Theater review: ‘Waitress’ at the Majestic Theatre

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‘Waitress’ is playing at the Majestic Theatre through Sunday January 13. Photo: Broadway in San Antonio, used with permission. 

Tuesday was opening night of ‘Waitress,’ now playing at the Majestic Theatre until Sunday January 13 with showtimes at 7:30p.m. through Thursday; 8p.m. Friday; 2p.m. and 8p.m. Saturday and 2p.m. and 7:30 p.m. Sunday. Tickets start at $40 and are available through Ticketmaster online, by calling 800-982-2787 or by visiting the Majestic box office. With music by six-time Grammy Nominee Sara Bareilles and inspired by Adrienne Shelley’s beloved movie, ‘Waitress’ is an uplifting musical celebrating friendship, motherhood and the magic of a well-made pie. Recommended age is 13 and older as it deals with mature subjects.

After Sara Bareilles’ version of the ‘please turn off your cellphones’ message plays overhead, ‘Waitress’ begins with Jenna, a waitress and expert pie maker at Joe’s Diner whose method of dealing with difficult situations is turning them into pie ingredients for her famous pies “What’s Inside.” Her fantasy scene is interrupted by her boss Cal and so begins another work day with co-workers Becky, a sassy and tough waitress and Dawn, an overly anxious yet loveable waitress. On this particular day, Jenna is distracted by a possible pregnancy and after taking a home pregnancy test in the restroom, she is dismayed when it comes out positive “The Negative.” Due to her abusive marriage to Earl, she decides not to tell him about the baby and when she goes to her OB/GYN, she meets and is instantly smitten by the young and handsome new doctor, Dr. Pommater. When Jenna finds out about a local pie contest, she decides to enter and use the winning prize money to start a new life on her own. Her plans are disrupted when Earl finds the money she has been hiding to use for the pie contest and she is dismayed by her new reality “She Used to Be Mine.” Not content with being “happy enough,” she ends her on again/off again affair with Dr. Pommater when she has the baby. She ends up inheriting the diner from Joe, the old man she befriended and becomes the owner and head chef of “Lulu’s Pies,” named after her daughter.

Pies, the ingredients used to make them, and baking, play a central role in ‘Waitress’ since they are used as coping mechanisms and substitutes for lost loves and emotions. It is refreshing to see the live band onstage, rather than underground, like in most musicals, so the musicians are seen as part of the cast, rather than totally forgotten, albeit important, members of the production. Christine Dwyer does a splendid job of portraying the lonely and downcast Jenna but Jeremy Morse steals the show as Ogie, Dawn’s love interest. His scenes, especially on “Never Ever Getting Rid of Me,” provide the necessary comic relief from some of the more serious scenes. Show highlights include “When He Sees Me” when Dawn is excited about a potential love match and “Take It From an Old Man” when Jenna bonds with Joe, the owner of the diner. Despite being based on a movie, it is not required viewing beforehand since the characters are all relatable and deal with issues almost everyone can relate to, even if at the end Jenna does not “get the guy.” Overall, the setting, costumes and singing are impressive but there is some colorful language and mature subject matter, so ‘Waitress’ is more in league for a girls night out.

Theater review: ‘The Phantom of the Opera’ at the Majestic Theatre

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‘The Phantom of the Opera’ plays at the Majestic Theatre until Sunday December 16. Photo: Broadway in San Antonio, used with permission. 

Cameron Mackintosh’s spectacular new production of Andrew Lloyd Webber’s ‘The Phantom of the Opera’ opened at the Majestic Theatre last week and audiences are loving it. ‘The Phantom of the Opera’ is the story of a Phantom, a disfigured composer who haunts the Paris Opera House. It plays until Sunday December 16 with show times at 7:30p.m. Tuesday through Thursday, 8p.m. on Friday, 2p.m. and 8p.m.,Saturday, 2p.m. and 7:30p.m. on Sunday and tickets start at $45. This new version is performed by a cast and orchestra of 52, making this one of the largest productions on tour in New America.

