Platt.” 

The Ballad of Aesop Fin In The News: Fretboard Journal premiered Aesop Fin’s first single, “Quiver,” writing, “We love this track from Davis and we especially love seeing Woody Platt, formerly of Steep Canyon Rangers, helping out on backing vocals.” JamBase premiered the album’s penultimate track, “Lazarus,” a song about “friendship and renewal.” The Bluegrass Situation premiered the video for “Carolina Still,” an ode to Davis’ ancestry, his family’s deep roots in North Carolina, and his great-grandfather Gus.

John Apice reviewed the album for Americana Highways, commenting, “North Carolina’s Barrett Davis has style, ear-caressing sincerity in his music & an arresting voice in many of these well-crafted songs.” 

The Ballad of Aesop Fin track list:

  1. Highway 64
  2. Carolina Still
  3. Quiver
  4. Oh Sleeper
  5. Bama Shores
  6. Your Worth
  7. Lazarus
  8. Aesop Fin

“Aesop Fin is a mythical character, raised in the woods. His dad is a moonshine runner, his mother nowhere to be found,” Davis says. “Aesop finds a lover and ends up getting killed in a gambling incident, then she ends up tumbling into a waterfall—it’s symbolic of the vicious cycle of tragedies in these mountains of Appalachia.” 

Growing up in Lake Toxaway, North Carolina, a rural outpost community in the mountainous ridges of Transylvania County, Davis was surrounded by music from an early age—exposed to the blues licks of his guitar-playing father, the swirling classical sounds of his mother’s piano playing or the inner echoes of his sister, now a professional opera singer. Davis himself went on hiatus for several years, getting married and raising a young family, all while starting his own construction business to put food on the table for his wife and two kids.

New album release: Jack Schneider’s Best Be On My Way

Jack Schneider announces debut album with first single ‘Josephine.” Best Be On My Way will be out November 11, 2022. Courtesy photo, used with permission.

Americana newcomer Jack Schneider has a laundry list of eclectic descriptors fitting to precede his name—record producer, songwriter, tape machine enthusiast, Vince Gill’s rhythm guitarist, and NYU grad, to name a few—but on November 11, Schneider will be adding “recording artist” to that list with the release of his debut LP Best Be On My Way. Recorded live to tape in Nashville with some of the city’s biggest names—the aforementioned Gill, David Rawlings, Stuart Duncan, and Dennis Crouch—Schneider’s inaugural record is a testament to tradition, timelessness, the modern relevance of old ways, and above all, the necessity of looking at the past in order to know just where you are headed. Riddled with raw truths, compelling stories, and unforgettable sonic motifs, Best Be On My Way is necessary listening for life’s long road ahead. (Jack Schneider, 2022)

Holler premiered Best Be On My Way’s first single, the album-opening “Josephine.” Showing their highest praise for the opening track they stated, “If listening to Jack Schneider feels like traveling back in time then maybe that’s because in some ways you are. Records are capable of taking you places and Jack Schneider and his band have every intention of setting you on a journey back through the years to a time when everything felt a little more real somehow.” The song finds Schneider strumming his beloved 1956 Martin D-28 guitar, “Big Jim,” in front of an all-star band of acoustic musicians. A delicate blend of love and longing, “Josephine” will be a shoo-in for fans of The Band, Bob Dylan, or James Taylor—and contemporary favorites like Gillian Welch, Watchhouse, or The Avett Brothers. Fans can hear “Josephine” right now and pre-order or pre-save Best Be On My Way ahead of its November 11 release.

Best Be On My Way was recorded on a hot day in June at Nashville’s Sound Emporium. Inside the air-conditioned studio, there was a slight quiver in the air—the hum of a tape machine, the impression that the atmosphere was churning inside a black-and-white photograph. The session felt as though it were a real-life culmination of a long and tenuous journey on Schneider’s part, in which he had collected friends and strangers along the way and gathered them together for the odyssey’s retelling. From childhood friends to recent mentors, the motley crew of musicians sat in a wide circle in the live room as around a campfire, much to the contemporarily trained Engineers’ dismay. The players themselves are evidence of a gap Schneider is bridging between musical generations: Grammy award-winning artists Vince Gill and David Rawlings played alongside both Stuart Duncan and Dennis Crouch—longtime Nashville session musicians—and Liv Greene and Griffin Photoglou, two twenty-something artists fresh out of college.

Throughout the long months of quarantine, Schneider began working intensively with former Gruhn Guitars colleague and frequent collaborator, Wes Langlois. Shut up in the studio together for weeks, the two wrote, recorded, and released what they referred to as “vanishing albums:” full-length records accessible for a week at a time each during the pandemic, after which they were removed from streaming services and unavailable for physical purchase. It was from these ephemeral collections of songs that the seed for Schneider’s (permanent) debut record was born.

Best Be On My Way track list:
Josephine
Farewell Carolina
Marietta
Tennessee
Best Be On My Way
Don’t Look Down
Slow Things Down
Nothing Left To Show
In The Morning
Del Rio Blues

1668198663

  days

  hours  minutes  seconds

until

Best Be On My Way release date

Ghost of Paul Revere announces final album

Ghost of Paul Revere signs to Americana Vibes for final album, Goodbye, and catalog deal. Photo: Nicole Wolf, used with permission.

