Tag: new album

Dallas Death Metal Unit Frozen Soul Teams Up with Gerard Way for New Single

Frozen Soul photo by Kate Russell, used with permission.

Frozen Soul Announces New Album No Place of Warmth — Featuring Gerard Way

Dallas’ premiere death metal/hardcore unit Frozen Soul has officially emerged from the frost to announce their third full-length studio album: No Place of Warmth. (another side, 2026)

Arriving May 8 via Century Media, the record is described as a monolithic and exigent collection of anthems. It promises the band’s signature blend of ferocity and subtle melody, guided by soaring guitar leads through a “dark chasm of merciless riffs.”

A Letter to the Fans from the Wasteland

While their previous work explored glacial territories, No Place of Warmth turns inward. The album surveys the emotional wasteland of everyday struggle, serving as an open letter to fans. It decries the cold realities of life while providing the tools and motivation to conquer them.

“Life is always coming at you, and death doesn’t stop—you might slow it down, but it’s always coming—so you have to make the best out of it and march on.”

— Chad Green, Vocalist

The Title Track: “No Place of Warmth” (feat. Gerard Way)

In a landmark collaboration, the album opener and title track features Gerard Way (My Chemical Romance). The track is available now on all digital platforms.

  • The Concept: The song explores the choice between letting the cold consume you or finding warmth in a void.
  • The Video: Directed by Brendan McGowen, the visual features actor London Smith (from 2023’s “Morbid Effigy”) returning to play the personification of Death.
  • The Collaboration: Green and Way became friends a few years ago. “I knew he had a love for metal,” Green recalls. “Gerard is an amazing artist and musician whose creative vision has shaped generations.”

Evolution of the “Cold” Sound

Musically, the album sees Frozen Soul distilled to their primordial essence. Expect a “menacing” version of the band focused on maximal minimalism across eleven new songs.

AspectDescription
Vocal StyleChad Green’s “sandpaper-y bellow” acting as a dungeon master/soothsayer.
Musical DNAHardcore punk aggression meets classic American Death Metal (Obituary, Mortician).
InspirationEarly Earache ruination (Carcass, Bolt Thrower).
Philosophy“Stop overthinking it… emphasizing brutality but with an ear for hooks.”

On the Road

Frozen Soul has solidified their place as leaders of metal’s next generation. This April, they will hit the road across the states with Avatar and Fleshgod Apocalypse. See tour information here.

Frozen Soul is:

  • Chad Green / Vocals
  • Michael Munday / Guitar
  • Chris Bonner / Guitar
  • Samantha Mobley / Bass
  • Matt Dennar / Drums

No Place of Warmth – Tracklist:
1 – No Place of Warmth (Feat. Gerard Way)
2 – Invoke War (Feat. Machine Head)
3 – Absolute Zero
4 – Dreadnought (Feat. Sanguisugabogg)
5 – Chaos Will Reign
6 – Eyes of Despair
7 – Ethereal Dreams
8 – Skinned by the Wind
9 – DEATHWEAVER
10 – Frost Forged
11 – Killin Time (Until its Time to Kill)

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Poison Ruin Announces New Album ‘Hymns from the Hills’ via Relapse Records

L-R: Allen Chapman (drums), Nao Demand (guitar), Mac Kennedy (vox, guitar), Will McAndrew (bass). Photo By Kat Bean, used with permission.

Scythes, Spirits, and Synths: Poison Ruin Announces ‘Hymns from the Hills’

Poison Ruin’s upcoming release, Hymns from the Hills, ambitiously rewrites the rules of punk. The Philadelphia outfit is pushing their sound into expansive new terrains without sacrificing an ounce of the bleak symbolism and uncompromising aggression that established them as one of extreme music’s most urgent voices. (another side, 2026)

Expanding their signature approach to grim mythmaking, these new songs feel equal parts natural, undeniably of this world, and phantasmal.

Release Date: April 3 via Relapse Records

Formats: Vinyl, CD, and Digital

Available for pre-order.

A Tapestry of Dispossession

On Hymns from the Hills, Poison Ruin’s previous stories of toil are revealed to be but one chapter etched upon a bleaker tapestry. This is a landscape populated by:

  • Spirits traversing sunless deserts and wilted hillsides.
  • Demonic torture objects lining the psyche.
  • Bodies transfigured into Luciferian snakes.
  • Sadean prisoners bound to the screaming silence of abandoned towers.

