Tag: new album

Paz Lenchantin Breaks Free with Triste, a Bold New Chapter in Her Career

Paz Lenchantin’s solo album Triste is set for an October 17 release. Photo: David Alvarado, used with permission.

Paz Lenchantin Steps Into the Spotlight with Debut Solo Album Triste

Paz Lenchantin, the Argentine-American musician best known for her nearly three-decade career as bassist, vocalist, and co-writer for iconic bands like Pixies (2014–2024), A Perfect Circle, Zwan, and The Entrance Band, is now stepping forward on her own. Her debut solo album, Triste, arrives October 17 via her own label, Hideous Human Records. (another side, 2025)

A First Glimpse: “Novela”

Lenchantin recently released Triste’s opening track and recent single, “Novela.”

“The track is a melodramatic story that resolves with accepting that you are the way you are—‘Sos como sos’,” explains Paz.

Drawing from the emotional tradition of Spanish balladry, “Novela” sets the tone for the album with raw, restless compositions. The accompanying video, directed by longtime friend and filmmaker Maximilla Lukacs, is available to watch now.

A Fusion of Roots and Reinvention

The 12-track Triste blends Latin folk textures with American rock structures, placing Paz at the piano and weaving her signature string arrangements around the rock foundations she helped shape in past projects. She performed all instruments before inviting collaborators, including former A Perfect Circle bandmates Josh Freese (drums) and Troy Van Leeuwen (guitar), to add depth to the record’s sonic landscape.

Each song unfolds with both editorial precision and mystical intuition, creating music that feels timeless while firmly rooted in the present.

Written in Mexico, Mixed with Vision

The seeds of Triste were planted in Petatlán, Mexico, where Paz spent much of 2024 writing about faith, doubt, and self-discovery in the wake of her departure from Pixies. The album was later mixed by Chris Coady (Beach House, Yeah Yeah Yeahs), giving the project a lush yet intimate finish.

A Statement of Independence

For Paz, Triste is more than an album—it’s a declaration of self.

“I had to make this record on my own—not to prove anything, but just to have faith that music can nurture me back. And it did.”

With Triste, Paz Lenchantin opens the first chapter of her solo career: deeply personal, sonically adventurous, and undeniably her own.

✨ Listen to “Novela” now and watch the video, then mark your calendar for the release of Triste on October 17, available for pre-order/pre-save.

Triste tracklist:

01 – Novela
02 – Lows & Highs
03 – Woman Of Nazareth
04 – Hang Tough
05 – Wish I Was There
06 – Si No!
07 – In The Garden With The Devil
08 – Adam
09 – Lucia
10 – Sin Dios
11 – Save It For Hell
12 – Triste

Triste Artwork By Camila Doring

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Canadian Death Metal Newcomers Dying Remains Drops Debut Album

Merciless Suffering is the new album by Canadian band Dying Remains. Courtesy photo, used with permission.

Maggot Stomp Announces Debut Album from Dying Remains: Merciless Suffering

Maggot Stomp is proud to unveil the debut full-length album from Canadian death metal upstarts Dying Remains. Titled Merciless Suffering, the record cements the band as a skull-cracking force blending unrelenting brutality with infectious riffs and grooves. Fans of Obituary, Frozen Soul, Tribal Gaze, and Jungle Rot will feel right at home. (Haulix, 2025)

New Video: Hung and Drawn

Alongside the album announcement, Dying Remains has unleashed a chilling new music video for the track “Hung and Drawn” — a must-watch for fans of the genre.

The video isn’t just a performance clip; it’s a short horror film. Drawing heavy inspiration from ‘70s and ‘80s B-grade gore flicks, the visual depicts one gruesome chapter in the album’s overarching narrative of a sprawling torture chamber. Directed by Aron Diaz, the film perfectly complements the band’s dark lyrical themes, bringing their macabre vision vividly (and violently) to life.

