New album release: Christmas at the Burchills

Christmas at the Burchills is the new album by Beth // James. Courtesy photo, used with permission.

On their new EP, Christmas at the Burchills, Jordan and Mikaela Burchill invite you into their home for the holidays. While the duo goes by the moniker Beth // James, Beth and James are in fact, their middle names. Both Jordan and Mikaela took an interest in music at a young age. Jordan grew up with a guitar in his hands, raised by musician parents, and Mikaela grew up at the studio, singing on records in Nashville since her elementary school years. The young songwriters met in music school and clicked immediately. They moved to Austin, Texas, after graduation, fell in love, and quickly became a duo. They have since released two EPs, one full-length record, and their song “Lion Eyes” was featured in Spike Lee’s Academy Award-winning film, “BlacKkKlansman.” Dubbed “masters of indie-folk” by Austin’s NPR station, KUTX, the Austin duo has cut their teeth touring all across the US, performing as Kerrville New Folk Finalists, and recently got back from a run in Europe and the UK where they played Germany’s only Americana music festival. (IV-PR, 2023)

With their latest EP, Beth // James balance their signature, indie-Americana sound with a healthy dose of varied holiday cheer. Out now, Christmas at the Burchills flies between classic Christmas sounds, touching down for an Elvis cover and Elvis-influenced original, a Hawaiian-infused shot of Christmas paradise, dusty Americana set in Marfa, Texas, and a candle-lit Yuletide ballad.

EP highlight “Tiki Christmas Land” imagines escaping winter heartbreak for Hawaii, drowning your sorrows in Mai Tais and December sun. It is simultaneously cozy as a sweater, and bursting with catchy tropical cheer. Meanwhile, “Marfa Christmas Lights” trades Hawaiian steel guitar for contemplative country western lap steel, serenading the mystical grandeur of west Texas in December. On piano ballad “The Christmas We Used to Know,” Mikaela explores childhood Christmas nostalgia and the difficulty of growing up. Like the writers of many classic Christmas songs, Mikaela grew up Jewish, explaining “as a kid I would always go to my childhood best friend’s house to spend Christmas with her and her family.”

Fans can stream or purchase Christmas at the Burchills in its entirety today by following this link. On December 15, the duo will celebrate their EP release with Beth // James & Friends Christmas Spectacular at Quack’s Soundspace in Austin. Tickets are available here.

Christmas at the Burchills track list:
Tiki Christmas Land
Marfa Christmas Lights
Santa Won’t You Deliver (My Baby This Winter)
Blue Christmas
The Christmas We Used To Know

Barrett Davis releases acclaimed debut album The Ballad of Aesop Fin

The Ballad of Aesop Fin is longtime Carolina songwriter Barrett Davis’ solo debut album. Courtesy photo, used with permission.

“I just came to this serious point in my life where I realized that if I want to make music and perform, then it’s now or never—I’ve got to make something of it,” remembers 29-year-old musician Barrett Davis of the time leading up to his debut album The Ballad of Aesop Fin. Luckily, for us listeners, Davis’ dedication to his dream paid off in spades. Released last week, The Ballad of Aesop Fin delivers a vibrant tapestry of songs, ranging from modern Americana to classic country, indie-folk to the “high, lonesome sound” of bluegrass—the last of which comes with a little help from Woody Platt, longtime lead singer for Davis’ hometown, Grammy-winning bluegrass outfit, Steep Canyon Rangers. The record itself is a kitchen sink of tones—as heard on “Quiver,” “Lazarus,” and “Carolina Still”—one which ideally showcases the wide-range and unknown depths of Davis, his musical pursuits, and exploits. (Barrett Davis, 2022)

Fans can hear The Ballad of Aesop Fin in its entirety and check out some intimate, in-studio videos of “Carolina Still,” “Lazarus,” and “Quiver feat. Woody Platt.” 

The Ballad of Aesop Fin In The News: Fretboard Journal premiered Aesop Fin’s first single, “Quiver,” writing, “We love this track from Davis and we especially love seeing Woody Platt, formerly of Steep Canyon Rangers, helping out on backing vocals.” JamBase premiered the album’s penultimate track, “Lazarus,” a song about “friendship and renewal.” The Bluegrass Situation premiered the video for “Carolina Still,” an ode to Davis’ ancestry, his family’s deep roots in North Carolina, and his great-grandfather Gus.

John Apice reviewed the album for Americana Highways, commenting, “North Carolina’s Barrett Davis has style, ear-caressing sincerity in his music & an arresting voice in many of these well-crafted songs.” 

The Ballad of Aesop Fin track list:

  1. Highway 64
  2. Carolina Still
  3. Quiver
  4. Oh Sleeper
  5. Bama Shores
  6. Your Worth
  7. Lazarus
  8. Aesop Fin

“Aesop Fin is a mythical character, raised in the woods. His dad is a moonshine runner, his mother nowhere to be found,” Davis says. “Aesop finds a lover and ends up getting killed in a gambling incident, then she ends up tumbling into a waterfall—it’s symbolic of the vicious cycle of tragedies in these mountains of Appalachia.” 

Growing up in Lake Toxaway, North Carolina, a rural outpost community in the mountainous ridges of Transylvania County, Davis was surrounded by music from an early age—exposed to the blues licks of his guitar-playing father, the swirling classical sounds of his mother’s piano playing or the inner echoes of his sister, now a professional opera singer. Davis himself went on hiatus for several years, getting married and raising a young family, all while starting his own construction business to put food on the table for his wife and two kids.