Lead Single: “Eidolon”

The band’s signature raw, anthemic aggression pummels through on the lead single “Eidolon,” recently released alongside its official video.

Frontman, lyricist, and guitarist Mac Kennedy explains the track’s bleak inspiration:

“‘Eidolon’ is about being stuck in a broken reality, a cog in a fate-machine doomed to play out the same cursed loop until it fully breaks down. The ones who had the power to affect change have abandoned the scene… Grim reminders of what could have, but will not be.”

Expanding the Sonic Mythos

The record acts as both a forceful restatement and a bold departure. While listeners will recognize the crackling, cassette-dubbed darkness, it is now supported by a carefully sculpted mosaic of new textures:

  • Killing Joke-style hacksaw primitivism.
  • Blast-beats worthy of the Relapse catalog.
  • Crisp analog synth lines.
  • Ambient serenades reminiscent of Scott Walker and The Durutti Column.

The Craft: DIY Grandeur

Meticulously composed and self-recorded, the LP saw Kennedy relocate to a private practice space to meet the record’s greater sonic demands. To polish this “hissing abyss,” the band enlisted top-tier talent for the final touches:

  • Mixing: Jonah Falco (with Kennedy splicing in gritty tape segments for tonal continuity).
  • Mastering: Arthur Rizk.

The result is a rich structure of unconventional frictions—crystalline flashes of polish ripping through low-end grime, only to shatter against the whipping sting of rusted chains.

Mythic Sensibilities

Lyrically, Hymns from the Hills reaches new poetic heights. While the record continues the tradition of employing medieval-inflected fantasy imagery, Kennedy is quick to note that these figures are not intended to be read as historically accurate, but rather as tools for cynicism and defiant bravado.

“I’m not very interested in conveying the historical facts of medieval culture. If we are to make sense of the present, we need to employ a more mythic mode of language and symbol to reach beyond the spiritual malaise that envelopes us. A mythic truth resonates within any time, but its echoes call from outside of time. Medieval and fantasy imagery are simply effective personal starting points for tapping into that mode of communication.”

Hymns from the Hills tracklist:
01 – Intro
02 – Lily Of the Valley
03 – Hymn from the Hills
04 – Eidolon
05 – Howls From the Citadel
06 – Pilgrimage
07 – Guts (Lay Your Self Aside)
08 – Turn To Dust
09 – Puzzle Box
10 – Serpent’s Curse
11 – Sleeping Giant (Interlude)
12 – Crescent Sun
13 – The Standoff

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A Kaleidoscope of Cumbia: Juanes Returns to His Roots with ‘JuanesTeban’

The new album will be released March 3, 2026. Photo: Google

The Latin Rock Titan Returns: Juanes Announces New Album ‘JuanesTeban’

The wait is almost over for fans of the Colombian legend. Juanes has officially announced that his 12th studio album, titled JuanesTeban, is set to drop on March 6. (Hits Daily Double, 2026)

Alongside the announcement, the Latin rock icon released a teaser trailer giving fans a glimpse into what’s being hailed as one of his most personal projects yet. The LP was co-produced by Juanes himself and the reigning Latin Grammy Producer of the Year, Nico Cotton (known for his work with Aitana and Nathy Peluso).

A “Kaleidoscope” of Sound

According to Juanes, this album is a return to his roots, blending his signature rock style with the rhythmic soul of Latin America.

“It’s like a kaleidoscope of my many moods: joyful, enthusiastic, melancholy,” Juanes shared. “I wanted to make the kind of album that would take me back to the land of dancing and cumbia – the feeling of Latin America, the root of folklore.”

Tracklist Teasers & Collaborations

The album features high-energy collaborations and soulful solo tracks, including:

  • “Muérdeme” (featuring Bomba Estéreo)
  • “Una Noche Contigo”
  • “Hagamos Que”
  • “Cuando Estamos Tú Y Yo”

Upcoming Tour Dates & Honors

It’s going to be a massive spring for the “A Dios le Pido” singer. Before the album even hits shelves, Juanes will be honored by Univision at Premio Lo Nuestro with the Lifetime Achievement Award on February 19.

