Tag: New music

‘On My Own’: Harrison Lipton’s New Anthem of Self-Discovery

Harrison Lipton masks post-breakup sadness with cheeky humor on ‘On My Own.’ Photo: Eciaus Booth, used with permission.

Breakup songs hold a unique appeal for listeners, offering emotional catharsis and a sense of solidarity. These songs often explore themes of heartache, loss, and personal growth, providing an outlet for listeners to process their own emotions. The relatable lyrics and powerful melodies resonate deeply, allowing individuals to feel understood and less alone in their struggles. Whether through soulful ballads or upbeat anthems, breakup songs help listeners navigate the pain of relationships ending while offering hope for healing and new beginnings. The universal nature of heartbreak makes these songs timeless and comforting during times of emotional turmoil.

The Brooklyn-based musical jack-of-all-trades Harrison Lipton recently released his cheeky new breakup anthem “On My Own” via Amuse. The facetious, 70s-inspired dad rock song uses the all too familiar coping mechanism of poking fun at inherent sadness to make it through the day. His voice full of smooth earnestness, Lipton ushers listeners towards the greener grass on the other side. (Big Hassle, 2024)

“The song started in a small bedroom studio in Carroll Gardens during a session with Aidan Ludlam of the booyah! kids, who uses lyrics like an impressionist painter uses paint. He helped me balance the dissonance between being dumped and finding how to be okay with it.” – Harrison Lipton

Shot on 16 mm film, the official music video was directed by Yishen Wang. An ode to the city and people of New York, Lipton finds himself lost in a sea of recognizable faces, even Times Square’s Naked Cowboy.

“…feels like a rarity, transposing of-the-moment sounds into a dusted-off paean to a romance lost in memory and feeling.” – NPR

“An artist whose stylistic tenacity is fabulously muddled, Lipton floats between genres, brushing against indie, alternative and bedroom pop with a driven psychedelic influence flowing through the hazy soundscapes.” – The Lines of Best Fit

Fresh on the heels of landing songwriting and production credits for indie-rock sensation Yot Club and Atlantic Records six-piece MICHELLE, among others, Lipton has made a name for himself as a rapidly ascending, go-to creative collaborator. His recent work as a songwriter and producer has earned him shoutouts in HYPEBEAST, The Line of Best Fit, and Sirius XM’s Life with John Mayer.

Now with the focus shifted to his own releases, Lipton unveiled “Synchronized Swimming,” with its captivating accompanying music video, back in September. Exploring romance coyly nestled within the metaphor of synchronized swimming, listeners witness Lipton’s proven songwriting and production talent in raw form. Complete with dusty piano, laid-back Khruangbin-like drums, and an underwater guitar solo, the final touch is the perfect pairing of background vocals from MICHELLE’s Layla Ku. 

“On My Own” keeps building the world “Synchronized Swimming” started, putting forth a distinctly clean and modernized late 70s aesthetic.

Harrison Lipton is a 30-year-old singer, songwriter and producer. The Brooklyn artist’s musical flair resides in the intersection of indie, R&B and 70s soft rock. Lipton prides himself on fully realizing a track from start to finish, leading the charge with songwriting, producing, and mixing, as well as creative direction. Lipton’s music is a product of his singular imagination, presenting a style that is sincere, authentic and all his own. His music has been featured in NPR and Early Rising as well as on numerous editorial playlists such as Apple Music’s Late Night Menu and Spotify’s Fresh Finds and Chill Vibes. Now focusing on new singles leading toward a larger project, Lipton emerges as a promising and unique voice, blending soulful vocals with singular and catchy production.

Courtesy photo, used with permission.

Max Wareham’s Daggomit!: The Story Behind His Debut Album

Banjo player, songwriter, and author Max Wareham announces debut, Peter Rowan-produced album Daggomit! Photo: Sasha Pedro, used with permission.

