trauma ray’s Carnival EP Is a Dark, Shoegaze-Fueled Descent Into Unease

trauma ray announces new album – Carnival. Photo: Erasmo Viera, used with permission.

trauma ray Explores the Dark Funhouse on Carnival EP

trauma ray’s Carnival EP captures the Fort Worth five’s strongest, most intense, and exploratory work within the boundaries of a whirlwind year. Carnival delves into moodier, more cerebral material, like holding their past excursions against a funhouse mirror. There’s a distinct sense of unease in these songs, built in a fleeting window of time, proving the band works best under pressure and when pulling from the darkest corners of their subconscious. (another side, 2026)

Carnival will be available on February 20 via Dais Records.
Pre-save / pre-order here.


Following the Breakout of Chameleon

Carnival follows the breakout success of Chameleon, trauma ray’s 2024 debut on Dais Records. The album helped firmly establish the band amidst the current wave of shoegaze revivalists. Increasingly agile, trauma ray has proven able to weave between scenes, touring extensively with the likes of Deafheaven, Loathe, Touché Amoré, and more.

A confluence of blitzing riffs and stark beauty, trauma ray’s sound continues to evolve, nodding to loud-quiet-loud greats across metal, grunge, and shoegaze, from Slowdive to Smashing Pumpkins.


New Single: “Hannibal”

trauma ray’s new single and video, “Hannibal,” contorts with a tinge of unprecedented evil, slithery and, as vocalist Uriel Avila puts it, “Stone Temple-y, Alice in Chains-y.” Lyrically, the track taps into teenage angst and the feeling of being dissected and rejected.

“It’s a song about the feeling of doing your best as an individual yet still falling short in the eyes of those you hope to make proud,” Avila explains.

“A lot of it stems from internal battles I faced growing up with my father, role models, and religion. Some of it comes from more recent experiences of being put under the microscope by my peers. It’s a gut-wrenching sensation that I was able to tie lyrically to the visceral mood of the instrumentation that kicks off the track and begins the journey through Carnival’s overall theme.”


Recording Under Pressure

During a brief break in their relentless touring schedule last summer, trauma ray regrouped in Texas for a few days to record a flurry of tracks, later sent to Corey Coffman for mixing and mastering. Core songwriting duo Avila and guitarist Jonathan Perez welcomed increased contributions from the rest of the band, most notably guitarist Coleman Pruitt and bassist Darren Baun, who brought an eerier strain of rhythmic and textural ideas.

This shift coincided with a growing sense of collective dread and anxiety, visually captured in a striking photo set of a deserted amusement park near Brighton, England. Shot on tour by drummer Nicholas Bobotas, the images now serve as the EP’s artwork.


Track-by-Track Through the Funhouse

The wordless opener “Carousel” ushers in Carnival’s unsettling atmosphere, with blasts of static and downcast strums giving way to “Hannibal,” the anthemic lead single packed with power riffs and raw emotion.

“Méliès,” named after French illusionist and filmmaker Georges Méliès, cuts between heavy, sludgy chords and a skyward chorus—“from something scary to like a dream state,” Avila says, channeling the surreal abstraction of its namesake.

“Funhouse” dips into doom metal, featuring sparse guitar work and possibly the band’s slowest BPM yet. Lyrics play with shifting perspectives, culminating in a call-and-response outro—“take my hand / this is not your wonderland”—that conjures opposing forces or frames of mind.


A Jarring Exit: “Clown”

In contrast, the final track “Clown” jolts, flashes, and pummels, like emerging from the other end of a house of horrors, now immersed in the disorienting lights of the carnival. Personified by a knotty, synth-soaked lead guitar squall, the song evokes Robin Williams as an archetype of tragic happiness: those who work hardest to make others laugh may privately be the saddest.

Sonically, the band cites influences like Failure’s “Undone” and “Stuck on You,” alongside the omnipresent Loveless. The result speaks to trauma ray’s growing strength: five musicians absorbing, synthesizing, and expanding on what they love.

Carnival offers a brief, highly loopable detour into darkness from a band growing more formidable by the mile.


Carnival EP tracklist: 

1 – carousel
2 – Hannibal
3 – Méliès
4 – Funhouse
5 – Clown


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Latin Music Powerhouse Kings Del Wepa Announce 2026 U.S. Tour

Kings Del Wepa U.S. tour has arrived. Photo: Vesper Public Relations, used with permission.

