Él Mató a un Policía Motorizado, also known as EMAUPM or Él Mató, is an Argentinian indie rock band from La Plata established in 2003. The band has just announced their North American tour, and before they kick things off, they’ll be making a special stop in Dallas as part of Frontera 2025. This will be their only Texas performance.

This intimate 500-capacity show is free and open to the public, but RSVP is highly encouraged to guarantee entry: RSVP HERE. The performance will take place at Kessler Theater on Friday, April 11. Doors open at 7:30p.m., show begins at 8:30p.m. (Giant Noise/Southwest Review, 2025)

More information on Frontera 2025:

DALLAS – Dallas-based magazine Southwest Review, the third-longest-running literary quarterly in the United States, announces the lineup for the second annual Frontera. This year’s festivities will take place April 11–12, 2025, in Oak Cliff’s historic Bishop Arts District.

The lineup assembles artists from English-speaking North America and Spanish-speaking Latin America for a two-day celebration of literature, music, comics and film. Set to take place at The Wild Detectives, Kessler Theater and Texas Theatre, all Frontera events will be free and open to the public.

Frontera will kick off at The Wild Detectives with a conversation between American cartoonist Lynda Barry and fiction writer Mary Miller, followed by musical performances from The Paranoid Style, Karly Hartzman and Él Mató a un Policía Motorizado at Kessler Theater. RSVP highly encouraged HERE.

The second day will feature a screening of the Blood Simple (1984) by Joel and Ethan Coen, plus a conversation between award-winning author Megan Abbott and crime novelist William Boyle at the Texas Theatre. Additional readings at The Wild Detectives will feature Mateo García Elizondo, Brenda Lozano, Ashleigh Bryant Phillips, Joseph Grantham, Brenda Navarro, Federico Perelmuter, Julia Kornberg, Patricio Ferrari, Eli Cranor, and Kimberly King Parsons, offering audiences a chance to engage with some of the most compelling voices in contemporary literature.

Guests are invited to the festival’s final event at The Wild Detectives featuring a celebratory DJ set running from 7:30p.m. until close.

Because the Southwest is a place where borderlands converge, the region is dependent on the two-way flow of language and culture. Southwest Review has long championed Latin American literature in translation, working closely with independent publishers to introduce groundbreaking voices to new audiences. Thanks to the generous support of the Southern Methodist University Department of English, Frontera brings this editorial vision to life in an increasingly bilingual North Texas region.