Some Place to Rest Easy: The Stories and Inspirations of Bob Sumner’s New Album

Bob Sumner wrangles real-life subject matter with a good-time country sound in new album. Courtesy photo, used with permission.

Vancouver, BC – Singer-songwriter Bob Sumner cites the musically progressive sensibilities of his heroes when talking about the spirit of his new album, Some Place to Rest Easy, out now via Fluff & Gravy (worldwide) and North Country Collective (Canada). “They were always creating something new, something different,” he says of idols like George Jones, Willie Nelson, and Waylon Jennings. With that ideology in mind, Sumner set about creating an album that takes as much inspiration from the audio production of Randy Travis as it does the lyrical soul of Big Thief’s Adrianne Lenker—a melding of eras, sounds, concepts, and stylings that’s informed by the past, but never bound by it. (IV-PR, 2024)

With Some Place to Rest Easy, Sumner picks up the tempo compared to his previous releases, balancing the stirring lyrical depth fans have come to expect with a more buoyant, lively feel. “It felt appropriate to give the music itself some joy,” says the man who’s made a career out of tapping into difficult-to-touch-on, real-life stuff in a relatable, palatable manner. In the end, that’s what Sumner’s music has always been about—more than a single sound, influence, instrumental, or clever line. “I always want people to feel something,” Sumner explains. “If I heard that this album helped somebody that was feeling down, even just by feeling some other emotion for a little while, that’s the number one thing for me.”

Fans can now stream or purchase Some Place to Rest Easy. Sumner will take the stage at Nashville’s world-famous Bluebird Cafe on September 15. Tickets and complete tour dates are available online

Some Place to Rest Easy tracklist:
Bridges
Motel Room
Don’t We Though
You Can Stay Here
Forty Years on the Floor
Didn’t We Dream
Turn You Into Stone
Baby I Know
Lonesome Sound
Familiar Feeling
Is It Really Any Wonder

Some Place to Rest Easy In The News:

“A blend of past, present, and future sounds” – American Songwriter

“More than a single sound, influence, instrumental, or theme, the through line in Sumner’s music has always been vulnerability.” – Glide Magazine

“Genuine and weighty songwriting” – Americana Highways

“High class, country leaning Americana.” – Americana UK

“It takes a deft hand to put out a good, sad record…Bob Sumner nails it on Someplace To Rest Easy.” – Twangville

Embracing Vulnerability: Maya de Vitry’s Journey in The Only Moment

Maya de Vitry’s The Only Moment will be out July 12. Courtesy photo, used with permission.

Maya de Vitry’s vibrant voice seems to rise out of some necessity of bringing songs to life, embracing listeners with what Folk Alley calls a “soulful intimacy.” She grew up in a musical family in Lancaster County, Pennsylvania, understanding music to be a place of gathering, a way to spend a summer night around a campfire. Maya first traveled and performed as a fiddling street musician, and then in bars, theaters, and on festival stages as a founding member of The Stray Birds (2010-2018). Since the band parted ways in 2018, Maya has been devotedly creating a powerful new body of work—one that consistently blurs genre while showcasing her delight in storytelling and her extraordinarily dynamic singing. In addition to performing and recording, Maya is a sought-after co-writer and co-creator and has been steadily and closely collaborating within her chosen musical community of Nashville, Tennessee, for nearly a decade. (IV-PR, 2024)

Her latest single, “Odds of Getting Even,” owes its inspiration to an unlikely figure in the greater Americana world: the late, great soul and funk singer, Sharon Jones. “I really wanted to do this one justice, for this song to feel as alive and exuberant as I think it wants to be – and I just honestly couldn’t find that in myself for a while. But this finally felt like the perfect band and moment in my own life for me to sing this one,” she says, having compiled her Nashville “bar band” of A-list, next-generation players for this new batch of songs. “I feel especially lucky to have my friend Phoebe Hunt singing harmony. She’s on the whole record, but on this song I just think she’s absolute magic.” 

“Odds of Getting Even” is the latest single to be released from Maya de Vitry’s upcoming self-produced album The Only Moment—out July 12. Fans can stream or purchase “Odds of Getting Even,” check out de Vitry’s previously released single, “Compass,” and pre-order The Only Moment ahead of its July 12 release. 