He is also set to headline some of the biggest stages in the world:

  • Viña del Mar (Chile)
  • Vive Latino (Mexico)
  • El Carnaval de Barranquilla (Colombia)
  • Movistar Arena (Madrid, Spain)

About Juanes

With a career spanning over two decades, Juanes remains one of the most influential figures in music history. Since his solo debut Fíjate Bien in 2000, he has secured 26 Latin Grammy Awards and sold over 15 million records worldwide.

Ready to listen? JuanesTeban is available for pre-order.

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trauma ray’s Carnival EP Is a Dark, Shoegaze-Fueled Descent Into Unease

trauma ray announces new album – Carnival. Photo: Erasmo Viera, used with permission.

trauma ray Explores the Dark Funhouse on Carnival EP

trauma ray’s Carnival EP captures the Fort Worth five’s strongest, most intense, and exploratory work within the boundaries of a whirlwind year. Carnival delves into moodier, more cerebral material, like holding their past excursions against a funhouse mirror. There’s a distinct sense of unease in these songs, built in a fleeting window of time, proving the band works best under pressure and when pulling from the darkest corners of their subconscious. (another side, 2026)

Carnival will be available on February 20 via Dais Records.
Pre-save / pre-order here.

Following the Breakout of Chameleon

Carnival follows the breakout success of Chameleon, trauma ray’s 2024 debut on Dais Records. The album helped firmly establish the band amidst the current wave of shoegaze revivalists. Increasingly agile, trauma ray has proven able to weave between scenes, touring extensively with the likes of Deafheaven, Loathe, Touché Amoré, and more.

A confluence of blitzing riffs and stark beauty, trauma ray’s sound continues to evolve, nodding to loud-quiet-loud greats across metal, grunge, and shoegaze, from Slowdive to Smashing Pumpkins.

New Single: “Hannibal”

trauma ray’s new single and video, “Hannibal,” contorts with a tinge of unprecedented evil, slithery and, as vocalist Uriel Avila puts it, “Stone Temple-y, Alice in Chains-y.” Lyrically, the track taps into teenage angst and the feeling of being dissected and rejected.

“It’s a song about the feeling of doing your best as an individual yet still falling short in the eyes of those you hope to make proud,” Avila explains.

“A lot of it stems from internal battles I faced growing up with my father, role models, and religion. Some of it comes from more recent experiences of being put under the microscope by my peers. It’s a gut-wrenching sensation that I was able to tie lyrically to the visceral mood of the instrumentation that kicks off the track and begins the journey through Carnival’s overall theme.”

Recording Under Pressure

During a brief break in their relentless touring schedule last summer, trauma ray regrouped in Texas for a few days to record a flurry of tracks, later sent to Corey Coffman for mixing and mastering. Core songwriting duo Avila and guitarist Jonathan Perez welcomed increased contributions from the rest of the band, most notably guitarist Coleman Pruitt and bassist Darren Baun, who brought an eerier strain of rhythmic and textural ideas.

This shift coincided with a growing sense of collective dread and anxiety, visually captured in a striking photo set of a deserted amusement park near Brighton, England. Shot on tour by drummer Nicholas Bobotas, the images now serve as the EP’s artwork.

Track-by-Track Through the Funhouse

The wordless opener “Carousel” ushers in Carnival’s unsettling atmosphere, with blasts of static and downcast strums giving way to “Hannibal,” the anthemic lead single packed with power riffs and raw emotion.

“Méliès,” named after French illusionist and filmmaker Georges Méliès, cuts between heavy, sludgy chords and a skyward chorus—“from something scary to like a dream state,” Avila says, channeling the surreal abstraction of its namesake.

“Funhouse” dips into doom metal, featuring sparse guitar work and possibly the band’s slowest BPM yet. Lyrics play with shifting perspectives, culminating in a call-and-response outro—“take my hand / this is not your wonderland”—that conjures opposing forces or frames of mind.

A Jarring Exit: “Clown”

In contrast, the final track “Clown” jolts, flashes, and pummels, like emerging from the other end of a house of horrors, now immersed in the disorienting lights of the carnival. Personified by a knotty, synth-soaked lead guitar squall, the song evokes Robin Williams as an archetype of tragic happiness: those who work hardest to make others laugh may privately be the saddest.

Sonically, the band cites influences like Failure’s “Undone” and “Stuck on You,” alongside the omnipresent Loveless. The result speaks to trauma ray’s growing strength: five musicians absorbing, synthesizing, and expanding on what they love.

