Peace With a Lion: David Lindes’ Most Personal Album Yet

The Guatemalan-born folk singer/songwriter David Lindes is on a mission to heal with his album Peace With a Lion, produced by Grammy® winner Alex Cuba. Courtesy photo, used with permission.

Los Angeles – On his forthcoming album Peace With a Lion, Guatemalan-born singer-songwriter David Lindes looks deep into the meaning of healing. In doing so, he explores two essential phases: honoring wounds and healing them through creation. (Vesper Public Relations, 2024)

With hints of Cat Stevens in his vocals and echoes of the Latin American neo-folk Trova movement of the ‘60s and ‘70s, Lindes collects folk elements from across the continent in this deeply personal album. In it, he delves into his efforts to heal three wounds: leaving his native Guatemala as a child, being abandoned by his father as a baby, and experiencing physical and emotional abuse. As he moves into his recovery from these wounds, he approaches themes like mental health, the healing power of nature, and forgiveness, all while singing his love and heartbreak to his homeland as if it were a long-lost love. His journey from wound to healing is intimate as well as universal, speaking to the many neglected collective wounds society carries, and the need for healing there as well.

The first two singles off the album, Te Vengo a Perdonar (I’ve Come to Forgive You) and Gold in the Ashes, deal with facing childhood trauma and finding a way to accept it and transform it into wisdom, compassion, and even beauty.

Te Vengo a Perdonar uses Caribbean elements to assemble a sort of post-storm celebration. The lyrics put a forceful end to a self-imposed sentence of pain that only ends with forgiveness.

Gold in the Ashes, poignant and introspective, looks to the Blues and Americana for its palette, to take listeners from pain to hope. In its chorus, Lindes celebrates finding gold in the ashes of his past.

The songs have been released, alongside an official video for Te Vengo a Perdonar (I’ve Come to Forgive You), featuring Lindes himself, who acts out, step by step, his own death and burial.

“Maybe that’s why I’m here,’ contemplates Lindes. ‘If I can take my past, exactly as it is, and turn it into a story and a song, maybe that will bring me a little closer to not wanting a different past. And if I like the story, and I like the song, someday, I might even embrace my past,” he states hopefully.

Grammy® Winner Alex Cuba describes his role in producing the album as “a huge responsibility to shine a light on David’s beautiful voice and message, especially in a time like today, when so many are looking for ways to heal their spirits.”

Lindes will kickoff the album launch with a concert in Mexico City on February 8, 2025, at Casa Florecer, a spiritual center in the woods surrounding the city. He describes the show as “an intimate affair that will be part concert and part healing circle. It’ll include songs, stories from my life, and even a ceremonial element.” He’ll also encourage concert goers to talk about their own pain and recovery. An official album launch event will follow in Los Angeles in the Spring of 2025.

Transformative Sounds: The Impact of trauma ray’s Chameleon on Listeners

trauma ray’s Chameleon will be released on October 25, 2024. Photo: Will McCarthy, used with permission.

The powerful new single Bardo from the North Texas rock band trauma ray is eerie, deviating between noisy one string bends and surging headbang, mapping a middle ground between Unwound and nu-metal. (another/side, 2024)

“Bardo is the in-between. Whether that’s life or death, or a purgatory. It’s about being stuck in between one phase and the next. When you can feel the past fading and yet you can’t quite see the path to the future either.” – Jonathan Perez, trauma ray guitarist

The Texas five is set to release their highly anticipated debut album Chameleon on October 25 via Dais Records which has already seen early acclaim from The FADER, Stereogum, Consequence (Heavy Song of the Week), Brooklyn Vegan, New Noise and more. Since first making waves with a S/T EP in 2018, trauma ray has been honing their live set across increasingly adventurous American tours – stacking amps and turning heads show by show, justly earning them a massive following in no time. The band’s three guitar attack is a force to behold, alternately surging, savage and spectral, drenched in precision distortion. 

The core songwriting duo of Uriel Avila and Jonathan Perez has expanded and refined the project’s vision and craft, culminating throughout Chameleon. Rounded out by bassist Darren Baun, drummer Nicholas Bobotas, and guitarist Coleman Pruitt, the album both synthesizes and transcends its influences, a stormy fusion of downer hooks, apocalyptic beauty, and bulldozer riffs.

The name trauma ray was inspired by the German word for ‘daydream, or ‘dream state,’ in classic shoegaze fashion. Avila’s background in a devout Pentecostal community gives his lyrics about guilt, purgatory, and passing to the other side to an emotional authenticity that cuts through the music’s majestic volume.

