Tag: New music

Ghost Hounds Explore Raw Emotion in New Single ‘You’ll Never Find Me’

Ghost Hounds unleash You’ll Never Find Me, a powerful anthem of resilience. Courtesy photo, used with permission.

Ghost Hounds is excited to share their newest single, “You’ll Never Find Me”–out via Gibson Records–along with its accompanying official music video. (Big Hassle, 2024)

“‘You’ll Never Find Me’ is a warriors anthem. This song is dedicated to anyone who has lost themself in a person or to a situation. Know that you can always reclaim your power and remember to stand strong in who you are. We needed the video to show that when your down grit and perseverance are all you need to make it. The idea that you literally need to get back on the horse 8 times when you’ve been thrown off 7.” – SAVNT

“You’ll Never Find Me” follows the release of “Long Ride Home feat. Patty Griffin,” and its accompanying official music video.

Ghost Hounds are a country rock band with a heavy blues influence that proves the genre is not only alive but thriving for the next generation of rock fans. Fronted by SAVNT and backed by guitarists Tyler Chiarelli and Thomas Tull, fiddler Kristin Weber, bassist Bennett Miller, and drummer Sydney Driver, the band has made significant statements with their four studio albums.

Ghost Hounds’ debut, Roses Are Black (2019), earned widespread acclaim from Billboard, American Songwriter, and more as well as millions of streams on streaming platforms. Their follow-up, A Little Calamity (2021), impressed with its classic rock sensibilities and the hit single “Good Old Days.” You Broke Me (2022) continued their tradition of blending classic blues rock with a modern flair. Their latest album, First Last Time (2023) via Gibson Records, features hit single “Last Train To Nowhere,” which racked up millions of hits via TikTok and Instagram, and was featured in Taylor Sheridan’s new TV show Special Ops: Lioness.

Ghost Hounds have honed their sound on the road, having supported legendary acts like The Rolling Stones, ZZ Top, Garth Brooks, Guns N’ Roses, and Bob Seger. With their chemistry at an all-time high, the band is set to bring even more blues-rock brilliance in the future.

Courtesy photo, used with permission.

Peace With a Lion: David Lindes’ Most Personal Album Yet

The Guatemalan-born folk singer/songwriter David Lindes is on a mission to heal with his album Peace With a Lion, produced by Grammy® winner Alex Cuba. Courtesy photo, used with permission.

Los Angeles – On his forthcoming album Peace With a Lion, Guatemalan-born singer-songwriter David Lindes looks deep into the meaning of healing. In doing so, he explores two essential phases: honoring wounds and healing them through creation. (Vesper Public Relations, 2024)

With hints of Cat Stevens in his vocals and echoes of the Latin American neo-folk Trova movement of the ‘60s and ‘70s, Lindes collects folk elements from across the continent in this deeply personal album. In it, he delves into his efforts to heal three wounds: leaving his native Guatemala as a child, being abandoned by his father as a baby, and experiencing physical and emotional abuse. As he moves into his recovery from these wounds, he approaches themes like mental health, the healing power of nature, and forgiveness, all while singing his love and heartbreak to his homeland as if it were a long-lost love. His journey from wound to healing is intimate as well as universal, speaking to the many neglected collective wounds society carries, and the need for healing there as well.

The first two singles off the album, Te Vengo a Perdonar (I’ve Come to Forgive You) and Gold in the Ashes, deal with facing childhood trauma and finding a way to accept it and transform it into wisdom, compassion, and even beauty.

Te Vengo a Perdonar uses Caribbean elements to assemble a sort of post-storm celebration. The lyrics put a forceful end to a self-imposed sentence of pain that only ends with forgiveness.

Gold in the Ashes, poignant and introspective, looks to the Blues and Americana for its palette, to take listeners from pain to hope. In its chorus, Lindes celebrates finding gold in the ashes of his past.

The songs have been released, alongside an official video for Te Vengo a Perdonar (I’ve Come to Forgive You), featuring Lindes himself, who acts out, step by step, his own death and burial.

“Maybe that’s why I’m here,’ contemplates Lindes. ‘If I can take my past, exactly as it is, and turn it into a story and a song, maybe that will bring me a little closer to not wanting a different past. And if I like the story, and I like the song, someday, I might even embrace my past,” he states hopefully.

