Without Getting Killed or Caught is a remarkable documentary film about the mythical, complicated relationship between legendary songwriters Guy Clark, Susanna Clark, and Townes Van Zandt, and the art it inspired; a film with enough charm to create new fans of Clark and his music and enough depth to appease long-time followers. Without Getting Killed or Caught—which will make its virtual World Premiere at the 2021 SXSW Film Festival March 16-20—was produced and directed by longtime Americana music producer and executive Tamara Saviano and filmmaker Paul Whitfield. The film was originally scheduled to debut at SXSW in 2020 before the pandemic shuttered the festival, and for those not already attending SXSW 2021, stay tuned for additional information on public screenings with Kessler Presents, YETI, SiriusXM Outlaw Country, and more. (IVPR, 2021)

Without Getting Killed or Caught is the true story of Guy Clark, the dean of Texas songwriters, who struggles to write poetic, yet indelible songs while balancing a complicated marriage with wife Susanna, and a deep friendship with singer-songwriter Townes Van Zandt, on whom Susanna forged a passionate dependence. Clark, who died in 2016, wrote and recorded unforgettable songs (“L.A. Freeway,” “Desperados Waiting for a Train”) for more than forty years. His lyrics and melodies paint portraits of the people, places, and experiences that shaped him, and no one inspired Guy more than his wife, painter, and songwriter Susanna Talley Clark, and their best friend, fellow songwriter Townes Van Zandt. 

Narrated by Academy-Award winner Sissy Spacek, Without Getting Killed or Caught follows Guy, Susanna, and Townes on their journey from obscurity to reverence: Guy, the Pancho to Van Zandt’s Lefty, struggling to establish himself as the Dylan Thomas of American music, while Susanna writes hit songs and paints album covers for top artists and Townes spirals in self-destruction after writing some of Americana music’s most enduring and influential ballads. Based on the diaries of Susanna Clark—the film tells the saga from Susanna’s point of view—and Saviano’s 2016 book “Without Getting Killed or Caught: The Life and Music of Guy Clark,” which No Depression called “an intimate, affectionate, sometimes sad, often hilarious, and vibrant chronicle of one of our most memorable artists.”

 The film uses Clark’s songs, family photographs and archives, vintage film footage, and radio talk shows on which Clark appeared solo and in tandem with Van Zandt. The real emotional impact, though, comes from Susanna’s pained remembrances, taken from her private journals and secret audio diaries, as well as taped conversations that Susanna made of the trio and of the “salon” that regularly gathered around them—all serving as witnesses to this seemingly fated intersection of love, art, and tragedy.