Courtesy photo, used with permission.

The Only Moment tracklist:

Nothing Else Matters

Compass

Odds of Getting Even

I’m Not Going Anywhere

If They Feel Like Wings

Some Rent

Burning Building

Addicted

Watching the Whole Sky Change

Ribbon

Produced by Maya de Vitry and mixed by Grammy-award-winning engineer Justin Francis (Madison Cunningham), The Only Moment is an unabashed blend of indie folk, indie rock, and indie pop, with elements of Americana and alt-country. Recorded at Phantom Studios in Gallatin, TN, the album captures the unfettered energy and occasional chaos of de Vitry’s Nashville “bar band,” featuring Anthony da Costa on electric guitar, Ethan Jodziewicz on electric bass, and Dominic Billet on drums. These three musicians played a pivotal role in nurturing de Vitry’s vision, crafting atmospheres around her songs that feel unrestricted by notions of genre.

Catch Maya de Vitry on tour:
June 21 – Tryon, NC – Summer Tracks Music Series
July 12 – Nashville, TN – Finally Friday w/ WMOT at 3rd & Lindsley
July 20 – Bethlehem, NH – Colonial Theatre (co-bill w/ Griffin William Sherry)
July 26-27 – South Hiram, ME – Ossipee Music Festival
August 31 – Erwin, TN – Sol Slam Mountain Jam
September 24 – Philadelphia, PA – World Cafe Lounge
September 25 – Cambridge, MA – Club Passim
September 26 – Portland, ME – Oxbow
September 27 – Brooklyn, NY – Owl Music Parlor
September 28 – Lancaster, PA – West Art
September 29 – Vienna, VA – Jammin’ Java
October 1 – Evanston, IL – Space
October 3 – Milwaukee, WI – Anodyne
October 4 – Madison, WI – Shitty Barn
October 5 – Minneapolis, MN – Cedar Cultural Center (supporting Robin & Linda Williams)
November 1 – Saratoga Springs, NY – Caffe Lena
November 2 – Lincoln, VT – Burnham Presents

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Lord Buffalo: Holus Bolus Album by Austin Psychedelic-Americana Band

Lord Buffalo’s new album Holus Bolus will be released July 12, 2024. Photo: Metal Injection

Austin heavy psychedelic-Americana band Lord Buffalo recently released a new single from their forthcoming album Holus Bolus. CvltNation shares “I Wait on The Door Slab” single HERE. Also now streaming on Bandcamp and all DSPs HERE. (US/THEM Group, 2024)

Metal Injection previously launched the title track and official video for “Holus Bolus” HERE.

Lord Buffalo is Daniel Pruitt (guitar, bass, piano, vocals, melodica), Garrett Hellman (guitar, sub-bass, piano, synths), Patrick Patterson (violin), and Yamal Said (drums, percussion).

Lord Buffalo is heavy in the way that ghosts are heavy… in the way that billowing dust is heavy.

That is to say, the Austin, TX Psych-Americana band’s music impacts hard, though it seems impossible to touch. Their sound flows through us, it doesn’t invite the Pavlovian response of typical heavy rock music

Perhaps it’s fitting then that their new album Holus Bolus takes its name from an antiquated term meaning “all at once.” It materializes instantly from the first notes of the opening title track, like a dark grey haze drawing listeners in with the band’s deft juxtapositions of droning violin, guitars, drums and vocals. It draws equally from Morricone and Badalementi as from Sabbath and Swans.

While the quartet trudges the same murky waters as dark emotive brethren David Eugene Edwards/Woven Hand, Chelsea Wolfe, Emma Ruth Rundle, Earth/Dylan Carlson, Echo & The Bunnymen, and Nick Cave, their creative interplay of Middle Eastern influence with a distinctly Western feel takes listeners in entirely new directions as the album envelops them. Holus Bolus was recorded by Danny Reisch and Max Lorenzen at Good Danny’s in Lockhart, TX. Mixed by Danny Reisch. Mastered by Max Lorenzen.

“While the making of this record feels a bit like a sleep-deprived hallucination to me. Listening to it now, I find it strangely hopeful — there’s a kind of release that you hit in exhaustion. I think the record knew what it was after, even if we didn’t. It felt very much like the record just appeared one day, holus bolus.” – Daniel Pruitt

Holus Bolus will be available worldwide on vinyl, CD, and digital via Blues Funeral Recordings on July 12, 2024. Pre-order HERE.

