Tag: Bluegrass

Dynamic Guitar Duo: Keel & Stickley’s Self-Titled EP Drops September 5

Two master guitarists with distinct, complementary personalities join together for bold music full of depth, energy, and inspiration. Courtesy photo, used with permission.

Larry Keel & Jon Stickley Release Debut Duo EP

ASHEVILLE, NC — Larry Keel and Jon Stickley have long been recognized as two of the finest flatpicking guitarists of this generation. Now, they’ve joined forces to celebrate the pure joy of acoustic guitar music with their new duo project. Their chemistry is undeniable—effortlessly weaving rhythm and lead, creating an intimate conversation between two guitars and two voices, while maintaining their own distinct musical personalities. (Dreamspider Publicity, 2025)

Their self-titled debut EP, Larry Keel and Jon Stickley, will be independently released on September 5. Pre-save/Pre-order here.

A Duo Years in the Making

“I’ve wanted this project to happen for so long!” Keel says. “Jon and I have been on many of the same bills all over the place for so many years, teaming up in jams, sit-ins, and campfire pickings, and yet we’ve never gotten our fill of playing together as guitar players—which we both seem to crave. So, now we’ve put this guitar duo act in motion, playing shows and making a record, and it feels great getting to scratch that itch.”

About the EP

The five-track collection blends lyrical songwriting with adventurous instrumentals:

  • “Future Ghost” – A shredding, dynamic instrumental that highlights the duo’s contrasting styles. Stickley describes the interplay as “very freeing and exhilarating.”
  • “Sailor Suit” – A cover of Steve McMurry’s 1990s Acoustic Syndicate tune, with Stickley on lead vocals.
  • “Pioneers” – Written by Keel during a 1990s tour along the Oregon Trail, this track reflects on the journeys of early settlers in the American West.
  • “Take the Air” – A Stickley original, inspired by David Grisman and Tony Rice, written in 7/4 time during the pandemic as a meditative, uplifting riff.
  • “Starborn” – Classic Keel: upbeat yet tinged with melancholy, closing with a spacey outro that serves as a tribute to a released soul.

Together, these songs push the boundaries of two-guitar arrangements, resulting in a progressive and compelling acoustic collection.

“Pioneers” is out as an early single. Stream/buy here.

Festival Favorites

Keel and Stickley are no strangers to the stage. Both have been staples on the bluegrass, Americana, and jam band circuits for years, sharing late-night jams and festival stages at Strings and Sol, Jam Cruise, DelFest, Hulaween, Suwannee Spring Reunion, Roots Revival, Hoxeyville, The Bender Jamboree, WinterWonderGrass, and Billy Strings’ Renewal, among many others.

✨ The Keel Stickley Duo brings raw virtuosity, creative spirit, and late-night jam energy to every note. Their debut EP is just the beginning of an inspired new chapter in their musical journey.

Larry Keel and Jon Stickley track listing
1.) Future Ghost (2:34)
2.) Sailor Suit (4:07)
3.) Pioneers (3:24)
4.) Take the Air (2:56)
5.) Starborn (4:03)

Produced by Larry Keel and Jon Stickley
Recorded/Engineered by James McLaughlin
Mastered by Crystal Mastering
Artwork/Design by Luther Blevins

‘Suitcase Blues’: Shelby Means Hits the Road with Her Solo Debut

Shelby Means gets help from her all-star friends for a heartfelt road song, “Suitcase Blues.” It’s the latest single from the Maya de Vitry-produced self-titled solo debut. Photo: Hunter McRae, used with permission.

Shelby Means Packs Up the “Suitcase Blues” and Heads Down a New Road

“I had driven out of Nashville hundreds of times as a touring musician, but this time I was packed up and moving to a different city,” says songwriter, singer, and bassist Shelby Means.

Known for her dynamic work with world-class string bands like Della Mae and the GRAMMY-winning Molly Tuttle & Golden Highway, Means is now stepping into the spotlight with her debut solo album, Shelby Means. The bittersweet memory of leaving Nashville is captured in her latest single “Suitcase Blues.” (IV-PR, 2025)

Backed by an all-star lineup—Billy Strings on harmony vocals, along with Bryan Sutton, Michael Cleveland, Ron Block, and Sam Bush—the track offers a poignant twist on the classic road song.

“Bryan, Michael, Ron, and Sam brought incredible life and depth to the recording,” Means shares. “Already a very strong collaboration with the band, I was honored that Billy Strings agreed to sing harmony. His voice and energy mixing with mine and the sentiment of the song paint a vivid picture of chasing down a dream on the open road.”

