Slow Crush Announces Thirst: A Haunting New Chapter in Shoegaze

Slow Crush reveals ‘While You Dream Vividly’ from their new album Thirst. Photo: Stefaan Temmerman, used with permission.

🎤Slow Crush Announce New Album Thirst, Out August 29 via Pure Noise Records

Slow Crush is back—and more immersive than ever. The Belgian four-piece has announced their upcoming album, Thirst, due out August 29 via their new label, Pure Noise Records. Known for their powerful fusion of rock and shoegaze, Slow Crush further solidifies their place at the forefront of the genre with this emotionally rich and sonically textured release. (another side, 2025)

A Dreamscape of Sound: New Single “While You Dream Vividly”

Last month, the band gave listeners a taste of what’s to come with their latest single, “While You Dream Vividly.” Ethereal and haunting, the track unfolds as a layered journey through longing and surrender.

“We wanted to capture the sensation of being tethered to someone yet drifting weightlessly, lost in the surreal beauty of the moment,” the band shares.

Set to a hypnotic rhythm and draped in melancholic tones, the song draws you into a hazy dreamscape where time fades and only connection remains. Frontwoman Isa Holliday’s evocative lyrics—what she calls “true blue”—echo like a timeless promise, leaving you floating, falling, and forever yearning.

A Gritty Evolution

On Thirst, Slow Crush’s signature gauzy riffs and propulsive rhythms return with even more grit and depth. The band used the downtime between tours to dive deep into their creative process following the success of their acclaimed albums Aurora (2018) and Hush (2021), which collectively sold tens of thousands of physical copies worldwide.

This time, they decamped to The Ranch in Southampton, U.K., teaming up with producer Lewis Johns. With no expectations except transformation, vocalist/bassist Isa Holliday, drummer Frederik Meeuwis, and guitarists Jelle Ronsmans and Nic Placlé pushed their sound into new territory.

Emotional Depth and Vulnerability

Across Thirst’s ten tracks, Slow Crush explores themes of renewal, connection, and emotional intensity. The album is heavier and more vulnerable than ever. Isa reached new emotional depths in the recording booth—some tracks brought her to tears, marking the band’s rawest and most personal work yet. Pre-Order / Pre-Save Thirst.

At its heart, Thirst revolves around what Isa calls:

“The romance of being with a loved one.”

Whether navigating the ache of distance or savoring the fleeting perfection of reunion, Thirst captures that delicate tension—of being tethered to someone while drifting together through something dreamlike and beautiful.

Upcoming Fall Tour

To celebrate the release of Thirst, Slow Crush will embark on a headlining Fall tour beginning in early September. The run kicks off on the East Coast and includes stops across both coasts, the Midwest, and more.

🎟️Tickets are on sale now.


Thirst tracklist: 

1 – Thirst
2 – Covet
3 – Cherry
4 – Leap
5 – Hollow
6 – Haven
7 – While You Dream Vividly
8 – Bloodmoon
9 – Ógilt
10 – Hlýtt


Stay tuned for more from Slow Crush as Thirst approaches. This one promises to be their most transcendent chapter yet.

‘RED’ by Jet Jurgensmeyer: A Country Anthem That Bleeds Unity

‘RED’ cover art. Courtesy photo, used with permission.

🎶Jet Jurgensmeyer Releases Powerful New Music Video for “RED”

Nashville, TN – Rising country artist Jet Jurgensmeyer has officially dropped the music video for his latest single, “RED,” now available on all major streaming platforms. (Aristo PR, 2025)

🎥A Visual Tribute to Heart, Hard Work, and Heritage

Filmed at the scenic Galloway Farms in Franklin, Tennessee, the video showcases Jurgensmeyer immersed in rural Americana—waving the American flag, working the land, and reflecting on shared values. Directed by the Riker Brothers, the film pairs sweeping drone shots and raw, grounded imagery with the song’s soul-stirring message: “At the end of the day, we all bleed red.”