‘The Phantom of the Opera’ begins with a Prologue set in Paris in 1911 at an auction where the Paris Opéra is auctioning off old theatrical props, one of which is lot 666, a chandelier in pieces. Act I is set in Paris in 1881 where the cast of a new production, Hannibal, are rehearsing onstage when they learn that the opera house has new owners. After being nearly killed by a falling backdrop, the soprano prima donna angrily walks off because nothing is being done to prevent such incidents. Christina Daaé, one of the chorus girls, is chosen to replace her. (“Think of Me”) The Phantom appears to her in her mirror and she, thinking him to be the Angel of Music, follows him to the cellar of the opera house. They board a small boat and cross a lake leading to his secret lair (“The Phantom of the Opera”) where he explains that he has chosen her to sing his music and he serenades her. (“The Music of the Night”) He becomes obsessed with her but makes it known to all that as long as his demands are met, he will stay out of sight but when the new owners do not take his threats seriously, he makes good on his threats.

Friday’s performance was to a nearly full house and the excitement in the air was palpable. As soon as the lights dimmed and the orchestra played the first few notes, the audience was captivated; especially when the chandelier was first revealed at the auction. With music by Andrew Lloyd Webber and lyrics by Charles Hart, ‘Phantom of the Opera’ boasts bigger and better scenery, the most impressive being the Labyrinth Underground and The Phantom’s Lair. Show highlights include “The Phantom of the Opera” by the Phantom and Christine and “The Music of the Night” by the Phantom; not to mention the chandelier crash scene. Quentin Oliver Lee and Eva Tavares work well together as the Phantom and Christine and the costumes and scenery are stunning. Long time fans are in for a treat and first timers will be charmed by this enchanting story and first-rate performances all around. Overall, audiences will be thrilled by the majesty and intrigue that is ‘The Phantom of the Opera.’

San Antonio locals chosen for role of Lulu

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Annie Crain and Georgia Hallmark will share the role of Lulu on ‘Waitress’ when it plays at the Majestic Theatre in January. Photo: Broadway in San Antonio, used with permission. 

The Tony nominated musical ‘Waitress,’ making its premiere in San Antonio at the Majestic Theatre for eight performances January 8 through January 13, 2019, has cast two young area actresses to take on the role of “Lulu” during its San Antonio engagement. (Broadway in San Antonio, 2018)

Annie Crain, 5, of Cuero, Texas and Georgia Hallmark 4, of Helotes, have been named in the role of “Lulu,” the daughter of the production’s main character. The character is described as “a sweet and carefree 4-to-5-year-old who appears in the show’s final scene.” Crain is in kindergarten, loves her cat named Bob and outdoor adventures with her three older brothers. Hallmark attends preschool in Helotes, also has three brothers and her hobbies include coloring, soccer, dance and gymnastics.

Both girls were chosen during an audition process held at the Hotel Valencia, November 12. Sixty girls participated in the auditions, which were presided over by members of the ‘Waitress’ company. The character of “Lulu” will be cast locally in each tour market and two girls are chosen to share the role.

Both girls will alternate the role of “Lulu” throughout the run of the show. Exact performance dates for each girl will be determined later, check the Majestic Theatre website for details.

Inspired by Adrienne Shelley’s beloved film, ‘Waitress’ tells the story of Jenna – a waitress and expert pie maker who dreams of a way out of her small town and loveless marriage. A baking contest in a nearby county and the town’s new doctor may offer her a chance at a fresh start, while her fellow waitresses offer their own recipes for happiness. But Jenna must summon the strength and courage to rebuild her own life. Tickets for ‘Waitress’, starting at $40, are available through Ticketmaster online, by calling (800) 982.ARTS (2787) or by visiting the Majestic Box Office. Performance times are 7:3 p.m., Tuesday through Thursday; 8p.m. on Friday; 2p.m. and 8p.m., Saturday and at 2p.m. and 7:30p.m. on Sunday.

Tickets to ‘Fiddler on the Roof’ go on sale Friday

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Tickets to ‘Fiddler on the Roof’ go on sale this Friday November 30.  Photo: Joan Marcus, used with permission. 