Whether on archaeological digs or translating medieval poetry, the past has always been a north star for banjo player, songwriter, and author Max Wareham. His commitment to early innovators of the banjo shines on Daggomit!, his debut album of soulful original songs, highlighted by the hard-driving chemistry of Nashville’s preeminent bluegrass stars. Wareham tours nationally with the Peter Rowan Bluegrass Band, bringing his creativity to the Telluride Bluegrass Festival, Ryman Auditorium, Merlefest, Green Mountain Bluegrass Festival, IBMA Bluegrass Music Awards, and many more, as well as with his own band, Max Wareham and the National Bluegrass Team. (IV PR, 2024)

“It brings me back to my childhood,” says Max Wareham of his new single “Lonesome Blues, I’m Coming Home,” “camping in the woods of New York state and longing for a simpler time.” Forever a student of bluegrass tradition, Wareham has tapped into a very real feeling that can be found all the way back before the genre had its name; part nostalgia, part yearning. 

“I wrote this one a while back,” says Wareham. “Then I took it to Peter Rowan, who proceeded to disassemble it completely and put it back together in a way that made more sense.” The tutelage of his bandleader boss Rowan helped to hone Wareham’s arrangement into a beautifully simple melody with ample room for instrumental embellishment and crystalline harmonies by former members of the Grammy-nominated band, Po’ Ramblin’ Boys, Laura Orshaw and Josh Rinkel. 

MAGNET Magazine shared an early premiere of “Lonesome Blues, I’m Coming Home.” Fans can stream or purchase “Lonesome Blues” at this link.

“Lonesome Blues, I’m Coming Home” is the latest single from Wareham’s upcoming debut album, Daggomit!, which was produced by Rowan and is due out on February 21. Fans are encouraged to check out Wareham’s previously released single “Hard Times Are Far Behind” at this link and pre-order or pre-save Daggomit! ahead of its February release right here.

Wareham is currently touring with Max Wareham & the National Bluegrass Team, featuring international mandolin prodigy Jean Baptiste Cardineau, singer and guitarist Walker Russell, and Boston bass stalwart Emma Turoff. Tour dates for Warham & the National Bluegrass Team as well as Wareham’s appearances with the Peter Rowan Bluegrass Band can be found online.

Produced by legendary grasser Peter Rowan and recorded by multi-Grammy-winning engineer Sean Sullivan, Daggomit! features Chris Eldridge and David Grier on guitar, Laura Orshaw on fiddle, Chris Henry on mandolin, Mike Bub on bass, and Larry Atamanuik on snare drum; a group of stars making the initial listen of the album worth the price of admission, alone. But fans will undoubtedly stick around for the stories Wareham tells throughout the 13-song collection. Stories from a lifetime of experiences and feelings that together tell the story of exactly what makes Max Max. 

Daggomit! tracklist:
Walking In Jerusalem
Lonesome Blues, I’m Coming Home
The Black & Gold
That’s Just Part Of It
Heartaches
Rexford Falls
Gone, Baby, Gone
I Remember
Hard Times Are Far Behind
Cattails
Bar Blues
Drifting Too Far From The Shore
Miles

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John Mailander’s ‘Let The World In’: The Soul-Stirring New Album

John Mailander’s Forecast to independently release ‘Let The World In’ on January 24, 2025. Photo: Emily Walis, used with permission.

Nashville Tenn. —  John Mailander’s Forecast is excited to independently release Let The World In on January 24, 2025, on CD, vinyl, and digitally. Forecast is a Nashville-based collective of visionary musicians led by acclaimed performer, producer, composer, educator, and recording artist John Mailander, known for his voice on the fiddle and other stringed instruments. (Dreamspider Publicity, 2024)

Forecast is John Mailander on fiddle, keys, and electronics; Ethan Jodziewicz on upright and fretless electric bass; Chris Lippincott on steel guitars, keys, and electronics; Mark Raudabaugh on drums and percussion, Jake Stargel on acoustic guitar, and David Williford on tenor saxophone and bass clarinet.

Produced by Mailander, Let The World In was recorded by Brook Sutton at The Studio Nashville, assisted by Will Tyson and Maeve Graham. It was mixed by Daniel Rice and mastered by Wayne Pooley. With nine tracks, four of which are shorter free improvs, all but “Road” are original instrumentals. 

The songs show a crossover from the jazz side of things and more into the jam band world, especially with the first single—a Nick Drake song, “Road,” which is available to stream and buy now.

“‘Road’ has been a bit of a mantra to me over the past couple of years. I haven’t always considered myself much of a singer, but it felt important for me to sing this one myself on the album. Lyrically, I feel like it ties into the themes of the album as a whole, and it’s a great vehicle for jamming as a band. This track captures a lot of the vibe of what we do live.” – John Mailander

The song was described as “majestic and expansive” by JamBase, who debuted the Grouch Bucket-animated video that accompanied it. In their feature, they went into deeper detail with John about “Road” and the entire album. 