Musically, “Suitcase Blues” rolls forward on a moody chord progression, its trepidation mirrored in the interplay of fiddle and banjo, with tasteful flourishes on guitar and a brief, emotive mandolin solo. The lyrics tell a story many touring musicians know all too well:

“I don’t know when I’ll be back
I gotta go with Cackalack Jack
It’s a lonesome road that I choose
Packing up my suitcase blues”

🎧 Listen now: Stream or purchase “Suitcase Blues.”
📀 Explore more music: Check out previously released singles — “Farm Girl,” “Streets of Boulder,” and “Million Reasons.”
🛒 Pre-order the full album: Shelby Means arrives May 30. Pre-order now.
💾 Want to pre-save on Spotify? Click here.

🎶 Catch Shelby Means on Tour

May 23 – WMOT Finally Friday @ 3rd and Lindsley – Nashville, TN
June 4 – The Ramkat & Gas Hill Drinking Room – Winston Salem, NC
June 6 – Midwood Guitar Studio – Charlotte, NC
June 7 – Charleston Pour House – Charleston, SC 🌟 Album Release Show
June 25 – The 5 Spot – Nashville, TN 🌟 Album Release Show
July 4 – Soundcheck Summer Music Series – Pinedale, WY
July 6 – Hot House West – Salt Lake City, UT
July 13 – Means House Concert – Laramie, WY
July 17 – Big View House Concerts – Westcliffe, CO
July 18 – Music on the Green – Telluride, CO 🎤 with Maya de Vitry
July 25 – RockyGrass – Lyons, CO 🎤 with Molly Tuttle & Golden Highway
August 22 – Charleston Pour House – Charleston, SC 🎤 with Bronwyn Keith-Hynes
October 18 – Henderson Bluegrass – Henderson, NV
October 20 – WoodSongs – Lexington, KY
October 22 – Red Barn Radio – Lexington, KY

📍 See all tour dates online.

🌾 About Shelby Means

Shelby Means was born in the bluegrass of Kentucky and raised on the high plains of Wyoming. With nearly two decades of experience across bluegrass, folk, rock, Americana, and country, she’s one of the most respected upright bassists in the roots music world.

During her years in Nashville, she was a core member of the GRAMMY-nominated Della Mae, bringing her magnetic presence and deep rhythmic pocket to stages across the globe. She’s since toured nearly 30 countries as a musical diplomat and collaborated with some of the genre’s finest artists.

Now based in Charleston, SC, Means also performs with Molly Tuttle & Golden Highway, earning her first GRAMMY with the group’s 2023 release, City of Gold. Her accolades include multiple IBMA awards for her work with both Della Mae and Golden Highway.

With her upcoming solo debut, Means opens a new chapter—blending tradition with individuality, heartache with hope, and musicianship with soul.

From NPR to the Grand Ole Opry, Telluride, Bonnaroo, Newport Folk, and beyond, Shelby Means is forging a path that’s both grounded and boundless.

Shelby Means album cover. Courtesy photo,used with permission.

The Seldom Scene Reimagines a Classic: A Bluegrass Twist on Bob Dylan’s ‘Farewell, Angelina’

The Seldom Scene gives fans a new take on a long-beloved Bob Dylan Song. Photo: Jeromie Stephens, used with permission.

Bethesda, MD -This month, The Seldom Scene released their delicate and masterful version of the timeless classic “Farewell, Angelina.” Written by Bob Dylan for his widely-lauded album Bringing It All Back Home (1965) and famously recorded by Joan Baez, the haunting waltz is still being resurrected six decades later. And not just by US-based songwriters like Jeff Buckley and John Mellencamp—the song has been carried through France and Italy (“Adieu, Angelina,” “Addio Angelina”), India, Sweden, and beyond. The Seldom Scene’s elegiac interpretation glides through intimate conversation between words and strings. (IV PR, 2025)

“This song, written in 1964, is another gem by Bob Dylan,” says Seldom Scene bassist Ronnie Simpkins, whose daughter insisted the band give the song their own treatment. “I’m glad we listened!” he laughs. Basing their arrangement more on Mellencamp’s 1997 Rough Harvest version than the original, the 53-year-running quartet originally from Bethesda, Maryland, gives “Farewell, Angelina” space to breathe and blossom. The track opens with Ron Stewart deftly picking the guitar in duet with Bluegrass Hall of Famer Dudley Connell’s rich, soft voice. One by one, dobro, fiddle, mandolin, and acoustic bass add subtle new layers to the story without overtly announcing themselves. The Seldom Scene’s poignant arrangement gives depth and texture to the song’s surreal poetry.