About the Album: Merciless Suffering

Merciless Suffering is a towering slab of modern death metal rooted in the genre’s classic traditions. The record delivers:

  • Crushing brutality paired with catchy, well-crafted grooves
  • A sound that echoes the seminal work of Morta Skuld, Jungle Rot, and Obituary
  • A fresh, uncompromising edge designed for today’s generation of death metal fans

This is death metal at its most relentless and primal — a monolithic force that honors the past while pushing the genre forward.

On Tour Now

Dying Remains are currently tearing across the U.S. on their first-ever tour, bringing the ferocity of Merciless Suffering to the stage night after night.

🔥 Whether you’re a fan of old-school brutality or hungry for the next wave of death metal devastation, Dying Remains’ Merciless Suffering is an album that demands to be heard.

Courtesy photo, used with permission.

Finnr’s Cane Explores Nature and Spirit in Their Fourth Album

Finnr’s Cane unveils self-titled debut with Nordvis Produktion. Courtesy photo, used with permission.

Finnr’s Cane Returns with Their Self-Titled Fourth Album

The mystic Canadians Finnr’s Cane return with their self-titled fourth album — a haunting and introspective journey through the frozen landscapes of the mind. Marking their debut with renowned Swedish label Nordvis Produktion, this release continues the band’s unique blend of atmospheric black metal, doom, and ambient soundscapes. (Nordvis Produktion, 2025)

A Band Forged in the North

Formed in 2008, Finnr’s Cane consists of The Peasant and The Bard—pseudonyms chosen to maintain anonymity. Hailing from the icy expanse of Sudbury, Ontario, the band has always thrived on the fringes, letting the music speak for itself.

One of their most distinctive traits is the absence of a traditional bass guitar, replaced instead with the deep, melancholic resonance of a cello. Paired with an improvisational songwriting style, this approach gives their music an organic, almost ritualistic quality.

The New Album

Arriving as summer fades into autumn, the self-titled album delves deep into themes of nature, introspection, and spiritual connection to the land. Listeners are guided through passages that shift from somber acoustic meditations to powerful, distorted crescendos, with the cello remaining a central pillar throughout.

For fans of Agalloch, Wolves in the Throne Room, and Fen, this record offers a compelling exploration of liminal spaces and the sacred elements of the wilderness.

Since their 2010 debut Wanderlust and subsequent critically acclaimed releases on Prophecy Productions and Frostscald Records, Finnr’s Cane have carved out a singular voice. This latest work— their first collaboration with Nordvis—feels like a natural continuation of their vision.

From the Band

“The final form of this album emerged slowly and instinctively, informed by our experiences and emotions over a long period of time. We carefully distilled it into what we’re certain is our absolute best work to date.”
— The Bard

Album Details

  • Artwork: Mark Seydewitz
  • Layout: Thomas Väänänen
  • Format: CD / LP / Digital

Singles Release Timeline

  • June 20, 2025 — Twilight Glow
  • July 25, 2025 — Awaken the Sleeping Forest

Availability

  • Worldwide: Streaming on all major platforms + Bandcamp
  • Europe: Available now via Silent Future Distribution
  • Rest of the World: Physical release begins September 19, 2025 with the launch of Nordvis’ new U.S.-based store
Courtesy photo, used with permission.

Ty Herndon & Ashley McBryde Breathe New Life into A Man Holdin’ On

The country music icons teamed up for a powerful take of the 1998 classic. Courtesy photo, used with permission.

✨ Country music fans are in for a treat — Ty Herndon has teamed up with Ashley McBryde to reimagine one of his most beloved hits, “A Man Holdin’ On (To a Woman Lettin’ Go).” The powerful duet bridges past and present, honoring Herndon’s legacy while showcasing McBryde’s fearless edge.

Ty Herndon and Ashley McBryde Reimagine Classic Hit “A Man Holdin’ On (To a Woman Lettin’ Go)”

NASHVILLE, TN — GRAMMY®-nominated country music icon Ty Herndon has joined forces with Ashley McBryde, Grand Ole Opry member and GRAMMY® Award-winning powerhouse, to reimagine his 1998 hit “A Man Holdin’ On (To a Woman Lettin’ Go).” (Aristo PR, 2025)

The haunting ballad of love, loss, and heartbreak is the second single from Herndon’s upcoming double album, THIRTY—a landmark project celebrating his three decades in country music. The album will be released in two volumes, with Volume One arriving this fall and featuring reimagined versions of Herndon’s greatest hits, each performed as collaborations with some of the genre’s most dynamic voices.