Let The World In is the spiritual third in a trilogy of “Forecast” records and the second “true” album as a band since 2021’s Look Closer, which was recorded during the pandemic. Originally assembled for the live debut of John’s 2019 album Forecast, the group adopted the name for a series of residency shows in Nashville at Dee’s Lounge. John Mailander’s Forecast has since developed a dedicated following through their adventurous improvisations, singular collaborations, and genre-bending, exuberant musical explorations.

The album opens with 18 seconds of the band candidly gathering to warm up, culminating in the count-off to “Let The World In.” The title track is a Forecast sound collage in which Mailander explores on fiddle and Wurlitzer, and the ambiance is enhanced further with the addition of the “Let The World In Sound Freedom Expressionists” (Hannah Delynn, Maya De Vitry, Gibb Droll, Ella Korth, Lindsay Lou, and Royal Masat).

Other compositions include the bluesy, whimsical, and mysterious “Gardener,” the string-layered “Chapters,” and the peaceful Metheny/Hornsby-inspired “Heartland,” which showcases Stargel’s imaginative guitar solo along with a Jodziewicz arco bass feature and Mailander’s piano playing. 

“(improvisations 1)” and “(2)” are short pieces that were spontaneously composed by Forecast during the end of their daily recording sessions. “(reprise),” bookends the album with a reinterpretation of the title track’s cinematic main melody, with Mailander again on piano. Let The World In is meant to be played as a whole listening experience. Play this album loud.

Along with “conducting” the Forecast, Mailander is a member of Bruce Hornsby & the Noisemakers. His playing can be heard on albums by Billy Strings (including the Grammy-winning album Home), Noah Kahan, Joy Williams, Lucy Dacus, Molly Tuttle, Joe K. Walsh, Chatham County Line, and many more. John is currently on tour with Sam Grisman Project.

Let The World In Track Listing:

(open) (0:18)

Let The World In (6:52)

Gardener (4:40)

(improvisation 1) (1:15)

Chapters (2:55)

Heartland (6:22)

(improvisation 2) (1:44)

Road (9:25)

(reprise) (1:47)

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Ally Venable’s ‘Do You Cry’ Delivers Raw Emotion and Soulful Power

Ally Venable shares her new song ‘Do You Cry,’ a heartfelt exploration of lost love. Courtesy photo, used with permission.

Texas blues-rock singer, songwriter, and guitarist Ally Venable is back with a poignant new single, “Do You Cry,” a soul-stirring ballad that dives deep into the emotional complexities of heartbreak and lost love. The song, which marks a raw departure into the more vulnerable corners of Venable’s musical identity, is available now on all streaming platforms. (Big Hassle, 2024)

“The song explores the raw, vulnerable experience of heartbreak and the complex emotions that come with it. I wrote ‘Do You Cry’ about the bittersweet reality of lost love. I hope this song can connect with listeners on a deeply personal level.” – Ally Venable

Known for her electrifying live performances, signature glitter dresses, and black knee-high boots, Ally Venable is a force in the blues-rock world. Guitar Player Magazine describes her as an artist who “pulls off a stunner of gritty and/or sultry blues rock tunes embellished with lots of tasty guitar solos.” With a musical journey rooted in the blues and nurtured through early influences like Stevie Ray Vaughan, Ally has steadily built a reputation as one of the most exciting and dynamic guitarists and songwriters of her generation.

Born in Kilgore, Texas, Ally Venable began singing at age four and picked up the guitar at age 12. By 13, she was leading her own band, already drawing from her deep love for the blues. Her early albums, No Glass Shoes (2016) and Puppet Show (2018), earned her local acclaim and charted radio play. However, it was her 2019 release, Texas Honey, which pushed her to international recognition, debuting at #2 on the Billboard Blues chart and establishing Ally as one of the brightest stars in the genre.

Her 2021 album Heart of Fire, which also charted on the Blues Billboard charts, featured collaborations with music legends like Kenny Wayne Shepherd and highlighted Ally’s ability to write about love, pain, and overcoming adversity.“On this album, I really wanted to create a tone of overcoming your struggles and persevering through them,” she shared.