Grammy® Winner Alex Cuba describes his role in producing the album as “a huge responsibility to shine a light on David’s beautiful voice and message, especially in a time like today, when so many are looking for ways to heal their spirits.”

Lindes will kickoff the album launch with a concert in Mexico City on February 8, 2025, at Casa Florecer, a spiritual center in the woods surrounding the city. He describes the show as “an intimate affair that will be part concert and part healing circle. It’ll include songs, stories from my life, and even a ceremonial element.” He’ll also encourage concert goers to talk about their own pain and recovery. An official album launch event will follow in Los Angeles in the Spring of 2025.

Serj Tankian’s Foundations: A New Chapter in His Musical Journey

Serj Tankian’s new EP Foundations is out now. Photo: George Tonikian, used with permission.

Los Angeles, CA – Singer, poet, songwriter, visual artist, film producer, activist, and author Serj Tankian, lead singer and lyricist for the GRAMMY© Award-winning rock band System Of A Down, has released Foundations, his EP of new music, worldwide via Gibson Records. He has also debuted the new video for the song Cartoon Buyer which begins with hushed, folk tones of Serj playing acoustic guitar, gradually building in intensity before exploding in sonic and spiritual catharsis. (Prime PR Group, 2024)

Serj Tankian’s Foundations mines music and lyrics from previous decades and reframes them in a hard-hitting, intensely focused collection. Like all of his work, the five songs that comprise Foundations encompass a wide range of sounds and styles. It is music that traverses multiple eras and vast swaths of emotions. It is also very much a rock album – “music of rebellion,” says Serj.

A true creative tour de force, he recorded Foundations primarily at his own Serjical Strike Studios in L.A. He wrote, performed, orchestrated and produced all the material, as well as contributed the artwork – an original piece titled “Sunburst” – that adorns the album cover. Dan Monti (guitars, bass and drum programming), provided additional instrumentation on the record and bassist Mario Pagliarulo and SOAD drummer John dolmayan on Cartoon Buyer.

Foundations, Serj says, is “A retrospective of songs from different eras of my life, meant to complement the memoir,” and caps what has been an incredibly prolific year for him, from the release of his memoir the New York Times bestseller “Down with the System,” to the massive, sold-out System of a Down headlining show at Golden Gate Park in San Francisco with over 50,000 fans. But even as he is now revealing his “foundations,” Serj is already looking ahead. “The next record will likely be a record of covers, collaborations and collages,” he envisions.

Serj has also released a diverse selection of limited edition variants of the Foundations EP on colored vinyl with an etching featured on Side B of every package. The Foundations vinyl package includes a Red & Black Starburst vinyl available on his own official webstore and an Opaque Purple version only available in U.S. record stores nationwide.

Courtesy photo, used with permission.

As the lead singer and songwriter for System Of A Down, Serj Tankian has released five studio albums, winning a GRAMMY© Award in 2006 for “B.Y.O.B.” He’s performed for millions of fans and sold more than 42 million albums worldwide. Serj is also a solo artist, composer, activist, painter, poet, and filmmaker.

He was introduced to the melding of cultures, ideas, and ideals from a very young age. An Armenian born in Lebanon and raised in Los Angeles, the principles learned from this integration have led to his understanding of the oneness of all things and have since maneuvered and transfigured into the music and art that he lives to create. A proud Armenian American and a dedicated activist; along with Tom Morello, Tankian co-founded the non-profit organization Axis of Justice, which strived to bring together musicians, music fans, and grassroots political organizations to fight for social justice.

He has composed scores for many films and television series, had his paintings exhibited in galleries in the U.S. and New Zealand, and released two books of his own poetry. He has also been an executive producer on multiple documentaries, including I Am Not Alone, which tells the story of Armenia’s 2018 revolution, and which won awards at the Toronto International Film Festival, DOC NYC, The American Film Institute Festival, and the Palm Springs International Film Festival, among others.

Foundations (Gibson Records)

1.   “A.F. Day”

2.   “Justice Will Shine On”

3.   “Appropriations”

4.   “Cartoon Buyer”

5.   “Life’s Revengeful Son”

Vlad Holiday’s My Favorite Drug: The Soundtrack for a Modern Love Story

Sonic shapeshifter Vlad Holiday announces debut record with release of new single Closer. Photo: Kate Lamendola, used with permission.