North Part Lexus Broadway in San Antonio is proud to present the San Antonio engagement of the Tony Award®-nominated Broadway revival of ‘Fiddler on the Roof’ at the Majestic Theatre. It will play for eight performances from Tuesday March 26 through Sunday March 31, 2019. Tickets go on sale this Friday November 30 at 10a.m. Showtimes are 7:30p.m. Tuesday through Thursday, 8p.m. on Friday, 2p.m. and 8p.m. Saturday and 2p.m. and 7:30p.m. on Sunday. Tickets start at $40 and are available by Ticketmaster online, by calling (800) 982-2787 or by visiting the Majestic Box Office. The Majestic Box Office does not accept single ticket orders over the phone; all ticket sales must be made in person. Majestic Box Office hours are 10a.m. to 5p.m. Monday through Friday. Orders for groups of 10 or more may be placed by calling (210) 226-5967. (Broadway in San Antonio, 2018)

‘Fiddler on the Roof’ is the heartwarming story of fathers and daughters, husbands and wives and life, love and laughter. This classic musical is rich with Broadway hits including “To Life (L’Chaim!),” “If I Were A Rich Man,” “Sunrise Sunset,” “Matchmaker, Matchmaker” and “Tradition.” A beloved theatrical classic from Tony Award-winner Joseph Stein and Pulitzer Prize- winners Jerry Bock and Sheldon Harnick, ‘Fiddler on the Roof’ is directed by Tony Award-winner Bartlett Sher (South Pacific, The King and I); choreographed by the acclaimed Israeli choreographer Hofesh Shechter; inspired by the original choreography of Jerome Robbins; and has musical direction by Ted Sperling. The show won the 1965 Tony Award for Best Musical in addition to eight other Tony Awards that year. This acclaimed revival proudly introduces a new generation to the iconic musical adored across the globe.

Majestic Theatre
224 E. Houston St
San Antonio, TX 78205
(210) 226-5700

Tickets for ‘Anastasia’ at the Majestic Theatre now on sale

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‘Anastasia’ will play at the Majestic Theatre in February and tickets are now on sale. Photo: Gayle McCracken, used with permission. 

Individual tickets for the tour of the critically-acclaimed Broadway production of ‘Anastasia’ went on sale Friday November 9 as part of the 2018-2019 North Park Lexus Broadway in San Antonio season. ‘Anastasia’ will play eight performances at the Majestic Theatre Tuesday February 5 through Sunday February 10, 2019 at 7:30p.m. Tuesday through Thursday; 8p.m. on Friday; 2p.m. and 8p.m. Saturday and 2p.m. and 7:30p.m. on Sunday. Tickets start at $40 and are available by Ticketmaster online, by calling (800) 982-2787 or by visiting the Majestic Box Office. The Majestic Box Office does not accept single ticket orders over the phone; all ticket sales must be made in person. Majestic Box Office hours are 10a.m. to 5p.m. Monday through Friday. Orders for groups of 10 or more may be placed by calling (210) 226-5967. (Broadway in San Antonio, 2018)

From the Tony Award®-winning creators of the Broadway classic Ragtime and inspired by the beloved films, ‘Anastasia’ is the new Broadway musical that’s “one of the most gorgeous shows in years!” (New York Observer). This dazzling show transports audiences from the twilight of the Russian Empire to the euphoria of Paris in the 1920s, as a brave young woman sets out to discover the mystery of her past. Pursued by a ruthless Soviet officer determined to silence her, Anya enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love, and family. ‘Anastasia’ features a book by celebrated playwright Terrence McNally, a lush, new score by Stephen Flaherty – music and Lynn Ahrens – lyrics and direction by Tony Award-winning director Darko Tresnjak.

Theater review: ‘School of Rock’ at the Majestic Theatre

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‘School of Rock’ is now playing at the Majestic Theatre through November 11. Photo: Evan Zimmerman, used with permission. 

Now playing at the Majestic Theatre is ‘School of Rock,’ The New York Times Critic’s Pick and the best reason to visit the theater this weekend. It plays until Sunday November 11 with showtimes Friday at 8p.m., Saturday at 2p.m. and 8p.m. and Sunday at Sunday at 2p.m. and 7:30p.m. Tickets start at $40 and are available through Ticketmaster online, by calling 800-982-2787, or by visiting the Majestic box office. ‘School of Rock’ is the hilarious new musical based on the hit movie of the same name and follows Dewey Finn, a wanna be rock star who poses as a substitute teacher and turns a class of straight A students into a guitar-shredding, bass-slapping, mind-blowing rock band in an attempt to win the upcoming Battle of the Bands contest.

