Theater review: ‘Jersey Boys’ at the Majestic Theatre

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‘Jersey Boys’ returned to the Majestic Theatre this week for a limited run. Photo: Joan Marcus, used with permission. 

The immensely popular jukebox musical ‘Jersey Boys’ returned this week to the Majestic Theatre for a limited run for three performances only on Friday February 1 and Saturday February 2. ‘Jersey Boys’ is the story of Frankie Valli, Bob Gaudio, Tommy De Vito and Nick Massi, known collectively as The Four Seasons. It is the true story of a group of blue-collar boys from the wrong side of the tracks who became one of the biggest American pop music groups of all time. Presented in a documentary-style format, it dramatizes the formation, success and eventual break-up of The Four Seasons.

‘Jersey Boys’ is structured as four “seasons,” each narrated by a different member of the band who gives his own perspective on its history and music. The story begins with “Ces Soirées-La,” a French rendition of “Oh, What a Night” after which Tommy DeVito, played by Corey Greenan, introduces himself and begins to narrate the story of the band’s beginnings with his brother Nick DeVito and friend Nick Massi and eventually Frankie Valli. Throughout the show, each band member takes turns narrating, (Bob Gaudio during Summer, Nick Massi during Fall and Frankie during Winter). This is an excellent way of bringing the audience into the story and making it more personal. While Act One is the story of the band’s inception, Act Two is a highlight reel of their best hits. In the Finale, Bob Crewe describes The Four Seasons’ 1990 induction into the Rock and Roll Hall of Fame, which reunited the original members onstage for the last time “Rag Doll.” Each of them address the audience separately to explain what being in the band meant to him and what he did afterwards.

After a successful opening night Friday, ‘Jersey Boys’ is still going strong, playing to an older crowd who no doubt remembers Frankie Valli and The Four Seasons during the highpoint of their careers. Regardless, the audience included guests of all ages who enjoy the music and keep coming back each time the show is in town. Highlights include their first hit “Sherry” and “Big Girls Don’t Cry,” “Walk Like a Man” and “My Eyes Adored You” which Frankie Valli (Jonny Wexler), sings to his wife. Judging by the audience’s reaction during “Can’t Take My Eyes Off You” this was the audience favorite performance of the night. Overall, the setting, costumes and singing are first rate but there is adult language and themes so it might not appeal to everyone but for die-hard fans, it is an unforgettable night of nostalgia and music.

Theater review: ‘Waitress’ at the Majestic Theatre

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‘Waitress’ is playing at the Majestic Theatre through Sunday January 13. Photo: Broadway in San Antonio, used with permission. 

Tuesday was opening night of ‘Waitress,’ now playing at the Majestic Theatre until Sunday January 13 with showtimes at 7:30p.m. through Thursday; 8p.m. Friday; 2p.m. and 8p.m. Saturday and 2p.m. and 7:30 p.m. Sunday. Tickets start at $40 and are available through Ticketmaster online, by calling 800-982-2787 or by visiting the Majestic box office. With music by six-time Grammy Nominee Sara Bareilles and inspired by Adrienne Shelley’s beloved movie, ‘Waitress’ is an uplifting musical celebrating friendship, motherhood and the magic of a well-made pie. Recommended age is 13 and older as it deals with mature subjects.

After Sara Bareilles’ version of the ‘please turn off your cellphones’ message plays overhead, ‘Waitress’ begins with Jenna, a waitress and expert pie maker at Joe’s Diner whose method of dealing with difficult situations is turning them into pie ingredients for her famous pies “What’s Inside.” Her fantasy scene is interrupted by her boss Cal and so begins another work day with co-workers Becky, a sassy and tough waitress and Dawn, an overly anxious yet loveable waitress. On this particular day, Jenna is distracted by a possible pregnancy and after taking a home pregnancy test in the restroom, she is dismayed when it comes out positive “The Negative.” Due to her abusive marriage to Earl, she decides not to tell him about the baby and when she goes to her OB/GYN, she meets and is instantly smitten by the young and handsome new doctor, Dr. Pommater. When Jenna finds out about a local pie contest, she decides to enter and use the winning prize money to start a new life on her own. Her plans are disrupted when Earl finds the money she has been hiding to use for the pie contest and she is dismayed by her new reality “She Used to Be Mine.” Not content with being “happy enough,” she ends her on again/off again affair with Dr. Pommater when she has the baby. She ends up inheriting the diner from Joe, the old man she befriended and becomes the owner and head chef of “Lulu’s Pies,” named after her daughter.

