Book review: ‘Revival’ by Stephen King

‘Revival’ by Stephen King. Photo: Amazon

Stephen King is the author of more than sixty books, all of them worldwide bestsellers. His recent work includes the short story collection “You Like It Darker,” “Holly,” “Fairy Tale,” “If It Bleeds,” “Sleeping Beauties” (cowritten with his son Owen King), and the Bill Hodges trilogy: “End of Watch,” “Finders Keepers,” and “Mr. Mercedes” (an Edgar Award winner for Best Novel and a television series streaming on Peacock). He is the recipient of the 2020 Audio Publishers Association Lifetime Achievement Award, the 2018 PEN America Literary Service Award, the 2014 National Medal of Arts, and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. His 2015 book “Revival” is a dark and electrifying novel about addiction, fanaticism, and what might exist on the other side of life. (Amazon, 2024)

Synopsis:
“Revival” – In a small New England town, over half a century ago, a shadow falls over a small boy playing with his toy soldiers. Jamie Morton looks up to see a striking man, the new minister. Charles Jacobs, along with his beautiful wife, will transform the local church. The men and boys are all a bit in love with Mrs. Jacobs; the women and girls feel the same about Reverend Jacobs—including Jamie’s mother and beloved sister, Claire. With Jamie, the Reverend shares a deeper bond based on a secret obsession. When tragedy strikes the Jacobs family, this charismatic preacher curses God, mocks all religious belief, and is banished from the shocked town.

Jamie has demons of his own. He plays guitar in bands across the country, living the nomadic lifestyle of bar-band rock and roll while fleeing from his family’s horrific loss. In his mid-thirties—addicted to heroin, stranded, desperate—Jamie meets Charles Jacobs again, with profound consequences for both men. Their bond becomes a pact beyond even the Devil’s devising, and Jamie discovers that revival has many meanings.

Review:
Like all the best novels from Stephen King, this story develops over five decades and follows Jamie Morton’s life from child to adult. His life is linked to Charles Jacobs right from the beginning and Jamie is thus destined to witness his chilling journey from minister to a madman obsessed with electricity and the afterlife. King masterfully weaves together elements of horror and psychological suspense to create a narrative that is both gripping and thought-provoking.

His vivid characterization and immersive storytelling transport readers into a world where the line between science and the supernatural blurs. True to his creative use of creature imagery, he doesn’t disappoint: “Now from the dead woman’s gaping mouth came a black leg with a flexing claw at the end of it. The claw was alive; it was a face.” The character development in both lead characters is impressive, which makes them highly relatable. Jacobs’ obsession with electricity is reminiscent of Victor Frankenstein, especially towards the end: “‘No heartbeat,’ he said. ‘Yet she lives. She lives!’”

“Revival” by Stephen King is a haunting exploration of obsession, faith, and the dark corners of human nature and is proof of his ability to entertain and unsettle his audience. With its eerie atmosphere and profound themes of family, death, and the afterlife, this novel is sure to leave a lasting impression on anyone who dares to venture into its pages. It is the author at his best, and this novel is recommended for longtime King fans who appreciate horror stories with flawed but fascinating characters.

“This is how we bring about our own damnation, you know – by ignoring the voice that begs us to stop. To stop while there’s still time.”

ARROW brings Pandemonium to their May 2024 streaming lineup

The French macabre horror movie Pandemonium leads ARROW’s May 2024 lineup. Courtesy photo, used with permission.

Arrow Video is excited to announce the May 2024 lineup of their subscription-based ARROW platform, available to subscribers in the US, Canada, the UK, and Ireland. Enjoy a selection of new titles, from carefully cultivated curations, shorts by new talent, and deep dives into the tastes of filmmakers whose talents have delighted audiences and shaped genre filmmaking. (Arrow Video, 2024)

The May 2024 lineup leads with the exclusive ARROW release of Quarxx’s French macabre horror Pandemonium, available May 27 in the US, Canada, UK, and Ireland.

Drawing on themes found in Dante’s Inferno and Milton’s Paradise Lost, Pandemonium is a multi-textured existential fantasy, topped with signature notes of visceral horror, disturbing fairy tale, wry comedy, and dark thriller. From the creative mind of Quarxx, comes this aesthetically stunning and relentlessly macabre tale. Pandemonium made its world premiere at Neuchâtel and went on to screen at Fantasia, Frightfest, Fantasy FilmFest, Sitges, Grimmfest, Trieste, and Screamfest and you can see it at home on ARROW with a host of brand new extras.

May Seasons bloom May 3 with Jennifer Reeder Selects (UK/IRE/US/CA)
Titles include Switchblade Sisters, The Sacred Spirit, Lady Morgan’s Vengeance.

Also on May 3, subscribers in all territories can enjoy a pair of underseen violent short films.
The Host (UK/IRE/US/CA): In this tense-as-hell 1960 short from Jack Hill, Sid Haig plays an on-the-run cowboy who is laying low. But, to remain safe and appease a local tribe, he must commit another terrible crime. Hill and Haig’s incredible talents were burning bright right from the beginning in an atmospheric, violent debut feature that is not to be missed.