Carnival offers a brief, highly loopable detour into darkness from a band growing more formidable by the mile.

Carnival EP tracklist: 

1 – carousel
2 – Hannibal
3 – Méliès
4 – Funhouse
5 – Clown

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Worm Unveils the Dark Majesty of Necropalace

Worm announces new album Necropalace. Photo: Andreas Marschall, used with permission.

Worm Walks Backwards Into the Future with Necropalace

Worm has incessantly built upon their sonic palette of “Necromantic Black Doom” with roots in nearly every worthy corner of extreme metal’s history, from the grandiose heights of ’90s symphonic black metal to the emotional technicality of ’80s shred metal. (another side, 2025)

Four years after their acclaimed full-length Foreverglade, Worm emerges with their next studio album and first release with Century Media Records, Necropalace. The Floridian band has only grown more powerful, showcasing a level of grandiose songcraft that is beyond modern compare. On Necropalace, Worm has managed to do what many others in this day and age can only attempt: they walk backwards into the future.

A World Untouched by Time

Necropalace lives in a world of its own.

A world of lush velvet and ostentatious gold, covered in the dust of time.
A world where shadows seem to move in your peripheral vision, yet the loneliness never ceases.
A world where wounds of the flesh may heal, but those of the heart never do.

The Gates Open: “Necropalace”

The nightmarish omnipotence of album opener and title track “Necropalace” ushers the listener into a journey through obsessive bloodlust. Spellbinding, powerful vocals from Phantom Slaughter guide the descent, while guitarist Wroth Septentrion flaunts his stunningly masterful songwriting throughout.

“Necropalace” feels like an endless maze of subterranean, candle-lit corridors, each riff constantly shifting and evolving. With multiple listens, however, one discovers that the maze contains many paths that ultimately converge into one another.

Into the Crypt: “Blackheart”

Worm’s latest single, “Blackheart,” is a descent into the nether vaults of the Necropalace. As you make your way through the crypts and catacombs beneath the castle, you find Nightfang’s resting place. Beside his black coffin sits the Blackheart, encased in ice and glowing blood red.

This occult artifact pumps life into the ancient palace walls and keeps the vampire lord immortal.

“Blackheart” serves as part two of Worm’s official Necropalace short-film series, heavily inspired by their obsession with horror from the ’80s and ’90s. Director Norman Cabrera, Producer Maya Kay, and Colorist Alex Nicolaou, under the direction of Ted Nicolaou, continue to bring Worm’s dark fantasy into reality following “Necropalace,” now deepening the vision with “Blackheart.”

The Infernal Masquerade

Enter if you dare, but know the consequences of your choice.

Through the opulent finality of album closer “Witchmoon: The Infernal Masquerade,” featuring guitar virtuoso Marty Friedman, Necropalace reveals itself as the true sonic representation of unbridled, night-bound maleficence.

The album manifests as the soundscape to a star-laden winter sky reflecting off the Everglades’ darkest slough, where death meets the deathless. This is a vociferous call to action for anyone who still possesses ancient vampiric blood in their veins.

Prepare yourself for a full-force attack of zealous guitar agility and heretic spellcraft.

The gates are now open.

Release Information

Necropalace will be released February 13, 2026 via Century Media Records. Pre-order/Pre-Save here.

Necropalace tracklist:
1 – Gates to the Shadowzone (Intro)
2 – Necropalace
3 – Halls of Weeping
4 – The Night Has Fangs
5 – Dragon Dreams
6 – Blackheart
7 – Witchmoon – The Infernal Masquerade (Feat. Marty Friedman)

Photo courtesy of artist, used with permission.

Begging Dog: Jeff Kleinman’s Gritty Tribute to Everyday Life

Begging Dog shares new single Common Place from forthcoming album. Photo: Photo By Kat Nijmeddin, used with permission.

Begging Dog: Jeff Kleinman’s Raw, Everyday Poetry Finds Its Voice

Begging Dog is the indie-punk project of Los Angeles–based artist and multi-instrumentalist Jeff Kleinman. Known for his work with Choir Boy, Kleinman created Begging Dog as an outlet for songs that embrace the mundane with a raw, homespun sound. The project leans into garage-punk grit and plain-language lyricism, capturing the poetry of everyday life. (another side, 2025)

A Demo That Sparked a Buzz

Kleinman’s debut, DEMO 1, spread quickly through underground circles. Word reached Dais Records, who soon signed Kleinman and announced a wider vinyl release of the original album.