Artist: Lord Buffalo
Album: Holus Bolus
Label: Blues Funeral Recordings
Release Date: July 12, 2024

Courtesy album photo, used with permission

Holus Bolus

Slow Drug

Passing Joy

Malpaisano

I Wait on the Door Slab

Cracks in the Vermeer

Rowing in Eden

“Known for their atmospheric spin on folk-rock, at times sounding like the Anthology of American Folk Music beamed from outer space.” — NPR Music

“A dusky, moody, roots-quaking disc of tension and release.” — Austin Chronicle

“Lord Buffalo masterfully mixes straightforward, stoner-tinged rock with more violin-driven post-rock tones into one beautifully captivating sound that everyone should be familiar with.” — Metal Injection

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New album release: Wonderland – The Palms

The Palms’ new album and ode to California, Wonderland, is available now. Photo: Mike Fahey, used with permission.

Started in Los Angeles, CA in 2015 by Johnny Zambetti and Ben Rothbard, The Palms has become a formidable player in today’s independent musical landscape. With their signature California sound, an underground modern day classic in “Push Off,” and an ever growing and beloved fanbase and catalog, they’ve generated hundreds of millions of streams, all while retaining 100% ownership of their music and remaining loyal to their DIY ethos. (Big Hassle Media, 2024)

With their new album Wonderland out now, arguably their best work to date, 2024 looks to be a career defining year for The Palms. It’s time the world gets their ears on California’s best kept secret.

Their first full-length record since 2020, Johnny Zambetti and Ben Rothbard have done a lot of creative healing and found their way back to their roots. Self-produced, Wonderland is the soundtrack for a top-down drive anywhere from Laurel Canyon to the Sunset Strip, an osmotic experience of surroundings and the band’s ever present motif of redemption based on their personal David vs Goliath journey.

“As a whole, ‘Wonderland’ is a portal into our own existence and our attempt at making sense of the wild world around us over the last three years. If each song acts as a story filled with questions and lessons, ‘Phases,’ the final track on ‘Wonderland,’ is a subtle resolution to the eleven songs preceding it and a reminder that this journey is but a series of chapters and episodes. As brutal and defeating as life can appear, ‘this too shall pass’ and it is up to us to find beauty and meaning in the lesson.”

Courtesy photo, used with permission.

Wonderland track list:

“Talk Too Much”
“Jesse Jane”
“Pretty Face”
“Maggie’s Garden”
“Pretenders”
“Ready Or Not”
“One Stop”
“East Of LA”
“Freak Out”
“Feel It In My Hands”
“CA. Baby”
“Phases”

The California duo recently announced their headline Wonderland Tour. Kicking off in San Diego, CA on July 26, the tour will then make its way across North America, hitting major markets like Austin, D.C., Brooklyn and Chicago. To close out the tour, the band will play a hometown LA show at the Troubadour on August 24. Throughout the run, The Palms will receive support from Marlon Funaki, Lucia Zambetti and future.exboyfriend.

Courtesy photo, used with permission.

New album release: Talking to Strangers – Jack McKeon

“Last Slice of Heaven” is the first single off Jack McKeon’s forthcoming new album Talking to Strangers, due out June 21, 2024. Courtesy photo, used with permission.

Jack McKeon is a different sort of musician; a Nashville-based singer-songwriter with an honest, plainspoken vocal, an eclectic-roots sound, and a knack for bringing crystalline characters to life. A student of the greats drawn to the timeless, rather than the trendy, he hails from Chatham, New York (a few hours north of New York City and a world removed from the Americana and bluegrass scene he now inhabits), and harbors a deep love for the written word. First inspired by literary music icons from Hank Williams and Guy Clark to Tom T. Hall and John Hartford, McKeon arrived in Nashville in 2021 and has since established a reputation for his own message-drive lyricism—a value which shows up in its full sonic serenity on his 2024 album debut, Talking to Strangers, due out June 21. (IV-PR, 2024)

Recorded live over three days, Talking to Strangers captures the warm, organic sound of contemporary Appalachian soul, infusing folk rock with an easy-going bluegrass sway and speaking to his long-held musical values. It’s a work of classic craftsmanship, sturdy and simple yet packed with the nuance of a true, intentional wordsmith, and just the first significant step in what McKeon sees as “a lifelong pursuit.”