Romania-born, Nashville-based melancholy romantic Vlad Holiday recently announced that his debut record, My Favorite Drug, will be released on November 15 via ONErpm. Along with this news comes the second single Closer. Feeling like a covert mission, or a secret known only between two lovers, the deeply layered song seems to endlessly build before it is quickly punctuated. (Big Hassle, 2024)

The most recent release features guest vocals from Cage The Elephant’s Matt Shultz, who is also a co-writer on the track. For careful listeners, Shultz’s voice can be heard singing the “ah ah ah ah” hook and some repeated “closers” in the outro.

On the single, Holiday shares, “This is a love song. It introduces the romantic element of the album. It’s about going with the flow and letting the universe do its thing, rather than forcing things into existence.”

Kacey Musgraves joined Holiday for the bender-ender, genre-fusing track I Don’t Wanna Party Anymore. The sultry, mischievous track arrived right on time for his tour dates alongside Cage The Elephant, Young the Giant and Bakar. See all upcoming dates here and below.

UPCOMING TOUR DATES
November 6 – Grand Rapids, MI – Pyramid Scheme
November 7 – Indianapolis, IN – LO-FI Lounge

On his upcoming debut album Holiday said, “I’ve been releasing music for years, and a full-length album never really seemed like a thing I wanted to do. But as these songs were being written, I was noticing a pattern. Fragments of a story I had to tell. More for myself than for anyone else. It’s definitely one of those, ‘listen to it in order’ albums.”

Vlad Holiday has made a career of romanticizing the past, the human condition, and looking at love and relationships through dark-tinted lenses. With downtempo crooner tracks all tinged with melancholy, Holiday has built a sonic world of his own that tries to find comfort in accepting the darker moments in life. Having gained over 40 million streams as a completely independent artist, it seems as if he’s resonating with a subculture of people that are also trying to do the same. 

Born in Bucharest, Romania, later having to flee to New York, and now based in Nashville, Holiday’s sound is heavily shaped by the weight of feeling like an outsider always on the move. Building the foundation of his music career with a downtown NYC lo-fi sound, he’s deeply indebted to his love for vintage microphones, tape machines and other old recording equipment; key elements of his signature sound and production style. 

Now in Nashville, there’s an optimism to Holiday’s current chapter as he builds out his next body of work while collaborating with other artists in Music City. Most recently, he co-wrote Cage The Elephant’s “Neon Pill,” “Metaverse” and “Over Your Shoulder” before being joined by Kacey Musgraves on “I Don’t Wanna Party Anymore. However bright the current moment may be, flecks of Holiday’s past always steep his music in a darkness that shows that he is a human in the middle of his journey. 

Courtesy photo, used with permission.
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Healing in Harmony: The Transformative Power of Classical Melodies

Music group performing onstage with empty audience seats. Photo: Manuel Nägeli on Unsplash.

When an artist records a classical album, especially when it’s not their first calling, there’s often a deeper story within the music itself. Mina Tulchinsky’s 2016 album of classical arias and original, classical-inspired compositions was an exploration of exactly this—healing through music. For her, the album became both a refuge and a connection to something timeless, which, despite the years since its release, resonates with listeners anew.

Music has long been a source of comfort and healing for people across the world. Scientists and therapists alike point to music’s power to reduce stress, soothe anxiety, and even aid in physical recovery. Rhythm, melody, and harmony have the unique ability to engage the brain and body simultaneously, creating an immersive experience that transports listeners away from their worries. This transformative quality goes beyond entertainment; it offers a form of solace and renewal, connecting individuals to something larger than themselves. It’s this intangible yet profound effect that makes music—especially the emotionally rich genre of classical—a powerful tool in the journey toward healing.

While classical music can feel out of reach to some, Tulchinsky’s album bridges that divide. Her personal experience, expressed through a mix of well-loved arias and fresh, relatable melodies, offers something that even those unversed in classical music can appreciate. Much like Agarita’s mobile concerts that bring Mozart or Bach to the community, Tulchinsky’s album seeks to bring the warmth of classical music into daily life. It’s this accessibility—classical sounds interpreted through a modern, approachable lens—that makes her album unique. She’s given listeners a glimpse of what healing can sound like, stripped of the formality and focused on the resonance of the experience.