The Adventures of Denchu-Kozo (UK/IRE/US/CA): Hikari is a boy who is bullied at school because he has an electricity pole growing out of his back. One of his classmates named Momo comes to his rescue and he thanks her by sharing his secret possession with her: a time machine. Activating the time machine transports him 25 years into a dark, dystopian, world of the future. There he encounters members of the Shinsengumi Vampire Gang who are hunting a woman named Dr. Sariba who is revealed to be Momo’s future self. He and he alone must save the world.

On May 10, head to the fields and forests and watch Cunning Folk (UK/IRE/US/CA).
Cunning Folk is a collection of folklore and folktales, the locals who believe in them and the outsiders who inevitably fall foul of them. If you know what’s good for you, you will fear, respect and uphold the Old Ways of the Cunning Folk. Or else…
Titles include The Wyrm of Bwlch Pen Barras, Threshold, Bloody Spear at Mount Fuji.

On May 10, enjoy a trio of recent additions to the indie horror lexicon.
Legs (UK/IRE/US/CA): Joy and Harry are trying to have a baby. One night, Joy swallows a spider in her sleep. When Joy subsequently develops an insatiable appetite for flies, it dawns on her that there may be more than one way of becoming a mother.

The Afterlife Bureau (UK/IRE/US/CA): “There’s something which comes after death and before you meet your maker… paperwork.” The Afterlife Bureau is a dark comedy in which brings Earthly nuisances such as bureaucracy to the afterlife.

Ouzo and Blackcurran (UK/IRE/US/CA): Two old friends take a trip down memory lane, but they are not alone – there’s someone there who never left.

On May 17, stay up all night and watch The City that Never Sleeps (UK/IRE/US/CA).
On ARROW, the Big Apple is known as The City That Never Sleeps because the films set on its streets will give you nightmares. Psychopathic gangsters, deranged killers, out-of-control street gangs, even zombies and misshapen, deadly ex-conjoined twins, get a taste of an older, scarier, grittier, scuzzier New York in The City That Never Sleeps.
Titles include: The Driller Killer, Basket Case, Mammoth.

Also on May 17, enjoy origin stories of genre legends.
Eaten Alive (UK/IRE/US/CA): Nearly a decade before he donned Freddy Krueger’s famous red and green sweater, horror icon Robert Englund delivered a supremely sleazy performance in Eaten Alive, another essay in taut Southern terror from Tobe Hooper, director of The Texas Chain Saw Massacre. Oozing atmosphere from its every pore, Eaten Alive matches The Texas Chain Saw Massacre for sheer insanity helped in no small part by some marvelous histrionics from Chain Saw star Marilyn Burns and William Finley.

Spider Baby (UK/IRE/US/CA): This was the first solo feature by Jack Hill, whom Quentin Tarantino dubbed “the Howard Hawks of exploitation filmmaking,” and it remains one of his wildest and weirdest. Lon Chaney Jr gave one of his most memorable late performances as Bruno, their guardian and protector, who has managed to cover up their crimes until two distant relatives lay claim to their house. When they insist on moving in, Bruno has to cross his fingers and hope that the ‘children’ behave towards their new guests.

On May 24, slide into The Ick (UK/IRE/US/CA).
Guaranteed to gross you out and featuring the sleaziest and skeeziest films on ARROW, this one is bound to give you The Ick.
Titles include Doom Asylum, Hellish Flesh, The Baby.

On May 31, ARROW closes out the lineup by sending audiences to Heaven or (Mostly) Hell (UK/IRE/US/CA).
Recently dead and stuck in limbo with a very important choice to make, up or down. Who knows if we get a choice of paradise or the abyss à la the beginning of Quarxx’s film Pandemonium? We’ve tried to give you a choice in this collection, but let’s be honest, on ARROW, the choice favors purgatory more than the pearly gates.
Titles include Pandemonium, Hotel Poseidon, A Ghost Waits.

Head over to ARROW to start watching now.
Subscriptions are available for $6.99 monthly or $69.99 yearly.

ARROW is available in the US, Canada, the UK and Ireland on the following Apps/devices: Roku (all Roku sticks, boxes, devices, etc.), Apple TV & iOS devices, Samsung TVs, Android TV and mobile devices, Fire TV (all Amazon Fire TV Sticks, boxes, etc.), and on all web browsers.

With a slickly designed and user-friendly interface, and an unparalleled roster of quality content from westerns to giallo to Asian cinema, trailers, Midnight Movies, filmmaker picks and much, much more, ARROW is the place to go for the very best in on-demand entertainment.

In the coming months, ARROW will be adding Oscar-winning hits, European classics, Asian cinema masterworks, rediscovered Westerns, offbeat gems and much more as part of ARROW’s international strategy to support and celebrate the medium of film.