Chameleon is a masterpiece of craft, balance, melody, lyricism, and gravity, flexing a fresh vision of loud-quiet-loud architectures and the vertigo depths of blasted harmonics. From Slowdive to Deftones to Hum and beyond, trauma ray absorb and expand on their influences into a rare and dedicated alchemy. trauma ray’s cinematic tempest is a gathering storm only just taking flight.

Just after a U.K. run, trauma ray will perform across their home state including dates at Levitation and with Panchiko. Other highlights include two release shows: one headlining The Roxy in LA and San Diego’s Voodoo Room. See all dates below and grab tickets here.

Trauma Ray Live Dates:
Oct 26: Birmingham, UK – XOYO *
Oct 27: Manchester, UK – B.E.C. Arena (Outbreak Autumn)
Oct 28: London, UK – New Cross
Oct 31: Rubber Gloves – Denton, TX
Nov 01: Levitation – Austin, TX
Nov 03: Oklahoma City, OK – Tower Theatre ~
Nov 04: Little Rock, AR – EJ’s
Nov 06: Kansas City, MO – The Truman ~
Nov 07: Chicago, IL – Sleeping Village #
Nov 08: Indianapolis, IN – Deluxe ~
Nov 09: Grand Rapids, MI – Elevation ~
Nov 10: Pittsburgh, PA – Roxian Theatre ~
Nov 12: Philadelphia, PA – Union Transfer ~
Nov 13: Boston, MA – 4th Wall
Nov 14: New Haven, CT – Toad’s Place
Nov 15: New York, NY – TV Eye #
Nov 16: Washington, D.C. – Comet Ping Pong !
Nov 17: Richmond, VA – Cobra Cabana !
Nov 18: Raleigh, NC – Kings !
Nov 19: Atlanta, GA – Altar #
Nov 20: Birmingham, AL – Saturn #
Nov 21: New Orleans, LA – Siberia #
Nov 22: Houston, TX – TBD #
Nov 23: San Antonio, TX – Paper Tiger #
Nov 29: Los Angeles – The Roxy (Record Release) ^
Nov 30: San Diego – Voodoo Room (Record Release) $

* w/ Citizen
~ w/ Panchiko
# w/ Leaving Time
! w/ Leaving Time and Full Body
^ w/ Toner, Lvster, Slumped
$ w/ Toner, Slumped, Sparkler

Chameleon tracklist:

1 – Ember
2 – Torn
3 – Chameleon
4 – Bardo
5 – Bishop
6 – Elegy
7 – Drift
8 – Breath
9 – Spectre
10 – Flare
11 – ISO
12 – U.S.D.D.O.S.

Behind the Lyrics: The Stories Within robbietheused’s New Album

robbietheused announces debut self titled pop LP. Photo: Ryan Muirhead, used with permission.

New York, New York – The Used’s frontman Bert McCracken has announced his debut full length album under his solo project, robbietheused, out October 25 via Big Noise Records. Following the success of his latest singles, Terrible and The Feels, the LP dips its toes into uncharted territory for Bert, as the famously known Alternative Rock star with a lifelong passion for pop music. (Big Picture Media, 2024)

In general, robbietheused always finds solace in writing and recording new music because this creativity has a positive impact on his mental health. Having these songs was particularly vital, as he started writing during the COVID-19 pandemic when he was unable to travel from his home in Australia. 

Producer John Feldmann came onboard to work on robbietheused material. Given that the two men have known and collaborated with each other for decades, it wasn’t a stretch for them to focus on pop-oriented songs. In fact, this camaraderie led to adventurous sound explorations, such as incorporating heavy bass undertones and effects and vocoders. 

“Any feeling is valid—and to be able to put it to song is incredible. And there’s so much room in this world for positivity. I want this music to show that there’s room for love. There’s room for growth. There’s room for redemption. There’s so many good people—and so many good things happening.” – robbietheused

Fans can listen to robbie’s latest single, Terrible and pre-save the robbietheused album.

robbietheused will be taking these new tracks on the road, on his highly anticipated, limited 5 stop fall tour kicking off on October 30 in Anaheim, CA,followed by shows in major cities: Los Angeles, Philadelphia and New York City. The tour will wrap up on November 5 in Asbury Park, NJ.

Tickets are now available online for all robbietheused fall tour dates.