Ally’s most recent release, Real Gone (2023), produced by Grammy-winning Tom Hambridge, debuted at #1 on the Billboard Blues Charts and included collaborations with blues icons Buddy Guy and Joe Bonamassa. This spring, she was named #2 on Guitar World’s list of “Top 15 Young Guns Making the Gibson Les Paul Cool Again” and received the Road Warrior Award at the Independent Blues Music Awards.

In addition to her solo tours, Ally’s band has supported legends like Buddy Guy, Kenny Wayne Shepherd, and Colin James, and she has performed alongside fellow guitar icons on the Experience Hendrix tour and at ACL Live in Austin, Texas.

Looking ahead, Ally Venable will be part of the highly anticipated Experience Hendrix Tour in 2025, where she will share the stage with musical heavyweights like Samantha Fish, Devon Allman, Eric Johnson, Christone “Kingfish” Ingram, and many more.

With her new single “Do You Cry,“ Ally Venable proves once again that her artistry continues to evolve, offering her audience a more intimate and introspective side of her music. Fans old and new will find comfort in the vulnerability and soulfulness of this beautifully crafted song.

Gus Baldwin & The Sketch Drops New Single Ahead of The Sketch Album Release

Slacker’s Prom is Gus Baldwin & The Sketch’s new single from forthcoming album. Courtesy photo, used with permission.

Austin band Gus Baldwin & The Sketch shares a new single from their forthcoming debut album The Sketch via PunkNews. – Slacker’s Prom. Available on DSPs and Bandcamp. (US/THEM group, 2024)

Gus Baldwin is a singer/songwriter/ex-hippie/part-time punk hailing from Austin, TX. After a stint holding down drums for Dallas surf punk legends Sealion in high school, Baldwin went on to form the Psych Pop combo Acid Carousel, which he led for 6 years and 20 something releases before departing the band on Halloween night 2021.

Since leaving Acid Carousel, Gus has made a name for himself as a solo artist in Austin, constantly performing as a singer/songwriter, one man garage band, or with his band The Sketch. Quickly releasing a string of titles on his own GetWithIt! Records imprint, including the EPs THRILLER II, and Live Bugs, as well as a slew of singles, Gus established himself firmly as the godson of Texas rock ‘n roll. Splitting his time as a frequent collaborator with The Black Angels, Baldwin also works with the likes of Christian Bland & The Revelators as well as The UFO Club with Night Beats frontman, Danny Lee Blackwell.

The Sketch is the full length debut of Gus’ partnership with The Sketch. The album was recorded in one day at Studio 22 in Los Angeles by engineer Joey Oaxaca (White Reaper, Starcrawler).

The Sketch will be available on LP, cassette and digital on January 31, 2025. Pre-orders are available.

Gus Baldwin & The Sketch‘s tour of Western U.S. states continues this month. Current dates below are below. Midwest & Eastern shows to follow in early 2025.

GUS BALDWIN & THE SKETCH LIVE 2024:
12/04 Reno, NV – Lo Bar Social
12/07 San Francisco, CA – Kilowatt
12/09 Palmdale, CA – Transplants Brewing
12/10 Las Vegas, NV – The Griffin
12/11 Visalia, CA – Cellar Door 101
12/12 Long Beach, CA – Alex’s Bar
12/13 San Diego, CA – The Tower Bar
12/14 Los Angeles, CA – The Redwood Bar
12/20 Austin, TX – Hotel Vegas

Artist: Gus Baldwin & The Sketch
Album: The Sketch
Label: Permanent Teeth Records
Release Date: January 31, 2025

01. Part I

02. Part II

03. Part III

04. Itch

05. Steady on It

06. Luxury Television

07. Slacker’s Prom

08. (She’s Gone) Arigato

09. Beautiful Delilah

10. What the Freaks Say

11. Sympathy for Sunday

Just goes to show you can still be catchy as hell while playing really fucking loud… I’m not entirely sure there’s a single that can capture the live energy the drips from the stage when Gus Baldwin & The Sketch are up there, but this brand new single is pretty damn close.” — Austin Town Hall

“Kick ass to bombastic levels.” — Cosmic Clash

“Noisy, fuzzy punk with a distinct pop sensibility… Full of energy and anger while also managing to be a lot of fun.”— New Noise Magazine