Clocking in at just 26 minutes, DEMO 1 is packed with rolling bass and synth lines, charismatic riffs, and motorik drum beats. Sonically lean but emotionally weighty, the project showcases Kleinman’s distinctive storytelling and ear for melody.

Characters, Scenes, and Lived-In Observations

Lyrically, DEMO 1 drifts through a series of lived-in characters and scenes:

  • a pushy union rep
  • a mailman with a steady federal job
  • a compulsive gambler
  • a beloved neighborhood homeless man

Ex-lovers flicker in and out of several tracks, collaged into sharp, witty free verse. Kleinman cites Bruce Springsteen as an influence, not in genre, but in philosophy. He writes in “plain ink,” opting for direct simplicity over flowery prose.

Loneliness in Plain Sight

Much of DEMO 1 taps into a shared loneliness, universal and uniquely tied to life in Los Angeles. The title track anchors that feeling as Kleinman sings, “no one loves a begging dog.” Borrowed from a friend, the line encapsulates the project’s core: the world can make you feel like a begging dog searching for affection and security, yet there’s beauty in solitude, routine, and the quiet hum of everyday life.

From Solo Recordings to a Seven-Piece Band

Kleinman recorded DEMO 1 almost entirely on his own. But live, Begging Dog expands into a dynamic seven-piece band, giving the songs a new sense of scale and energy.

“No matter how good or not good you have it, you’re kind of like looking for something more,” Kleinman says. He stops short of assigning grand meaning to the work, maintaining a sense of humility that permeates the project. DEMO 1 thrives on this balance of candor, grit, and hook-driven songwriting.

Release Details

DEMO 1 was mixed and mastered by Matt Whitehurst. It’s currently streaming on all major platforms and will be released on vinyl via Dais Records on December 12. It is available for pre-order.

Kleinman’s latest single, “Common Place,” reflects on his five years living in Salt Lake City, another snapshot of everyday life reframed through Begging Dog’s honest, unvarnished lens.

DEMO 1 Tracklist:
01 – Begging Dog
02 – Cave In On Me
03 – Money Tree
04 – The Eel
05 – Laughing Boy
06 – Clamshell Tune
07 – Continuing Education
08 – Tell Me That You Love Me
09 – Common Place
10 – Here For A Good Time

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Gran Moreno Ignites with New Single ‘Temple of Fire’ Ahead of Debut Album El Sol

Gran Moreno is Ricardo (guitarist and vocals) and Christian (drums). Photo: Tico Mendoza, used with permission.

Gran Moreno Unleashes New Single “Temple of Fire” Ahead of Debut Album El Sol

This week, Austin duo Gran Moreno released their newest single, “Temple of Fire,” now available on all major streaming platforms. The track originally premiered via The Obelisk, offering an early glimpse into the band’s evolving sonic universe. (US/THEM Group, 2025)

A New Force in Psychedelic Rock

Gran Moreno is quickly emerging as one of the most compelling voices in the new wave of psychedelic rock. Their sound, rooted in analog warmth, expansive textures, and hypnotic grooves, creates an immersive experience that blurs the line between distortion and introspection. With heavy rhythms, emotionally charged melodies, and atmospheric layers, their music feels like a sonic mirage: shifting, evocative, and deeply felt.

A Conceptual Debut: El Sol and La Luna

At the heart of Gran Moreno’s artistry is a dedication to storytelling through sound. Their upcoming debut album is a conceptual, two-part experience:

  • Side A: El Sol — urgency, energy, and clarity
  • Side B: La Luna — shadow, mystery, and reflection

The first release, El Sol, captures the band at full intensity, offering a vivid and unfiltered introduction to their creative identity.

A Live Experience That Transcends the Stage

Gran Moreno’s live performances elevate their music into a full-body encounter. Blending sonic power with rich visual elements, their shows draw audiences into a shared trance, one that feels both deeply personal and profoundly communal. Their fierce independence and bold creativity continue to shape a musical world entirely their own.

Release Info

El Sol will be available on LP and digital download on January 17, 2026.
Pre-orders are available HERE.

