Theater review: ‘Les Miserables’ at the Majestic Theatre

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The company of ‘Les Miserables’ performs “One Day More.” Photo: Matthew Murphy, used with permission.

Now playing at the Majestic Theatre is the Tony Award-winning musical phenomenon, ‘Les Misérables.’ The musical based on Victor Hugo’s classic is set in 19th-century France and follows the lives of different characters as they search for redemption and revolution and is a timeless testament to the survival of the human spirit. It runs through Sunday September 22 and tickets, which are going fast, start $49.50 through Ticketmaster online, by phone at 1-800-982-2787 or by visiting the Majestic Box Office. Performance times are 7:30p.m. through Thursday; 8p.m. on Friday; 2p.m. and 8p.m. Saturday and 2p.m and 7:30p.m. on Sunday.

‘Les Misérables’ begins with a Prologue set in 1815 Digne where, after 19 years on the chain gang, Jean Valjean (Nick Cartell), known as prisoner number 24601, finds that because he must openly identify himself as an ex-con, he will always be an outcast. “Soliloquy” The only one who shows Valjean any kindness is the Bishop of Digne (Andrew Maughan) and he repays him by stealing some silver. He is caught but the Bishop lies to the police to save him and he uses this chance to start his life over. Eight years pass and Valjean, after he broke parole and changed his name, is now a factory owner and Mayor. When one of this workers, Fantine (Mary Kate Moore), who was unjustly fired, “At The End of the Day” ends up on the streets and badly injured, he demands that instead of being arrested, she be taken to the hospital. On her deathbed, Valjean promises to take care of her young daughter Cosette. “Fantine’s Death”

Nine years later in Paris, Javert (Josh Davis) saves Valjean and Cosette (Jillian Butler) from a street gang but does not recognize Valjean until he is gone. There is unrest in the city because the popular leader General Lamarque, who is sympathetic to the poor, is near death. Upon his death, a group of politically-minded students stir up a revolution on the streets. “The People’s Song” One of those students is Marius (Joshua Grosso) who is smitten with Cosette. The students build a barricade but they are all killed during the ensuing fighting, except Marius, who is saved by Valjean. Him and Cosette get married “Wedding Chorale” and she learns the truth about her past from an old Valjean before he dies.

The night started off promising with the powerful voices of the opening numbers by the Company and Valjean’s “Soliloquy.” Given that most of the performances are serious numbers, “Master of the House” was well received and the audience visibly relaxed during the comedy relief of Thénardier (Jimmy Smagula) and his wife (Allison Guinn). Most impressive was the scenery, which is inspired by the paintings of Victor Hugo and this includes a realistic looking fall when Javert commits suicide by throwing himself into the Seine. From the inspiring moments of “One Day More” to the heartbreaking death of Valjean, the opening night of ‘Les Misérables’ was a good start of its run at the Majestic Theatre. It is breath taking and inspirational and a must-see production for fans and newbies alike. Be advised that the show begins promptly at 7:30p.m. Late comers will be allowed but will have to wait until end of the Prologue, approximately 14 minutes into the show.

Tickets for ‘Les Misérables’ at the Majestic Theatre go on sale Friday

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The company of ‘Les Miserables” performs “One Day More.” Photo: Matthew Murphy, used with permission. 

The much-anticipated return of Cameron Mackintosh’s acclaimed production of Alain Boublil and Claude-Michel Schönberg’s Tony Award-winning musical phenomenon ‘Les Misérables’ will play at the Majestic Theatre this September. Direct from a celebrated two-and-a-half year Broadway engagement, it will run from Tuesday September 17 through Sunday September 22 and tickets go on sale at 10a.m. this Friday, July 12. Tickets, starting at $49.50, are available through Ticketmaster online, by phone at 1-800-982-2787 or by visiting the Majestic Box Office.  The Majestic Box Office does not accept single ticket orders over the phone; all ticket sales must be made in person. Majestic Box Office hours are 10a.m. to 5p.m. Monday through Friday. Saturday hours vary weekly, call (210) 226-3333 to verify.  Orders for groups of 10 or more may be placed by calling (210) 226-5967. Performance times are 7:30p.m. Tuesday through Thursday; 8p.m. on Friday; 2p.m. and 8p.m. Saturday and 2p.m and 7:30p.m. on Sunday. (Broadway in San Antonio, 2019)

‘Les Misérables’ is set against the backdrop of 19th-century France and tells an enthralling story of broken dreams and unrequited love, passion, sacrifice and redemption – a timeless testament to the survival of the human spirit. Featuring one of the best scores of all time, with thrilling and beloved songs including “I Dreamed A Dream,” “On My Own,” “Stars,” “Bring Him Home,” “One Day More,” “Do You Hear the People Sing” and many more, this epic and uplifting story has become one of the most celebrated musicals in theatrical history. Along with the Oscar-winning movie version, it has now been seen by more than 120 million people in 52 countries and in 22 languages around the globe. ‘Les Misérables’ is still the world’s most popular musical, breaking box office records everywhere in its 33rd year. With glorious new staging and dazzlingly re-imagined scenery inspired by the paintings of Victor Hugo, this breathtaking production, which broke box office records during its pre-Broadway tour, has left both audiences and critics awestruck.

Cameron Mackintosh’s production has music by Claude-Michel Schönberg, lyrics by Herbert Kretzmer from the original French text by Alain Boublil and Jean-Marc Natel, additional material by James Fenton and original adaptation by Trevor Nunn and John Caird. The original ‘Les Misérables’ orchestrations are by John Cameron with new orchestrations by Christopher Jahnke, Stephen Metcalfe and Stephen Brooker.  The production is directed by Laurence Connor and James Powell, designed by Matt Kinley inspired by the paintings of Victor Hugo with costumes by Andreane Neofitou and Christine Rowland, lighting by Paule Constable, sound by Mick Potter, musical staging by Michael Ashcroft and Geoffrey Garratt and projections by Fifty-Nine Productions. Music Supervision is by Stephen Brooker and James Moore, with casting by Kaitlin Shaw for Tara Rubin Casting.