A Classic Reborn

Originally penned by Gene Dobbins, John Ramey, and Bobby Taylor, “A Man Holdin’ On” became one of Herndon’s signature songs in the late ’90s. With McBryde’s raw vocal edge paired with Herndon’s heartfelt delivery, the new rendition digs even deeper into the song’s emotional core—capturing the pain, poetry, and power of letting go.

“This song has always been one of the most emotional songs in my catalog,” said Herndon. “To revisit it with someone as fearless and gifted as Ashley was both humbling and electric. We didn’t just sing the song — we lived it.”

A New Chapter with Club44 Records

Released through Club44 Records, the track also marks Herndon’s next step in an exciting partnership with the Nashville-based label, known for championing bold vocalists and genre-defying artistry. The release is part of a newly announced three-album deal.

More than just an anniversary record, THIRTY is a declaration of endurance, artistry, and authenticity from one of country music’s most enduring voices.

About Ty Herndon

In 2025, Herndon will celebrate the 30th anniversary of his breakout single “What Mattered Most.” Between 1995 and 2002, he charted 17 singles, including three No. 1 hits, with fan favorites such as “I Want My Goodbye Back,” “Loved Too Much,” and “A Man Holdin’ On.”

Herndon has also broken barriers in country music. In 2015, he made history as the first major male country artist to publicly come out as gay. His artistry continued to evolve with albums like Journey On and Right About Now. His 2022 album JACOB produced the No. 1 independent country hit “Dents on a Chevy” with Terri Clark, which spent seven weeks at the top of the charts.

About Ashley McBryde

Ashley McBryde is a GRAMMY, CMA, and ACM award-winning artist celebrated for her unapologetic, raw country sound. Her 2018 debut album Girl Going Nowhere earned a GRAMMY nomination for Best Country Album, while her collaboration with Carly Pearce on “Never Wanted To Be That Girl” won a GRAMMY and CMA Award for Musical Event of the Year.

Currently, McBryde is on tour supporting her latest album The Devil I Know, with sold-out shows across the UK and North America.

Dynamic Guitar Duo: Keel & Stickley’s Self-Titled EP Drops September 5

Two master guitarists with distinct, complementary personalities join together for bold music full of depth, energy, and inspiration. Courtesy photo, used with permission.

Larry Keel & Jon Stickley Release Debut Duo EP

ASHEVILLE, NC — Larry Keel and Jon Stickley have long been recognized as two of the finest flatpicking guitarists of this generation. Now, they’ve joined forces to celebrate the pure joy of acoustic guitar music with their new duo project. Their chemistry is undeniable—effortlessly weaving rhythm and lead, creating an intimate conversation between two guitars and two voices, while maintaining their own distinct musical personalities. (Dreamspider Publicity, 2025)

Their self-titled debut EP, Larry Keel and Jon Stickley, will be independently released on September 5. Pre-save/Pre-order here.

A Duo Years in the Making

“I’ve wanted this project to happen for so long!” Keel says. “Jon and I have been on many of the same bills all over the place for so many years, teaming up in jams, sit-ins, and campfire pickings, and yet we’ve never gotten our fill of playing together as guitar players—which we both seem to crave. So, now we’ve put this guitar duo act in motion, playing shows and making a record, and it feels great getting to scratch that itch.”

About the EP

The five-track collection blends lyrical songwriting with adventurous instrumentals:

  • “Future Ghost” – A shredding, dynamic instrumental that highlights the duo’s contrasting styles. Stickley describes the interplay as “very freeing and exhilarating.”
  • “Sailor Suit” – A cover of Steve McMurry’s 1990s Acoustic Syndicate tune, with Stickley on lead vocals.
  • “Pioneers” – Written by Keel during a 1990s tour along the Oregon Trail, this track reflects on the journeys of early settlers in the American West.
  • “Take the Air” – A Stickley original, inspired by David Grisman and Tony Rice, written in 7/4 time during the pandemic as a meditative, uplifting riff.
  • “Starborn” – Classic Keel: upbeat yet tinged with melancholy, closing with a spacey outro that serves as a tribute to a released soul.