Kings Del Wepa Announce February 2026 U.S. Tour Dates with Live Nation

Los Angeles, CA — Los Angeles–based production hub Misterpsychedelia has partnered with Live Nation to announce the Kings Del Wepa February 2026 U.S. tour, bringing the group’s high-energy cumbia wepa live performance to five cities across California and Texas. (Vesper Public Relations, 2026)

The February 2026 tour marks a major milestone in Kings Del Wepa’s U.S. touring expansion, with headline shows in key West Coast and Texas markets.


Kings Del Wepa 2026 U.S. Tour Dates

  • February 10, 2026 — Ace of Spades — Sacramento, CA
  • February 12, 2026 — The Regent Theater — Los Angeles, CA
  • February 17, 2026 — House of Blues — Houston, TX
  • February 18, 2026 — The Echo Lounge & Music Hall — Dallas, TX
  • February 19, 2026 — The Aztec Theatre — San Antonio, TX

Each concert will feature a 75–90 minute headline set, delivering the full Kings Del Wepa live experience, immersive, percussive, and built for movement. Tickets available here.


Who Are Kings Del Wepa?

Originating from Monclova, Coahuila, Mexico, Kings Del Wepa are known for their commanding stage presence, deep rhythmic roots, and genre-bending sound that fuses traditional cumbia with modern Latin influences.

Their live shows blur the line between concert, cultural ceremony, and dance-floor celebration, making them a standout act in the contemporary Latin music scene.


Popular Kings Del Wepa Songs

Kings Del Wepa have built a strong catalog of fan-favorite tracks that frequently appear on cumbia wepa and Latin dance playlists, including:

Cumbia Lorana, Medio Metro, La Bomba Arabe, Mi Abuela Baila Wepa, La Sampuesana Regreso, Atrévete, Meneando Cinturita, Cumbia de la Cinta, Hey Morros, Wepiriski, and Cumbia Cartagena.

Fans of both traditional cumbia and modern Latin music connect with the band’s catchy melodies, contagious rhythms, and uplifting lyrics, an authentic reflection of Mexico’s rich cultural heritage.


Misterpsychedelia and Live Nation Partnership

The 2026 U.S. tour represents a strategic collaboration between Misterpsychedelia and Live Nation, blending global touring infrastructure with curator-driven programming rooted in underground, international, and Latin music cultures.

Photo: Vesper Public Relations

Final Gasp Expands Their Sound on New Album ‘New Day Symptoms’

New Day Symptoms is the new album by Final Gasp, due out February 27. Courtesy photo, used with permission.

Final Gasp Announce New Day Symptoms

Steeped in nocturnal death rock adventurism, driven by post-punk anxiety that feels increasingly like the twitching heart of our modern age, and fueled by hardcore punk intensity, the second studio album from Boston’s Final Gasp, New Day Symptoms, does what all great rock records do. (another side, 2026)

Not only does it place itself within a lineage, summoning and amplifying a spectrum of powers from rock ’n’ roll lore, it makes them resonate in the here and now. The album gives voice to the fears and frustrations lurking just under the surface of waking consciousness and transforms them into a rallying cry.

Produced by Arthur Rizk, New Day Symptoms will be released on February 27 via Relapse Records. Pre-order/Pre-save here.


Channeling Fury and Reflection

Throughout New Day Symptoms, Final Gasp creates a potent emotional reaction, balancing fury and forlorn introspection. Frontman Jake Murphy vocalizes both a supercharged howl into the void and a remorseful echo back, capturing the album’s emotional duality.


Lead Single: “The Apparition”

The lead single, “The Apparition,” tells what Jake describes as “a story of reality being much more horrifying than fiction.”

“It’s about a captain and his crew on a small boat. A storm came and capsized it, and he and his two crew members were forced to swim to some sort of safety. Ultimately, only he survived—having to watch his two friends be taken away by something that could have been avoided. He knew a storm was coming but thought they could make it. It’s all about bad timing and facing the consequences.”

“The Apparition” is available now, along with its haunting video directed by Caleb Gowett and Bill Politis.


Expanding the Sound

Where Final Gasp’s acclaimed 2023 debut, Mourning Moon, was a concentrated shot of acrid underground death rock, its propulsion tanks largely filled with references to Samhain and Killing Joke, New Day Symptoms retains that core urgency while vastly broadening its scope.

With new space to explore, the album feels communal: a mapping of personal trials and dark recesses onto a landscape dotted with rafter-rousing marker points.