Pies, the ingredients used to make them, and baking, play a central role in ‘Waitress’ since they are used as coping mechanisms and substitutes for lost loves and emotions. It is refreshing to see the live band onstage, rather than underground, like in most musicals, so the musicians are seen as part of the cast, rather than totally forgotten, albeit important, members of the production. Christine Dwyer does a splendid job of portraying the lonely and downcast Jenna but Jeremy Morse steals the show as Ogie, Dawn’s love interest. His scenes, especially on “Never Ever Getting Rid of Me,” provide the necessary comic relief from some of the more serious scenes. Show highlights include “When He Sees Me” when Dawn is excited about a potential love match and “Take It From an Old Man” when Jenna bonds with Joe, the owner of the diner. Despite being based on a movie, it is not required viewing beforehand since the characters are all relatable and deal with issues almost everyone can relate to, even if at the end Jenna does not “get the guy.” Overall, the setting, costumes and singing are impressive but there is some colorful language and mature subject matter, so ‘Waitress’ is more in league for a girls night out.

Theater review: ‘The Phantom of the Opera’ at the Majestic Theatre

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‘The Phantom of the Opera’ plays at the Majestic Theatre until Sunday December 16. Photo: Broadway in San Antonio, used with permission. 

Cameron Mackintosh’s spectacular new production of Andrew Lloyd Webber’s ‘The Phantom of the Opera’ opened at the Majestic Theatre last week and audiences are loving it. ‘The Phantom of the Opera’ is the story of a Phantom, a disfigured composer who haunts the Paris Opera House. It plays until Sunday December 16 with show times at 7:30p.m. Tuesday through Thursday, 8p.m. on Friday, 2p.m. and 8p.m.,Saturday, 2p.m. and 7:30p.m. on Sunday and tickets start at $45. This new version is performed by a cast and orchestra of 52, making this one of the largest productions on tour in New America.

‘The Phantom of the Opera’ begins with a Prologue set in Paris in 1911 at an auction where the Paris Opéra is auctioning off old theatrical props, one of which is lot 666, a chandelier in pieces. Act I is set in Paris in 1881 where the cast of a new production, Hannibal, are rehearsing onstage when they learn that the opera house has new owners. After being nearly killed by a falling backdrop, the soprano prima donna angrily walks off because nothing is being done to prevent such incidents. Christina Daaé, one of the chorus girls, is chosen to replace her. (“Think of Me”) The Phantom appears to her in her mirror and she, thinking him to be the Angel of Music, follows him to the cellar of the opera house. They board a small boat and cross a lake leading to his secret lair (“The Phantom of the Opera”) where he explains that he has chosen her to sing his music and he serenades her. (“The Music of the Night”) He becomes obsessed with her but makes it known to all that as long as his demands are met, he will stay out of sight but when the new owners do not take his threats seriously, he makes good on his threats.

Friday’s performance was to a nearly full house and the excitement in the air was palpable. As soon as the lights dimmed and the orchestra played the first few notes, the audience was captivated; especially when the chandelier was first revealed at the auction. With music by Andrew Lloyd Webber and lyrics by Charles Hart, ‘Phantom of the Opera’ boasts bigger and better scenery, the most impressive being the Labyrinth Underground and The Phantom’s Lair. Show highlights include “The Phantom of the Opera” by the Phantom and Christine and “The Music of the Night” by the Phantom; not to mention the chandelier crash scene. Quentin Oliver Lee and Eva Tavares work well together as the Phantom and Christine and the costumes and scenery are stunning. Long time fans are in for a treat and first timers will be charmed by this enchanting story and first-rate performances all around. Overall, audiences will be thrilled by the majesty and intrigue that is ‘The Phantom of the Opera.’

Theater review: ‘An American in Paris’ at the Majestic Theatre

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‘An American in Paris’ plays at the Majestic Theatre until Sunday June 17. Photo: Broadway in San Antonio, used with permission.

North Park Lexus Broadway in San Antonio closes the season at the Majestic Theatre with the fabulously entertaining ‘An American in Paris.’ Last night was opening night of the stage adaptation of the beloved classic film of the same name that tells the story of an American soldier, a mysterious French girl and an indomitable European city, each longing for a new beginning after World War II. It is now playing through Sunday June 17 and tickets start at $35. Next show times are 7:30p.m. Wednesday and Thursday, 8p.m. on Friday, 2p.m. and 8p.m. Saturday and 2p.m. and 7:30p.m. Sunday.