Together, these songs push the boundaries of two-guitar arrangements, resulting in a progressive and compelling acoustic collection.

“Pioneers” is out as an early single. Stream/buy here.

Festival Favorites

Keel and Stickley are no strangers to the stage. Both have been staples on the bluegrass, Americana, and jam band circuits for years, sharing late-night jams and festival stages at Strings and Sol, Jam Cruise, DelFest, Hulaween, Suwannee Spring Reunion, Roots Revival, Hoxeyville, The Bender Jamboree, WinterWonderGrass, and Billy Strings’ Renewal, among many others.

✨ The Keel Stickley Duo brings raw virtuosity, creative spirit, and late-night jam energy to every note. Their debut EP is just the beginning of an inspired new chapter in their musical journey.

Larry Keel and Jon Stickley track listing
1.) Future Ghost (2:34)
2.) Sailor Suit (4:07)
3.) Pioneers (3:24)
4.) Take the Air (2:56)
5.) Starborn (4:03)

Produced by Larry Keel and Jon Stickley
Recorded/Engineered by James McLaughlin
Mastered by Crystal Mastering
Artwork/Design by Luther Blevins

The Berries Return: Matthew Berry’s Most Personal Album Yet

The Berries announces forthcoming new album. Photo: Ajalena Dewolf Moura, used with permission.

The Berries Announce New Self-Titled Album — Out August 29

A Return to Form for Matthew Berry

The Berries marks a pure return to form, delivering Matthew Berry’s strongest take yet on the hallowed tradition of the guitar-wielding singer-songwriter. The LP masterfully channels the tradition’s iconic sentiments—naked Americana, chemical winds whistling over barley shafts, longing-swollen livers, and pleading romance—while infusing them with a rich melancholy that is distinctly Berry’s. (another side, 2025)

Breaking from the Past

Berry describes the record as an act of survival and rebirth:

“This record came out of a need to break from my old self, to break from a lifestyle that I could no longer bear waking up to everyday. It’s equally fueled by remorse and relief—I can rejoice a bit in having found a renewed purpose, but I had to finally stare down everything that was standing in the way of that sense of dignity first.”

Sound and Structure

Sonically, The Berries draws inspiration from a long lineage of studio-centered pop songcraft—from the comedown genius of Tusk-era Fleetwood Mac to the reverb-drenched expanses of The War on Drugs.

The album unfolds as a series of impressionistic vignettes, each track carving out its own emotional terrain rather than conforming to established genre convention.

Lead Single: Angelus

On standout track and lead single “Angelus,” Berry threads together tender vocal melodies over a sparse progression, slowly building a wall of melancholy. The song resonates with a distinctly Californian desolation—capturing the loneliness of highway overpasses and the apocalyptic brightness of staring out across the Pacific.

Evolution of The Berries

The Berries began as a bedroom project—cosmic Americana and fuzzy guitar heroics that quickly secured Berry a multi-record deal with Run for Cover Records.

Since then, Berry has explored:

  • Berryland — country-inflected balladeering
  • Throne of Ivory — distorted, stadium-sized melodrama
  • High Flying Man — Californian burnout pop

Now, with The Berries, Berry steps fully into his role as a self-made studio auteur. Written in early 2025 and recorded that summer at engineer Jimmy Dixon’s home studio, the record reflects both urgency and precision, co-produced by Berry and Dixon.

Release Details

The Berries (self-released) will be available in stores and online August 29, 2025. It is available for pre-order/pre-save.