The music, much like healing, is deeply personal yet universally accessible. By recording something so classical in style but infused with personal emotions, Tulchinsky has crafted a work that invites listeners from all walks of life. Classical music, for many, can carry a sense of ceremony, a distance. But this album, by a divorcee finding her way forward, takes that form and molds it into something that feels human and grounded. It’s music that meets listeners where they are, extending the sense that healing isn’t reserved for concert halls or grand stages but is accessible in one’s own space, at one’s own pace.

Photo: Facebook – Mina Joy Music

As listeners follow her journey—through heartbreak, resilience, and a renewed appreciation of self—they find a kindred spirit in music. Tulchinsky’s recent releases on Spotify bring these elements into even sharper focus, continuing to invite a wider audience into the classical fold without the need for pretension or exclusivity. Instead, her work represents healing that anyone can access, a simple melody away.

For anyone curious about classical music but hesitant to dive into a genre so steeped in tradition, Tulchinsky’s album is a reminder that music, in its essence, is for everyone. In opening this space for healing through her art, she’s reminded us all of music’s quiet, powerful ability to soothe and unite. Whether one finds solace by listening to her music or feels inspired to sing, play, or explore their own musical journey, her album stands as a testament to how music’s healing reach can be both deeply personal and universal. Through her melodies, Tulchinsky shows us that healing can start with just a single note, inviting us to embrace music’s transformative power in whatever way feels most meaningful.

Collaborative Post

Transformative Sounds: The Impact of trauma ray’s Chameleon on Listeners

trauma ray’s Chameleon will be released on October 25, 2024. Photo: Will McCarthy, used with permission.

The powerful new single Bardo from the North Texas rock band trauma ray is eerie, deviating between noisy one string bends and surging headbang, mapping a middle ground between Unwound and nu-metal. (another/side, 2024)

“Bardo is the in-between. Whether that’s life or death, or a purgatory. It’s about being stuck in between one phase and the next. When you can feel the past fading and yet you can’t quite see the path to the future either.” – Jonathan Perez, trauma ray guitarist

The Texas five is set to release their highly anticipated debut album Chameleon on October 25 via Dais Records which has already seen early acclaim from The FADER, Stereogum, Consequence (Heavy Song of the Week), Brooklyn Vegan, New Noise and more. Since first making waves with a S/T EP in 2018, trauma ray has been honing their live set across increasingly adventurous American tours – stacking amps and turning heads show by show, justly earning them a massive following in no time. The band’s three guitar attack is a force to behold, alternately surging, savage and spectral, drenched in precision distortion. 

The core songwriting duo of Uriel Avila and Jonathan Perez has expanded and refined the project’s vision and craft, culminating throughout Chameleon. Rounded out by bassist Darren Baun, drummer Nicholas Bobotas, and guitarist Coleman Pruitt, the album both synthesizes and transcends its influences, a stormy fusion of downer hooks, apocalyptic beauty, and bulldozer riffs.

The name trauma ray was inspired by the German word for ‘daydream, or ‘dream state,’ in classic shoegaze fashion. Avila’s background in a devout Pentecostal community gives his lyrics about guilt, purgatory, and passing to the other side to an emotional authenticity that cuts through the music’s majestic volume.

Chameleon is a masterpiece of craft, balance, melody, lyricism, and gravity, flexing a fresh vision of loud-quiet-loud architectures and the vertigo depths of blasted harmonics. From Slowdive to Deftones to Hum and beyond, trauma ray absorb and expand on their influences into a rare and dedicated alchemy. trauma ray’s cinematic tempest is a gathering storm only just taking flight.

Just after a U.K. run, trauma ray will perform across their home state including dates at Levitation and with Panchiko. Other highlights include two release shows: one headlining The Roxy in LA and San Diego’s Voodoo Room. See all dates below and grab tickets here.

