Tag: Post Punk

Choir Boy Teams Up With Producer Jorge Elbrecht for New Track ‘I’ll Always Let You Down’

Choir Boy L-R: Chaz Costello, Adam Klopp, Michael Paulsen, Jeff Kleinman
Photo: Kris Kirk, used with permission.

Ethereal Indie Darlings Choir Boy Triumphantly Return With New Single, “I’ll Always Let You Down”

Ethereal indie darlings Choir Boy have triumphantly returned with their brand-new single, “I’ll Always Let You Down,” produced by the legendary Jorge Elbrecht (Sky Ferreira, Japanese Breakfast). (another side, 2026)

Marking their first taste of new music since 2020, the track hit just in time for their support tour with AFI. The single is available now via Dais Records and is accompanied by a charmingly bizarre, self-directed animated music video.

Sensual, Sinister, Sardonic

“I’ll Always Let You Down” finds Choir Boy at the height of their powers, taking their nostalgia-laced, romantic dream pop to thrilling new depths. The track manages to sound simultaneously sensual and sinister, equal parts delight and sorrow.

Musically, drum machines shuffle over a dirty synth bass while bright bells blossom under the light of frontman Adam Klopp’s angelic vocals. When pressed to describe the deeper meaning behind the track, Klopp offers a grin:

“(I’ll Always) is an anti-love song—a sardonic self-indictment of a failing lover.”

Watch the official music video below:

“Just Say That We ‘Got Lost'”

“Triumphantly return?” Time is a notorious trickster, and the band is jovial when confronting the four-year gap since their last major release.

“Just say that we ‘Got Lost,'” they joke.

Over the past four years, Choir Boy hasn’t exactly been idle. They have continued making surrealist music videos, sharing avant-garde updates on social media, and playing live across North America and Europe. Yet, for their dedicated fanbase, the lack of new music has felt like an eternity.

“Tell everyone the delays are my fault,” Klopp asserts through laughter. “Blame everything on me.”

Following the end of their run with Provoker, Choir Boy’s momentum was at an all-time high. After kicking off 2026 with a series of one-off shows in Las Vegas and Los Angeles, a creative rebirth took place, leading directly to the recording of “I’ll Always Let You Down.”

The Jorge Elbrecht Connection

The final piece of the puzzle fell into place when the band tapped Jorge Elbrecht, a renowned songwriter and stalwart of Los Angeles’s underground music community, to produce the new single.

Together, the band and producer immediately clicked, finding a harmonious workflow and “a shared sense of humor about the bleakness.”

“In [the song’s] previous incarnation, before we were working with Jorge, there was something missing,” the band reflects. While producing the track, Elbrecht contributed fresh sounds and arrangements, encouraging the band to dive even deeper into the depths.

The result? A new day, carrying on right where they belong. Serendipitously, the themes of their upcoming music and the greater arc of Choir Boy are finally coming together.

Their ultimate takeaway? “Redemption.”

About Choir Boy

The Origin

“Choir Boy” was what kids called singer/songwriter Adam Klopp in his early teens when he fronted punk cover bands in Cleveland, Ohio. Though intended as an insult, the label seemed fitting given Klopp’s religious upbringing and angelic voice. After high school, Adam left Ohio for college in Utah. While his academic career was short-lived, he seamlessly integrated into Provo and Salt Lake City’s underground music and art scenes, left religion behind, and officially named his new project Choir Boy. (Dais Records, 2026)

The Evolution

Since their debut album, Passive With Desire, the dream-pop outfit has gained a massive cult following in underground circles. Choir Boy’s signature sound relies on a perfect blend of nostalgia-laced romantic pop music, brought to life by a stellar lineup:

  • Adam Klopp – Stunning vocal range, lyrics, and melodies
  • Chaz Costello – Bass (Fossil Arms, Sculpture Club, Human Leather)
  • Jeff Kleinman – Saxophone and Keyboards
  • Michael Paulsen – Guitar

“I’ll Always Let You Down” is out now on Dais Records.

Poison Ruin Announces New Album ‘Hymns from the Hills’ via Relapse Records

L-R: Allen Chapman (drums), Nao Demand (guitar), Mac Kennedy (vox, guitar), Will McAndrew (bass). Photo By Kat Bean, used with permission.

Scythes, Spirits, and Synths: Poison Ruin Announces ‘Hymns from the Hills’

Poison Ruin’s upcoming release, Hymns from the Hills, ambitiously rewrites the rules of punk. The Philadelphia outfit is pushing their sound into expansive new terrains without sacrificing an ounce of the bleak symbolism and uncompromising aggression that established them as one of extreme music’s most urgent voices. (another side, 2026)

Expanding their signature approach to grim mythmaking, these new songs feel equal parts natural, undeniably of this world, and phantasmal.

Release Date: April 3 via Relapse Records

Formats: Vinyl, CD, and Digital

Available for pre-order.