“Farewell, Angelina” is the latest single from the Seldom Scene’s forthcoming album, Remains to Be Scene—out March 14 on Smithsonian Folkways. Continuing their long-running legacy of pulling gems from outside of and within the bluegrass canon and reimagining them in what is now the Seldom Scene’s signature style, Remains to Be Scene features an interpretation of Jim Croce’s “A Good Time Man Like Me Ain’t Got No Business (Singin’ the Blues),” a pair of songs by Bob Dylan: “Walking Down the Line” and, of course, “Farewell Angelina,” while also revisiting a fan-favorite, “White Line,” from the iconic Live at the Cellar Door album and paying tribute to their inspirations, Flatt & Scruggs, with “Hard Travelin’.”

Americana UK shared an early listen. Today, fans can stream or purchase “Farewell, Angelina” and pre-order or pre-save Remains to Be Scene ahead of its March release here.

Remains to Be Scene tracklist:
Last of the Steam-Powered Trains
Crossroads
A Good Time Man Like Me Ain’t Got No Business (Singin’ the Blues)
Hard Travelin’
Farewell Angelina
Walking Down the Line
Lonesome Day
I Could Cry
White Line
Show Me the Way to Go Home
The Story of My Life

Self-produced with engineering and mixing by Jim Robeson at his studio The Bar in Rockville, Maryland, Remains to Be Scene caps the end of an era for the group in many ways. The album is dedicated to the memory of Bluegrass Hall of Famer and Seldom Scene cofounder Ben Eldridge, who retired from the group in 2014. But Eldridge remained a major presence and friend to the band, penning heartfelt liner notes for this album before his passing in April 2024. 

Also notable is that Remains to Be Scene marks the final album for Dudley Connell, another Bluegrass Hall of Famer as a member of the Johnson Mountain Boys. Connell wrapped up a Seldom Scene tenure of nearly three decades on guitar and vocals with his retirement at the end of 2024. “Twenty-nine years, dude, that’s a long, long time,” Connell says with a laugh. “No regrets, I’ve loved every minute of it, and it’s been a real joy working with these guys for so long. But I want to get out while I still have my mobility and can travel, walk my dog, things like that.”

The Seldom Scene has mostly stayed close to home in the greater Washington, D.C. vicinity for most of its 53 years of existence. Even as the progressive bluegrass quintet’s lineup has turned over multiple times from those early days, The Scene has maintained an admirably high standard of musicality and artistry, on record as well as onstage at live-residency venues like The Birchmere in Alexandria, Virginia.

The band makes old songs sound brand new while putting a bluegrass spin on some of the least-likely cover songs in the genre. Those virtues are all in place on Remains to Be Scene, their 24th album, released on Smithsonian Folkways, on which they cover everybody from Bob Dylan to The Kinks with customary flair. The album is also another milestone effort for the Scene — the first since the passing of co-founder Ben Eldridge (who penned liner notes before his death in April 2024) as well as the last for longtime Scene member Dudley Connell, who is retiring after 29 years in the band. As usual, the rest of the Scene is taking those departures in stride. One way or another, The Seldom Scene will go on. 

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Honoring John Hartford: Tribute Album Brings Classic Fiddle Tunes to Life in Volume 2

Julia Belle: The John Hartford Fiddle Tune Project Vol 2 features the most beloved female artists in the Hartford-inspired bluegrass scene. Courtesy photo, used with permission.

Nashville, TN – In the twenty-three years since Bluegrass and Americana titan John Hartford’s passing, the witty, vibrant tunes of the Grammy-winning, river and steamboat-obsessed, flatfoot dancing legend have taken on a life of their own, creating an entire sub-genre of the American music canon. That’s thanks to not only Hartford’s pure, funny, and virtuosic catalog, but also to the family and friends attending to the late banjo and fiddle player’s legacy. In the past few years alone, Hartford’s daughter, Katie Harford Hogue, and modern-day fiddle great Matt Combs compiled a never-before-seen collection of unrecorded music in a book entitled “John Hartford’s Mammoth Collection of Fiddle Tunes” which quickly turned into a star-studded album, The John Hartford Fiddle Tune Project Vol 1. (IV PR, 2024)

Today, Hartford’s legacy takes another step into the future with the announcement of Julia Belle: The John Hartford Fiddle Tune Project Volume 2. Again co-produced by Hogue, along with Sharon Gilchrist and Megan Lynch Chowning, Volume 2 celebrates some of the most beloved female artists in the Hartford-inspired bluegrass scene: Rachel Baiman, Phoebe Hunt, Ginger Boatwright, Brittany Haas, Deanie Richardson, Allison de Groot, Della Mae, The Price Sisters, Uncle Earl, and many more.