“Last Slice of Heaven” is the first single from Talking to Strangers. Fans can stream or purchase the single and pre-save Talking to Strangers ahead of its release.

With a classic banjo kick-off and rose-colored details dotting the first verse, Jack McKeon gives listeners their first taste of his new album with “Last Slice of Heaven.”

McKeon’s depiction of developmental creep is the story of every landowner outside of burgeoning cities nationwide. It doesn’t take long for the story to take a darker turn. How are the bills getting paid? Is there a new contractor twisting the county’s arm to condemn? “But now the land that he’s been working is worth more than he could need,” McKeon sings in the song’s pre-chorus. “If selling out’s surrender, is leaving like defeat?” “I wrote this song to give a voice to the person I imagined holding on to this ‘Last Slice of Heaven,’ a character at odds with the transformation around him who’s fighting to hold on to his own identity,” says McKeon. “…in spite of ‘A world that’s always changing what it means to be the same.’”

The Bluegrass Situation premiered the music video for “Last Slice of Heaven,” a simple, poignant affair in which McKeon picks the song on his vintage Gibson dreadnaught in his own little slice of heaven.

Talking to Strangers track list:
Willow Lane
Paler Shade of Blue
Highway 29
Last Slice of Heaven
I Don’t Trust You
Hard Headed
Crooked Teeth
Past the Point of Rescue
Waffle House Wonder
Love at the End of the World

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Upcoming new album release: Every New Beginning – Kim Richey

Kim Richey’s new album Every New Beginning is due out May 24, 2024. Photo: Stacie Huckeba, used with permission.

From her critically acclaimed self-titled 1995 debut to Long Way Back… The Songs of Glimmer in 2020, Singer/songwriter Kim Richey has consistently impressed listeners, garnered accolades, and attracted famous fans with her deft songwriting and crystalline vocals, both of which have made her an in-demand collaborator. Her voice has graced scores of recordings, providing peerless harmonies, including Jason Isbell’s watershed Southeastern, Trisha Yearwood’s Everybody Knows, Heartbreaker by Ryan Adams, Reba McEntire’s Starting Over, and Has Been by Capt. Kirk himself, William Shatner. Richey hits the road in the US and Europe this spring in support of Every New Beginning, her new album due out May 24 on Yep Roc Records. (Kim Richey, 2024)

Over a pulsating rhythm section and moody guitar arpeggios, the widely-beloved voice of songwriter’s songwriter Kim Richey delivers the opening line to her first new music in four years: “So here we go, another day on the water / The sun is shining but we never dive in.” The song is “Floating On The Surface” and it’s the first single to be released from Every New Beginning. Featuring ten songs spanning from more recent writes to decade-old puzzle pieces, finally finding a home on Richey’s 10th studio album, Every New Beginning highlights not just the songs of a master tunesmith—some co-written with fellow greats like Aaron Lee Tasjan and Brian Wright—but a career-defining performance from the voice which Brandi Carlile has cited as formative in crafting her own style. 

Every New Beginning manages to continue the throughline of Richey’s nearly 30-year career while simultaneously adding a new chapter. The songs represent the full spectrum of the Ohio native’s gifts as both a revered songwriter who can leap from melancholy to mirthful in a single couplet and owner of one of music’s truly celestial voices.  

Fans can stream or purchase “Floating On The Surface” at this link and pre-order or pre-save Every New Beginning ahead of its May release here. Fans who pre-order the project on vinyl have the option of Clear Coke Bottle Vinyl or a Limited Edition (250 worldwide pressing!) Translucent Orange Vinyl that includes an autographed handwritten note from Richey. She hits the road again in March for West Coast and Midwest shows before heading across the Atlantic in May.