“Filming this music video was an absolute blast,” says Jurgensmeyer. “I felt right at home working on the farm, and I think this video really captures the heart of what we wrote the song about. It’s a freedom anthem for everyone.”

The Story Behind “RED”

Written by Jurgensmeyer, Ericca Latza, and Kayleigh Clark, the idea for “RED” was sparked during Jet’s drive to their first-ever writing session together. He pitched a concept centered around the color red—a symbol of both unity and struggle.

The song evolved into a powerful anthem celebrating the shared human experience, touching on themes of hard work, love, pride, and identity. From red dirt on blue-collar boots to the stripes on the American flag, “RED” reminds us that, despite our differences, we all bleed the same.

Produced by Jurgensmeyer and Dan Frizsell at Farmland (Berry Hill) in Nashville, the track is a bold statement wrapped in an authentic country sound.

Building Momentum with “Going Next”

“RED” follows the release of Jet’s emotionally charged single “Going Next”—a heartfelt reflection on relationships and perseverance, co-written with Andrew Rizzuto. The acoustic-driven ballad paints a tender portrait of love through uncertainty, vulnerability, and the promise of what’s to come.

From THE RIDE: phase 2

Both singles are featured on Jurgensmeyer’s 2024 album, THE RIDE: phase 2, released in July. The 11-track collection blends country, rock, and pop, delivering fan favorites like “Good Days,” “Coffee Bar,” and “Falling Too.” Each song showcases Jet’s evolving songwriting, diving into themes of love, growth, and emotional resilience.

Available now on all streaming platforms, THE RIDE: phase 2 cements Jurgensmeyer as one of country music’s most promising new voices.

More Than Music: A Career in Entertainment

Beyond his musical talents, Jet Jurgensmeyer is a seasoned actor and voice artist, with standout roles in hit series like Last Man Standing, Adventures in Babysitting, and TOTS (as the voice of Pip the Penguin). He’s also appeared in acclaimed projects such as Ozark, American Sniper, Grey’s Anatomy, and CSI.

His voice work spans beloved shows like Bubble Guppies, Shimmer and Shine, and Hey Arnold! The Jungle Movie. In every project, Jurgensmeyer brings heartfelt authenticity and vibrant energy.

Giving Back

Outside of the spotlight, Jurgensmeyer is also known for his philanthropic work, including his involvement with The Ryan Seacrest Foundation, showing a commitment to making a positive impact both on and off the stage.


Stream “RED” and watch the official video today – a heartfelt anthem from an artist who’s just getting started.

Groovy Vibes and Twangy Tunes: Joel Timmons’ Psychedelic Surf Country

Joel Timmons takes bad dreams and turns them into rock and roll with new single End of the Empire from his forthcoming new album Psychedelic Surf Country. Photo: Joel Timmons

Charleston, SC – Joel Timmons is a dynamic songwriter, musician, and journeyman. Growing up on Sullivan’s Island, South Carolina, Timmons developed a deep connection to both music and the ocean, influences that permeate his artistic work. His early years were marked by a passion for surfing and a love for music, cultivated in part by his mother, a photographer and park ranger at Fort Moultrie, a vibrant local arts scene, and a close community of aspiring young musicians. The lead vocalist and guitarist for Sol Driven Train, founded by Timmons and his friends during college in 2000, Timmons also plays guitar with Maya de Vitry and makes music with his life-partner and wife, Shelby Means, under the name Sally & George. Psychedelic Surf Country, out February 7, marks the long-time collaborator’s first solo-work. (IV PR, 2025)

Within the patchwork of Joel Timmons’ debut solo album, Psychedelic Surf Country, lies a kaleidoscopic view of the career sideman and band leader’s striking self-awareness. Both in lyricism and musicality, Timmons has adopted an easy-going and reflective view of the world, creating unencumbered and accessible songs from even the most left-field subjects like lighting old Christmas trees ablaze, the highway patrol K9 who paid his band a visit between tour stops, and the tight jeans and Stetson hats that took over his former neighborhood. But it’s in the heavier subject matter, like his latest single, End of the Empire, where Timmons’ upbeat musical attitude shines.