2024 Fall Tour Dates
October 30 – Anaheim, CA – House of Blues Anaheim – The Parish
October 31 – Los Angeles, CA – Echoplex
November 3 – Philadelphia, PA – Brooklyn Bowl
November 4 – New York, NY – Gramercy Theatre
November 6 – Asbury, NJ – House of Independents

robbietheused tracklist:

Terrible

Always Gonna Be Like This

Gladiator

The Middle

Just A Little Bit

Wake Up Call

In My Dreams

Blame You

Push Me (ft. Sierra Deaton)

Gold In The Ashes

Something You Can Count On

The Feels

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311’s Full Bloom: A Look Into the Band’s Latest Masterpiece

311 announces their highly anticipated album Full Bloom. Courtesy photo, used with permission.

New York, NY – The platinum certified rock band 311 is back with the announcement of their highly anticipated 14th studio album, Full Bloom, out October 25. In celebration, the band has released their new track and visualizer for Need Somebody,” out now. The track speaks to avoiding isolation and staying connected with the people that love you. (Big Hassle Media, 2024)

With more than 10 million records sold in just the United States alone, 311 has never been hotter. Having just wrapped a successful headlining US run of their “Unity Tour,” one of the most successful tours of the their 34 year history, they are known to emphasize the importance of community through the lens of communication and connection. 

Full Bloom is 311’s first full length project in 5 years following their album Voyager in 2019. Their first single off the album, “You’re Gonna Get It” is the band’s highest charting song in 13 years, breaking into the top 15 at Alternative Radio. The introspective track reflecting upon the realization that all actions have consequences, even if they aren’t immediate, has over 1M streams since its release this summer. Fans can now pre-save Full Bloom

“We hope fans can take from this album 311’s message of positivity and unity. In today’s world it’s so easy to become alienated by the pressures of everyday life. Whether it’s social media, stress at work, an illness, the list goes on.” The band shares with us, “It’s so important to stay open with your loved ones and community so we can all thrive in full bloom” shares the band. 

Music has always been a unifying force, and through their lyrics and melodies, the band seeks to remind everyone that we are never truly alone. Whether it’s reaching out to a friend, a family member, or even a stranger, the act of communication can bridge gaps and heal wounds. In their eyes, having someone to talk to is one of the most essential forms of support, and it’s the foundation upon which unity is built. It’s in those conversations where understanding, empathy, and connection grow.

311 was formed in 1990 in Omaha, Nebraska, featuring Nick Hexum (vocals/guitar), Chad Sexton (drums), Tim Mahoney (guitar), SA Martinez (vocals/dj), and P-Nut (bass). They mix rock, rap, reggae and funk into their own unique, hybrid sound – and 33 years later, the band is still regarded as one of the most entertaining and dynamic live bands in the U.S. 

As veterans of over 2,000 shows across 27 countries, 311 is one of the longest running original lineups in rock, alongside iconic acts like U2 and Radiohead. 311’s celebrated live shows and touring schedule have earned them a vast and dedicated following nationwide. The band has released thirteen studio albums, two greatest hits albums, two live albums, three DVD’s and a boxed-set, and have sold over 9 million records in the U.S.

Ten albums have reached the Top 10 on Billboard’s Top 200 Sales Chart – and nine of their singles have reached the Top 10 on Billboard’s Alternative Radio Chart – including three #1 singles: “Down,” “Love Song,” and “Don’t Tread On Me” – along with ”Amber,” “All Mixed Up,” “Come Original,” “Creatures For Awhile,” “Hey You,” and “Sunset in J.

Full Bloom tracklist:

You’re Gonna Get It

Need Somebody

Full Bloom

Friend

Mountain Top

New Heights

Days Go By

Persimmon

All You’ve Seen

Braver

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Rooted in Melody: Laurie Lewis’ New Album Trees

Laurie Lewis will receive a 2024 IBMA Distinguished Achievement Award and is on tour with new album. Courtesy photo, used with permission.

BERKELEY, Calif. — With five decades of music-making to her credit, multi-GRAMMY nominee Laurie Lewis has emerged as both a successor and contemporary of the many greats in bluegrass, old-time, and folk music. Unafraid to venture beyond established boundaries, she has carved out her place as a uniquely singular vocalist, songwriter, instrumentalist, and frontwoman in genres revered for their adherence to tradition, authenticity, and the canon of the forebearers. (Dreamspider Publicity, 2024)

The International Bluegrass Music Association (IBMA) has announced that Lewis will receive a 2024 Distinguished Achievement Award at the IBMA Bluegrass Music Awards taking place Thursday, September 26, at the Martin Marietta Center for the Performing Arts in Raleigh, North Carolina.