Trauma Ray Live Dates:
Oct 26: Birmingham, UK – XOYO *
Oct 27: Manchester, UK – B.E.C. Arena (Outbreak Autumn)
Oct 28: London, UK – New Cross
Oct 31: Rubber Gloves – Denton, TX
Nov 01: Levitation – Austin, TX
Nov 03: Oklahoma City, OK – Tower Theatre ~
Nov 04: Little Rock, AR – EJ’s
Nov 06: Kansas City, MO – The Truman ~
Nov 07: Chicago, IL – Sleeping Village #
Nov 08: Indianapolis, IN – Deluxe ~
Nov 09: Grand Rapids, MI – Elevation ~
Nov 10: Pittsburgh, PA – Roxian Theatre ~
Nov 12: Philadelphia, PA – Union Transfer ~
Nov 13: Boston, MA – 4th Wall
Nov 14: New Haven, CT – Toad’s Place
Nov 15: New York, NY – TV Eye #
Nov 16: Washington, D.C. – Comet Ping Pong !
Nov 17: Richmond, VA – Cobra Cabana !
Nov 18: Raleigh, NC – Kings !
Nov 19: Atlanta, GA – Altar #
Nov 20: Birmingham, AL – Saturn #
Nov 21: New Orleans, LA – Siberia #
Nov 22: Houston, TX – TBD #
Nov 23: San Antonio, TX – Paper Tiger #
Nov 29: Los Angeles – The Roxy (Record Release) ^
Nov 30: San Diego – Voodoo Room (Record Release) $

* w/ Citizen
~ w/ Panchiko
# w/ Leaving Time
! w/ Leaving Time and Full Body
^ w/ Toner, Lvster, Slumped
$ w/ Toner, Slumped, Sparkler

Chameleon tracklist:

1 – Ember
2 – Torn
3 – Chameleon
4 – Bardo
5 – Bishop
6 – Elegy
7 – Drift
8 – Breath
9 – Spectre
10 – Flare
11 – ISO
12 – U.S.D.D.O.S.

Behind the Lyrics: The Stories Within robbietheused’s New Album

robbietheused announces debut self titled pop LP. Photo: Ryan Muirhead, used with permission.

New York, New York – The Used’s frontman Bert McCracken has announced his debut full length album under his solo project, robbietheused, out October 25 via Big Noise Records. Following the success of his latest singles, Terrible and The Feels, the LP dips its toes into uncharted territory for Bert, as the famously known Alternative Rock star with a lifelong passion for pop music. (Big Picture Media, 2024)

In general, robbietheused always finds solace in writing and recording new music because this creativity has a positive impact on his mental health. Having these songs was particularly vital, as he started writing during the COVID-19 pandemic when he was unable to travel from his home in Australia. 

Producer John Feldmann came onboard to work on robbietheused material. Given that the two men have known and collaborated with each other for decades, it wasn’t a stretch for them to focus on pop-oriented songs. In fact, this camaraderie led to adventurous sound explorations, such as incorporating heavy bass undertones and effects and vocoders. 

“Any feeling is valid—and to be able to put it to song is incredible. And there’s so much room in this world for positivity. I want this music to show that there’s room for love. There’s room for growth. There’s room for redemption. There’s so many good people—and so many good things happening.” – robbietheused

Fans can listen to robbie’s latest single, Terrible and pre-save the robbietheused album.

robbietheused will be taking these new tracks on the road, on his highly anticipated, limited 5 stop fall tour kicking off on October 30 in Anaheim, CA,followed by shows in major cities: Los Angeles, Philadelphia and New York City. The tour will wrap up on November 5 in Asbury Park, NJ.

Tickets are now available online for all robbietheused fall tour dates.

2024 Fall Tour Dates
October 30 – Anaheim, CA – House of Blues Anaheim – The Parish
October 31 – Los Angeles, CA – Echoplex
November 3 – Philadelphia, PA – Brooklyn Bowl
November 4 – New York, NY – Gramercy Theatre
November 6 – Asbury, NJ – House of Independents

robbietheused tracklist:

Terrible

Always Gonna Be Like This

Gladiator

The Middle

Just A Little Bit

Wake Up Call

In My Dreams

Blame You

Push Me (ft. Sierra Deaton)

Gold In The Ashes

Something You Can Count On

The Feels

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311’s Full Bloom: A Look Into the Band’s Latest Masterpiece

311 announces their highly anticipated album Full Bloom. Courtesy photo, used with permission.