A More Democratic Process

Final Gasp’s ability to meld opposing forces into something vibrant and new is encoded into their DNA. Forging a sound that both honored and moved beyond their musical backgrounds required deep soul-searching, placing the band on a path whose destination remains open-ended.

One of the main reasons for the broadened sound on New Day Symptoms is that the album was written far more democratically than Mourning Moon, allowing multiple creative voices to shape its direction.


Themes of Acceptance and Moving Forward

That open-mindedness, paired with a firm grip on underground roots, gives New Day Symptoms its galvanizing force. While its predecessor dealt directly with personal loss and anxiety, this album approaches similar themes from a different angle.

“With this one, I didn’t want it to be as personal,” says Jake. “But then reading the lyrics back, I ended up feeling differently about them—they were personal on a different level. A lot of these songs are written from an outside perspective, what could’ve happened if things were different, but ultimately it didn’t end that way. You can’t change what’s already been done, so you just have to move on. It just means it’s a part of who you are now.”


A Record Built to Last

Above all, New Day Symptoms is one of those rare killer rock ’n’ roll albums whose conviction and honesty set it apart, an album primed to stand the test of time.

As acclaimed tours with Abbath, Gatecreeper, Fiddlehead, Poison Ruin, Devil Master, and Imperial Triumphant make clear, Final Gasp’s appeal is both expansive and unbounded.

Last month, Final Gasp announced a headlining North American tour which crosses both coasts, the Midwest and more.

See below for a full list of dates. Tickets are on sale here.

Feb 26: Cambridge, MA – Sonia
Mar 01: Cincinnati, OH – Dsgn Clltcv
Mar 02: Kansas City, MO – Howdy
Mar 04: Denver, CO – Bar 404
Mar 05: Salt Lake City, UT – Aces High Saloon
Mar 07: Portland, OR – The High Water Mark
Mar 08: Vancouver, BC – The Cobalt
Mar 09: Seattle, WA – The Funhouse
Mar 11: Sacramento, CA – Cafe Colonial
Mar 12: Oakland, CA – Stork Club
Mar 13: Los Angeles, CA – The Moroccan Lounge
Mar 14: Joshua Tree, CA – Joshua Tree
Mar 15: San Diego, CA – Brick By Brick
Mar 16: Mesa, AZ – The Nile Underground
Mar 19: Tulsa, OK – Whittier Bar
Mar 20: Austin, TX – The Lost Well
Mar 21: Dallas, TX – Dusty’s
Mar 22: Little Rock, AR – Vinos


Final Gasp is:
Jake Murphy – Vocals
Alex Consentino – Guitar/Synth
Sean Rose – Bass
Peter Micanovic – Guitar
Kevin Ordway – Drums

Photo: Caleb Gowett, used with permission


New Day Symptoms tracklist:
01 – Eternal Silence
02 – Look Away
03 – The Apparition
04 – Gifted Shame
05 – No Hand To Lead
06 – Prediction
07 – Burials Of Birth
08 – Fractures
09 – New Day Symptoms
10 – Pale Sun


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Bad Brains Partners With Trust Records to Preserve Punk’s Most Powerful Legacy

Bad Brains 1981 backstage at CBGB New York City. Photo: Glen E. Friedman, used with permission.

Bad Brains Partners With Trust Records to Preserve Punk Legacy

NEW YORK, NY —  The iconic and highly influential punk rock band Bad Brains announced last month that they have partnered with Trust Records, the company formed to ensure that classic punk and hardcore music continues to endure. (another side, 2025)

A New Chapter With Trust Records

Under the new deal, Trust Records will ensure that Bad Brains’ music remains available for generations to come. In addition, Trust Records has established an Artist Advisory Board, on which Bad Brains bassist Darryl Jenifer will serve. The board will help guide the future creative vision of Trust Records.

The partnership will govern and administer the entirety of Bad Brains’ owned and controlled intellectual property, including:

  • Music publishing
  • Recorded music
  • Name and likeness
  • Trademarks
  • Visual intellectual property

This includes the band’s self-titled debut album as well as seminal releases Rock for Light, I Against I, and Quickness.

