The Berries Return: Matthew Berry’s Most Personal Album Yet

The Berries announces forthcoming new album. Photo: Ajalena Dewolf Moura, used with permission.

The Berries Announce New Self-Titled Album — Out August 29

A Return to Form for Matthew Berry

The Berries marks a pure return to form, delivering Matthew Berry’s strongest take yet on the hallowed tradition of the guitar-wielding singer-songwriter. The LP masterfully channels the tradition’s iconic sentiments—naked Americana, chemical winds whistling over barley shafts, longing-swollen livers, and pleading romance—while infusing them with a rich melancholy that is distinctly Berry’s. (another side, 2025)

Breaking from the Past

Berry describes the record as an act of survival and rebirth:

“This record came out of a need to break from my old self, to break from a lifestyle that I could no longer bear waking up to everyday. It’s equally fueled by remorse and relief—I can rejoice a bit in having found a renewed purpose, but I had to finally stare down everything that was standing in the way of that sense of dignity first.”

Sound and Structure

Sonically, The Berries draws inspiration from a long lineage of studio-centered pop songcraft—from the comedown genius of Tusk-era Fleetwood Mac to the reverb-drenched expanses of The War on Drugs.

The album unfolds as a series of impressionistic vignettes, each track carving out its own emotional terrain rather than conforming to established genre convention.

Lead Single: Angelus

On standout track and lead single “Angelus,” Berry threads together tender vocal melodies over a sparse progression, slowly building a wall of melancholy. The song resonates with a distinctly Californian desolation—capturing the loneliness of highway overpasses and the apocalyptic brightness of staring out across the Pacific.

Evolution of The Berries

The Berries began as a bedroom project—cosmic Americana and fuzzy guitar heroics that quickly secured Berry a multi-record deal with Run for Cover Records.

Since then, Berry has explored:

  • Berryland — country-inflected balladeering
  • Throne of Ivory — distorted, stadium-sized melodrama
  • High Flying Man — Californian burnout pop

Now, with The Berries, Berry steps fully into his role as a self-made studio auteur. Written in early 2025 and recorded that summer at engineer Jimmy Dixon’s home studio, the record reflects both urgency and precision, co-produced by Berry and Dixon.

Release Details

The Berries (self-released) will be available in stores and online August 29, 2025. It is available for pre-order/pre-save.

The Berries tracklist: 

1 – Sedentary Blues
2 – Vagabond
3 – Angelus
4 – White Peach
5 – Wind Chime
6 – Run You Down
7 – Salt Of The Earth
8 – Lie In The Fire Again
9 – Something Better
10 – Seventh
Album Art/Photo By Ajalena Dewolf Moura



Blue Sky Sundays: JD Clayton’s Latest Musical Journey

Arkansas’s country-rock troubadour JD Clayton announces anticipated sophomore LP, Blue Sky Sundays. Photo: David McClister, used with permission.

Fort Smith, AR – In addition to the release of his new single “Dirt Roads of Red,” JD Clayton has announced his highly anticipated sophomore album, Blue Sky Sundays. Due out on February 28 on Rounder Records, Blue Sky Sundays finds Clayton taking the helm as producer in the studio with his touring band to capture the vitality and grit of his crowd-thrilling live show. (IV PR, 2025)

“One morning I was playing golf with a buddy from Georgia down at McCabe Golf Course in Nashville when he turned to me and said that there should be a song about wishing that the streets of gold in Heaven could be streets of Red, referring to the red clay down in Georgia,” remembers Arkansan singer-songwriter JD Clayton.

Wheels turning, Clayton went home, picked up his guitar, and finished writing “Dirt Roads of Red” in under an hour. “Now, being an Arkansas kid, I could never bring myself to write a song about Georgia. Thankfully, my favorite state, Colorado, also has a high concentration of iron deposits in its soil.” 

With a halftime drum beat and a striding, bluesy piano, “Dirt Roads of Red” has an appropriately slinky vibe. “It feels inherently southern to me and has a super cool groove,” says Clayton. That feeling gets amplified with a slide guitar solo before the song’s final chorus: “Good God almighty I beg you please / Just before I’m dead / Turn them streets of gold to dirt roads of red.”

Clayton’s first few lines set up the whole song and come from some personal experience. “It turned out to be a really special track to me because my dad is a pastor and I love the interaction the boy has with his pastor in the first verse of the song,” he says. Typical with the music Clayton has released throughout his budding career, his soulful delivery and funky-leaning instrumentation help frame the story he’s telling in a way all his own.

Fans can stream or purchase “Dirt Roads of Red,” and pre-order or pre-save Blue Sky Sundays ahead of its February 28 release. For tour dates and ticket information, please visit JD Clayton online.