“My wife, Shelby Means, started writing this song on a small boat in the Virgin Islands while surfers rode waves across a nearby reef,” remembers Timmons. It sounds picturesque, but the initial idea brought about an undercurrent of influence from a wildly different place. “My recurring dreams of doom and nightmares of being hunted by an unknown predator—as well as a sense of apocalyptic loss—figured into the co-write.” Ethereal and dreamy from the onset, End of the Empire floats between images of inescapable crashing waves and desperate hiding, looking for escape, but it might take listeners a couple of passes to recognize these as the song itself feels uplifting and borderline anthemic; a testament to Timmons’ positive spin. With the help of Psychedelic Surf Country producer Maya de Vitry, End of the Empire turns into a huge wash of harmonies and a wall of rhythm section. “The recording ended up being a rocker,” says Timmons, “and the guitar is howling.”

Fans can stream and purchase End of the Empire, check out the premiere on Glide Magazine, listen to Timmons’ previously-released singles, The Swimming Song, Guitars, Guns, and Pickup Trucks, Turbo, and The Bullfighter featuring Shovels & Rope’s Cary Ann Hearst, at their respective links, and pre-order or pre-save Psychedelic Surf Country ahead of its February 7th release.

Psychedelic Surf Country tracklist:
Just A Man
Turbo
The Bullfighter
Guitars, Guns, and Pickup Trucks
Edge of the Empire
Cottage by the Sea
Say It To My Face
The Swimming Song
East Nashville Cowboy
Here We Are
Tryin’

Catch Joel Timmons on Tour:
2/8 – Charleston Pour House – Charleston SC
2/12 – Analog at Hutton Hotel – Nashville TN
2/15 – House Concert – Charleston SC ^
2/28-3/2 – Green Parrot Bar – Key West, FL *
3/15 – Charleston Pour House – Charleston SC *
3/19 – Tractor Tavern – Seattle, WA +
3/20 – Showdown – Portland, OR (co-bill w/ Love, Dean) +
3/22 – The Talent Club – Ashland, OR +
3/26 – The ’58 @ Eastside Bowl – Nashville, TN
4/24 – Parlor Room – Northampton, MA +
5/4 – Sundays on the River – Asheville, NC +
5/23-5/25 – Rooster Walk Festival – Martinsville VA *
5/30 – Party At the Point – Mt Pleasant SC *

  • = with Sol Driven Train
    ^ = with Sally & George
  • = with Maya De Vitry

Peace With a Lion: David Lindes’ Most Personal Album Yet

The Guatemalan-born folk singer/songwriter David Lindes is on a mission to heal with his album Peace With a Lion, produced by Grammy® winner Alex Cuba. Courtesy photo, used with permission.

Los Angeles – On his forthcoming album Peace With a Lion, Guatemalan-born singer-songwriter David Lindes looks deep into the meaning of healing. In doing so, he explores two essential phases: honoring wounds and healing them through creation. (Vesper Public Relations, 2024)

With hints of Cat Stevens in his vocals and echoes of the Latin American neo-folk Trova movement of the ‘60s and ‘70s, Lindes collects folk elements from across the continent in this deeply personal album. In it, he delves into his efforts to heal three wounds: leaving his native Guatemala as a child, being abandoned by his father as a baby, and experiencing physical and emotional abuse. As he moves into his recovery from these wounds, he approaches themes like mental health, the healing power of nature, and forgiveness, all while singing his love and heartbreak to his homeland as if it were a long-lost love. His journey from wound to healing is intimate as well as universal, speaking to the many neglected collective wounds society carries, and the need for healing there as well.