Darryl Jenifer on the Partnership

“After 40 plus years of forging the spirit PMA through our brand of progressive punk rock aka Hardcore, I’m happy that Bad Brains will be sharing the wheel with TRUST in our ongoing quest to keep Bad Brains alive in the hearts and minds of our supporters as we step into the future. TRUST’s love and knowledge of Bad Brains and the PMA ethos makes them a perfect match to partner with as we keep Bad Brains ‘Sailin’ On’. Stay tuned for what’s next to come. One love and a hefty dose of PMA.”
Darryl Jenifer, Bad Brains bassist

The Legacy of Bad Brains

Formed in 1978 in Washington, DC, Bad Brains is one of the most influential American recording artists to emerge from the punk and hardcore scene. The band’s pioneering artistry, strong ethics, and virtuosic musicianship have had a profound effect on global culture.

Bad Brains are cited as an influence by countless artists, including Rage Against the Machine, Beastie Boys, Metallica, Red Hot Chili Peppers, No Doubt, Sublime, Green Day, Pearl Jam, Foo Fighters, and Deftones.

The original lineup consisted of H.R. (vocals), Dr. Know (guitar), Darryl Jenifer (bass), and Earl Hudson (drums).

Trust Records on the Partnership

“We started Trust Records to promote, preserve, and protect punk and hardcore music and the culture that surrounds it. Bad Brains is the absolute top of the mountain in punk and hardcore. They taught the rest of us how to do it. It is the highest honor to partner with Darryl and Bad Brains in the stewardship of their iconic work.”
Matt Pincus, Founder, Trust Records

“Bad Brains are an iconic and legendary band whose impact on global culture cannot be overstated. We are thrilled that they’ve chosen Trust Records as their home and we look forward to working with them to continue to build their fan base around the world.”
Joe Nelson, Co-founder, Trust Records


About Trust Records

Founded in 2020, Trust Records was created to give classic punk and hardcore records the home they deserve. Born from DIY roots, the genre’s most influential releases shaped generations of disaffected youth around the world. As the industry moves further into the streaming age, preserving both the spirit and legacy of this music is more important than ever.

Trust Records focuses on ensuring this music remains accessible to future generations while maintaining historical accuracy and high-quality releases.

Their catalog includes 40th Anniversary Deluxe editions of Circle Jerks’ Group Sex and Wild in the Streets, 7Seconds’ landmark 1984 album The Crew, and reissues of Youth Brigade’s Sound and Fury, DFL’s My Crazy Life, SSD’s The Kids Will Have Their Say, Ink & Dagger’s The Complete Works, and more.

Worm Unveils the Dark Majesty of Necropalace

Worm announces new album Necropalace. Photo: Andreas Marschall, used with permission.

Worm Walks Backwards Into the Future with Necropalace

Worm has incessantly built upon their sonic palette of “Necromantic Black Doom” with roots in nearly every worthy corner of extreme metal’s history, from the grandiose heights of ’90s symphonic black metal to the emotional technicality of ’80s shred metal. (another side, 2025)

Four years after their acclaimed full-length Foreverglade, Worm emerges with their next studio album and first release with Century Media Records, Necropalace. The Floridian band has only grown more powerful, showcasing a level of grandiose songcraft that is beyond modern compare. On Necropalace, Worm has managed to do what many others in this day and age can only attempt: they walk backwards into the future.


A World Untouched by Time

Necropalace lives in a world of its own.

A world of lush velvet and ostentatious gold, covered in the dust of time.
A world where shadows seem to move in your peripheral vision, yet the loneliness never ceases.
A world where wounds of the flesh may heal, but those of the heart never do.


The Gates Open: “Necropalace”

The nightmarish omnipotence of album opener and title track “Necropalace” ushers the listener into a journey through obsessive bloodlust. Spellbinding, powerful vocals from Phantom Slaughter guide the descent, while guitarist Wroth Septentrion flaunts his stunningly masterful songwriting throughout.

“Necropalace” feels like an endless maze of subterranean, candle-lit corridors, each riff constantly shifting and evolving. With multiple listens, however, one discovers that the maze contains many paths that ultimately converge into one another.


Into the Crypt: “Blackheart”

Worm’s latest single, “Blackheart,” is a descent into the nether vaults of the Necropalace. As you make your way through the crypts and catacombs beneath the castle, you find Nightfang’s resting place. Beside his black coffin sits the Blackheart, encased in ice and glowing blood red.

This occult artifact pumps life into the ancient palace walls and keeps the vampire lord immortal.

“Blackheart” serves as part two of Worm’s official Necropalace short-film series, heavily inspired by their obsession with horror from the ’80s and ’90s. Director Norman Cabrera, Producer Maya Kay, and Colorist Alex Nicolaou, under the direction of Ted Nicolaou, continue to bring Worm’s dark fantasy into reality following “Necropalace,” now deepening the vision with “Blackheart.”