A two-time IBMA Female Vocalist of the Year, she also won the coveted Song of the Year award for her rendition of the now-standard ‘Who Will Watch the Home Place?’ She has sung and recorded with Linda Ronstadt (“Pretty Bird”), and set poems by Wendell Berry to music—at his request (“Burley Coulter’s Song for Kate Helen Branch”). She’s influenced and inspired folks like guitarist phenom Molly Tuttle—one example of an entire generation of pickers and singers who call her a mentor. Ultimately, Lewis occupies a unique, superlative niche in American roots music that is all her own.

Lewis released her 24th album, TREES, on May 31 on her own label, Spruce and Maple Music. With it, she presents a profound and multifaceted perspective with life, nature, loss, and grief. While deeply reflective, this set includes danceable music that drips with community and never feels burdened by its subject matter or apparent solitude. These songs—seven originals and a handful of covers—aren’t too concerned with genre, especially given that bluegrass and old-time tend to spout from Lewis like a bubbling mountain spring, in so many distinct manifestations. 

Her band includes Lewis on guitar and lead vocals throughout (along with fiddle on one track), Hasee Ciaccio on bass, Brandon Godman on fiddle, Patrick Sauber on banjo, and George Guthrie on guitar and banjo. Special guests on the album include Andrew Marlin on mandolin, Sam Reider on accordion, and Nina Gerber on guitar.

Trees tracklist:
1. Just a Little Ways Down the Road
2. Enough
3. Texas Wind
4. Why’d You Have To Break My Heart
5. Quaking Aspen
6. Trees
7. Long Gone
8. Hound Dog Blues
9. The Banks are Covered in Blue
10. Down on the Levee
11. The Day is Mine
12. Rock The Pain Away

Laurie Lewis Tour Dates:
9/17-20 – Bluegrass on Whitewater – Rogue River, OR
9/22 – FreshGrass Festival – North Adams, MA
9/25-26 – IBMA Conference – Raleigh, NC
9/27 – IBMA WOB Festival – Raleigh NC
10/5 – Hardly Strictly Bluegrass – San Francisco, CA
11/2 – McCloud River Mountain Music – McCloud, CA
11/8 – The Old Steeple – Ferndale, CA
11/9 – Soper Reese Theatre – Lakeville, CA
11/30 – Freight & Salvage – Berkeley, CA

Laurie Lewis. Photo: Irene Young, used with permission.

Live From The Ryman: Modern-Day Bluegrass Legend Dan Tyminski’s New Live Concert Album

Dan Tyminski: Live From The Ryman bottles the bluegrass legend’s electric live show. Courtesy photo, used with permission.

Bluegrass is a vibrant American musical genre rooted in Appalachian folk traditions. Characterized by its upbeat tempo and virtuosic instrumentation, it blends elements of Scotch-Irish folk music with jazz and blues influences. Typical bluegrass ensembles feature acoustic instruments like the banjo, fiddle, mandolin, guitar, and upright bass. The genre’s hallmark is its high, harmony-rich vocals and complex, improvisational solos, often performed in a fast-paced, “breakdown” style. Over the years, bluegrass has evolved while still preserving its traditional core, resonating with audiences through its authenticity, storytelling, and lively spirit.

I became a fan of the genre when the movie O Brother, Where Art Thou came out where Dan Tyminski sings “I Am A Man Of Constant Sorrow.” In today’s music news, his new album is out now and it includes that song.

Dan Tyminski is an icon of modern-day bluegrass. In addition to reaching Number 1 on the Billboard Bluegrass Albums chart with solo albums like 2008’s Wheels and 2023’s God Fearing Heathen, he has won 14 Grammy Awards, released multiple records as a member of Alison Krauss & Union Station, and topped the charts in more than 10 countries with “Hey Brother,” his genre-bending collaboration with DJ Avicii. Tyminski sang “I Am A Man Of Constant Sorrow” on O Brother, Where Art Thou?’s multi-platinum soundtrack, inspiring a new generation to discover bluegrass and traditional American folk music. His new release, Dan Tyminski: Live From The Ryman captures him onstage in Nashville, Tennessee, performing a mix of songs from throughout his career with a string band. (IV-PR, 2024)

Released via 8 Track Entertainment and ADA/Warner Music Group, Dan Tyminski: Live From The Ryman shines a light on his acclaimed live show. Recorded in Nashville at the Ryman Auditorium—the legendary venue known as “The Birthplace of Bluegrass”—the new album showcases the sharp songwriting, full-throttle vocals, and guitar chops that have powered Tyminski’s music for decades. It’s also a showcase for his ace band, a young group of fiery flat-pickers, hotshot instrumentalists, and harmony singers whose sheer talent is matched only by the band’s frontman. The result is a blend of old and new: a record that makes room for traditional influences, progressive energy, cover songs, originals, and unreleased material.