The Berries tracklist: 

1 – Sedentary Blues
2 – Vagabond
3 – Angelus
4 – White Peach
5 – Wind Chime
6 – Run You Down
7 – Salt Of The Earth
8 – Lie In The Fire Again
9 – Something Better
10 – Seventh
Album Art/Photo By Ajalena Dewolf Moura

Hannah Delynn’s Trust Fall: A Vulnerable and Soulful Debut Album

Finding freedom through vulnerability, Delynn writes heartfelt songs of hope and healing. Courtesy photo, used with permission.

Hannah Delynn Releases Debut Album Trust Fall — Out September 5

NASHVILLE — Nashville-based vocalist, songwriter, and multi-instrumentalist Hannah Delynn will independently release her debut full-length album, Trust Fall, on September 5. Known for her ability to view life through many perspectives, Hannah crafts songs that are emotionally engaging, compelling, and rooted in vulnerability. (Dreamspider Publicity, 2025)

This record is a heartfelt exploration of self-responsibility and the tangled web of emotions that come with it—a journey toward finding freedom by embracing one’s true self.

“I write about matters of the heart and hope my words and songs bring you hope and healing and connect you with the beauty that is all around us—even when it feels difficult to see.” — Hannah Delynn

A Spotlight on “Jealousy”

Hannah recently released “Jealousy,” the album’s third single, which premiered on The Bluegrass Situation. They described it as “anchored by emotive piano, exploring the depths and catacombs of often squashed emotions.”

The track leans toward a raw, almost pop sound, offering complete vulnerability by shining a light on a difficult emotion.

“Instead of being a shameful thing, jealousy can be an insight into what one really wants by seeing others as mirrors to oneself.” — Hannah Delynn

A Journey Across Continents

Originally from Florida, Hannah’s path to Nashville in 2013 took her through New Zealand, British Columbia, and Australia, collecting life stories along the way. Many of these experiences now live in the songs of Trust Fall, which reflects a season of profound grief, loss, betrayal, heartbreak, but also love, generosity, friendship, and beauty.

A Collaborative Creation

Produced by fellow songwriter Maya de Vitry, who also provides harmonies and performs on the record, Trust Fall features a talented cast of Nashville musicians:

  • Alex Wilder — harmony vocals, piano/Wurlitzer
  • Ethan Jodziewicz — arco and ukulele bass
  • John Mailander — fiddle, electronics
  • Jordan Tice — guitar
  • Annaliese Kowert — violins
  • Lizzy Ross — harmony vocals

The Songs of Trust Fall

The album features 11 original tracks by Hannah Delynn, with notable co-writes:

  • With Maya de Vitry: “Leaf on a River,” “Blood Alone,” “No Small Thing,” and string arrangements on “For the Record”
  • With Josh Rennie-Hynes: “For the Record”
  • With Clare Reynolds: “Jealousy”
  • Chordal arrangements for “Waiting” by Emily Mann

Trust Fall will be available September 5 on all major streaming platforms. It’s available for pre-order on Bandcamp.

Courtesy photo, used with permission.
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Western Swing Royalty: Asleep at the Wheel Drops Star-Studded Title Track

‘Riding High In Texas’ is the newest single from their forthcoming album. Photo: Bismeaux Records/Signature Sounds Recordings, used with permission.

Asleep at the Wheel Releases New Single “Riding High In Texas” Ahead of Forthcoming Album

Austin, TX — In celebration of their 50+ years as a cornerstone of Texas music, legendary Western swing band Asleep at the Wheel has released the title track of their new album, Riding High In Texas, out August 22 via Bismeaux Records and Signature Sounds Recordings. (IV-PR, 2025)

The track, “Riding High In Texas,” was originally written by bluegrass great Peter Rowan and first appeared on his 1980 LP Medicine Trail. This new version features Ian Stewart—the band’s newest member—on lead vocals, delivering a quick, twangy take on the song.

In a nod to Rowan’s bluegrass roots, bandleader Ray Benson invited modern-day guitar phenom Billy Strings to lend his virtuosic picking to the track.

“Love everything about this song,” says Benson. “It also made for a great title for the record. Ian can yodel, and having Billy Strings play guitar on it… took it to a whole new level.”