New York, NY – The platinum certified rock band 311 is back with the announcement of their highly anticipated 14th studio album, Full Bloom, out October 25. In celebration, the band has released their new track and visualizer for “Need Somebody,” out now. The track speaks to avoiding isolation and staying connected with the people that love you. (Big Hassle Media, 2024)

With more than 10 million records sold in just the United States alone, 311 has never been hotter. Having just wrapped a successful headlining US run of their “Unity Tour,” one of the most successful tours of the their 34 year history, they are known to emphasize the importance of community through the lens of communication and connection. 

Full Bloom is 311’s first full length project in 5 years following their album Voyager in 2019. Their first single off the album, “You’re Gonna Get It” is the band’s highest charting song in 13 years, breaking into the top 15 at Alternative Radio. The introspective track reflecting upon the realization that all actions have consequences, even if they aren’t immediate, has over 1M streams since its release this summer. Fans can now pre-save Full Bloom. 

“We hope fans can take from this album 311’s message of positivity and unity. In today’s world it’s so easy to become alienated by the pressures of everyday life. Whether it’s social media, stress at work, an illness, the list goes on.” The band shares with us, “It’s so important to stay open with your loved ones and community so we can all thrive in full bloom” shares the band. 

Music has always been a unifying force, and through their lyrics and melodies, the band seeks to remind everyone that we are never truly alone. Whether it’s reaching out to a friend, a family member, or even a stranger, the act of communication can bridge gaps and heal wounds. In their eyes, having someone to talk to is one of the most essential forms of support, and it’s the foundation upon which unity is built. It’s in those conversations where understanding, empathy, and connection grow.

311 was formed in 1990 in Omaha, Nebraska, featuring Nick Hexum (vocals/guitar), Chad Sexton (drums), Tim Mahoney (guitar), SA Martinez (vocals/dj), and P-Nut (bass). They mix rock, rap, reggae and funk into their own unique, hybrid sound – and 33 years later, the band is still regarded as one of the most entertaining and dynamic live bands in the U.S. 

As veterans of over 2,000 shows across 27 countries, 311 is one of the longest running original lineups in rock, alongside iconic acts like U2 and Radiohead. 311’s celebrated live shows and touring schedule have earned them a vast and dedicated following nationwide. The band has released thirteen studio albums, two greatest hits albums, two live albums, three DVD’s and a boxed-set, and have sold over 9 million records in the U.S.

Ten albums have reached the Top 10 on Billboard’s Top 200 Sales Chart – and nine of their singles have reached the Top 10 on Billboard’s Alternative Radio Chart – including three #1 singles: “Down,” “Love Song,” and “Don’t Tread On Me” – along with ”Amber,” “All Mixed Up,” “Come Original,” “Creatures For Awhile,” “Hey You,” and “Sunset in J.

Full Bloom tracklist:

You’re Gonna Get It

Need Somebody

Full Bloom

Friend

Mountain Top

New Heights

Days Go By

Persimmon

All You’ve Seen

Braver

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Teddy and the Rough Riders: A New Chapter with Down Home

Fast Livin’ is the latest single from Teddy and the Rough Riders’ forthcoming new album Down Home, due out October 11, 2024. Courtesy photo, used with permission.

Nashville, TN – The speed and momentum Teddy and the Rough Riders are gathering throughout Nashville’s underground country music scene is embodied in their latest single, Fast Livin.’ Music City natives, Jack Quiggins and Ryan Jennings, have been going non-stop since the late 2010s, collaborating with everyone from Margo Price to Emily Nenni to Sean Thompson’s Weird Ears, quickly becoming your favorite country band’s favorite country band. With Fast Livin,’ Teddy and the Rough Riders paints a small picture of their upbringing, leaving town to hit the road, and all of the nefarious hijinks that come along with it. But it’s not completely autobiographical. (IV PR, 2024)

Brooklyn Vegan recently premiered the track. Fans can stream or purchase Fast Livin’ check out Teddy and The Rough Riders’ previously released singles, Catfish Summer and Hippies, and pre-order or pre-save Down Home ahead of its October 11 release via Appalachia Record Co. right here. 