“The feeling of working on an all-female project is unparalleled. It felt powerful and developed a real sense of togetherness and community.” – Della Mae’s IBMA Award-winning bassist and vocalist, Vickie Vaughn

Volume 2 contains thirteen new Hartford instrumental fiddle tunes and five “legacy” covers of beloved John Hartford songs, all of which take on new life under the hands—and voices—of some of the finest musicians around today. “What is so incredible is that you hear these tunes played in so many different ways, and Dad comes through on every one of them,” says Hogue. “It’s like his DNA is in the songs.” Today, with the announcement of Volume 2, one of Hartford’s most beloved songs, “Steam Powered Aereo Plane,” was released, much to the pleasure of the Goodle Family, the official-ish collective of Hartford fans worldwide. 

Fronted by legendary country vocalist Kathy Mattea, the cast behind “Steam Powered Aereo Plane” delivers a mellow, true-to-the-original version of the song originally released on Hartford’s 1971 album of a slightly altered name, Aereo-Plain. Alison Brown, who produced the single, leads into the first verse on banjo accompanied by none other than Sierra Hull on guitar. Gradually Missy Raines brings in the bass and Larkin Poe’s Megan Lovell and the latest Punch Brothers band member Brittany Haas add their dobro and fiddle flourishments, respectively. The result is four straight minutes of pure John Hartford ethos, brought into the present day by a lineup of some of the most respected and accomplished musicians of their time—all of whom credit Hartford as an iconic influence in their musical lives. 

Fans can stream or purchase “Steam Powered Aereo Plane” and pre-order or pre-save Julia Belle: The John Hartford Fiddle Tune Project Vol 2 ahead of its February 28 release. 

For fans who can’t get enough Hartford, the Hartford family has rallied their efforts around the Goodle Family Patreon page: a subscription-driven home base for all things John Hartford. Whether it be archival releases, updates on the Fiddle Tune Project, orin-person/livestream fan meetups—like the upcoming installment of Mammoth Marathon Mondays.

Julia Belle: The John Hartford Fiddle Tune Project Vol 2 tracklist:
Irish Familiarity
The Julia Belle Swain
Grant Marsh & Joseph La Barge/Little Pig/Entertainment Tonight (medley)
Spirit of the South
Availability
I’m Still Here
Kenny and Mac
Merry Christmas
Learning To Smile All Over Again
Royal Box Waltz
Takes Her Clothes Off
Gasoline Alley No. 1
No End of Love
Living Up Stairs
Not Soft Enough
Don’t Throw Her Down
Steam Powered Aereo Plane
Champagne Blues

One of the most respected musicians in Nashville history, John Hartford is considered a cornerstone of the newgrass movement due to his 1971 masterpiece, ​Aereo-Plain​. He won a career four Grammy Awards, including two for his 1967 recording of “Gentle on My Mind,” a third for his 1976 album Mark Twang, and a fourth for his contributions to the O Brother, Where Art Thou? soundtrack in 2000. He was posthumously inducted into the International Bluegrass Music Hall of Fame in 2010, was awarded the Americana Music Association President’s Award in 2005, and the Folk Alliance “Spirit of Folk” award in 2011.

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Max Wareham’s Daggomit!: The Story Behind His Debut Album

Banjo player, songwriter, and author Max Wareham announces debut, Peter Rowan-produced album Daggomit! Photo: Sasha Pedro, used with permission.

Whether on archaeological digs or translating medieval poetry, the past has always been a north star for banjo player, songwriter, and author Max Wareham. His commitment to early innovators of the banjo shines on Daggomit!, his debut album of soulful original songs, highlighted by the hard-driving chemistry of Nashville’s preeminent bluegrass stars. Wareham tours nationally with the Peter Rowan Bluegrass Band, bringing his creativity to the Telluride Bluegrass Festival, Ryman Auditorium, Merlefest, Green Mountain Bluegrass Festival, IBMA Bluegrass Music Awards, and many more, as well as with his own band, Max Wareham and the National Bluegrass Team. (IV PR, 2024)

“It brings me back to my childhood,” says Max Wareham of his new single “Lonesome Blues, I’m Coming Home,” “camping in the woods of New York state and longing for a simpler time.” Forever a student of bluegrass tradition, Wareham has tapped into a very real feeling that can be found all the way back before the genre had its name; part nostalgia, part yearning. 

“I wrote this one a while back,” says Wareham. “Then I took it to Peter Rowan, who proceeded to disassemble it completely and put it back together in a way that made more sense.” The tutelage of his bandleader boss Rowan helped to hone Wareham’s arrangement into a beautifully simple melody with ample room for instrumental embellishment and crystalline harmonies by former members of the Grammy-nominated band, Po’ Ramblin’ Boys, Laura Orshaw and Josh Rinkel. 