The song’s hook—
“Let’s go riding high in Texas in my mind / Said sometimes I feel I gotta leave this crazy world behind”—
rings out with the band’s signature harmonies, pedal steel, and fiddles, all elevated by Strings’ unmistakable flatpicking.

Holler. premiered the track and its accompanying music video, calling it an “effortlessly cool road anthem with their signature pedal steel and fiddle licks.”

The video features Stewart on horseback, singing through the streets of Austin. Intercut with footage of saddle bronc riders and full-band performances at Dallas’ Longhorn Ballroom and Benson’s Austin studio, the video captures the Lone Star spirit that defines the band’s sound and this record.

🎵 Hear previously released singles “Texas In My Soul” and “Texas.”
📦 Pre-order or pre-save the full album Riding High In Texas.

🎉 Coming Up: Hall of Fame Induction

On August 9, Asleep at the Wheel will be officially inducted into the Texas Country Music Hall of Fame.

Riding High In Texas tracklist:
Riding High In Texas
Texas In My Soul
Long Tall Texan
Texas
Texas Cookin’
Lonesome Pine Special
T for Texas (Blue Yodel #1)
All My Exes (Live in Texas)
There’s Still a Lot of Love in San Antone
Beaumont Rag

Catch Asleep At The Wheel On Tour

August
Wednesday, August 6 – Sellersville, PA – Sellersville Theater
Thursday, August 7 – Vienna, VA – Filene Center (with Lyle Lovett)
Saturday, August 9 – Carthage, TX – Texas Country Music Hall of Fame
Wednesday, August 13 – Homer, NY – Center for the Arts of Homer
Thursday, August 14 – Norwalk, CT – District Music Hall
Friday, August 15 – Newton, NJ – Newton Theatre
Saturday, August 16 – Peekskill, NY – Paramount Hudson Valley
Sunday, August 17 – New York, NY – City Winery New York City
Tuesday, August 19 – Kent, OH – Kent Stage
Wednesday, August 20 – Ann Arbor, MI – The Ark

The Division Men’s Hymns and Fiery Dances Arrives This August—Here’s What to Expect

The Division Men is the husband-and-wife duo of J. Spencer Portillo and Caroline Rippy Portillo. Courtesy photo, used with permission.

The Division Men Announces New Album Hymns and Fiery Dances, Shares Single “San Saba”

El Paso, TX by way of Berlin acoustic duo The Division Men has shared a haunting new single and video titled “San Saba”, taken from the forthcoming album Hymns and Fiery Dances, due out August 22, 2025, via Motor Music. (US/THEM Group, 2025)

The track debuted in the U.S. via New Noise Magazine and in the EU via Side-Line Magazine, and is now available on all major streaming platforms.
🎧 Listen to “San Saba” HERE
📺 Watch the visualizer on YouTube 👇

About Hymns and Fiery Dances

The new album features an impressive roster of collaborators including:

  • Rafael Gayol (Leonard Cohen)
  • Rick G Nelson (Afghan Whigs, St. Vincent)
  • Jay Reynolds (Asleep at the Wheel)
  • Fredo Ortiz (Beastie Boys, Los Lobos)
  • Leah Shapiro (Black Rebel Motorcycle Club)
  • Dana Colley (Morphine)
  • Asya Sorshneva (CocoRosie)
  • Beto Martinez (Grupo Fantasma)
  • Peter Hayes (Black Rebel Motorcycle Club)
  • Alain Johannes (Queens of the Stone Age, PJ Harvey)
    …and many more.

Available in LP, CD, and digital formats, Hymns and Fiery Dances can be pre-ordered now.
🛒 Pre-order HERE

Who Is The Division Men?

Founded in Berlin, Germany in 2008 and now based in El Paso, Texas, The Division Men is the husband-and-wife duo of J. Spencer Portillo (vocals/acoustic guitar) and Caroline Rippy Portillo (vocals/bass guitar).

The band’s name reflects the original mission: to collaborate with artists worldwide regardless of borders—a philosophy that has remained central to their identity.