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Blood Incantation’s Absolute Elsewhere: A Mind-Bending Exploration of Death Metal’s Boundaries

Blood Incantation is: L-R Paul Riedl (Guitars, Vocals), Morris Kolontyrsky (Guitars), Jeff Barrett (Fretless Bass), Isaac Faulk (Drums). Photo: Julian Weigand, used with permission

Death metal is a subgenre of extreme metal characterized by its aggressive, fast-paced sound, often featuring growled or screamed vocals, heavy guitar riffs, and complex drumming. Its appeal lies in its raw energy and cathartic nature, offering a way for listeners to release pent-up emotions. Fans are drawn to the technical skill required to play the intricate rhythms and fast tempos, as well as the intensity of the performances. The dark themes, often exploring death, decay, and existential questions, provide a sense of escapism for some, while the sheer heaviness of the music creates an adrenaline-fueled experience.

If you’re a fan of the genre, there’s a new album out by Blood Incantation worth noting.

Blood Incantation is an American death metal band from Denver, Colorado formed in 2011. Their new album Absolute Elsewhere is the sound of a star being born. (another side, 2024)

“The Stargate” Side One: A violent storm invokes the familiar before a grand cosmic key turn for a hint of sweeping scope to come with spiritual acknowledgement and accompaniment by Tangerine Dream’s Thorsten Quaeschning on synths on the song’s second tablet. Musically as violent as it is mediative, with subtle spoken passages flitting between Nicklas Malmqvist’s (Hällas) busy synthesizer keys and Mellotron strings invoking both the modern and ancient, and it is all given sharp focus by Arthur Rizk’s powerfully dynamic and enveloping mix. Blood Incantation depart Extreme Metal’s traditionally antiquated waystation, warping their way towards “Genre of One” stature, as “The Stargate” intones the disembodiment of consciousness itself, careening through the stargate towards Samsara-like reincarnation, punctuated by the occasional growl from Sijjin/ex-Necros Christos main man, Malte Gericke.

“The Message” Side Two: A step through doorways of unearthly beauty, playfulness, quirk and horror. As if David Gilmour jams beside Chick Corea and Trey Azagthoth melting together through psychedelic hyperspace, eliciting mystical vibes and a tangible metaphysical transcendence. Dalos briefly reengages with this track in his native language, alongside star-riding Malmqvist, whose iconic synth/keys work throughout the album adds to the unearthly atmospherics that with Absolute Elsewhere defines a new musical epoch for Blood Incantation, as much as 21st century Metal itself. 

In total the piece hovers at nearly 45 minutes, their longest full length recording yet, the album’s two movements are as confounding as they are engaging, exponentially expanding upon the formulas laid down by their scene-shattering debut Starspawn (2016) and landmark follow up Hidden History of the Human Race (2019).

For inspiration, the group looked to the mid-70s progressive rock collective, Absolute Elsewhere as the album’s namesake. For the uninitiated, Absolute Elsewhere’s obscure 1976 album, In Search of Ancient Gods, was constructed as a musical accompaniment to the works of Chariots of the Gods author, Erich Von Daniken, and his theories of non-terrestrial humanoid prompts towards mankind’s evolution. The subject matter of which should serve as no surprise to anyone familiar with Blood Incantation’s cosmically philosophical leanings. But make no mistake, the four musicians working under the Blood Incantation banner for the past decade – guitarist and vocalist Paul Riedl, drummer Isaac Faulk, guitarist Morris Kolontyrsky and bassist Jeff Barrett – have successfully left the microgravity of genre behind and are re-writing the Rosetta Stone of extreme music with a new language entirely. 

Absolute Elsewhere is available from Century Media. Its physical version features a 73 minute feature film All Gates Open: In Search Of Absolute Elsewhere which tells the story of their time in Berlin during the summer of 2023, while recording at the legendary Hansa Studios. It is available on Blu-Ray with the album’s deluxe media book package and includes the documentary’s original soundtrack, All Gates Open (Original Motion Picture Soundtrack) which includes 60 minutes of exclusive new music distinct from the new album.