Ghost of Paul Revere, a band with over a decade of accolades and friendship, offer their final collection of songs in the form of a record aptly titled Goodbye, which is available everywhere for streaming. Releasing via Americana Vibes, and featuring the band’s—Griffin Sherry [guitar, vocals], Max Davis [banjo, vocals], Sean McCarthy [bass, vocals], and Chuck Gagne [drums, vocals]—signature blend of folk, bluegrass, rock, country, and Americana rooted in ponderous lyricism and raucous energy, Goodbye is both an offering of gratitude to fans and a celebration. (Ghost of Paul Revere, 2022)

For this release and their back catalog, the band has signed with Americana Vibes, of which the label co-founder Ivory Daniel, says “Everything that we strive for here at Americana Vibes is embodied within the music, art, and humanity behind this album, Goodbye. We’re excited to welcome the Ghosts to our family, and even more so to release this body of work while amplifying the importance of the Ghosts catalog across the globe.”

The collection of songs on Goodbye feels a bit like a victory lap, one in which the band is enjoying the natural end to all good things and inviting fans to attend a rowdy, joyful curtain closing of sorts. The album’s origins are much like the band’s, beginning by decamping to a family cabin to reunite and write in late 2020. 48-hours of writing in ‘20 fueled the creativity to continue writing into ‘21. By the time they hit the studio with co-producer and engineer Dan Cardinal, they had decided the overall direction and opted to primarily record live.

“The record ebbs and flows between soft songs that are more akin to what we used to do and more rocking songs with pretty good grit to them,” says Sherry. The band’s final offering, Goodbye, plays homage to the more-than-a-decade of music-making with friends. “How does one write an obituary of a ghost?” the band asked on social media when announcing their departure from the scene. The answer, of course, is hidden in the 12 songs of Goodbye.

Goodbye track listing:
At Least I Know It’s True
In My Yard
Gratefully Here
In Deep
JTE
Letters From the War of Love and Loss
Me and My Shadow
Rider
Vivid Dream
Older Lately
Knuckle
Goodbye

Americana trailblazer Jim Lauderdale announces new album Game Changer

Jim Lauderdale’s new album Game Changer will be out August 26, 2022. That Kind of Life (That Kind of Day) is the new single from the album. Courtesy photo, used with permission.

In a flurry of steel guitar and raucous drum beats, Americana renaissance man Jim Lauderdale kicks off Game Changer—his 35th full-length album—with “That Kind Of Life (That Kind Of Day),” a rollicking ode to what Jim calls “the sentiment and wishes for others to have a good life.” Lauderdale had the instrumental twin guitar/steel hook in his head when he sat down to write “That Kind Of Life.” American Songwriter premiered the track and called it “a message of the times, delivered like only Lauderdale can in a blended Americana fuse.” Fans can listen to “That Kind Of Life (That Kind Of Day)” now and pre-order or pre-save Game Changer ahead of its August 26 release. (Jim Lauderdale, 2022)

In addition to the exciting news of Lauderdale’s new album, he has also just been named a 2022 nominee for the Nashville Songwriters Hall of Fame. Lauderdale, along with eleven other of his contemporaries, will be celebrated at the Songwriters Hall of Fame Gala in October where the Class of 2022 Hall of Fame inductees will be announced.

Operating under his own label, Sky Crunch Records, for the first time since 2016, Lauderdale recorded Game Changer at the renowned Blackbird Studios in Nashville, co-producing the release with Jay Weaver and pulling from songs he had written over the last several years. “There’s a mixture on this record of uplifting songs and, at the same time, songs of heartbreak and despair—because that’s part of life as well,” he says. “In the country song world especially, that’s always been part of it. That’s real life.”

At any given time, you are likely to find Jim Lauderdale making music, whether he is laying down a new track in the studio or working through a spontaneous melody at his home in Nashville. If he is not actively crafting new music, he is certainly thinking about it. “It’s a constant challenge to try to keep making better and better records, write better and better songs. I still always feel like I’m a developing artist,” he says. This may be a surprising sentiment from a man who’s won two Grammys, released 34 full-length albums, and taken home the Americana Music Association’s coveted Wagonmaster Award. His forthcoming album Game Changer is convincing evidence that the North Carolina native is only continuing to hone his craft.

Catch Jim Lauderdale on tour:
August 13 – Maggie Valley, NC – Songwriting Camp
August 26 – Nashville, TN – Grand Ole Opry
August 31 – Nashville, TN – 3rd & Lindsley album release show
September 11 – Bristol, VA – Bristol Rhythm and Roots
September 13-17 – Nashville, TN – AmericanaFest
September 24 – Nashville, TN – Tommy Emmanuel’s CMA Theatre
September 25 – Nashville, TN – Tommy Emmanuel’s Guitar Camp
October 7 – Augusta, GA – Summer Series
October 8 – Pelham, TN – Cave Fest @ The Caverns
October 12 – Jacksonville Beach, FL – Blue Jay Listening Room
October 13 – Live Oak, FL – Suwanee Roots Revival 2022
October 21 – Pomeroy, OH – Songwriter Weekend Fur Peace Ranch
November 3 – Los Angeles, CA – Outlaw Country West 2022

 

1661507880

  days

  hours  minutes  seconds

until

Game Changer release date