The first two singles off the album, Te Vengo a Perdonar (I’ve Come to Forgive You) and Gold in the Ashes, deal with facing childhood trauma and finding a way to accept it and transform it into wisdom, compassion, and even beauty.

Te Vengo a Perdonar uses Caribbean elements to assemble a sort of post-storm celebration. The lyrics put a forceful end to a self-imposed sentence of pain that only ends with forgiveness.

Gold in the Ashes, poignant and introspective, looks to the Blues and Americana for its palette, to take listeners from pain to hope. In its chorus, Lindes celebrates finding gold in the ashes of his past.

The songs have been released, alongside an official video for Te Vengo a Perdonar (I’ve Come to Forgive You), featuring Lindes himself, who acts out, step by step, his own death and burial.

“Maybe that’s why I’m here,’ contemplates Lindes. ‘If I can take my past, exactly as it is, and turn it into a story and a song, maybe that will bring me a little closer to not wanting a different past. And if I like the story, and I like the song, someday, I might even embrace my past,” he states hopefully.

Grammy® Winner Alex Cuba describes his role in producing the album as “a huge responsibility to shine a light on David’s beautiful voice and message, especially in a time like today, when so many are looking for ways to heal their spirits.”

Lindes will kickoff the album launch with a concert in Mexico City on February 8, 2025, at Casa Florecer, a spiritual center in the woods surrounding the city. He describes the show as “an intimate affair that will be part concert and part healing circle. It’ll include songs, stories from my life, and even a ceremonial element.” He’ll also encourage concert goers to talk about their own pain and recovery. An official album launch event will follow in Los Angeles in the Spring of 2025.

Sweet Delusions: Eddy Lee Ryder’s Latest Musical Journey

Sweet Delusions is Eddy Lee Ryder’s forthcoming new album. Photo: Jeff Harris, used with permission.

With the release of her first full-length album on the horizon, Eddy Lee Ryder unveils her newest single, “Bad Decisions,” which is coincidentally the birthday of the heartbreaker who inspired the tune. Synthesizing timeless songcraft, dramatic introspection, and infinite pop smarts to create a breathtaking song cycle of apocalyptic romance and anxious regret, badly broken hearts, and wishful hope for the future, Sweet Delusions will be available everywhere soon. (One In A Million Media, 2024)

Quirky and charming while still precise and powerfully personal, Sweet Delusions reveals the self-described “demented pop” chanteuse as a one-of-a-kind new artist, her unabashed heartache and beguiling humor completely her own yet as identifiable and real as any of our own. Penned and performed with uncommon brio and invention, the album sees Ryder musing on lust, longing, and lost love across shimmering choruses and a vertiginous undercurrent of contemplative melancholy, turning her raw pain into expertly wrought anthems that simultaneously hearken back to both truck stop jukeboxes and glittering art deco cafés.

Having earned applause for her sadly beautiful portraits of love and life on the margins, with songs like “Smoke and Mirrors” featured in the cult hit horror film Terrifier 2, Ryder set to work on her long-brewing debut album in 2022, collaborating with producer Dave Cerminara between his studio in LA and the Outlier Inn in New York’s southern Catskill Mountains.

Once Ryder hit the studio, armed with a cache of songs inspired by “an extremely bad ending with someone who was my best friend,” her apocalyptic romanticism naturally led to the album’s “accidental country” sound, a rhinestone-flecked bed of twangy guitars, languid bass, and irresistible melodies created with accompaniment from longtime Father John Misty drummer/musical director Dan Bailey, multi-instrumentalist Daniel Chae, pedal steel player Rich Hinman, and keyboardists Todd Caldwell, and Dave Shephard, along with harmonies and other help from NYC friends like pianist Abby Payne and Rebecca Haviland.