Catch Kim Richey on tour:
March 22 – Bellingham, WA – Mount Baker Theatre
March 23 – Lake Oswego, OR – Parrott House Concerts
March 24 – Bremerton, WA – Concerts In The Woods
April 21 – Athens, OH – Templeton-Blackburn Alumni Memorial Auditorium
May 3 – Columbus, OH – Natalie’s Grandview Music Hall & Kitchen
May 4 – Peninsula, OH – GAR Hall

May 15 – Camden, UK – Green Note
May 16 – Swindon, UK – The Old Stables, Cricklade
May 18 – London, UK – Half Moon, Putney
May 19 – Bristol, UK – Bristol Folk House
May 20 – Aberdeen, UK – The Blue Lamp
May 23 – Glasgow, UK – Glad Cafe
May 24 – Newcastle upon Tyne, UK – The Cluny 2
May 25 – York, UK – Newbald Village Hall
May 26 – Birmingham, UK – Birmingham Kitchen Garden

June 13 – Auburn, AL – Sundilla Acoustic Concert Series
June 14 – Decatur, GA – Eddie’s Attic
June 15 – Charlotte, NC – The Evening Muse

Courtesy photo, used with permission
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Upcoming new album release: All is Song – Misner & Smith

Misner & Smith’s new album, All is Song, will be released April 12. Photo: Misner & Smith

Misner & Smith treasure the unpredictability of their band. Technically precise songwriting mirrored with an improvisatory spirit and soaring harmonies have made the band—consisting of Sam Misner and Megan Smith—one of the most acclaimed acts in the Americana world. Blending elements of that genre with bluegrass, traditional folk ballads, and more pop-leaning ideas, Misner & Smith make music gloriously nonconforming. The duo first met at a Shakespeare festival as professional actors in California in 2002 but began working as a musical duo two years later when Sam and Megan discovered a mutual love of roots music, Woody Guthrie, and in particular, harmony singing. Leading up to the release of their sixth LP All is Song, the duo has released five critically acclaimed records. On their new one, All is Song, they build upon that momentum and turn in their finest work to date, an album of inspired declarations to the power of music, song, and, most importantly, collaboration. (Misner & Smith, 2024)

One thing that’s for sure / Though we never found a cure / We can ride out heartbreak like the weather,” sings Sam Misner on the group’s first single “Anthem.” Along with his longtime musical partner Megan Smith, Misner set about writing the tune that would eventually become the first single from Misner & Smith’s upcoming LP All is Song by dissecting the idea of anthemic music itself. All is Song is set for release on April 12 and can be pre-ordered or pre-saved right here.

The music—every single choice on the album, really—revolves around a single question: “What is this song about?” Every sound on All is Song is in service of the songs. The harmonies are often subtle but always pitch-perfect, a key to the album that took some time to harness. “Harmony is almost like a sculpting tool. I use it as a tool to draw out the stories and the songs and draw out the characters that we’re talking about,” explains Smith. “It’s a huge part of what we do.” Misner adds, “Serving the song became the credo, so we never included a certain line, part, or harmony for its own sake. It was always, ‘How can we best serve the song? That was our lighthouse.”

Catch Misner & Smith on tour:
May 2 – Freight & Salvage – Berkeley, CA
June 8 – McCloud River Mountain Music – McCloud, CA

Courtesy photo, used with permission.

All is Song track list:
Compose (2024)
Deep as the Water
Threadbare
Sadie’s Song
Interlude 1
Kerosene
Rising Of The Moon
Interlude 2
Tears and Ink
Blow, Blow, Thou Winter Wind
Silence Of The Sun
One Day (2024)
Anthem
Interlude 3
Little Light

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New album release: The Carousel – Backstrom

The Carousel is Backstrom’s debut album. It is available now on Spotify. Photo: Backstrom, used with permission.

When it comes to music, I love all types of music. Well, almost all of them, but my favorite genre is rock. With the new year comes the release of new music by artists everywhere. Today I am pleased to announce a new release this month from Backstrom.

Backstrom is a Swedish songwriter in the genres of Folk, Country, and Rock. His debut album The Carousel (feat. Bart Topher) was released today. If you enjoy this type of music or just enjoy discovering new artists, consider this new release. Backstrom’s music is available on Spotify and you can follow the artist on Instagram. (Backstrom, 2024)

Get to know a little bit about Backstrom in this Q & A:

Question: Who are the band members and what do they play?
Backstrom: Backstrom was initially the only “band member” or the songwriter. But I worked with a lot of great session musicians who played a huge role in this project and more or less became band members in the end. For this album, Bart Topher does vocals on eight songs and has also written three lyrics. Tommy Jones wrote three lyrics as well. Fransisco Paz plays all drums and percussion and helped out with a lot of instrumental production. Luca Giannotti plays a lot of guitars on the folk songs and also some bass. Kimberly Faith does harmonies on 6 songs. Hernan Ian plays guitars on the country songs. Maciek Szczyciński play most bass. And there’s a lot more who deserves credit in this project.