The Infernal Masquerade

Enter if you dare, but know the consequences of your choice.

Through the opulent finality of album closer “Witchmoon: The Infernal Masquerade,” featuring guitar virtuoso Marty Friedman, Necropalace reveals itself as the true sonic representation of unbridled, night-bound maleficence.

The album manifests as the soundscape to a star-laden winter sky reflecting off the Everglades’ darkest slough, where death meets the deathless. This is a vociferous call to action for anyone who still possesses ancient vampiric blood in their veins.

Prepare yourself for a full-force attack of zealous guitar agility and heretic spellcraft.

The gates are now open.


Release Information

Necropalace will be released February 13, 2026 via Century Media Records. Pre-order/Pre-Save here.

Necropalace tracklist:
1 – Gates to the Shadowzone (Intro)
2 – Necropalace
3 – Halls of Weeping
4 – The Night Has Fangs
5 – Dragon Dreams
6 – Blackheart
7 – Witchmoon – The Infernal Masquerade (Feat. Marty Friedman)



Photo courtesy of artist, used with permission.

The Enduring Legacy of SNFU’s …And No One Else Wanted to Play

SNFU reissues pivotal punk LP ‘…And No One Else Wanted to Play.’ Photo: Doug Humiski, used with permission.

SNFU’s …And No One Else Wanted to Play Turns 40

Trust Records Announces Deluxe Anniversary Reissue

In 1985, underground rock was staunchly divided. At the heart of it was the crossover movement, the confounding middle ground between the longhairs and their arch enemies, the punks and hardcore kids. While each style had its own version of the punk-meets-thrash approach (itself a confrontation of scene norms), hardcore punk found its true disruptor in SNFU. (another side, 2025)

By bucking all the rules and writing their own, SNFU created a singular document that proved frenetic hardcore pacing and genuine catchiness were not mutually exclusive.

Trust Records is proud to announce the reissue of the bona fide classic, SNFU’s debut full-length …And No One Else Wanted to Play.


A 40th Anniversary Release

This reissue marks the 40th anniversary of the pivotal album and is available now in stores and across digital retailers.

The physical release includes two versions:

  • Standard Edition: A repress of the original LP
  • Limited Deluxe Edition:
    • Housed in a box set
    • Includes a bonus rarities LP featuring all-new artwork incorporating elements from the original seminal release
    • Accompanied by a 104-page book documenting the band from 1981–1985

Inside the Deluxe Book

The 104-page book is a treasure trove for fans and historians alike, featuring:

  • Unseen early photographs
  • Original fanzine interviews
  • Flyers, letters, and assorted ephemera
  • Ty Stranglehold’s oral history of SNFU (1981–1985)
  • Vocalist Chi Pig’s original yearbook photo

Both editions are available in several color variants.


A Cornerstone of Skate Punk

…And No One Else Wanted to Play stands as a cornerstone of skate punk and a monument to punk rock writ large, helping usher in the burgeoning genre of melodic hardcore.

With the sung vocals of Mr. Chi Pig, the dueling guitars of the Belke brothers, and a pummeling rhythm section capable of blinding velocity and sudden turns, the album achieves the rare feat of doing it all, anchored by a deep-rooted sense of melody and an ear for well-honed songwriting.

Across fourteen classic tracks, SNFU proves they can stand comfortably alongside genre-defining acts like Bad Religion, 7 Seconds, and the Descendents, influencing countless artists and sparking a shift still felt across modern music today.


The Origins of SNFU

SNFU formed in 1981 in Edmonton, Alberta, with core members:

  • Mr. Chi Pig (Ken Chinn) – vocals
  • Marc “Muc” Belke – guitar
  • Brent “Bunt” Belke – guitar

Bonding over skateboarding and punk, the band originally went by Society’s NFU (short for No F*cking Use).

The debut LP was recorded across two hectic days at Track Record Studios in Hollywood, CA, in December 1984, with BYO Records founders Mark and Shawn Stern producing. Jimmy Schmitz (bass) and Evan C. “Tadpole” Jones (drums) rounded out the lineup, departing shortly after the sessions.


Hitting the Road and Making History

Following the album’s release, SNFU embarked on a 48-date North American tour, spreading these then-new classics live and earning cult success from coast to coast.