A Tapestry of Dispossession

On Hymns from the Hills, Poison Ruin’s previous stories of toil are revealed to be but one chapter etched upon a bleaker tapestry. This is a landscape populated by:

  • Spirits traversing sunless deserts and wilted hillsides.
  • Demonic torture objects lining the psyche.
  • Bodies transfigured into Luciferian snakes.
  • Sadean prisoners bound to the screaming silence of abandoned towers.

Lead Single: “Eidolon”

The band’s signature raw, anthemic aggression pummels through on the lead single “Eidolon,” recently released alongside its official video.

Frontman, lyricist, and guitarist Mac Kennedy explains the track’s bleak inspiration:

“‘Eidolon’ is about being stuck in a broken reality, a cog in a fate-machine doomed to play out the same cursed loop until it fully breaks down. The ones who had the power to affect change have abandoned the scene… Grim reminders of what could have, but will not be.”

Expanding the Sonic Mythos

The record acts as both a forceful restatement and a bold departure. While listeners will recognize the crackling, cassette-dubbed darkness, it is now supported by a carefully sculpted mosaic of new textures:

  • Killing Joke-style hacksaw primitivism.
  • Blast-beats worthy of the Relapse catalog.
  • Crisp analog synth lines.
  • Ambient serenades reminiscent of Scott Walker and The Durutti Column.

The Craft: DIY Grandeur

Meticulously composed and self-recorded, the LP saw Kennedy relocate to a private practice space to meet the record’s greater sonic demands. To polish this “hissing abyss,” the band enlisted top-tier talent for the final touches:

  • Mixing: Jonah Falco (with Kennedy splicing in gritty tape segments for tonal continuity).
  • Mastering: Arthur Rizk.

The result is a rich structure of unconventional frictions—crystalline flashes of polish ripping through low-end grime, only to shatter against the whipping sting of rusted chains.

Mythic Sensibilities

Lyrically, Hymns from the Hills reaches new poetic heights. While the record continues the tradition of employing medieval-inflected fantasy imagery, Kennedy is quick to note that these figures are not intended to be read as historically accurate, but rather as tools for cynicism and defiant bravado.

“I’m not very interested in conveying the historical facts of medieval culture. If we are to make sense of the present, we need to employ a more mythic mode of language and symbol to reach beyond the spiritual malaise that envelopes us. A mythic truth resonates within any time, but its echoes call from outside of time. Medieval and fantasy imagery are simply effective personal starting points for tapping into that mode of communication.”

Hymns from the Hills tracklist:
01 – Intro
02 – Lily Of the Valley
03 – Hymn from the Hills
04 – Eidolon
05 – Howls From the Citadel
06 – Pilgrimage
07 – Guts (Lay Your Self Aside)
08 – Turn To Dust
09 – Puzzle Box
10 – Serpent’s Curse
11 – Sleeping Giant (Interlude)
12 – Crescent Sun
13 – The Standoff

1775236297

  days

  hours  minutes  seconds

until

Hymns from the Hills release date

Between The Waves is Home Front’s Anthem for Resilience and Renewal

L-R Clint Frazier, Graeme MacKinnon. Photo By Lyle Bell, used with permission.

Home Front Shares Final Single “Between The Waves” Ahead of Watch It Die Release

This week, Home Front shared their final single, “Between The Waves,” from their upcoming album Watch It Die, out this Friday November 14 via La Vida Es Un Mus. Pre-Order/Pre-Save. (another side, 2025)

A Lifetime of DIY Spirit

For decades, Graeme MacKinnon and Clint Frazier have been deeply embedded in grassroots music-making, community building, and the unpredictable ebbs and flows of DIY punk.

Formed in 2020, Home Front channels their lifetime of experience into a project that feels nostalgic and forward-looking; a sound that moves between the textured sounds of Tangerine Dream and the pounding urgency of an anthem for survival.

Music That Grows Through Change

Home Front’s music holds onto a rare kind of passion, the kind that guides you, like a climbing vine wrapping around both triumphs and losses. Their lyrics and influences are specific yet universal, personal yet accessible.

The new record’s production, guided by a close-knit team of longtime collaborators, reflects their DIY ethos. Recorded in home studios in their hometown of Edmonton, Alberta, Watch It Die is a testament to making something powerful out of humble circumstances.

Honest, Danceable, and Deeply Human

Watch It Die is built simply: 12 songs of danceable, hummable, and rousing honesty. The emotion of this LP solidifies these musical notions into meaningful art.

“For us, ultimately, this is music that comes out of loss and heartbreak and failure,” says the band. “You can get rowdy, you can get emotional, you can do whatever you want—but maybe, with all of that freedom, we take a second to reflect on all our fallen brothers and sisters and friends who may have slipped away.”

Finding Light in the Bleak

Rather than asking why or how we got here, Watch It Die offers a step forward, a dose of optimism and self-ownership in dark times. It reminds us that solitude doesn’t have to equal despair, and that wisdom can replace nostalgia as a form of grace.