‘An American in Paris’ is set in 1945 Paris and begins as Adam Hochberg walks onto the stage, drinks a shot of liquor and sits at a lone piano onstage and tells the story of how his friend Jerry Mulligan came to Paris. In town after the liberation of France, US Army Lieutenant Jerry Mulligan sees a mysterious girl on the city streets (“Concerto in F”) and impulsively decides to stay to nurture his passion for painting. He meets Adam, a fellow veteran and pianist, at a café and they become friends. Henri Baurel, is the son of wealthy French industrialists and dreams of being an entertainer. The three of them bond over their shared interests and picture a brighter future (‘I Got Rhythm”) all the while falling for the same girl, Lise Dassin. In the end, Lise can only choose one, but Jerry, Adam and Henri agree that she changed their lives for the better. (“They Can’t Take That Away From Me”)

In true Hollywood musical style, ‘An American in Paris’ is a combination of dancing, romance, laughter and feel-good catchy songs. It features the music and lyrics of George and Ira Gershwin including songs like “I Got Rhythm,” “S Wonderful” and “The Man I Love” and orchestral music including “Concerto in F” and “An American In Paris.” McGee Maddox and Allison Walsh, as Jerry Mulligan and Allison Walsh, have the perfect chemistry to bring the story to life onstage and work well together with the rest of this talented cast. Show highlights include “I’ve Got Beginner’s Luck” when Jerry surprises Lise at work to convince her to meet with him, “Fidgety Feet” at one of the Baurel’s party and “I’ll Build a Stairway to Paradise” when Henri struts his stuff at a nightclub. Overall, this is a family-friendly production with gorgeous costumes, beautiful orchestral music and top-notch dancing, including ballet. Fans of the movie will appreciate this production, but it is not required viewing. It is a must-see nostalgic nod to classic musicals.

Theater review: ‘On Your Feet’ at the Majestic Theatre

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‘On Your Feet’ is playing at the Majestic Theatre through Sunday.

Looking for something to do this weekend? Now playing at the Majestic Theatre is the national tour of the hit musical ‘On Your Feet’ and there are still four chances to catch this show stopping production. Upcoming show times are 2p.m. and 8p.m. on Saturday and 2p.m. and 7:30 p.m. on Sunday. Tickets are available at the box office and through Ticketmaster and prices start at $35. ‘On Your Feet’ is based on the life story of seven-time Grammy winning international superstar Gloria Estefan and her husband, 19 Grammy winning producer-musician-entrepreneur Emilio Estefan. It stars Christie Prades as Gloria and Mauricio Martínez as Emilio.

Like all good rags-to-riches stories, ‘On Your Feet’ begins with a young Gloria and her family in Miami where they moved from Cuba after the revolution. Her family, especially her father, try to nurture and encourage her talent until eventually she meets a young Emilio who encourages her to audition for his band, the Miami Latin Boys. Despite achieving stardom in the Latin market, the band struggles to expand their audience and must rely on word of mouth to get their music the exposure needed for a successful crossover. The first act ends with “Conga,” their breakthrough song, as the cast leads a conga line through the audience. The second act gets serious as it chronicles the struggles that Gloria had to overcome after the near-fatal tour bus accident that nearly derailed her musical career. In the end, she manages to get back on the spotlight where she always belonged. It is all wrapped up with a party-like atmosphere filled with music, dancing and confetti.

Fans of Gloria Estefan and the Miami Sound Machine will enjoy the production since it is filled with hits including “1-2-3,” “Anything for You,” “Conga” and “Rhythm Is Gonna Get You.” Aside from that, it is a reminder of the American dream and that anything is possible with hard work and dedication. It is refreshing to see a mostly Hispanic cast depict the immigrant struggle onstage and the live orchestra brings the Cuban-inspired music to a broader audience. Show highlights include when the band must perform everything from bar mitzvahs to clubs to get their music heard and when Emilio stands up to his record producer when he tries to dissuade them from recording in English and tells him “this is what an American looks like.” It slows down towards the end, but overall, the lead actors have onstage chemistry and the cast works well together. It is a must-see show that appeals to audiences of all ages.