‘School of Rock’ is a rock musical with music by Andrew Lloyd Webber, lyrics by Glenn Slater and a book by Julian Fellowes. This high-octane smash features 14 new songs, all the original songs from the movie and musical theater’s first-ever kids rock band playing their instruments live on stage. The story begins as the band No Vacancy is performing and the band’s guitarist Dewey Finn repeatedly tries to upstage the lead singer “I’m Too Hot for You” and as a result gets kicked out of the band. Out of the band and without a job, he dreams of becoming a superstar “When I Climb to the Top of Mount Rock.” Posing as Dewey, his roommate, he takes a substitute job at the prestigious Horace Green School and takes over the music class. He sets up the students as band members: Zack on electric guitar, Katie on bass, Lawrence on keyboard and Freddy on drums with Shonelle and Marcy as back up singers. They turn out to have amazing talent for music and performance and eventually music class takes over their daily school lives. When they fail to win the Battle of the Bands, Dewey assures everyone that winning did not really matter because they accomplished something even more special.

The voice over at the beginning of the show assures the audience that the kids do indeed play their own instruments and they do not disappoint. From the band members to the singers and dancers, their talent is on par with the adults yet each one shines on their own, especially Leeanne Parks as Katie and Mystic Inscho as Zack. With the performances of No Vacancy at the beginning and the end, the show has a rock concert feel to it. Show highlights include “Stick it to the Man” when Dewey explains to the students that “the man” is responsible for everything wrong with the world and he and the students get mad and shout about how they are going to stick it to the man; and “If Only You Would Listen” when the frustrated students sing about how much they have to tell their parents and the world, if only they would take the time to listen to them. Even those who have not seen the movie will find this musical delightfully entertaining. The music, dancing and singing combined with heart and humor makes ‘School of Rock’ the kind of musical the entire family can enjoy and ‘rock out’ to.  Definitely a must-see.

Tickets for ‘Jersey Boys’ at the Majestic Theatre now on sale

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Tickets for ‘Jersey Boys’ go on sale Friday October 26 for performances in February 2019. Photo: Joan Marcus, used with permission. 

Tickets for the return engagement of the Tony, Grammy and Olivier Award-winning hit musical ‘Jersey Boys’ go on sale today, Friday October 26. The story of Frankie Valli and The Four Seasons, it will be playing only three performances at the Majestic Theatre on Friday February 1 and Saturday February 2, 2019, as part of the North Park Lexus Broadway In San Antonio 2018-2019 season. Show times are 8p.m.Friday and 2p.m. and 8p.m., Saturday. (Broadway in San Antonio, 2018)

Tickets, starting at $40, are available online, by calling Ticketmaster at (800) 982-2787 or by visiting the Majestic Box Office or online.  The Majestic Box Office does not accept single ticket orders over the phone; all ticket sales must be made in person. Majestic Box Office hours are 10a.m. to 5p.m. Monday through Friday. Orders for groups of 15 or more may be placed by calling (210) 226-5967.

‘Jersey Boys’ is the behind-the-music story of Frankie Valli and The Four Seasons. They were just four guys from Jersey, until they sang their very first note. They had a sound nobody had ever heard. But while their harmonies were perfect on stage, off stage it was a very different story – a story that has made them an international sensation all over again. The show features all their hits including “Sherry,” “Big Girls Don’t Cry,” “Oh What A Night,” “Walk Like A Man,” “Can’t Take My Eyes Off You” and “Working My Way Back To You.”

Directed by two-time Tony® Award-winner Des McAnuff, ‘Jersey Boys’ won the 2006 Tony® Award for Best Musical, the 2006 Grammy Award® for Best Musical Show Album, the 2009 Olivier Award for Best New Musical and the 2010 Helpmann Award for Best Musical (Australia). ‘Jersey Boys’ is written by Academy Award®- winner Marshall Brickman and Rick Elice, with music by Bob Gaudio, lyrics by Bob Crewe and choreography by Sergio Trujillo.

