Book review: ’39 Down’ by Paul Schwartzmeyer

’39 Down’ is book one of the Joseph Schneider, Traitor-Patriot series by Paul Schwartzmeyer. Photo: amazon

Paul Schwartzmeyer is a former Marine Corp radio man. After graduating from college, he worked on oil rigs in the bayous of offshore Louisiana and in Texas. For eight years he worked as an engineer in the Saudi Desert where he was given the highest level security clearance to work with radioactivity and explosives. He also worked in Dubai as well as in the Al Rub Al Khali, one of the most desolate places on earth. His worldwide contacts include soldiers of fortune, oil industry executives, combat veterans, hostage negotiators, madams, and pub owners. He has extensive knowledge in the workings of international banks, trade cartels and the civilian military complex and his books are metaphors for a world few people ever see. He is the author of the series Joseph Schneider, Traitor-Patriot. “39 Down” is book 1 of the series and the story of Paul Trifthauser, who unknowingly inherits an espionage network from his grandfather.

“39 Down” begins with a CIA memo to the FBI director from the Intelligence Division regarding Joseph Gerhold Wendel Schneider that includes his personal information such as date of birth, occupations, and known family members: his grandson Paul Trifthauser, who is the protagonist of this series. The story starts as Arianna, Paul’s girlfriend, is grieving the death of Gregor, Paul’s best friend. He was shot coming out of Paul’s office building while wearing his jacket so Paul assumes he was the intended target, not Gregor. His death spooks them so much that when Paul’s mother calls to say she is selling the family home and that he needs to go and clean out his stuff, he and Arianna do not think twice about leaving town. Paul is newly sober and he fears that if he starts drinking again, he will lose Arianna and he has already lost too much. But Gregor’s death is only the beginning of the drama and chaos that will upend both their lives. When they find Joseph’s stack of crossword puzzles in the family home’s barn, Arianna, who is good at puzzles, goes through them. Together, they begin to unlock the mystery of Joseph’s past which leads to Paul unknowingly inheriting an espionage network so secretive and so lethal that that even the CIA was afraid to confront it. Buried in layers of code, hidden in 3,000 crossword puzzles are Joseph Schneider’s secrets. Now Paul has to figure out the code before his grandfather’s enemies, the world’s massive trading cartels, realize he does not know it. Not knowing who he can trust and armed with nothing but intuition and with the help of a twenty-nine year old Indian prostitute named Alejandra, he races against time in an attempt to stay alive.  

The Joseph Schneider, Traitor-Patriot series is based on many composite characters, including Paul Schwartzmeyer’s grandfather Joseph Reeb, who was a former tanner for the Pearce Arrow company, a decorated combat veteran in World War I, and owned a furniture store in Buffalo. “39 Down” has a feeling of authenticity since the author used some of his own background to create the Paul Trifthauser universe, including spies, cartels, and Alejandra, the prostitute/assistant. It is narrated in the first person point of view so the reader has an insight into Paul’s state of mind, especially when everything is falling apart around him. Due to Paul’s extensive character development, readers come to care about what happens to him. The language is easy to understand and poetic at times: “The Rover glided over the sand as if we were floating on a cloud.” Some chapters begin with CIA memos updating the Trifthauser/Schneider case which hints that the CIA really is following Paul, that he is not just paranoid. His grandfather’s code name was Arnus, ‘39 Down’ in correspondence with foreign agents; that is where the novel’s title comes in.  It is fascinating when Paul describes what it is like living in isolation and how traumatic it can be going back to civilization: “It takes about a month to internalize it. It’s a process. At night, the silence is so encompassing that your ears ring. The ringing keeps you awake, but when that dies down, your body takes on a calmness that’s quite profound. After just five months, I returned to ‘civilization.’ It was one of the most horrid experiences in my life. I couldn’t sleep inside, choosing to sleep on the roof of my apartment in Dhahran. I drank incessantly, I thought I’d lose my mind.” With action that flows easily through the pages, it is a definite must-read. “39 Down” by Paul Schwartzmeyer is a globe-trotting spy adventure that sometimes keeps readers guessing but does not disappoint. It is recommended for fans of spy thrillers similar to The Bourne series by Robert Ludlam and the Jack Reacher series by Lee Child.

The Kindle edition of “39 Down” appears to be the unedited version because it has numerous typos and grammatical/spelling errors. This does not take away from the quality of the story.

*The author received a copy of this book for an honest review. The views and opinions expressed here belong solely to her.

Rating: 4 out of 5.