Q: Can you tell us anything about the recording process?
B: I wrote the ground material in the winter season and started out by doing a simple demo myself of the songs during the spring – then I spent the rest of the year hiring different session musicians to improve the sound and instrumental quality of the songs. So the whole album is more or less done online and I’ve been sending files back and forth around the world. Gabe Wolf made a great contribution mixing and mastering the songs in the end.

Q: How and where did you get together?
B: I hired all musicians through Fiverr.

Q: Have you played any notable gigs, festivals or other events?
B: No, this is mostly about songwriting and not live performance.

Q: What are the band’s main influences?
B: In general Leonard Cohen, Mark Lanegan but it stretches all the way from Townes Van Zandt to the Rolling Stones and beyond in some songs.

Q: Can you briefly describe what the song/each song is about?
A: It’s not always a deep thought behind every line, it needs to sound good as well, and I prefer to leave the underlying interpretation to the listener!

Q: What are you most happy about with the record?
A: I think we managed to get a quite unique sound, it doesn’t sound so much like anything else out there.

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Upcoming new album release: Your Very Own Dream – Clay Parker and Jodi James

Your Very Own Dream is set for a January 19 release. Photo: Clay Parker and Jodi James

Before their artistic paths converged in Baton Rouge, Louisiana, in late 2014, Clay Parker and Jodi James roamed the musical landscape as lone troubadours, each nurturing their own raw and genuine sound. Now, almost a decade after their first long-distance co-writing collaborations, the duo’s distinct sound has maintained a minimalist yet unpredictable quality—in part by reflecting the ways the artists themselves have changed both together and as individuals. Following their self-titled debut EP in 2016 and 2018’s The Lonesomest Sound That Can Sound, the duo who jokingly refers to themselves as a “band without a name” are returning with a brand new LP in 2024: Your Very Own Dream will be released on January 19, 2024. (IV-PR, 2023)

Parker and James have gained a fanbase by creating worlds within their records, populating each song with points of view that are archetypical yet unique. With Your Very Own Dream, the pair hones this technique to a razor’s edge; equal parts plaintive folk existentialism, blue-note bluster, prairie-fire idealism, and fever-dream ballad with which fans of Angel Olsen, Sharon Van Etten, and Gillian Welch & Dave Rawlings will feel right at home. Parker and James consistently present music that carves a most-direct, excess-free path to its listeners and patiently displays the duo’s true nature as creators of a primitive kind of beauty—stark yet expressive, accessible yet deep, shadowy yet real.

The duo recently released the first single from Your Very Own Dream, the James-led, slow-burner, “Nothing At All.” Fooling very little with the trivial and getting to the heart of the matter quickly, “Nothing At All” rides a mellow, mid-tempo arrangement akin to late 90s alt-country acts like Whiskeytown or Uncle Tupelo; a heartbeat of Americana music in the modern age where the song comes first and everything else is lagniappe.

Fans can stream or purchase “Nothing At All” and pre-order or pre-save Your Very Own Dream ahead of its January 19 release.

Your Very Own Dream track list:
Fire For The Water
Hey Hey Hey
Nothing At All
In The Cool Of The Evening
Flatfoot
How High Would I Have To Fly
A Matchbook Song
Your Very Own Dream

Catch Clay Parker and Jodi James on tour:
January 19 – Baton Rouge, LA – MidCity Ballroom – Album Release Show
February 16 – Galveston, TX – Old Quarter Acoustic Cafe
February 17 – Austin, TX – House Show
February 18 – Austin, TX – NeWorlDeli
February 19 – Oklahoma City, OK – House Show
February 21–25 – Kansas City, MO – Folk Alliance International
February 28 – Nashville, TN – 5 Spot
February 29 – Dunlap, TN – House Show
March 1 – Chattanooga, TN – The Woodshop
March 2 – LaGrange, GA – Pure Life House of Music

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Upcoming new album release: Critterland – Willi Carlisle

Critterland will be release January 26, 2024. Proceeds from the new single ‘When The Pills Wear Off’ will be donated to Appalachian Recovery Non-Profit Hope In The Hills. Courtesy photo, used with permission.