Caroline, born in San Antonio, previously played bass for Tito & Tarantula from 2007 to 2012. Spencer, born in Los Angeles and raised in Texas, channels the spirit of border towns into evocative lyrics about love, loss, and life.

Their sound is often described as dark, romantic, ethereal, and haunting. Their previous album, Niños Del Sol, featured Rafael Gayol, Steven Hufsteter, Jay Reynolds, Mitch Hertz, Raiye Rippy, and Jake Garcia (The Black Angels).

Upcoming Live Dates

Catch The Division Men live in support of Hymns and Fiery Dances:

📍 08/15/2025 – Austin, TX – Vinyl Beauty Bar
📍 08/17/2025 – San Antonio, TX – Faust Tavern
📍 08/22/2025 – El Paso, TX – Love Buzz

For more news and updates, follow The Division Men on all official channels.

Hymns and Fiery Dances tracklist:

01. Leonora

02. Dolores

03. Dead Moon

04. The Undertow

05. The Night Calls

06. San Saba

07. Cemetery Girl

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From Viral Covers to Emotional Club Anthems: Mareux Evolves with ‘Ébèné Fumé’

Mareux shares shares Ébèné Fumé video/single feat Riki. Photo: Jason Renaud, used with permission.

Mareux Teams Up with Riki for New Single “Ébèné Fumé” Ahead of Nonstop Romance🎶

Los Angeles, CA – Revered pop/darkwave musician and producer Mareux (Aryan Ashtiani) joins forces with multifaceted artist and singer Riki on his nostalgic new single “Ébèné Fumé,” out now via Revolution/Warner Records. (another side, 2025)

Riki’s charismatic, confessional vocal performance blends seamlessly with Mareux’s intricately crafted electronics, creating a compelling dance-pop track that’s as moody as it is magnetic. Her standout presence shines throughout the song’s striking music video, created by Muted Widows (Michael E Linn, Nedda Afsari, and Michael R. Zumaya), which visually channels the same fusion of elegance and edge.

Where most artists might double down on the slick darkwave and goth-pop that brought them initial fame, Mareux pivots with his upcoming sophomore album, Nonstop Romance, due out June 27. The new project is messy in all the right ways—drunk in love, feverish with emotion, and unafraid to stumble. Picture a frilly valentine dragged through city grit: gushing, fractured, but completely transparent in its longing.

Throughout Nonstop Romance, Mareux sets his songs like Venus fly traps—irresistibly romantic and danceable, but tinged with a sinister red glow. It’s a record that revels in pleasure while hinting at danger, a balance central to its ethos.

“I’m trying to make something that’s reflective of me getting older,” Mareux shares. But rather than quiet introspection, his version of maturity centers on joy: “Could you put it on in your house with people around and not bring the mood down?” That guiding question helped shape the sound and energy of the album.

Written and recorded in Mareux’s Lincoln Heights bedroom throughout 2024, Nonstop Romance draws cinematic inspiration from a muted old CRT TV playing everything from Tarkovsky and Jodorowsky to Hype Williams’ Belly. The result? Smudged tape-residue synths woven into readymade club anthems.

Though Mareux favors vibe over precision, longtime fans won’t feel lost. Whether you discovered him through his viral platinum-certified cover of The Cure’s “The Perfect Girl” or the noir heartache of 2023’s Lovers from the Past, there’s plenty to swoon over. Nonstop Romance is exactly what it promises: emotionally raw, sonically rich, and obsessed with love.

“I only care about one thing,” Mareux says. “And that’s being in love.”

📀 Pre-Order / Save Nonstop Romance

🎤 Upcoming Performances

  • Friday, December 12 – Fox Theater, Pomona
  • Saturday, December 13 – The Novo, Los Angeles

Tickets are on sale now. Stay tuned for more tour announcements!

Nonstop Romance tracklist:
1 – Blackmail
2 – Radio Club
3 – Nonstop Romance
4 – Wild at Heart
5 – Ébène Fumé Ft. Riki
6 – Prodigy
7 – Blue
8 – Laugh Now Cry Later
9 – Snake Eyes

Photo: Cameron McCool, used with permission.

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