This special edition will also include Blood Incantation’s 2023 maxi-single, “Luminescent Bridge” for the first time ever on CD, and of course, Absolute Elsewhere in both standard and Dolby Atmos / 5.1 mixes, alongside exclusive liner notes, exclusive interviews, behind the scenes photos and a forward by Ross Dolan of Immolation. Underscoring the classic Progressive Rock vibe, the album is adorned with contemporary visionary paintings by the iconic and reclusive 70s Sci-Fi artist Steve R. Dodd.

Blood Incantation sets out on an extensive North American tour crossing both coasts and more with support from Midwife. All tickets are on sale now here. A full list of dates is available online.

Blood Incantation Absolute Elsetour Dates:

Nov 27: Boston, MA – Brighton Music Hall ~
Nov 29: Montreal, QC – Fairmount ~
Nov 30: Toronto, ON – Lee’s Palace ~
Dec 01: Detroit, MI – Magic Stick ~
Dec 03: Chicago, IL – Metro ~
Dec 04: Minneapolis, MN – Fine Line ~
Dec 05: Omaha, NE – Bourbon Theater ~

~ w/ Midwife

Early Praise For Absolute Elsewhere:

“the metal album of the year” NPR 

“an amazing, proggy, thrilling death metal epic” The Needle Drop

“This album is the work of a band who have proven themselves capable of anything. It belongs on the shelf alongside Pestilence’s ‘Testimony Of The Ancients and Spheres’, The Orb’s ‘UFOrb’ and Pink Floyd’s ‘Wish You Were Here’. It’s a goddamn masterpiece.”  The Wire

“the ultimate Blood Incantation album” Brooklyn Vegan

Courtesy photo, used with permission.

Ghost Hounds Explore Raw Emotion in New Single ‘You’ll Never Find Me’

Ghost Hounds unleash You’ll Never Find Me, a powerful anthem of resilience. Courtesy photo, used with permission.

Ghost Hounds is excited to share their newest single, “You’ll Never Find Me”–out via Gibson Records–along with its accompanying official music video. (Big Hassle, 2024)

“‘You’ll Never Find Me’ is a warriors anthem. This song is dedicated to anyone who has lost themself in a person or to a situation. Know that you can always reclaim your power and remember to stand strong in who you are. We needed the video to show that when your down grit and perseverance are all you need to make it. The idea that you literally need to get back on the horse 8 times when you’ve been thrown off 7.” – SAVNT

“You’ll Never Find Me” follows the release of “Long Ride Home feat. Patty Griffin,” and its accompanying official music video.

Ghost Hounds are a country rock band with a heavy blues influence that proves the genre is not only alive but thriving for the next generation of rock fans. Fronted by SAVNT and backed by guitarists Tyler Chiarelli and Thomas Tull, fiddler Kristin Weber, bassist Bennett Miller, and drummer Sydney Driver, the band has made significant statements with their four studio albums.

Ghost Hounds’ debut, Roses Are Black (2019), earned widespread acclaim from Billboard, American Songwriter, and more as well as millions of streams on streaming platforms. Their follow-up, A Little Calamity (2021), impressed with its classic rock sensibilities and the hit single “Good Old Days.” You Broke Me (2022) continued their tradition of blending classic blues rock with a modern flair. Their latest album, First Last Time (2023) via Gibson Records, features hit single “Last Train To Nowhere,” which racked up millions of hits via TikTok and Instagram, and was featured in Taylor Sheridan’s new TV show Special Ops: Lioness.

Ghost Hounds have honed their sound on the road, having supported legendary acts like The Rolling Stones, ZZ Top, Garth Brooks, Guns N’ Roses, and Bob Seger. With their chemistry at an all-time high, the band is set to bring even more blues-rock brilliance in the future.

Courtesy photo, used with permission.

Peace With a Lion: David Lindes’ Most Personal Album Yet

The Guatemalan-born folk singer/songwriter David Lindes is on a mission to heal with his album Peace With a Lion, produced by Grammy® winner Alex Cuba. Courtesy photo, used with permission.