For folksinger Willi Carlisle, singing is healing and by singing together, he believes we can begin to reckon with the inevitability of human suffering and grow in love. Rooted in the eclectic and collective world of his live shows, Carlisle’s third album, Critterland, takes up where his sophomore album, Peculiar, Missouri, left off, transforming Peculiar’s big tent into a Critterland menagerie and letting loose the weirdos he gathered together. The album is a wild romp through the backwaters of his mind and America, lingering in the odd corners of human nature to visit obscure oddballs, dark secrets, and complicated truths about the beauty and pain of life and love. (IV-PR, 2023)

Produced by the GRAMMY Award-nominated Darrell Scott and to be released on January 26, 2024, by Signature Sounds, Critterland considers where we come from and where we are going. On the album, he takes on human suffering through stories about forbidden love, loss, generational trauma, addiction, and suicide, believing that by processing the traits and trauma we inherit, he can reach a deeper understanding of what it means to succeed and to exist.

“It’s kind of about getting a little older, moving from hard drugs and hookups to bedroom sex and pharmaceuticals,” says Willi Carlisle of his latest single “When The Pills Wear Off.” “It’s an amalgam of queer stories that I’ve heard, lived, and seen.” Devastating and gorgeous, Carlisle’s fingerpicked ballad serves as the penultimate tune from his upcoming album Critterland—and a flawless example of the songcraft that’s garnered fans like Tyler Childers and BJ Barham.

Carlisle is donating a portion of the proceeds from streams and purchases of “When the Pills Wear Off” to Hope in the Hills, a West Virginia-based charity focused on recovery and wellness in Appalachia. “After losing friends to overdoses, after witnessing the stress that hidden lives and quiet desperation causes people, I decided I wanted to sing about addiction,” says Carlisle. “So, I’m partnering with Hope in the Hills to raise awareness and funding to help those in need. Too much of country music glorifies abuse, murder, and poverty in the name of shock and sales, and I want to fight the stereotypes. Let’s share music about our struggle and triumph! Let’s celebrate love and mourn the dead. ‘When the Pills Wear Off’ is a really sad song, I know, but I hope it brings some joy into the world.”

The funds raised by this single will specifically go to Hope in the Hills’ music therapy program, which conducts regular sessions at recovery houses in East Tennessee, Eastern Kentucky, and West Virginia, and additionally supports music therapy through WVU Medicine’s Opioid Unit, Troublesome Creek Stringed Instruments, which employs folks in recovery to build musical instruments in EKY, and a recovery-to-work stagehands program through Recovery Point West Virginia.

Fans can hear “When the Pills Wear Off” today and pre-order or pre-save Critterland ahead of its January 26 release.

Critterland track list:
Critterland
Dry Country Dust
The Arrangements
The Great Depression
Two-Headed Lamb
A Higher Lonesome
I Want No Children
Jaybird
When the Pills Wear Off
The Money Grows on Trees

Catch Willi Carlisle on tour:
February 1 – Newport, KY – The Southgate House
February 2 – Columbus, OH – Rumba Cafe
February 3 – Pittsburgh, PA – Club Cafe
February 4 – Lakewood, OH – Mahall’s
February 7 – Ann Arbor, MI – The Ark
February 9 – Chicago, IL – Schubas Tavern
February 10 – Kalamazoo – MI – Bell’s Eccentric Café
February 12 – Wisconsin Dells, WI – Showboat Saloon
February 13 – St. Paul, MN – Turf Club
February 15 – Des Moines, IA – xBK
February 16 – Omaha, NE – Slowdown
February 17 – Lawrence, KS – The Bottleneck
February 18 – Oklahoma City – OK – Resonant Head
June 2 – Virginia Beach, VA – Veterans United Home Loans Amphitheater*
June 5 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre*
June 7 – Alpharetta, GA – Ameris Bank Amphitheatre*
June 8 – Alpharetta, GA – Ameris Bank Amphitheatre*

* Supporting Tyler Childers

Willi Carlisle. Courtesy photo, used with permission.
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