El Sol tracklist:

  1. Las Montañas
  2. Aztlan
  3. Huracan
  4. Temple of Fire
  5. La Mentira
  6. Oaxaca – Please Don’t Cry
  7. Hikuri
  8. California Blues
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Between The Waves is Home Front’s Anthem for Resilience and Renewal

L-R Clint Frazier, Graeme MacKinnon. Photo By Lyle Bell, used with permission.

Home Front Shares Final Single “Between The Waves” Ahead of Watch It Die Release

This week, Home Front shared their final single, “Between The Waves,” from their upcoming album Watch It Die, out this Friday November 14 via La Vida Es Un Mus. Pre-Order/Pre-Save. (another side, 2025)

A Lifetime of DIY Spirit

For decades, Graeme MacKinnon and Clint Frazier have been deeply embedded in grassroots music-making, community building, and the unpredictable ebbs and flows of DIY punk.

Formed in 2020, Home Front channels their lifetime of experience into a project that feels nostalgic and forward-looking; a sound that moves between the textured sounds of Tangerine Dream and the pounding urgency of an anthem for survival.

Music That Grows Through Change

Home Front’s music holds onto a rare kind of passion, the kind that guides you, like a climbing vine wrapping around both triumphs and losses. Their lyrics and influences are specific yet universal, personal yet accessible.

The new record’s production, guided by a close-knit team of longtime collaborators, reflects their DIY ethos. Recorded in home studios in their hometown of Edmonton, Alberta, Watch It Die is a testament to making something powerful out of humble circumstances.

Honest, Danceable, and Deeply Human

Watch It Die is built simply: 12 songs of danceable, hummable, and rousing honesty. The emotion of this LP solidifies these musical notions into meaningful art.

“For us, ultimately, this is music that comes out of loss and heartbreak and failure,” says the band. “You can get rowdy, you can get emotional, you can do whatever you want—but maybe, with all of that freedom, we take a second to reflect on all our fallen brothers and sisters and friends who may have slipped away.”

Finding Light in the Bleak

Rather than asking why or how we got here, Watch It Die offers a step forward, a dose of optimism and self-ownership in dark times. It reminds us that solitude doesn’t have to equal despair, and that wisdom can replace nostalgia as a form of grace.

This album doesn’t shy away from the world’s ills, it owns them, transforming pain into purpose.

Tour Dates

Home Front kick off their West Coast tour next week, including stops in:

  • San Francisco
  • Sacramento
  • Los Angeles’ Palladium (supporting Cock Sparrer on November 22 & 23)
  • Plus a release show just announced at Knuckleheads on November 22.

Home Front Live Dates:

Nov 20: Sacramento, CA – The Starlet Room
Nov 21: San Francisco, CA – Thee Parkside
Nov 22: Los Angeles, CA – Hollywood Palladium # (SOLD OUT)
Nov 22: Los Angeles, CA – Knucklehead (Release Show)
Nov 23: Los Angeles, CA – Hollywood Palladium !
Dec 13: Winnipeg, MB – The Handsome Daughter + (SOLD OUT)
Dec 19: Calgary, AB – Palomino * 
Dec 20: Edmonton, AB – Starlite Room ^
Feb 6-8: Hague, NL – Grauzone
# w/ Cock Sparrer, Dillinger Four, Castillo
! w/ Cock Sparrer, Dillinger Four, Generacion Suicida
+ Record Release Show w/ Imploders, Pure Impact
* Record Release Show w/ CloseTalkers, Puppet Wipes, Poltergeist
^ Record Release Show w/ Languid, Real Sickies

Watch It Die tracklist:
01 – Watch It Die
02 – New Madness
03 – Light Sleeper
04 – Between The Waves
05 – Eulogy
06 – The Vanishing
07 – For The Children (F*ck All)
08 – Kiss The Sky
09 – Always This Way
10 – Dancing With Anxiety
11 – Young Offender
12 – Empire

The Spells’ 1997 Masterpiece The Night Has Eyes Finally Sees the Light

The Spells to release debut LP nearly 30 years later. Photo: Nick Zinner, used with permission.

The Spells Unearth Long-Lost 1997 Debut The Night Has Eyes

Long-lost NYC trio The Spells has announced the long-overdue release of their 1997 debut album The Night Has Eyes, arriving Halloween 2025 on vinyl and digital via Garganta Press. The deluxe LP package includes a 16-page booklet filled with never-before-seen photos and stories from the band’s brief but unforgettable run. (US/THEM Group, 2025)

Originally shelved after the band dissolved in 1998, The Night Has Eyes became the stuff of underground legend, whispered about among fans of ‘90s garage punk and NYC’s darker sonic corners. Now, nearly three decades later, it finally sees the light of day.