MAGNET Magazine shared an early premiere of “Lonesome Blues, I’m Coming Home.” Fans can stream or purchase “Lonesome Blues” at this link.

“Lonesome Blues, I’m Coming Home” is the latest single from Wareham’s upcoming debut album, Daggomit!, which was produced by Rowan and is due out on February 21. Fans are encouraged to check out Wareham’s previously released single “Hard Times Are Far Behind” at this link and pre-order or pre-save Daggomit! ahead of its February release right here.

Wareham is currently touring with Max Wareham & the National Bluegrass Team, featuring international mandolin prodigy Jean Baptiste Cardineau, singer and guitarist Walker Russell, and Boston bass stalwart Emma Turoff. Tour dates for Warham & the National Bluegrass Team as well as Wareham’s appearances with the Peter Rowan Bluegrass Band can be found online.

Produced by legendary grasser Peter Rowan and recorded by multi-Grammy-winning engineer Sean Sullivan, Daggomit! features Chris Eldridge and David Grier on guitar, Laura Orshaw on fiddle, Chris Henry on mandolin, Mike Bub on bass, and Larry Atamanuik on snare drum; a group of stars making the initial listen of the album worth the price of admission, alone. But fans will undoubtedly stick around for the stories Wareham tells throughout the 13-song collection. Stories from a lifetime of experiences and feelings that together tell the story of exactly what makes Max Max. 

Daggomit! tracklist:
Walking In Jerusalem
Lonesome Blues, I’m Coming Home
The Black & Gold
That’s Just Part Of It
Heartaches
Rexford Falls
Gone, Baby, Gone
I Remember
Hard Times Are Far Behind
Cattails
Bar Blues
Drifting Too Far From The Shore
Miles

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Rooted in Melody: Laurie Lewis’ New Album Trees

Laurie Lewis will receive a 2024 IBMA Distinguished Achievement Award and is on tour with new album. Courtesy photo, used with permission.

BERKELEY, Calif. — With five decades of music-making to her credit, multi-GRAMMY nominee Laurie Lewis has emerged as both a successor and contemporary of the many greats in bluegrass, old-time, and folk music. Unafraid to venture beyond established boundaries, she has carved out her place as a uniquely singular vocalist, songwriter, instrumentalist, and frontwoman in genres revered for their adherence to tradition, authenticity, and the canon of the forebearers. (Dreamspider Publicity, 2024)

The International Bluegrass Music Association (IBMA) has announced that Lewis will receive a 2024 Distinguished Achievement Award at the IBMA Bluegrass Music Awards taking place Thursday, September 26, at the Martin Marietta Center for the Performing Arts in Raleigh, North Carolina.

A two-time IBMA Female Vocalist of the Year, she also won the coveted Song of the Year award for her rendition of the now-standard ‘Who Will Watch the Home Place?’ She has sung and recorded with Linda Ronstadt (“Pretty Bird”), and set poems by Wendell Berry to music—at his request (“Burley Coulter’s Song for Kate Helen Branch”). She’s influenced and inspired folks like guitarist phenom Molly Tuttle—one example of an entire generation of pickers and singers who call her a mentor. Ultimately, Lewis occupies a unique, superlative niche in American roots music that is all her own.

Lewis released her 24th album, TREES, on May 31 on her own label, Spruce and Maple Music. With it, she presents a profound and multifaceted perspective with life, nature, loss, and grief. While deeply reflective, this set includes danceable music that drips with community and never feels burdened by its subject matter or apparent solitude. These songs—seven originals and a handful of covers—aren’t too concerned with genre, especially given that bluegrass and old-time tend to spout from Lewis like a bubbling mountain spring, in so many distinct manifestations. 

Her band includes Lewis on guitar and lead vocals throughout (along with fiddle on one track), Hasee Ciaccio on bass, Brandon Godman on fiddle, Patrick Sauber on banjo, and George Guthrie on guitar and banjo. Special guests on the album include Andrew Marlin on mandolin, Sam Reider on accordion, and Nina Gerber on guitar.

Trees tracklist:
1. Just a Little Ways Down the Road
2. Enough
3. Texas Wind
4. Why’d You Have To Break My Heart
5. Quaking Aspen
6. Trees
7. Long Gone
8. Hound Dog Blues
9. The Banks are Covered in Blue
10. Down on the Levee
11. The Day is Mine
12. Rock The Pain Away

Laurie Lewis Tour Dates:
9/17-20 – Bluegrass on Whitewater – Rogue River, OR
9/22 – FreshGrass Festival – North Adams, MA
9/25-26 – IBMA Conference – Raleigh, NC
9/27 – IBMA WOB Festival – Raleigh NC
10/5 – Hardly Strictly Bluegrass – San Francisco, CA
11/2 – McCloud River Mountain Music – McCloud, CA
11/8 – The Old Steeple – Ferndale, CA
11/9 – Soper Reese Theatre – Lakeville, CA
11/30 – Freight & Salvage – Berkeley, CA

Laurie Lewis. Photo: Irene Young, used with permission.