Majestic Theatre
224 E Houston St
San Antonio, TX 78205
(210) 226-5700

‘Waitress’ tickets on sale this Friday

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Tickets to ‘Waitress’ go on sale this Friday October 5 at 10a.m. 

Broadway in San Antonio announces this week that ‘Waitress’ is coming to the Majestic Theatre as part of the North Park Lexus Broadway in San Antonio 2018-2019 season. It will play for eight performances only from Tuesday January 8 through Sunday January 13, 2019 and tickets go on sale at 10a.m. this Friday, October 5. Ticket prices start at $40, are available at Ticketmaster online, by phone at (800) 982-2787 or by visiting the Majestic Box Office. The Majestic Box Office does not accept single ticket orders over the phone; all ticket sales must be made in person. Majestic Box Office hours are 10a.m. to 5p.m. Monday through Friday. Orders for groups of 15 or more may be placed by calling (210) 226-5967. Show times are 7:30p.m. Tuesday through Thursday; 8p.m. Friday; 2p.m. and 8p.m. Saturday and 2p.m. and 7:30 p.m. Sunday. (Broadway in San Antonio, 2018)

‘Waitress’ is inspired by Adrienne Shelly’s beloved film and tells the story of Jenna – a waitress and expert pie maker. Jenna dreams of a way out of her small town and loveless marriage. A baking contest in a nearby county and the town’s new doctor may offer her a chance at a fresh start, while her fellow waitresses offer their own recipes for happiness. To make a real change, Jenna must summon the strength and courage to rebuild her own life. Brought to life by a groundbreaking all-female creative team, this irresistible new hit features original music and lyrics by 6-time Grammy® nominee Sara Bareilles (“Brave,” “Love Song”), a book by acclaimed screenwriter Jessie Nelson (I Am Sam), choreography by Lorin Latarro (Les Dangereuse Liasons, Waiting For Godot) and direction by Tony Award® winner Diane Paulus (Hair, Pippin, Finding Neverland).

Majestic Theatre
224 E Houston St
San Antonio, TX 78205
(210) 226-3333

Theater review: ‘Wicked’ at the Majestic Theatre

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‘Wicked’ is now playing at the Majestic Theatre through Sunday October 14.

The 2018-2019 North Park Lexus Broadway in San Antonio season officially began on Wednesday with opening night of the return of ‘Wicked’ to the Majestic Theatre. This hugely popular musical has become a cultural phenomenon since its first performance in San Francisco in 2003 will run through Sunday October 14 with showtimes Friday at 8p.m., Saturday at 2p.m. and 8p.m., Sunday at 2p.m. and 7:30p.m. and Tuesday, Wednesday and Thursday at 7:30p.m. Tickets start at $53.50 and are available through Ticketmaster online, by calling 800-982-2787, or by visiting the Majestic box office. ‘Wicked’ is based on the 1995 bestselling novel by Gregory Maguire and has music and lyrics by Stephen Schwartz and a book by Winnie Holzman. It is the story of Elphaba, the future Wicked Witch of the West and Glinda, the future Good Witch of the North, who meet in the Land of Oz before Dorothy drops in. Their friendship is put to the test through a series of events including their reaction to the Wizard’s corrupt government and Elphaba’s eventual fall from grace.

‘Wicked’ begins with Act I set in the Land of Oz where the Ozians are celebrating the death of Elphaba, the Wicked Witch of the West. Glinda the Good Witch confirms the death and starts to recount Elphaba’s past, including how her mother had an affair while her father was out of town and how she was the product of that affair. (“No One Mourns the Wicked”) When an Ozian asks Glinda if Elphaba and she were friends, she reluctantly agrees and proceeds to tell the story of how they became best friends. The flashbacks begin when Elphaba and her sister Nessarose arrive at Shiz University (“Dear Old Shiz”) where the beautiful and popular Galinda, who later changes her name to Glinda, is also a student. During a confrontation with the headmistress Madame Morrible, Elphaba displays her magic powers which eventually lead to her being summoned to work with the Wonderful Wizard of Oz, something she has always dreamed of. (“The Wizard and I”) When she finally meets him, she is disappointed to learn that he is a regular man with no magical powers and behind all the terrible things that have been going on in Oz, including the subjugation of the animals. Elphaba becomes a confident young woman and together with Glinda and Fiyero, a shared love interest, they fight to right the wrongs and bring peace to the Land of Oz, regardless of the consequences.