Fans can stream or purchase Dan Tyminski: Live From The Ryman right now. Physical copies of Live From The Ryman—vinyl and CD—will be available at all retail outlets on October 4.

“The musicians in this band grew up listening to my music, so they know my stuff much better than I do!” Tyminski says. “If you listen to how they play and how well they listen to each other, you’ll notice there’s a conversation going back and forth at all times.”

That conversation springs to life during instrumental numbers like “Cumberland Gap.” It continues with live renditions of “Ode to Jimmy” (a tribute to Tyminski’s childhood hero, Jimmy Martin), “Silence in the Brandy” (which examines the lingering effects of PTSD on soldiers returning home from war), and “GOAT” — all of which appeared on God Fearing Heathen, which debuted at Number 1 on the Billboard Bluegrass chart in 2023—and breathes new life into older material like the aforementioned “This Sad Song,” which Tyminski first performed on Alison Krauss & Union Station’s Grammy-winning Lonely Runs Both Ways. On “Whiskey Drinking Man,” Tyminski sings about hard liquor with a commanding voice that reaches all the way to the rearmost rows of the Ryman, then cedes the spotlight to mandolinist Harry Clark, fiddler Maddie Denton, Dobro player Gaven Largent, banjoist Jason Davis, and upright bassist Grace Davis. There’s also a standout performance of “I Am a Man of Constant Sorrow,” the career-changing song that won a Grammy Award in 2002 and has since served as a bridge for multiple generations of music fans, helping them discover their own love of bluegrass and traditional folk music.

Dan Tyminski: Live From The Ryman tracklist:
This Sad Song
Let Me Fall
Modern Day Jezebel
Cumberland Gap
Ode to Jimmy
God Fearing Heathen
The Boy Who Wouldn’t Hoe Corn
I Am a Man of Constant Sorrow
Silence in the Brandy
Say Won’t You Be Mine
GOAT
Whiskey Drinking Man
Old Home Place

Catch Dan Tyminski on tour:
August 30-31 – New Richmond, QC – New Richmond Bluegrass Festival 2024
September 20 – Louisville, KY – Bourbon & Beyond 2024
October 5 – Doswell, VA – State Fair of Virginia
October 11-12 – Big Stone Gap, VA – Blue Highway Fest 2024
October 18-19 – Farmers Branch, TX – Bloomin’ Bluegrass Festival 2024
October 20 – Brownwood, TX – Brownwood’s Lyric Theatre
November 16 – Rochester, NY – Kilbourn Hall

Trousdale’s ‘Out Of My Mind’: A Journey Through Emotions and Innovation

Trousdale’s Out Of My Mind expands on their original debut album. Photo: Caity Krone, used with permission.

Guided by their unbreakable friendship and three-part harmonies, LA folk-pop band Trousdale recently released Out Of My Mind Deluxe. Vastly expanding their debut offering, the deluxe includes live renditions of their tracks recorded at LA’s legendary El Rey Theatre, features from Ben Abraham and BAILEN, and covers of Fleetwood Mac’s “The Chain” and One Direction’s “Night Changes” recorded for Sirius XM. (Trousdale, 2024)

The trio, built up by Quinn D’Andrea, Georgia Greene, and Lauren Jones, shaped the tracks from the original version of Out of My Mind over the course of two years, spread between sessions in Nashville, sessions at singer-songwriter Jon Bellion’s house in Long Island, and time bouncing between the three members’ homes. Making sure they maintained their hand in the recording and production process, the group opted for home studios, returning to the comfort and intimacy of the process that they’d honed at school in California.

“The real Trousdale sound got its legs when the three of us became heavily involved in the production of our music,” shares Lauren Jones. “The expectations and standards for women are always higher than those of men, and the world of music production is no different. Young girls that show an aptitude for music are more often pushed to be performers than men, which is another reason why there are way more women artists that also produce than there are women producers. Male collaborators get more credit than they’re worth, and then they get hired and rehired to do more projects that gain them more credibility in the field and more money.”