Live From The Ryman: Modern-Day Bluegrass Legend Dan Tyminski’s New Live Concert Album

Dan Tyminski: Live From The Ryman bottles the bluegrass legend’s electric live show. Courtesy photo, used with permission.

Bluegrass is a vibrant American musical genre rooted in Appalachian folk traditions. Characterized by its upbeat tempo and virtuosic instrumentation, it blends elements of Scotch-Irish folk music with jazz and blues influences. Typical bluegrass ensembles feature acoustic instruments like the banjo, fiddle, mandolin, guitar, and upright bass. The genre’s hallmark is its high, harmony-rich vocals and complex, improvisational solos, often performed in a fast-paced, “breakdown” style. Over the years, bluegrass has evolved while still preserving its traditional core, resonating with audiences through its authenticity, storytelling, and lively spirit.

I became a fan of the genre when the movie O Brother, Where Art Thou came out where Dan Tyminski sings “I Am A Man Of Constant Sorrow.” In today’s music news, his new album is out now and it includes that song.

Dan Tyminski is an icon of modern-day bluegrass. In addition to reaching Number 1 on the Billboard Bluegrass Albums chart with solo albums like 2008’s Wheels and 2023’s God Fearing Heathen, he has won 14 Grammy Awards, released multiple records as a member of Alison Krauss & Union Station, and topped the charts in more than 10 countries with “Hey Brother,” his genre-bending collaboration with DJ Avicii. Tyminski sang “I Am A Man Of Constant Sorrow” on O Brother, Where Art Thou?’s multi-platinum soundtrack, inspiring a new generation to discover bluegrass and traditional American folk music. His new release, Dan Tyminski: Live From The Ryman captures him onstage in Nashville, Tennessee, performing a mix of songs from throughout his career with a string band. (IV-PR, 2024)

Released via 8 Track Entertainment and ADA/Warner Music Group, Dan Tyminski: Live From The Ryman shines a light on his acclaimed live show. Recorded in Nashville at the Ryman Auditorium—the legendary venue known as “The Birthplace of Bluegrass”—the new album showcases the sharp songwriting, full-throttle vocals, and guitar chops that have powered Tyminski’s music for decades. It’s also a showcase for his ace band, a young group of fiery flat-pickers, hotshot instrumentalists, and harmony singers whose sheer talent is matched only by the band’s frontman. The result is a blend of old and new: a record that makes room for traditional influences, progressive energy, cover songs, originals, and unreleased material.

Fans can stream or purchase Dan Tyminski: Live From The Ryman right now. Physical copies of Live From The Ryman—vinyl and CD—will be available at all retail outlets on October 4.

“The musicians in this band grew up listening to my music, so they know my stuff much better than I do!” Tyminski says. “If you listen to how they play and how well they listen to each other, you’ll notice there’s a conversation going back and forth at all times.”

That conversation springs to life during instrumental numbers like “Cumberland Gap.” It continues with live renditions of “Ode to Jimmy” (a tribute to Tyminski’s childhood hero, Jimmy Martin), “Silence in the Brandy” (which examines the lingering effects of PTSD on soldiers returning home from war), and “GOAT” — all of which appeared on God Fearing Heathen, which debuted at Number 1 on the Billboard Bluegrass chart in 2023—and breathes new life into older material like the aforementioned “This Sad Song,” which Tyminski first performed on Alison Krauss & Union Station’s Grammy-winning Lonely Runs Both Ways. On “Whiskey Drinking Man,” Tyminski sings about hard liquor with a commanding voice that reaches all the way to the rearmost rows of the Ryman, then cedes the spotlight to mandolinist Harry Clark, fiddler Maddie Denton, Dobro player Gaven Largent, banjoist Jason Davis, and upright bassist Grace Davis. There’s also a standout performance of “I Am a Man of Constant Sorrow,” the career-changing song that won a Grammy Award in 2002 and has since served as a bridge for multiple generations of music fans, helping them discover their own love of bluegrass and traditional folk music.