On their new album Down Home, the songwriting duo of Jack Quiggins and Ryan Jennings double down on all the elements that garnered praise for their previous, eponymous album produced by Margo Price. Holler Country succinctly sums them up: “Teddy and the Rough Riders are pulling apart the lost threads of country rock and weaving them back together with their own alternative take on the form.” As native Nashvillians, the pair came up through Music City’s DIY rock scene explosion of the late 00s into 2010s, eventually embracing the traditional country roots of their home city. At just 33 minutes, Down Home moves at a fast clip, with a variety of blazing rippers, traditional sounds, and alt-country styles inviting repeat listens.

Down Home tracklist:
Bullet
Fast Livin’
Catfish Summer
Trouble Sleeping
Golden Light
Edna’s Song
Mountain Girl
Hippies
Love After Life
Bird Has Flown
Gettin’ High

The band has recently been named “Best Honky Tonk Group” by Austin TX’s Ameripolitan Awards for 2024. They toured North America, the EU, and the UK through the summer backing and opening for Emily Nenni and will embark on their own North American tour in October.

Catch Teddy and the Rough Riders on tour:
October 3 – Las Vegas, NV – Backstage Bar
October 4 – Reno, NV – Off Beat
October 5 – Folsom, CA – Folsom Hotel
October 6 – Los Angeles, CA – Permanent Records Roadhouse
October 7 – Costa Mesa, CA – The Wayfarer
October 8 – Tempe, AZ – Yucca Tap Room
October 10 – Abilene, TX – Lone Star Dry Goods
October 11 – San Antonio, TX – Lonesome Rose
October 12 – Austin, TX – White Horse
October 13 – Austin, TX – ACL Fest
October 17 – Birmingham, AL – Woodlawn Theatre
October 18 – Nashville, TN – Soft Junk
October 19 – Thomaston, GA – Mule Days

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Empire State Unveiled: What to Expect from Greg Copeland’s Latest EP

Empire State is available now. Courtesy photo, used with permission.

Los Angeles – Singer-songwriter Greg Copeland is a Southern California native whose depth of feeling for music—and natural ability to conjure it up with spare, graceful melodies and lyrics that are plain spoken poetry—has been in inverse proportion to his body of work. His comfortable, yet candid, way with words make his new EP a welcome addition to his catalog of music. He has a natural ability to conjure up spare, graceful melodies and evocative lyrics that are plain spoken poetry. His genuine sentiments and strength of character, together with the intricate nuances of these musical compositions, create a vividly illustrative sound that allows him to shed light on difficult circumstances. His latest EP, Empire State was released on September 6, 2024. (Dreamspider Publicity, 2024)

The collection of songs exudes a sense of urgency and presence. Empire State takes place right this minute. Copeland’s characters and narratives “volunteer” themselves to be bared to the world through song and often recur throughout his catalog of music. Like a sentinel keeping watch, his songs are a report back to the listener, as inspiration for writing seems to bubble up from within. Copeland says, “When the odometer clicked over to 2000, I somehow started writing again. Don’t know why, just had to, and the three subsequent recordings are what matter to me most at this point.”

After a 26 year hiatus since his 1982 debut Revenge Will Come, Copeland went back into the studio and reemerged with his second release, Diana and James (Released 2008 on Browne’s label Inside Recordings). This triggered new writing towards a collection of songs that led to his third album, The Tango Bar, in 2020.

Empire State is out now on Copeland’s own independent label, Franklin & Highland Recordings, and internationally with Hemifrån/Paraply Records (Non-U.S. Territories).

Tyler Chester produced both Empire State and The Tango Bar and feature longtime comrade and producer of Copeland’s 2008 release Greg Leisz on pedal steel and mandocello, among other instruments. Chester, a multiple Grammy-nominated producer, session musician, multi-instrumentalist, and composer, also plays keys throughout Empire State as well as bass on the first track. Returning from previous albums to join them are longtime Jackson Browne sideman Val McCallum on electric and rubber bridge slide guitar; Jay Bellerose on drums and percussion; and Jennifer Condos on bass. Sara Watkins joins on fiddle for a track.

Empire State tracklist:
1. Boon Time
2. We the Gathered
3. 4:59:59
4. Coyotes
5. Empire State

Greg Copeland. Photo: Chris Schmitt, used with permission.