Quinn D’Andrea adds that their opportunity to connect with young women is a particular point of pride. “More than anything I love going on the road and seeing young women connecting to the power of music and telling your story on your own terms,” she says. “Our friendship and acceptance of each other holds us together, and I think that brings our fans together as well.” A wheel that keeps on turning, the music fuels the friendship, and the friendship fuels the music. Since formation, Trousdale has amassed over 75 million streams worldwide.

The album arrives with a live video of Trousdale’s cover of “The Chain.” A few weeks back, the trio also released a video for fan-favorite “Point Your Finger,” where they can be seen raising hell in a billiards bar.

UPCOMING TOUR DATES

August 28 – Chicago, IL – Salt Shed*
September 1 – Cleveland, OH – Agora Theatre*
September 18 – Washington, DC – 9:30 Club*
September 20 – Atlanta, GA- The Tabernacle*
September 23 – Austin, TX – The Paramount Theatre*
September 24 – Austin, TX – The Paramount Theatre*
October 1 – Los Angeles, CA – The Wiltern*
*supporting Glen Hansard
See all tour info here.

Out Of My Mind Deluxe Tracklist
“Bad Blood”
“If I’m Honest”
“Point Your Finger”
“Movie Star”
“Can’t Get Your Love Back”
“If You’re Hurting”
“Sometimes”
“For Months Now”
“Go There”
“Smart Iowa”
“Placebo”
“Out Of My Mind”
“Sometimes (with Ben Abraham)”
“Movie Star (with BAILEN)”
“Night Changes (Sirius XM Version)”
“Bad Blood – Live From LA”
“If I’m Honest – Live From LA”
“The Chain – Live From LA”
“Out Of My Mind – Live From LA”

How Water the Flowers, Pray for a Garden Redefines Valley’s Musical Landscape

Water the Flowers, Pray for a Garden is Valley’s forthcoming new album. Photo: Becca Hamel, used with permission.

JUNO Award nominated band Valley returns this year with their most intimate and personal record yet. Water The Flowers, Pray For A Garden is an exploration of grief and resilience from one of today’s most exciting alternative-pop bands. (Big Hassle, 2024)

Since forming in 2016, Valley has accrued over 1 billion streams globally, having appeared on viral charts in the US, Philippines, Korea, Japan, and more. Along with their three JUNO Award nominations, the band has also garnered praise from Consequence, Wonderland, American Songwriter, and CBC. Helping prompt much of their global recognition was “Like 1999,” a gold certified hit that went viral on TikTok.

Valley has also become known for their high-energy live shows, which have been brought to renowned festivals like Life Is Beautiful, Governors Ball, Slow Life, and Wunderstruck as well as their debut US TV performance as part of Stephen Colbert’s #LiveAtHome session.

The three-piece alternative-pop band, comprised of Rob Laska (lead vocals, guitar), Alex Dimauro (bass), and Karah James (vocals, drums), recently released “Bass Player’s Brother.” This infectious, drum-driven track features dreamy synths and grooves, all the while telling the story of a toxic, ever-repeating relationship. The song drops on the heels of the singles “When You Know Someone” and the album’s title track “Water The Flowers, Pray For A Garden,” with the full album set to arrive on August 30 through Capitol Records/Universal Music Canada. 

“‘Bass Player’s Brother’ is a song about cyclical love and obsession. In life we often find ourselves in realities that don’t suit our truth, yet we continue to drag ourselves back to the feeling of staying for love’s sake. It’s cyclical in nature yet rooted in heartache and hurt. It’s the back-and-forth outcome of these habits that cause us to stay when we know we should leave. This is the only song on the album where we didn’t reference real names. Sometimes we like to play characters in songs even though we’re always thinking about someone in our lives. We wanted to paint a picture of a classic Americana heartbreak love story.”- Valley

Water the Flowers, Pray For A Garden is a brave exploration of the full spectrum of emotions with an invitation to also surrender control and trust the process. Recorded over the span of a month in the Smoky Mountains and produced by COIN’s Chase Lawrence, Valley captures a specific moment in time. Through embracing the transformative power of death and rebirth, the band finds themselves reinvented and the most inspired they have felt thus far in their careers.

In addition to the summer festival appearances and Canadian shows with friends The Beaches, Dizzy and Arkells, Valley have announced their Water the Flowers, Pray for a Garden North American headlining tour spanning coast to coast in the US and Canada. The tour includes shows at iconic venues and some of the biggest rooms they’ve played to date, including Brooklyn Steel in New York, The Wiltern in Los Angeles, History in Toronto and more.