Dan Tyminski: Live From The Ryman tracklist:
This Sad Song
Let Me Fall
Modern Day Jezebel
Cumberland Gap
Ode to Jimmy
God Fearing Heathen
The Boy Who Wouldn’t Hoe Corn
I Am a Man of Constant Sorrow
Silence in the Brandy
Say Won’t You Be Mine
GOAT
Whiskey Drinking Man
Old Home Place

Catch Dan Tyminski on tour:
August 30-31 – New Richmond, QC – New Richmond Bluegrass Festival 2024
September 20 – Louisville, KY – Bourbon & Beyond 2024
October 5 – Doswell, VA – State Fair of Virginia
October 11-12 – Big Stone Gap, VA – Blue Highway Fest 2024
October 18-19 – Farmers Branch, TX – Bloomin’ Bluegrass Festival 2024
October 20 – Brownwood, TX – Brownwood’s Lyric Theatre
November 16 – Rochester, NY – Kilbourn Hall

Exploring the Heartland: Jim Lauderdale’s Latest Album My Favorite Place

Jim Lauderdale’s new album My Favorite Place will be released June 21, 2024. Courtesy photo, used with permission.

Jim Lauderdale is the Grammy Award winning singer, songwriter, and performer known as one of Americana’s most steadfast champions. Put him in a room with a killer band and a near-as-can-be-perfect country tune, and one would be hard-pressed to find a better combination in all of current-day music. Luckily, that’s exactly what happened when Mr. Americana took to the studio to record “I’m A Lucky Loser.” Flanked by Chris Scruggs and Kenny Vaughn on electric guitars, Wes L’angolis on acoustic, Will Van Horn on pedal steel, Micah Hulshcer on piano, Pat Bubert on drums, and equally stellar touring band members Jay Weaver, Frank Rische, and Lillie Mae Rische, Lauderdale took to Nashville’s famed Blackbird Studios to track the lilting, cheeky ode to luck, both good and bad. (IV-PR, 2024)

“I’m A Lucky Loser” is the latest single from Lauderdale’s upcoming LP, My Favorite Place—out June 21. Continuing a string of stellar releases with his touring band, The Game Changers—Craig Smith (Guitar), Frank Rische (Guitar), Jay Weaver (Bass), Dave Racine (Drums), and the extraordinary Lillie Mae Rische (Vocals)—along with some of Music City’s favorite ringers like the cast of “I’m A Lucky Loser,” My Favorite Place is pure Jim Lauderdale country; his legendary voice carrying a new batch of stories, all framed by pure pedal steel, fiddle, and the tightest rhythm section this side of the Grand Ole Opry. 

To hear the new single live, fans can check out Lauderdale’s recent performance and interview on RFD-TV here. Fans can stream or purchase “I’m A Lucky Loser” at this link, hear Lauderdale’s previously released singles, “You’ve Got A Shine,” and “Mrs. Green” at their respective links, and pre-order or pre-save My Favorite Place, ahead of its June 21 release right here. 

My Favorite Place tracklist:
My Favorite Pace
Mrs. Green
The Lightning Tree
You’ll Be Gone By Then
Sweethearts Remember
Don’t You Treat ‘Em That Way
Baby Steps
I’m A Lucky Loser
We Ought To Celebrate
You’ve Got A Shine
What’s Important After All

Catch Jim Lauderdale on tour. A full list of Lauderdale’s tour dates can be found below or online.

June 13 – The Colonial Theatre – Phoenixville, PA ^
June 14 – Ardmore Music Hall – Ardmore, PA ^
June 15 – Godfrey Daniels – Bethlehem, PA
June 22 – Grand Ole Opry House – Nashville, TN
June 27 – ROMP – Owensboro, KY *
July 30 – Pickin’ in Parsons Bluegrass Festival – Parson, WV
August 31st – Thomas Point Beach Bluegrass Festival – Brunswick, ME *
September 13 – Bristol Rhythm & Roots Reunion – Bristol, TN
September 27 – IBMA Bluegrass Live – Raleigh NC
September 28 – IBMA Bluegrass Live – Raleigh NC
October 10 – Eddie’s Attic – Decatur, GA !
October 13 – CaveFest – Pelham, TN

^ With Los Lobos
* With The Po’ Ramblin’ Boys
! With Lillie Mae

https://youtu.be/upxUpZkKaAE?si=eq_CvgEkyL9mKx5u
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My Favorite Place release date

Forthcoming new album release: The Iceland Sessions – Greensky Bluegrass

Greensky Bluegrass announces new EP The Iceland Sessions featuring Holly Bowling out May 10 via Thirty Tigers. Photo: Tobin Voggesser, used with permission.