The complicated relationship between Elphaba and Glinda takes center stage but this multi-layered musical has something for everyone. There is enough humor, action and romance to keep audiences coming back every time it rolls into town. Considered a prequel of sorts, it gives numerous references to ‘The Wizard of Oz,’ namely the origins of Tin Man, Scarecrow, the Cowardly Lion and the Flying Monkeys and how she got the reputation as the bad witch. Ginna Claire Mason and Mary Kate Morrissey are excellent as Glinda and Elphaba and work together splendidly while the lighting and gorgeous costumes help transport the audience to the magical Land of Oz. Show highlights include “Popular” as Galinda tries to give Elphaba a make-over, “Defying Gravity” when Elphaba realizes that she must not let anyone hold her down and “No Good Deed” when Elphaba fails to protect Fiyero because of the limitations of her powers and vows to live up to her reputation as the “bad witch.” It is not necessary to be familiar with ‘The Wizard of Oz,’ but it helps because of the various refences throughout the story. With universal appeal, it is appropriate for all ages, but the appearance of the Flying Monkeys might make some people uncomfortable. There are still many chances to catch this must-see production.

“Are people born Wicked, or do they have Wickedness thrust upon them?” – Glinda the Good Witch

Theater review: ‘An American in Paris’ at the Majestic Theatre

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‘An American in Paris’ plays at the Majestic Theatre until Sunday June 17. Photo: Broadway in San Antonio, used with permission.

North Park Lexus Broadway in San Antonio closes the season at the Majestic Theatre with the fabulously entertaining ‘An American in Paris.’ Last night was opening night of the stage adaptation of the beloved classic film of the same name that tells the story of an American soldier, a mysterious French girl and an indomitable European city, each longing for a new beginning after World War II. It is now playing through Sunday June 17 and tickets start at $35. Next show times are 7:30p.m. Wednesday and Thursday, 8p.m. on Friday, 2p.m. and 8p.m. Saturday and 2p.m. and 7:30p.m. Sunday.

‘An American in Paris’ is set in 1945 Paris and begins as Adam Hochberg walks onto the stage, drinks a shot of liquor and sits at a lone piano onstage and tells the story of how his friend Jerry Mulligan came to Paris. In town after the liberation of France, US Army Lieutenant Jerry Mulligan sees a mysterious girl on the city streets (“Concerto in F”) and impulsively decides to stay to nurture his passion for painting. He meets Adam, a fellow veteran and pianist, at a café and they become friends. Henri Baurel, is the son of wealthy French industrialists and dreams of being an entertainer. The three of them bond over their shared interests and picture a brighter future (‘I Got Rhythm”) all the while falling for the same girl, Lise Dassin. In the end, Lise can only choose one, but Jerry, Adam and Henri agree that she changed their lives for the better. (“They Can’t Take That Away From Me”)

In true Hollywood musical style, ‘An American in Paris’ is a combination of dancing, romance, laughter and feel-good catchy songs. It features the music and lyrics of George and Ira Gershwin including songs like “I Got Rhythm,” “S Wonderful” and “The Man I Love” and orchestral music including “Concerto in F” and “An American In Paris.” McGee Maddox and Allison Walsh, as Jerry Mulligan and Allison Walsh, have the perfect chemistry to bring the story to life onstage and work well together with the rest of this talented cast. Show highlights include “I’ve Got Beginner’s Luck” when Jerry surprises Lise at work to convince her to meet with him, “Fidgety Feet” at one of the Baurel’s party and “I’ll Build a Stairway to Paradise” when Henri struts his stuff at a nightclub. Overall, this is a family-friendly production with gorgeous costumes, beautiful orchestral music and top-notch dancing, including ballet. Fans of the movie will appreciate this production, but it is not required viewing. It is a must-see nostalgic nod to classic musicals.