WATER THE FLOWERS, PRAY FOR A GARDEN US TOUR DATES
September 28 – Philadelphia, PA – Union Transfer*
September 29 – Boston, MA – House of Blues*
October 1 – Washington, DC – 9:30 Club*
October 2 -Brooklyn, NY – Brooklyn Steel*
October 4 – Asheville, NC – The Orange Peel*
October 5 – Atlanta, GA – Buckhead Theatre*
October 6 – Nashville, TN – Cannery Hall*
October 8 – Chicago, IL – The Vic Theatre*
October 9 – Minneapolis, MN – First Avenue*
October 11 – Boulder, CO – Boulder Theatre*
October 12 – Denver, CO – Gothic Theatre*
October 13 – Salt Lake City, UT – The Union Event Centre*
October 15 – Phoenix, AZ – The Van Buren*
October 16 – San Diego, CA – The Observatory North Park*
October 18 – Los Angeles, CA – The Wiltern*
October 19 – Berkeley, CA – The UC Theatre*
October 21 – Portland, OR – Revolution Hall*
October 22- Seattle, WA – The Showbox*

*support from Mickey Darling and Charli Adams

Water the Flowers, Pray for a Garden Tracklist: (Courtesy photo)

1. Water the Flowers, Pray for a Garden
2. A Little More
3. Growing (Apart)
4. When You Know Someone
5. Let It Rain
6. Crawlspace
7. Mosquito
8. Bop Ba
9. I Didn’t Even Ask For This
10. Bass Player’s Brother
11. Life Goes On Without Me
12. Cocoon

Sweet Delusions: Eddy Lee Ryder’s Latest Musical Journey

Sweet Delusions is Eddy Lee Ryder’s forthcoming new album. Photo: Jeff Harris, used with permission.

With the release of her first full-length album on the horizon, Eddy Lee Ryder unveils her newest single, “Bad Decisions,” which is coincidentally the birthday of the heartbreaker who inspired the tune. Synthesizing timeless songcraft, dramatic introspection, and infinite pop smarts to create a breathtaking song cycle of apocalyptic romance and anxious regret, badly broken hearts, and wishful hope for the future, Sweet Delusions will be available everywhere soon. (One In A Million Media, 2024)

Quirky and charming while still precise and powerfully personal, Sweet Delusions reveals the self-described “demented pop” chanteuse as a one-of-a-kind new artist, her unabashed heartache and beguiling humor completely her own yet as identifiable and real as any of our own. Penned and performed with uncommon brio and invention, the album sees Ryder musing on lust, longing, and lost love across shimmering choruses and a vertiginous undercurrent of contemplative melancholy, turning her raw pain into expertly wrought anthems that simultaneously hearken back to both truck stop jukeboxes and glittering art deco cafés.

Having earned applause for her sadly beautiful portraits of love and life on the margins, with songs like “Smoke and Mirrors” featured in the cult hit horror film Terrifier 2, Ryder set to work on her long-brewing debut album in 2022, collaborating with producer Dave Cerminara between his studio in LA and the Outlier Inn in New York’s southern Catskill Mountains.

Once Ryder hit the studio, armed with a cache of songs inspired by “an extremely bad ending with someone who was my best friend,” her apocalyptic romanticism naturally led to the album’s “accidental country” sound, a rhinestone-flecked bed of twangy guitars, languid bass, and irresistible melodies created with accompaniment from longtime Father John Misty drummer/musical director Dan Bailey, multi-instrumentalist Daniel Chae, pedal steel player Rich Hinman, and keyboardists Todd Caldwell, and Dave Shephard, along with harmonies and other help from NYC friends like pianist Abby Payne and Rebecca Haviland.

Despite her love of guise and character, the clear through line that unifies Ryder’s still evolving body of work is her storyteller’s gift for cutting to the quick of her own complex, unconventional nature. Impossible to pigeonhole, with Sweet Delusions, Eddy Lee Ryder proudly avoids being fitted into any particular category or genre, her creative adventurousness and tongue-in-cheek humor distinctly and undeniably her own.

“I don’t how to not write from a personal perspective. How do you sit down and write something that’s only surface?” – Eddy Lee Ryder

Sweet Delusions tracklist:

1. Sweet Delusions
2. Highwaymen
3. Bad Decisions
4. Joke Is On Me
5. Antarctica
6. Pennyroyal Tea
7. Simple Touch
8. Shoop Shoop Shut Up
9. Smoke and Mirrors
10. Only Real Cowboy
11. County Fair

‘Hereditary:’ Unveiling Cassadee Pope’s Latest Musical Evolution

‘Hereditary’ will be released on July 12, 2024. Courtesy photo, used with permission.