From Austin to NYC: A Short, Brilliant Flame

The Spells, made up of Nicole Barrick (guitar, vocals), Marisa Pool (bass, vocals), and Leni Zumas (drums) formed in Austin, TX in 1995, rising from the ashes of an earlier project called The Red Scare. They relocated to New York City, where they recorded their debut with producer Greg Talenfeld (Jon Spencer Blues Explosion, Pavement, The Walkmen) at Waterworks Studio in November 1997.

A Hidden Treasure Resurfaces

The newly mastered LP, produced by Greg Talenfeld and The Spells and mastered for vinyl by Honza Kapak at Hellsound Studio in the Czech Republic, captures the raw energy and shadowy allure of the late-‘90s NYC underground.

The 16-page booklet features unseen photos from Nick Zinner (Yeah Yeah Yeahs, Iggy Pop) and Lilian Lee, taken during the band’s final years in 1997–98.

Read the full story and in-depth interview with The Spells today via It’s Psychedelic Baby Magazine.

Pre-orders for The Night Has Eyes are available now HERE.

Artist: The Spells
Album: The Night Has Eyes
Record Label: Garganta Press
Release Date: October 31, 2025

The Night Has Eyes tracklist:

  1. Lilith
  2. Vanishing Act
  3. Strange
  4. Snow White’s Coffin
  5. The Night Has Eyes
  6. If The World Should End Tonight
  7. Isadora
  8. Yumiko

Photo: Nick Zinner, used with permission

Bill Scorzari’s Sidereal Days (Day 1) is a Soulful Journey Across Time and Truth

Bill Scorzari announces double album release. Photo: Dreamspider Publicity, used with permission.

Bill Scorzari Returns with Sidereal Days (Day 1) — The First of a Double Album Project

HUNTINGTON, NY — New York-based singer-songwriter, recording artist, and performer Bill Scorzari is set to release his fifth and sixth albums, Sidereal Days (Day 1) and Sidereal Days (Day 2). (Dreamspider Publicity, 2025)

The first installment, Sidereal Days (Day 1), arrives October 17, 2025, with Day 2 scheduled for release in 2026.

Scorzari has independently released four acclaimed studio albums to date:

  • Just the Same (2014)
  • Through These Waves (2017)
  • Now I’m Free (2019)
  • The Crosswinds of Kansas (2022)

A Writer’s Writer

Known for his poetic lyricism and emotional depth, Scorzari has often been described as a “writer’s writer.” His music has drawn comparisons to Sam Baker, Bruce Springsteen, Bob Dylan, Johnny Cash, Leonard Cohen, Townes Van Zandt, and Chris Stapleton.

What sets Scorzari apart is his distinctive voice, one that can be both subtle and striking, as he examines the complexities of the human condition.

The Sound of Sidereal Days (Day 1)

The ten tracks on Sidereal Days (Day 1) are both wide-ranging and deeply personal. Listeners will find:

  • Songs of love and regret
  • Tracks that came together quickly, and others that took years to shape
  • Multi-layered arrangements balanced with short, sublime pieces

Scorzari’s music reflects a deep pursuit of clarity — his songs are as much about introspection as they are about connection. The result is a blend of the radio-ready and the contemplative, showcasing his gift for nuance and storytelling.

From Huntington to Nashville

Scorzari recorded his instrumentation and vocals for the double album himself at First Thunder Recording, his studio in Huntington, New York. Beginning in July 2022, he spent two years refining the compositions before heading to Skinny Elephant Recording in Nashville in August 2024 to collaborate with engineer Dylan Alldredge, with Scorzari and Neilson Hubbard co-producing.

Final mixes were completed by engineer Nic Coolidge at Dead Pop Studios in Providence, RI, in early 2025. Mastering was done by Hallie Melton in Nashville in April 2025, bringing the project to its polished conclusion.

Sidereal Days (Day 1) tracklist

  1. All This Time
  2. And Carries Me Away
  3. And So (Deep Into the Dark)
  4. Borrowed Hearts
  5. Can’t Break This Fall
  6. Did We Tie
  7. Endgame
  8. From Your Heart
  9. Grace
  10. Breathe