Theater review: ‘The Hunchback of Notre Dame’

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‘The Hunchback of Notre Dame’ is now playing at the Playhouse San Antonio. Photo: Daniel D Baumer, used with permission.

After a successful opening weekend, the Texas premiere of ‘The Hunchback of Notre Dame’ continues at the Playhouse San Antonio in the Russell Hill Rogers Theater. Based on the book of the same name by Victor Hugo, it has music by Alan Menken, lyrics by Stephen Schwartz and book by Peter Parnell and tells the story of Quasimodo, the misshapen but gentle-souled bell ringer of Notre Dame. Show times are Thursday, Friday and Saturday at 7:30p.m. and Sunday at 2p.m. and it runs until Sunday October 15. Ticket prices range from $15 to $35 and are available online.

The somber mood is set from the beginning as the choir and the congregation march into the dimly lit church. Quasimodo is content with his life in the tower since Frollo has convinced him he will be an outcast because of his looks if goes outside. Yet he dreams of venturing out and when curiosity gets the best of him he goes exploring, ‘Out There.’ While taking in the sights at the local festival, ‘Rhythm of the Tambourine’ he meets and befriends a young gypsy dancer named Esmeralda who teaches him the true meaning of friendship and acceptance. The cast includes Bob Galindo as the mean-spirited Claude Frollo, Nick Szoeke as the loveable Quasimodo, Travis Trevino as Jehan, Frollo’s brother and Alyssa Lopez as the gypsy Esmeralda.

There is so much more to this version of ‘The Hunchback of Notre Dame’ than the happy-go-lucky Disney version most people have come to know. Despite lighter numbers like ‘Rhythm of the Tambourine’ when the audience is introduced to Esmeralda and the rest of the gypsies, and sporadic comic relief, the themes and subject matter are serious. Bob Galindo is excellent as Frollo, especially during ‘Hellfire’ when he begs to be delivered from damnation. Nick Szoeke expertly brings the role of Quasimodo to life onstage. Some of the highlights of the show include when Esmeralda and Quasimodo are admiring the view from the top of the tower, ‘Top of the World’ and when Quasimodo pours molten lead onto the streets. The cast and crew have done an admirable job in bringing this incredible production to San Antonio audiences. From the incredible voices and acting to the sets and costumes, this professional grade production is not to be missed

Theater review: ‘Hairspray’ at The Playhouse San Antonio

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Kass Ortiz as Tracy Turnblad in The Playhouse San Antonio’s production of ‘Hairspray.’  Photo: Daniel D Baumer, used with permission.

One of Broadway’s most popular musicals, ‘Hairspray,’ opened at The Playhouse San Antonio last weekend.  This musical is based on the 1988 John Waters film of the same name and tells the story of Tracy Turnblad whose innocent desire to dance on a television show ends up shaking up her hometown of Baltimore. It runs until Sunday August 6 with show times on Friday and Saturday at 8p.m. and Sunday at 3p.m.  Tickets are available online and prices range from $12 for children to $42 for general adult admission.

‘Hairspray’ begins with “Good Morning Baltimore” where the audience is introduced to the perky Tracy Turnblad whose world revolves around watching The Corny Collins show. While watching the show one afternoon she finds out that there will be auditions to replace one of the ‘council members’ who is taking a leave of absence due to a pregnancy.  She eagerly goes to audition only to be rudely turned away, “Miss Baltimore Crabs.” While there she bumps into teenage heartthrob Link Larkin and that leads to a romantic dream sequence, “I Can Hear the Bells.” She ends up gaining a spot on the show and with the help of friends and family manages to get The Corny Collins Show fully integrated.

The stage version of ‘Hairspray’ is slightly different than the movie, which most people are familiar with, but it is still a joy to experience. With its infectious songs, energetic dancing and vital social commentaries it is easy to see why it so popular with theater audiences as evident by a sold out opening weekend. Show highlights include “Big Blonde and Beautiful,” a song about being proud of how you look despite what people think and “You Can’t Stop the Beat,” when Tracy emerges from the back of the theatre to crash the competition at the end. Danielle King, who plays Motormouth Maybelle, gives a poignant rendition of “I Know Where I’ve Been” that reminds audiences of the serious side of the show. Amid singing and dancing, ‘Hairspray’ tackles such topics as racism, segregation and finding love despite weight and color differences. The colorful staging and vibrant costumes bring this show to life. Top-notch choreography and a talented cast who work well together makes this a must-see show.