Cassadee Pope’s fourth LP, Hereditary, has been a long time coming for the Nashville-based singer/songwriter. Her first full-length since 2021’s Thrive marks her boldest, most resonant reimagining yet, a return to the upbeat, high-octane pop-punk sound she built her career on some 15 years ago. Pope is  back where she belongs – aided by the benefit of years of personal introspection and a desire to fully understand her true identity.

The album’s 12 tracks are, in many ways, the reclamation of the grief Pope has experienced throughout her life. The album is the result of a decade and a half as a professional songwriter, but also a relatively newfound willingness to unlock the why behind her feelings. After years spent inside the machine, everything’s come full circle for Cassadee Pope, though she’s now finally confident enough to sit back and enjoy what’s to come. (Big Picture Media, 2024)

The Grammy-nominated, Platinum-certified singer-songwriter recently shared the new music video for the single “I Died (ft Daisha Mcbride)” off of her upcoming album, Hereditary, due out July 12.  Pre-save Hereditary here

The album marks The Voice winner’s first full length following her shift from country back to her pop punk roots. With “I Died,” the former voice of rock band Hey Monday masterfully captures the raw emotions of love, loss, and longing following a one sided breakup. 

The pop punk / rap track explores the feelings of abandonment while channeling the strength it takes to move forward from heartache. The track serves as a reminder that even in our darkest moments, we can find solace in shared experiences. The collaboration between Cassadee and Daisha has created a genre blending fusion of pop punk and rap, proving that even when we feel our most vulnerable, music will always be there to offer a sense of community.  

Cassadee’s powerful voice and storytelling brings heartache and healing to life on Hereditary, an emotional rollercoaster ride through the ups and downs of life, love and self-discovery. Each track is a testament to the journey we embark on, shaped by our upbringing and the legacies passed down through generations. Whether that’s love, betrayal or the intricate web of family dynamics, the title Hereditary captures the essence of our roots, the echoes of our past and the quest to carve our own path. 

“Hereditary offers a soundtrack to navigate the complexities of life with authenticity and courage. I couldn’t think of a better backdrop for these lyrics than pop/punk and I hope this album gives people permission to feel everything!” -Cassadee Pope

Cassadee released another Hereditary single and music video, “Three Of Us” earlier this year, which invites listeners to confront the darkness of addiction and embrace the power of empathy, compassion and community. 

She will be hitting the road this summer on her headlining Hereditary Tour. The tour will be making stops throughout the country, kicking off July 11 in Anaheim, California and visiting Los Angeles, Knoxville, Albany, Charleston and more before wrapping on July 31 in West Palm Beach, Florida. 

This fall Cassadee will be joining multi-platinum-selling Canadian pop-rock band, Marianas Trench on The Force of Nature tour – produced by Live Nation, making stops across the US, including shows in Dallas, Orlando, Nashville, New York City, Chicago, Denver, and wrapping up in Salt Lake City. 

Upcoming Cassadee Pope U.S. Tour Dates
July 11 – Anaheim, California – Chain Reaction~
July 12 – Los Angeles, California – The Peppermint Club~
July 13 – Mesa, Arizona – Nile Underground~
July 14 – Flagstaff, AZ – Pop Punk Summer Camp Festival
July 19 – Knoxville, Tennessee- Open Chord*
July 21 – Indianapolis, Indiana – Turntable*
July 22 – Louisville Kentucky – Headliners Music Hall*
July 23 – Albany, New York – Empire Live*
July 24 – Syracuse, New York – Funk ‘N Waffles*
July 26 – Virginia Beach, Virginia – Elevation 27*
July 27 – Durham, North Carolina – Motorco Music Hall*
July 29 – Charleston, South Carolina – Music Farm*
July 30 – Jacksonville, Florida – Underbelly*
July 31 – West Palm Beach, Florida – Respectable Street*
October 19-20 – Las Vegas, NV – When We Were Young Festival^
February 4-8 – Emo’s Not Dead Cruise^

~Foxies opening
*Natalia Taylar opening / Foxies direct support
^Billed as Hey Monday

Hereditary tracklist 

  1. People That I Love Leave 
  2. Eye Contact 
  3. Secret Master 
  4. More To Me
  5. Three Of Us 
  6. Rom Coms
  7. Almost There 
  8. Capacity 
  9. I Died (feat Daisha McBride) 
  10. Hereditary 
  11. Ever Since That World Ended (feat. Aaron Gillespie) 
  12. Wrong One