Blue Sky Sundays tracklist:
Let You Down – (JD Clayton)
Dirt Roads of Red – (JD Clayton)
Madelene – (JD Clayton)
Slow & Steady – (JD Clayton)
Arkansas Kid – (Al Kooper, Ronnie Van Zant, Robert Burns)
Give Me One Reason – (Tracy Chapman)
High Hopes & Low Expectations- (JD Clayton, Kendell Marvel)
Dance Another Dance- (JD Clayton)
Goodnight- (JD Clayton)

A native son of Arkansas, JD Clayton delivers a timeless form of country rock that’s wholly the product of his environment: down-to-earth, deliberately unhurried, touched with a carefree ease that’s undeniably infectious. Over the past few years alone, he’s brought his crowd-thrilling show to tours with the likes of Dwight Yoakam, Old Crow Medicine Show, and Parker McCollum, in addition to performing at major festivals such as Bonnaroo and Dreamy Draw and opening for artists like Hank Williams Jr., Brent Cobb, and Ashley McBryde.

As a kid growing up in Fort Smith, Clayton got his start playing guitar and later took up piano, drums, banjo, harmonica, and ukulele. He released the debut EP Smoke Out the Fire while still in college. After grinding it out in Nashville for several years, he returned to his hometown and immersed himself in creating an adventurous new album that soon led to his signing with Rounder Records. With equal parts soulful self-reflection and wildly colorful storytelling, Blue Sky Sundays immediately transports the audience into a world that moves at its own exhilarating rhythm—and ultimately reveals an artist of hard-won character and singular authenticity.

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Teddy and the Rough Riders: A New Chapter with Down Home

Fast Livin’ is the latest single from Teddy and the Rough Riders’ forthcoming new album Down Home, due out October 11, 2024. Courtesy photo, used with permission.

Nashville, TN – The speed and momentum Teddy and the Rough Riders are gathering throughout Nashville’s underground country music scene is embodied in their latest single, Fast Livin.’ Music City natives, Jack Quiggins and Ryan Jennings, have been going non-stop since the late 2010s, collaborating with everyone from Margo Price to Emily Nenni to Sean Thompson’s Weird Ears, quickly becoming your favorite country band’s favorite country band. With Fast Livin,’ Teddy and the Rough Riders paints a small picture of their upbringing, leaving town to hit the road, and all of the nefarious hijinks that come along with it. But it’s not completely autobiographical. (IV PR, 2024)

Brooklyn Vegan recently premiered the track. Fans can stream or purchase Fast Livin’ check out Teddy and The Rough Riders’ previously released singles, Catfish Summer and Hippies, and pre-order or pre-save Down Home ahead of its October 11 release via Appalachia Record Co. right here

On their new album Down Home, the songwriting duo of Jack Quiggins and Ryan Jennings double down on all the elements that garnered praise for their previous, eponymous album produced by Margo Price. Holler Country succinctly sums them up: “Teddy and the Rough Riders are pulling apart the lost threads of country rock and weaving them back together with their own alternative take on the form.” As native Nashvillians, the pair came up through Music City’s DIY rock scene explosion of the late 00s into 2010s, eventually embracing the traditional country roots of their home city. At just 33 minutes, Down Home moves at a fast clip, with a variety of blazing rippers, traditional sounds, and alt-country styles inviting repeat listens.

Down Home tracklist:
Bullet
Fast Livin’
Catfish Summer
Trouble Sleeping
Golden Light
Edna’s Song
Mountain Girl
Hippies
Love After Life
Bird Has Flown
Gettin’ High

The band has recently been named “Best Honky Tonk Group” by Austin TX’s Ameripolitan Awards for 2024. They toured North America, the EU, and the UK through the summer backing and opening for Emily Nenni and will embark on their own North American tour in October.

Catch Teddy and the Rough Riders on tour:
October 3 – Las Vegas, NV – Backstage Bar
October 4 – Reno, NV – Off Beat
October 5 – Folsom, CA – Folsom Hotel
October 6 – Los Angeles, CA – Permanent Records Roadhouse
October 7 – Costa Mesa, CA – The Wayfarer
October 8 – Tempe, AZ – Yucca Tap Room
October 10 – Abilene, TX – Lone Star Dry Goods
October 11 – San Antonio, TX – Lonesome Rose
October 12 – Austin, TX – White Horse
October 13 – Austin, TX – ACL Fest
October 17 – Birmingham, AL – Woodlawn Theatre
October 18 – Nashville, TN – Soft Junk
October 19 – Thomaston, GA – Mule Days

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