Los Angeles – On his forthcoming album Peace With a Lion, Guatemalan-born singer-songwriter David Lindes looks deep into the meaning of healing. In doing so, he explores two essential phases: honoring wounds and healing them through creation. (Vesper Public Relations, 2024)

With hints of Cat Stevens in his vocals and echoes of the Latin American neo-folk Trova movement of the ‘60s and ‘70s, Lindes collects folk elements from across the continent in this deeply personal album. In it, he delves into his efforts to heal three wounds: leaving his native Guatemala as a child, being abandoned by his father as a baby, and experiencing physical and emotional abuse. As he moves into his recovery from these wounds, he approaches themes like mental health, the healing power of nature, and forgiveness, all while singing his love and heartbreak to his homeland as if it were a long-lost love. His journey from wound to healing is intimate as well as universal, speaking to the many neglected collective wounds society carries, and the need for healing there as well.

The first two singles off the album, Te Vengo a Perdonar (I’ve Come to Forgive You) and Gold in the Ashes, deal with facing childhood trauma and finding a way to accept it and transform it into wisdom, compassion, and even beauty.

Te Vengo a Perdonar uses Caribbean elements to assemble a sort of post-storm celebration. The lyrics put a forceful end to a self-imposed sentence of pain that only ends with forgiveness.

Gold in the Ashes, poignant and introspective, looks to the Blues and Americana for its palette, to take listeners from pain to hope. In its chorus, Lindes celebrates finding gold in the ashes of his past.

The songs have been released, alongside an official video for Te Vengo a Perdonar (I’ve Come to Forgive You), featuring Lindes himself, who acts out, step by step, his own death and burial.

“Maybe that’s why I’m here,’ contemplates Lindes. ‘If I can take my past, exactly as it is, and turn it into a story and a song, maybe that will bring me a little closer to not wanting a different past. And if I like the story, and I like the song, someday, I might even embrace my past,” he states hopefully.

Grammy® Winner Alex Cuba describes his role in producing the album as “a huge responsibility to shine a light on David’s beautiful voice and message, especially in a time like today, when so many are looking for ways to heal their spirits.”

Lindes will kickoff the album launch with a concert in Mexico City on February 8, 2025, at Casa Florecer, a spiritual center in the woods surrounding the city. He describes the show as “an intimate affair that will be part concert and part healing circle. It’ll include songs, stories from my life, and even a ceremonial element.” He’ll also encourage concert goers to talk about their own pain and recovery. An official album launch event will follow in Los Angeles in the Spring of 2025.

Serj Tankian’s Foundations: A New Chapter in His Musical Journey

Serj Tankian’s new EP Foundations is out now. Photo: George Tonikian, used with permission.

Los Angeles, CA – Singer, poet, songwriter, visual artist, film producer, activist, and author Serj Tankian, lead singer and lyricist for the GRAMMY© Award-winning rock band System Of A Down, has released Foundations, his EP of new music, worldwide via Gibson Records. He has also debuted the new video for the song Cartoon Buyer which begins with hushed, folk tones of Serj playing acoustic guitar, gradually building in intensity before exploding in sonic and spiritual catharsis. (Prime PR Group, 2024)

Serj Tankian’s Foundations mines music and lyrics from previous decades and reframes them in a hard-hitting, intensely focused collection. Like all of his work, the five songs that comprise Foundations encompass a wide range of sounds and styles. It is music that traverses multiple eras and vast swaths of emotions. It is also very much a rock album – “music of rebellion,” says Serj.

A true creative tour de force, he recorded Foundations primarily at his own Serjical Strike Studios in L.A. He wrote, performed, orchestrated and produced all the material, as well as contributed the artwork – an original piece titled “Sunburst” – that adorns the album cover. Dan Monti (guitars, bass and drum programming), provided additional instrumentation on the record and bassist Mario Pagliarulo and SOAD drummer John dolmayan on Cartoon Buyer.

Foundations, Serj says, is “A retrospective of songs from different eras of my life, meant to complement the memoir,” and caps what has been an incredibly prolific year for him, from the release of his memoir the New York Times bestseller “Down with the System,” to the massive, sold-out System of a Down headlining show at Golden Gate Park in San Francisco with over 50,000 fans. But even as he is now revealing his “foundations,” Serj is already looking ahead. “The next record will likely be a record of covers, collaborations and collages,” he envisions.

Serj has also released a diverse selection of limited edition variants of the Foundations EP on colored vinyl with an etching featured on Side B of every package. The Foundations vinyl package includes a Red & Black Starburst vinyl available on his own official webstore and an Opaque Purple version only available in U.S. record stores nationwide.

Courtesy photo, used with permission.

