‘Living Beyond Borders’ Review: A Powerful Mosaic of the Mexican American Experience

‘Living Beyond Borders: Growing Up Mexican in America.’ Photo: Barnes & Noble

Stories and essays about the Mexican American experience in the United States provide a vital perspective on culture, identity, and resilience. They illuminate the struggles and triumphs of a community that has shaped American history, offering insights into immigration, family, tradition, and social justice. These narratives resonate with readers of all backgrounds by exploring universal themes of belonging, perseverance, and the pursuit of the American Dream. They also challenge stereotypes and foster understanding, making them essential in a diverse society. By engaging with these stories, readers gain a richer, more inclusive view of the American experience as a whole.

“Living Beyond Borders: Growing Up Mexican in America,” edited by Margarita Longoria, is a compelling anthology that features short stories, poetry, essays, and comics to paint a vivid portrait of the Mexican-American experience. Featuring a diverse group of voices, this collection provides an intimate and multifaceted exploration of identity, culture, family, and resilience.

Each piece in this anthology offers a unique perspective on what it means to straddle two worlds—balancing the rich traditions of Mexican heritage while navigating the complexities of American society. From heartwarming tales of family bonds to sobering reflections on discrimination and the challenges of immigration, it doesn’t shy away from the struggles faced by the Mexican-American community. It celebrates its beauty, strength, and enduring spirit.

Contents:
Ghetto Is Not an Adjective – Dominic Carrillo
Yoli Calderon and Principal Hayes – Angela Cervantes
Warning Bells – Anna Meriano
I Want to Go Home – Justine Marie Narro
How to Exist in a City of Ghosts – Carolyn Dee Flores
Filiberto’s Final Visit – Francisco X. Stork
CoCo Chamoy y Chango – e.E. Charlton-Trujillo
Tell Me a Story/Dime un cuento – Xavier Garza
My Name is Dolores – Guadalupe Ruiz-Flores
“There Are Mexicans in Texas?”: How Family Stories Shaped Me -Trinidad Gonzales
Morning People – Diana López
Ode to My Papi – Guadalupe García McCall
The Body by the Canal – David Bowles
Is Half Mexican-American Mexican Enough? – Alex Temblador
Sunflower – Aida Salazar
La Migra – René Saldaña Jr.
La Princesa Mileidy Dominguez – Rubén Degollado
Ojo – Sylvia Sánchez Garza
La Llorona Isn’t Real – Xavier Garza
This Rio Grande Valley – Daniel García Ordaz

Highlights:

La Llorona – a comic about a young boy, with fear in his eyes, trying to convince himself that La Llorona is not real and therefore cannot hurt him. As children, if we misbehaved, our parents would tell us that the Llorona would come and take us. It’s short and to the point and it’s highly relatable to those of us who grew up hearing about the Llorona.

The Body by the Canal – Oscar, a young teenage boy, is swept away by Ariel, the new neighbor whose looks made him an instant target. As time goes by, they become close but fearing for Ariel’s safety, Oscar distances himself from him. He feels guilty about it, but eventually Ariel and his family move away. “Boy or girl, the kid was beautiful. And from my own experience, this town would do all it could to destroy that beauty.” This insightful story of one boy’s early experience with romance and homophobia is refreshing to read; it is seldom written about in the Mexican American community.

The range of storytelling styles and language makes it accessible and engaging for readers of all backgrounds. Whether through powerful poetry, heartfelt personal essays, or striking visual storytelling, every contributor adds depth to the broader narrative of cultural identity. The list of discussion questions at the end helps readers reflect on the themes and topics presented.

Overall, “Living Beyond Borders” is an essential read for anyone seeking to understand the richness of the Mexican-American experience, making it a powerful and necessary addition to contemporary literature. It is recommended for readers who appreciate diverse personal narratives.

“Though I was always curious and grateful for those Latinos who openly welcomed my exploration of identity, secretly, hot shame filled me inside, reminding me that I had taken so long to learn all these things.” – Is Half Mexican-American Mexican Enough? by Alex Temblador

Rating: 5 out of 5.

*The author of this blog received a copy for an honest review. The views and opinions expressed here belong solely to her.

Dallas Gets a Taste of Argentinian Indie Rock: El Mató a un Policía Motorizado at Frontera 2025

Argentinian band Él Mató a un Policía Motorizado will make its only Texas stop in Dallas. Photo: LPA Beer & Music Festival.

Él Mató a un Policía Motorizado, also known as EMAUPM or Él Mató, is an Argentinian indie rock band from La Plata established in 2003. The band has just announced their North American tour, and before they kick things off, they’ll be making a special stop in Dallas as part of Frontera 2025. This will be their only Texas performance.

This intimate 500-capacity show is free and open to the public, but RSVP is highly encouraged to guarantee entry: RSVP HERE. The performance will take place at Kessler Theater on Friday, April 11. Doors open at 7:30p.m., show begins at 8:30p.m. (Giant Noise/Southwest Review, 2025)

More information on Frontera 2025:

DALLAS – Dallas-based magazine Southwest Review, the third-longest-running literary quarterly in the United States, announces the lineup for the second annual Frontera. This year’s festivities will take place April 11–12, 2025, in Oak Cliff’s historic Bishop Arts District.

The lineup assembles artists from English-speaking North America and Spanish-speaking Latin America for a two-day celebration of literature, music, comics and film. Set to take place at The Wild Detectives, Kessler Theater and Texas Theatre, all Frontera events will be free and open to the public.

Frontera will kick off at The Wild Detectives with a conversation between American cartoonist Lynda Barry and fiction writer Mary Miller, followed by musical performances from The Paranoid Style, Karly Hartzman and Él Mató a un Policía Motorizado at Kessler Theater. RSVP highly encouraged HERE.

The second day will feature a screening of the Blood Simple (1984) by Joel and Ethan Coen, plus a conversation between award-winning author Megan Abbott and crime novelist William Boyle at the Texas Theatre. Additional readings at The Wild Detectives will feature Mateo García Elizondo, Brenda Lozano, Ashleigh Bryant Phillips, Joseph Grantham, Brenda Navarro, Federico Perelmuter, Julia Kornberg, Patricio Ferrari, Eli Cranor, and Kimberly King Parsons, offering audiences a chance to engage with some of the most compelling voices in contemporary literature.

Guests are invited to the festival’s final event at The Wild Detectives featuring a celebratory DJ set running from 7:30p.m. until close.

Because the Southwest is a place where borderlands converge, the region is dependent on the two-way flow of language and culture. Southwest Review has long championed Latin American literature in translation, working closely with independent publishers to introduce groundbreaking voices to new audiences. Thanks to the generous support of the Southern Methodist University Department of English, Frontera brings this editorial vision to life in an increasingly bilingual North Texas region.

Photo: Frontera 2025