This album doesn’t shy away from the world’s ills, it owns them, transforming pain into purpose.

Tour Dates

Home Front kick off their West Coast tour next week, including stops in:

  • San Francisco
  • Sacramento
  • Los Angeles’ Palladium (supporting Cock Sparrer on November 22 & 23)
  • Plus a release show just announced at Knuckleheads on November 22.

Home Front Live Dates:

Nov 20: Sacramento, CA – The Starlet Room
Nov 21: San Francisco, CA – Thee Parkside
Nov 22: Los Angeles, CA – Hollywood Palladium # (SOLD OUT)
Nov 22: Los Angeles, CA – Knucklehead (Release Show)
Nov 23: Los Angeles, CA – Hollywood Palladium !
Dec 13: Winnipeg, MB – The Handsome Daughter + (SOLD OUT)
Dec 19: Calgary, AB – Palomino * 
Dec 20: Edmonton, AB – Starlite Room ^
Feb 6-8: Hague, NL – Grauzone
# w/ Cock Sparrer, Dillinger Four, Castillo
! w/ Cock Sparrer, Dillinger Four, Generacion Suicida
+ Record Release Show w/ Imploders, Pure Impact
* Record Release Show w/ CloseTalkers, Puppet Wipes, Poltergeist
^ Record Release Show w/ Languid, Real Sickies

Watch It Die tracklist:
01 – Watch It Die
02 – New Madness
03 – Light Sleeper
04 – Between The Waves
05 – Eulogy
06 – The Vanishing
07 – For The Children (F*ck All)
08 – Kiss The Sky
09 – Always This Way
10 – Dancing With Anxiety
11 – Young Offender
12 – Empire

From Viral Covers to Emotional Club Anthems: Mareux Evolves with ‘Ébèné Fumé’

Mareux shares shares Ébèné Fumé video/single feat Riki. Photo: Jason Renaud, used with permission.

Mareux Teams Up with Riki for New Single “Ébèné Fumé” Ahead of Nonstop Romance🎶

Los Angeles, CA – Revered pop/darkwave musician and producer Mareux (Aryan Ashtiani) joins forces with multifaceted artist and singer Riki on his nostalgic new single “Ébèné Fumé,” out now via Revolution/Warner Records. (another side, 2025)

Riki’s charismatic, confessional vocal performance blends seamlessly with Mareux’s intricately crafted electronics, creating a compelling dance-pop track that’s as moody as it is magnetic. Her standout presence shines throughout the song’s striking music video, created by Muted Widows (Michael E Linn, Nedda Afsari, and Michael R. Zumaya), which visually channels the same fusion of elegance and edge.

Where most artists might double down on the slick darkwave and goth-pop that brought them initial fame, Mareux pivots with his upcoming sophomore album, Nonstop Romance, due out June 27. The new project is messy in all the right ways—drunk in love, feverish with emotion, and unafraid to stumble. Picture a frilly valentine dragged through city grit: gushing, fractured, but completely transparent in its longing.

Throughout Nonstop Romance, Mareux sets his songs like Venus fly traps—irresistibly romantic and danceable, but tinged with a sinister red glow. It’s a record that revels in pleasure while hinting at danger, a balance central to its ethos.

“I’m trying to make something that’s reflective of me getting older,” Mareux shares. But rather than quiet introspection, his version of maturity centers on joy: “Could you put it on in your house with people around and not bring the mood down?” That guiding question helped shape the sound and energy of the album.

Written and recorded in Mareux’s Lincoln Heights bedroom throughout 2024, Nonstop Romance draws cinematic inspiration from a muted old CRT TV playing everything from Tarkovsky and Jodorowsky to Hype Williams’ Belly. The result? Smudged tape-residue synths woven into readymade club anthems.

Though Mareux favors vibe over precision, longtime fans won’t feel lost. Whether you discovered him through his viral platinum-certified cover of The Cure’s “The Perfect Girl” or the noir heartache of 2023’s Lovers from the Past, there’s plenty to swoon over. Nonstop Romance is exactly what it promises: emotionally raw, sonically rich, and obsessed with love.

“I only care about one thing,” Mareux says. “And that’s being in love.”

📀 Pre-Order / Save Nonstop Romance

🎤 Upcoming Performances

  • Friday, December 12 – Fox Theater, Pomona
  • Saturday, December 13 – The Novo, Los Angeles

Tickets are on sale now. Stay tuned for more tour announcements!

Nonstop Romance tracklist:
1 – Blackmail
2 – Radio Club
3 – Nonstop Romance
4 – Wild at Heart
5 – Ébène Fumé Ft. Riki
6 – Prodigy
7 – Blue
8 – Laugh Now Cry Later
9 – Snake Eyes

Photo: Cameron McCool, used with permission.

1751022089

  days

  hours  minutes  seconds

until

Nonstop Romance release date