Greensky Bluegrass is widely known for their thoughtful lyricism, edgy and genre-expansive sound, dazzling live performances, and relentless touring schedule. However, that is only the tip of the complex tale of the five musicians that make up Greensky Bluegrass: Anders Beck [dobro], Michael Arlen Bont [banjo], Dave Bruzza [guitar], Mike Devol [upright bass], and Paul Hoffman [Mandolin]. The five are connected through a deep bond, just as they are seasoned road warriors, they’re a band of brothers who have seen each other through decades of ups and downs, personal and collective highlights, and the moments when life turns it all upside down. (Big Hassle Media, 2024)

For the past century, bluegrass music has traditionally relayed real tales of American life, struggle, tragedy, and triumph. It gives a voice to the quiet, yet colorful stories woven into the fabric of the country itself. Greensky Bluegrass live these stories through their records and performances.

Greensky Bluegrass is thrilled to announce The Iceland Sessions due out May 10 via Thirty Tigers. Pre-orders are available now.

The EP was recorded at Flóki Studios in the summer of 2023, just before their first-ever Icelandic run of shows at Reykjavik’s Harpa Concert Hall. “We invited some of our favorite friends and musicians to play with us, including Holly Bowling, and we set out to make memories in the twilight sun with a bunch of fans who joined us from all over the world,” recalls Paul Hoffman. Bowling has been a regular guest in Greensky’s band lineup throughout the last several years and the chemistry between Bowling and the band is undeniable.

Flóki Studios is located in a very remote section of northern Iceland, and for Greensky, that’s precisely what was needed. A very intense few days that drew out creativity and inspiration not yet tapped by the band. “We embraced the disorienting inspiration and played late into the night as the sun never left us, all the while still developing lyrics and figuring out harmonies and arrangements. We swam in the cold water. We saw more sheep than people for days. We listened to the birds sing through the night while we charged through each song. A recording project that felt like a whirlwind at times turned into something calm and peaceful that felt more creative and raw than anything we’ve done before. Fully aware that we could continue to work on this later, we decided to commit to what we created in Iceland and have the recording be truly a moment in time.”

Following the release of The Iceland Sessions, Greensky will set out on their summer tour which kicks off May 12 in Mill Valley, CA. Up to date news and tour information is available online. 

Courtesy photo, used with permission.

New album release: Talking to Strangers – Jack McKeon

“Last Slice of Heaven” is the first single off Jack McKeon’s forthcoming new album Talking to Strangers, due out June 21, 2024. Courtesy photo, used with permission.

Jack McKeon is a different sort of musician; a Nashville-based singer-songwriter with an honest, plainspoken vocal, an eclectic-roots sound, and a knack for bringing crystalline characters to life. A student of the greats drawn to the timeless, rather than the trendy, he hails from Chatham, New York (a few hours north of New York City and a world removed from the Americana and bluegrass scene he now inhabits), and harbors a deep love for the written word. First inspired by literary music icons from Hank Williams and Guy Clark to Tom T. Hall and John Hartford, McKeon arrived in Nashville in 2021 and has since established a reputation for his own message-drive lyricism—a value which shows up in its full sonic serenity on his 2024 album debut, Talking to Strangers, due out June 21. (IV-PR, 2024)

Recorded live over three days, Talking to Strangers captures the warm, organic sound of contemporary Appalachian soul, infusing folk rock with an easy-going bluegrass sway and speaking to his long-held musical values. It’s a work of classic craftsmanship, sturdy and simple yet packed with the nuance of a true, intentional wordsmith, and just the first significant step in what McKeon sees as “a lifelong pursuit.”

“Last Slice of Heaven” is the first single from Talking to Strangers. Fans can stream or purchase the single and pre-save Talking to Strangers ahead of its release.

With a classic banjo kick-off and rose-colored details dotting the first verse, Jack McKeon gives listeners their first taste of his new album with “Last Slice of Heaven.”

McKeon’s depiction of developmental creep is the story of every landowner outside of burgeoning cities nationwide. It doesn’t take long for the story to take a darker turn. How are the bills getting paid? Is there a new contractor twisting the county’s arm to condemn? “But now the land that he’s been working is worth more than he could need,” McKeon sings in the song’s pre-chorus. “If selling out’s surrender, is leaving like defeat?” “I wrote this song to give a voice to the person I imagined holding on to this ‘Last Slice of Heaven,’ a character at odds with the transformation around him who’s fighting to hold on to his own identity,” says McKeon. “…in spite of ‘A world that’s always changing what it means to be the same.’”

The Bluegrass Situation premiered the music video for “Last Slice of Heaven,” a simple, poignant affair in which McKeon picks the song on his vintage Gibson dreadnaught in his own little slice of heaven.

Talking to Strangers track list:
Willow Lane
Paler Shade of Blue
Highway 29
Last Slice of Heaven
I Don’t Trust You
Hard Headed
Crooked Teeth
Past the Point of Rescue
Waffle House Wonder
Love at the End of the World

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