San Antonio Museum of Art announces acquisition of historic Chinese artworks

San Antonio Museum of Art. Photo: google

Yesterday the San Antonio Museum of Art (SAMA) announced the acquisition of important historic Chinese artworks, including a gilt openwork crown and a gilt plaque decorated with a standing lion, both from the Liao dynasty (907–1125); a set of jade belt plaques from the Ming dynasty (1368–1644), and a set of gilt silver hairpins embellished with kingfisher feathers from the Qing dynasty (1644–1911). These new artworks expand SAMA’s stellar collection of Chinese art, which has particular strengths in ceramics from the dawn of Chinese civilization to modern time. The new acquisitions are part of an ongoing effort to enhance under-represented areas within the Museum’s wider Asian art collection such as metal work and jade. (San Antonio Museum of Art, 2021)

“The artworks announced today capture the incredible artistry and skill of Chinese craftsman from across history, while also illuminating the importance of these objects—and the imagery and material they hold—to Chinese culture and society,” said Shawn Yuan, Associate Curator of Asian Art. “We are delighted to enhance the Museum’s Chinese art holdings with these stunning works, which further our ability to share narratives and develop understanding of Chinese material culture through time.”

Crown
China, Liao dynasty (907-1125)
Gilt bronze
H. 11 7/16”
Purchased with funds provided by the Bessie Timon Endowment Fund
2021.1.1

The magnificent gilt crown is a mortuary item for a noblewoman of the semi-nomadic Khitan people, who lived in today’s northern China and Mongolia in the 11th to 12th century. The domed cap is covered with chased floral scrolls and surmounted by a lotus flower and a now-missing deity. On each of the attached standing “wings,” two glorious phoenixes, with wide spreading wings and long tails, are positioned among scudding clouds. This crown is an example of the luxurious lifestyle of the Khitan elite, who established the powerful Liao dynasty and controlled an enormous landmass bordering Korea to the east and central Asia to the west. Acquiring this crown helps the Museum to present a more complete image of the rich Liao dynasty material culture, along with the Museum’s expansive collection of Liao ceramics.

Plaque with a Standing Lion
China, Liao dynasty (907-1125)
Gilt bronze
L. 8 3/8” W. 4 7/8”
Purchased with funds provided by the Bessie Timon Endowment Fund
2021.1.2

The gilt bronze plaque decorated with a standing lion is an example of the impressive craftsmanship of the Liao dynasty. The energetic lion, hammered in low relief, stands on his left hind leg while thrusting the other forward. The lion’s broad chest rises, and his massive head turns backward as his flamboyant mane sweeps upward. Under the bushy eyebrows, the lion’s eyes focus intensely on a flaming pearl. The imagery has a Buddhist origin: the lion guards the Buddha’s teaching while the flaming pearl represents the Buddha’s wisdom. The images of a lion with protective power are rarely seen on other Liao works in the Museum’s collection.

Belt Plaques
China, Ming dynasty (1368-1644)
Jade
Elongated tab: 3.5”x1.4”; rectangular: 3.1”x1.4”, 2.2”x1.4”, 1.4”x0.7”; tear-drop: 1.4”x1.3”
Purchased with funds provided by the Bessie Timon Endowment Fund
2021.1.3.a-r

The set of eighteen jade plaques is the first important jade work to enter the Chinese collection. Jade has been China’s most valued gemstone since the dawn of its civilization. These plaques were once attached to belts worn by noblemen. The rectangular plaques are carved in high relief with lively scenes of male figures teasing frolicking lions with ribbons—an auspicious subject with a long history in Chinese art. The hardness of jade is second only to that of diamonds. The delicate carvings on these plaques present the impressive craftsmanship of the jade carver.

Hairpins
China, Qing dynasty (1644-1911)
Silver and kingfisher feather
5 ¾” to 5 ¼”x3 ¼” by 3 1/8”
Purchased with funds provided by the Bessie Timon Endowment Fund
2021.1.4.a-c

The set of three gilt silver hair pins is an exciting addition to SAMA’s collection of Chinese dragon robes, embroidered brocade, shoes, and jewelry—all items from the wardrobes of upper-class families. All three hairpins are inlaid with kingfisher feathers, whose colors are as brilliant as azurite, lapis, cobalt, and turquoise. They were iridescent under the sunlight, creating a dazzling visual effect. Kingfisher feathers were a luxury material used on hair ornaments and crowns for thousands of years. The dominant image on each hairpin is a stylized bat with foliate wings outlined in thin silver. Bats are considered auspicious because the word bat is pronounced the same as luck and blessing.

The San Antonio Museum of Art serves as a forum to explore and connect with art that spans the world’s geographies, artistic periods, genres, and cultures. Its collection contains nearly 30,000 works representing 5,000 years of history. Housed in the historic Lone Star Brewery on the Museum Reach of San Antonio’s River Walk, the San Antonio Museum of Art is committed to promoting the rich cultural heritage and life of the city. The Museum hosts hundreds of events and public programs each year, including concerts, performances, tours, lectures, symposia, and interactive experiences. As an active civic leader, the Museum is dedicated to enriching the cultural life of the city and the region, and to supporting its creative community.

Plaque with a Standing Lion China, Liao dynasty (907-1125) Gilt Bronze L. 8 3/8″ W. 4 7/8″ Purchased with funds provided by the Bessie Timon Endowment Fund 2021.1.2 Courtesy photo, used with permission.