Despite her love of guise and character, the clear through line that unifies Ryder’s still evolving body of work is her storyteller’s gift for cutting to the quick of her own complex, unconventional nature. Impossible to pigeonhole, with Sweet Delusions, Eddy Lee Ryder proudly avoids being fitted into any particular category or genre, her creative adventurousness and tongue-in-cheek humor distinctly and undeniably her own.

“I don’t how to not write from a personal perspective. How do you sit down and write something that’s only surface?” – Eddy Lee Ryder

Sweet Delusions tracklist:

1. Sweet Delusions
2. Highwaymen
3. Bad Decisions
4. Joke Is On Me
5. Antarctica
6. Pennyroyal Tea
7. Simple Touch
8. Shoop Shoop Shut Up
9. Smoke and Mirrors
10. Only Real Cowboy
11. County Fair

‘Hereditary:’ Unveiling Cassadee Pope’s Latest Musical Evolution

‘Hereditary’ will be released on July 12, 2024. Courtesy photo, used with permission.

Cassadee Pope’s fourth LP, Hereditary, has been a long time coming for the Nashville-based singer/songwriter. Her first full-length since 2021’s Thrive marks her boldest, most resonant reimagining yet, a return to the upbeat, high-octane pop-punk sound she built her career on some 15 years ago. Pope is  back where she belongs – aided by the benefit of years of personal introspection and a desire to fully understand her true identity.

The album’s 12 tracks are, in many ways, the reclamation of the grief Pope has experienced throughout her life. The album is the result of a decade and a half as a professional songwriter, but also a relatively newfound willingness to unlock the why behind her feelings. After years spent inside the machine, everything’s come full circle for Cassadee Pope, though she’s now finally confident enough to sit back and enjoy what’s to come. (Big Picture Media, 2024)

The Grammy-nominated, Platinum-certified singer-songwriter recently shared the new music video for the single “I Died (ft Daisha Mcbride)” off of her upcoming album, Hereditary, due out July 12.  Pre-save Hereditary here

The album marks The Voice winner’s first full length following her shift from country back to her pop punk roots. With “I Died,” the former voice of rock band Hey Monday masterfully captures the raw emotions of love, loss, and longing following a one sided breakup. 

The pop punk / rap track explores the feelings of abandonment while channeling the strength it takes to move forward from heartache. The track serves as a reminder that even in our darkest moments, we can find solace in shared experiences. The collaboration between Cassadee and Daisha has created a genre blending fusion of pop punk and rap, proving that even when we feel our most vulnerable, music will always be there to offer a sense of community.  

Cassadee’s powerful voice and storytelling brings heartache and healing to life on Hereditary, an emotional rollercoaster ride through the ups and downs of life, love and self-discovery. Each track is a testament to the journey we embark on, shaped by our upbringing and the legacies passed down through generations. Whether that’s love, betrayal or the intricate web of family dynamics, the title Hereditary captures the essence of our roots, the echoes of our past and the quest to carve our own path. 

“Hereditary offers a soundtrack to navigate the complexities of life with authenticity and courage. I couldn’t think of a better backdrop for these lyrics than pop/punk and I hope this album gives people permission to feel everything!” -Cassadee Pope

Cassadee released another Hereditary single and music video, “Three Of Us” earlier this year, which invites listeners to confront the darkness of addiction and embrace the power of empathy, compassion and community. 

She will be hitting the road this summer on her headlining Hereditary Tour. The tour will be making stops throughout the country, kicking off July 11 in Anaheim, California and visiting Los Angeles, Knoxville, Albany, Charleston and more before wrapping on July 31 in West Palm Beach, Florida. 

This fall Cassadee will be joining multi-platinum-selling Canadian pop-rock band, Marianas Trench on The Force of Nature tour – produced by Live Nation, making stops across the US, including shows in Dallas, Orlando, Nashville, New York City, Chicago, Denver, and wrapping up in Salt Lake City. 