As the lead singer and songwriter for System Of A Down, Serj Tankian has released five studio albums, winning a GRAMMY© Award in 2006 for “B.Y.O.B.” He’s performed for millions of fans and sold more than 42 million albums worldwide. Serj is also a solo artist, composer, activist, painter, poet, and filmmaker.

He was introduced to the melding of cultures, ideas, and ideals from a very young age. An Armenian born in Lebanon and raised in Los Angeles, the principles learned from this integration have led to his understanding of the oneness of all things and have since maneuvered and transfigured into the music and art that he lives to create. A proud Armenian American and a dedicated activist; along with Tom Morello, Tankian co-founded the non-profit organization Axis of Justice, which strived to bring together musicians, music fans, and grassroots political organizations to fight for social justice.

He has composed scores for many films and television series, had his paintings exhibited in galleries in the U.S. and New Zealand, and released two books of his own poetry. He has also been an executive producer on multiple documentaries, including I Am Not Alone, which tells the story of Armenia’s 2018 revolution, and which won awards at the Toronto International Film Festival, DOC NYC, The American Film Institute Festival, and the Palm Springs International Film Festival, among others.

Foundations (Gibson Records)

1.   “A.F. Day”

2.   “Justice Will Shine On”

3.   “Appropriations”

4.   “Cartoon Buyer”

5.   “Life’s Revengeful Son”

Vlad Holiday’s My Favorite Drug: The Soundtrack for a Modern Love Story

Sonic shapeshifter Vlad Holiday announces debut record with release of new single Closer. Photo: Kate Lamendola, used with permission.

Romania-born, Nashville-based melancholy romantic Vlad Holiday recently announced that his debut record, My Favorite Drug, will be released on November 15 via ONErpm. Along with this news comes the second single Closer. Feeling like a covert mission, or a secret known only between two lovers, the deeply layered song seems to endlessly build before it is quickly punctuated. (Big Hassle, 2024)

The most recent release features guest vocals from Cage The Elephant’s Matt Shultz, who is also a co-writer on the track. For careful listeners, Shultz’s voice can be heard singing the “ah ah ah ah” hook and some repeated “closers” in the outro.

On the single, Holiday shares, “This is a love song. It introduces the romantic element of the album. It’s about going with the flow and letting the universe do its thing, rather than forcing things into existence.”

Kacey Musgraves joined Holiday for the bender-ender, genre-fusing track I Don’t Wanna Party Anymore. The sultry, mischievous track arrived right on time for his tour dates alongside Cage The Elephant, Young the Giant and Bakar. See all upcoming dates here and below.

UPCOMING TOUR DATES
November 6 – Grand Rapids, MI – Pyramid Scheme
November 7 – Indianapolis, IN – LO-FI Lounge

On his upcoming debut album Holiday said, “I’ve been releasing music for years, and a full-length album never really seemed like a thing I wanted to do. But as these songs were being written, I was noticing a pattern. Fragments of a story I had to tell. More for myself than for anyone else. It’s definitely one of those, ‘listen to it in order’ albums.”

Vlad Holiday has made a career of romanticizing the past, the human condition, and looking at love and relationships through dark-tinted lenses. With downtempo crooner tracks all tinged with melancholy, Holiday has built a sonic world of his own that tries to find comfort in accepting the darker moments in life. Having gained over 40 million streams as a completely independent artist, it seems as if he’s resonating with a subculture of people that are also trying to do the same. 

Born in Bucharest, Romania, later having to flee to New York, and now based in Nashville, Holiday’s sound is heavily shaped by the weight of feeling like an outsider always on the move. Building the foundation of his music career with a downtown NYC lo-fi sound, he’s deeply indebted to his love for vintage microphones, tape machines and other old recording equipment; key elements of his signature sound and production style. 

Now in Nashville, there’s an optimism to Holiday’s current chapter as he builds out his next body of work while collaborating with other artists in Music City. Most recently, he co-wrote Cage The Elephant’s “Neon Pill,” “Metaverse” and “Over Your Shoulder” before being joined by Kacey Musgraves on “I Don’t Wanna Party Anymore. However bright the current moment may be, flecks of Holiday’s past always steep his music in a darkness that shows that he is a human in the middle of his journey. 

Courtesy photo, used with permission.
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