Upcoming Cassadee Pope U.S. Tour Dates
July 11 – Anaheim, California – Chain Reaction~
July 12 – Los Angeles, California – The Peppermint Club~
July 13 – Mesa, Arizona – Nile Underground~
July 14 – Flagstaff, AZ – Pop Punk Summer Camp Festival
July 19 – Knoxville, Tennessee- Open Chord*
July 21 – Indianapolis, Indiana – Turntable*
July 22 – Louisville Kentucky – Headliners Music Hall*
July 23 – Albany, New York – Empire Live*
July 24 – Syracuse, New York – Funk ‘N Waffles*
July 26 – Virginia Beach, Virginia – Elevation 27*
July 27 – Durham, North Carolina – Motorco Music Hall*
July 29 – Charleston, South Carolina – Music Farm*
July 30 – Jacksonville, Florida – Underbelly*
July 31 – West Palm Beach, Florida – Respectable Street*
October 19-20 – Las Vegas, NV – When We Were Young Festival^
February 4-8 – Emo’s Not Dead Cruise^

~Foxies opening
*Natalia Taylar opening / Foxies direct support
^Billed as Hey Monday

Hereditary tracklist 

  1. People That I Love Leave 
  2. Eye Contact 
  3. Secret Master 
  4. More To Me
  5. Three Of Us 
  6. Rom Coms
  7. Almost There 
  8. Capacity 
  9. I Died (feat Daisha McBride) 
  10. Hereditary 
  11. Ever Since That World Ended (feat. Aaron Gillespie) 
  12. Wrong One 

New album release: Wonderland – The Palms

The Palms’ new album and ode to California, Wonderland, is available now. Photo: Mike Fahey, used with permission.

Started in Los Angeles, CA in 2015 by Johnny Zambetti and Ben Rothbard, The Palms has become a formidable player in today’s independent musical landscape. With their signature California sound, an underground modern day classic in “Push Off,” and an ever growing and beloved fanbase and catalog, they’ve generated hundreds of millions of streams, all while retaining 100% ownership of their music and remaining loyal to their DIY ethos. (Big Hassle Media, 2024)

With their new album Wonderland out now, arguably their best work to date, 2024 looks to be a career defining year for The Palms. It’s time the world gets their ears on California’s best kept secret.

Their first full-length record since 2020, Johnny Zambetti and Ben Rothbard have done a lot of creative healing and found their way back to their roots. Self-produced, Wonderland is the soundtrack for a top-down drive anywhere from Laurel Canyon to the Sunset Strip, an osmotic experience of surroundings and the band’s ever present motif of redemption based on their personal David vs Goliath journey.

“As a whole, ‘Wonderland’ is a portal into our own existence and our attempt at making sense of the wild world around us over the last three years. If each song acts as a story filled with questions and lessons, ‘Phases,’ the final track on ‘Wonderland,’ is a subtle resolution to the eleven songs preceding it and a reminder that this journey is but a series of chapters and episodes. As brutal and defeating as life can appear, ‘this too shall pass’ and it is up to us to find beauty and meaning in the lesson.”

Courtesy photo, used with permission.

Wonderland track list:

“Talk Too Much”
“Jesse Jane”
“Pretty Face”
“Maggie’s Garden”
“Pretenders”
“Ready Or Not”
“One Stop”
“East Of LA”
“Freak Out”
“Feel It In My Hands”
“CA. Baby”
“Phases”

The California duo recently announced their headline Wonderland Tour. Kicking off in San Diego, CA on July 26, the tour will then make its way across North America, hitting major markets like Austin, D.C., Brooklyn and Chicago. To close out the tour, the band will play a hometown LA show at the Troubadour on August 24. Throughout the run, The Palms will receive support from Marlon Funaki, Lucia Zambetti and future.exboyfriend.

Courtesy photo, used with permission.

New single: Woman Like Me – Brontë Fall

Brontë Fall’s new single, Woman Like Me, is a bluesy-rocker appealing to anyone who has ever been asked to fit into a box. Courtesy photo, used with permission.

Teri Bracken, better known by her stage name Brontë Fall, is an acclaimed songwriter whose road to songwriting began in childhood when she picked up piano at age 7. Classical violin lessons soon followed, and eventually she was tapped as the singer/violinist in a college rock band with a group of nineties rock loving frat boys. Bracken eventually made her way to Nashville—a dream come true considering it is a songwriter’s mecca. Though most of her instrumental focus is on guitar these days for pure convenience sake, Bracken still brings out her violin and even performs on piano during her shows—she never sings a note empty handed. (IV-PR, 2024)

After a family tragedy struck in 2022, Bracken rededicated herself to her craft, emerging with plenty of scar tissue and a batch of new songs that she considers her best yet. That lineup is highlighted by the new single Woman Like Me. The track is both a reminder of Fall’s skills as a songwriter and a significant leap forward in both sound and style. It’s a defining statement, the culmination of years grinding for a shot and, at the same time, a new beginning.

After years of grinding through music industry blockades on free-thinking, hard-working women, not to mention universal, unrealistic female expectations, Bracken decided it was time to set her record straight. “That we must ‘settle down’ at a specific time to start a family, give up our careers and lead a purely domestic existence; that we should be the apologetic, pleasing peacemakers; My song ‘Woman Like Me’ is a pushback on that entire narrative,” she says. After all, it was the Brontë sisters’ resistance to gender stereotypes in their industry that was a guiding light for Bracken at the beginning of her career, naming her whole persona in honor of Charlotte, Emily, and Anne’s resilience. 

With Woman Like Me, while owning who she is but also lamenting the unease she feels, Brontë Fall poses the question “Am I lovable?” over minor blues chords and a rock groove, making the song feel edgy, rebellious, and intriguing. “I’ve also found, while performing this song, that it touches people regardless of gender because perhaps we all feel pressure to fit a certain box based on where we’re from—and through the lens of social media,” she says. 

Recorded with a backing band of Matt Bubel, Robert Kearns, Jabe Beyer, Corey Congilio, Tim Craven (who also produced the track), and John Henry, the song signals a new era for Brontë Fall. Woman Like Me is the first of many new songs from the artist, all of which honor a new commitment to her most true self. “With this new era, I just wanted to be as authentic and raw as possible. In the past I was trying too hard or trying to be too different from who I actually am.” With Woman Like Me, Brontë Fall is beginning to unveil her unbridled vision.

Out everywhere, “Woman Like Me” is available right here and be sure to stay tuned for much more new music in the coming months. Brontë Fall will take the stage in Nashville for a hometown show on April 19. Tickets and more information can be found here.

 

Upcoming new album release: Blue Hour – Eddy Lee Ryder

Eddy Lee Ryder’s new EP, Blue Hour, will be released September 15, 2023. Courtesy photo, used with permission.

Last time I wrote about this artist, it was with the news that her song Smoke and Mirrors was used in the hardcore slasher horror movie Terrifier 2. In today’s music news, Eddy Lee Ryder recently announced that her new EP, Blue Hour will be released on September 15, 2023. The announcement comes on the heels of her latest single, Holy S**t I Think I Love You, which the soulful rock belter calls her favorite song she has ever written. (Eddy Lee Ryder, 2023)

Singer, songwriter, and free spirit Eddy Lee Ryder creates haunting songs that tell dramatic stories through a slightly warped lens. Eddy’s unconventional, theatrical approach to songwriting explodes and sparkles with ‘70s good-time rock riffs, spiced with complex poetry. Proclaimed “demented pop,” her music is propelled by her charismatic voice and lyrics inspired by an intense bizarre world. Lonesome as she is wild, Ryder paints languid, sadly beautiful portraits of love and life on the margins with the moody and satirical depth of Father John Misty and the country-influenced textures of Roy Orbison or Glen Cambel but with a captivating voice all on her own.

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