With the release of …And No One Else Wanted to Play, and the shows that followed, those cities, and the world of punk, would never be the same. And now, after decades out of print, neither will your turntable.


New Music Video: “Cannibal Café”

SNFU is also pleased to share their new official music video for album centerpiece “Cannibal Café.” Compiled by Nathan Drillot, the video features unseen live footage and a special appearance by Mike Belke.


…And No One Else Wanted to Play – Standard LP tracklist:

Side One
1. Broken Toy
2. She’s Not on the Menu
3. Money Matters
4. I’m Real Scared
5. Joyride
6. Seein’ Life Through the Bottom of a Bottle

Side Two
7. Cannibal Café
8. Misfortune
9. Plastic Surgery Kept Her Beautiful
10. The Gravedigger
11. Bodies in the Wall
12. Get Off Your Ass
13. Loser at Life / Loser at Death
14. This Is the End

Jason Derulo Brings Holiday Magic With New Christmas Single ‘Miracle’

Jason Derulo’s new holiday song “Miracle” blends pop-R&B warmth, gratitude, and seasonal magic. Photo: Miller PR, used with permission.

Jason Derulo Releases New Holiday Song “Miracle”: A Feel-Good Christmas Anthem

Los Angeles, CA — Multi-Platinum global superstar Jason Derulo has surprised fans with a festive new release just in time for the holidays. His new Christmas single, “Miracle,” released via Create Music Group, is now available on all major streaming platforms. (Miller PR, 2025)

The holiday track blends classic Christmas warmth with Derulo’s signature pop-R&B sound, delivering an uplifting anthem that celebrates gratitude, love, and togetherness.

Jason Derulo’s “Miracle” Captures the Meaning of Christmas

Miracle” is a feel-good Christmas song that highlights Jason Derulo’s unmistakable vocals while embracing the emotional heart of the holiday season. Through its reflective lyrics, the song explores how life’s simplest moments, family connections, unexpected kindness, and everyday love, are often the real miracles.

Rather than focusing on grand gestures, Derulo reminds listeners that the true magic of Christmas lives in quiet, ordinary joys that bring people together.

Photo: Miller PR

A Successful Year for Jason Derulo

The release of “Miracle” follows a standout year for the global hitmaker. Earlier this year, Jason Derulo released the pop anthem “Who Hurt You,” which quickly gained viral momentum, reaching 316 million streams in just eight weeks.

His previous single, “Snake,” featuring Nora Fatehi, has also made a major impact, accumulating over 124 million views online and reinforcing Derulo’s ability to create globally resonant hits.

Jason Derulo’s Social Media Influence

Jason Derulo remains one of the most influential musicians in the digital space. With nearly 250 million followers across social media platforms, including over 66 million followers on TikTok, he is currently the fourth most-followed male artist on TikTok.

His massive online presence continues to amplify his reach, making him one of the most visible and influential pop artists in today’s music landscape.

“The Last Dance World Tour” Kicks Off in 2026

On January 30, Jason Derulo will launch “The Last Dance World Tour,” featuring 25+ arena dates across the UK and Europe scheduled for early 2026. Additional tour dates are expected to be announced. Fans can view the complete tour schedule on his official website.


About Jason Derulo

With nearly 250 million followers worldwide, Jason Derulo is a true multi-platform powerhouse and one of the most successful pop and urban artists of his generation.

Originally known as the “kid from a Haitian family in Miami,” Derulo’s rise to global stardom has been built on consistency and creative evolution. He has sold over 250 million singles and generated tens of billions of streams, with a catalog that includes chart-topping hits like “Talk Dirty” (feat. 2 Chainz), “Wiggle,” “Swalla,” and “Savage Love.” “Savage Love” reached No. 1 on the Billboard Hot 100 and topped charts in 16 countries.

Known for genre-blending collaborations with artists such as BTS, Nicki Minaj, Luke Bryan, and Michael Bublé, Jason Derulo continues to shape global pop culture through both music and social media.


Sacred Bones Unveils Remastered Alan Vega Classics and Rare Archival Gems

The Vega Vault Project and Sacred Bones to reissue Alan Vega’s first two trailblazing solo albums. Photo: Peter Noble/Redferns

Alan Vega’s Legacy Continues: Sacred Bones Announces Remastered Reissues and Deluxe Editions

The Vega Vault Project and Sacred Bones Records are once again unearthing the extensive body of work left behind by Alan Vega, visionary visual artist, musician, and poet. Their latest announcement brings exciting news: the reissue of Vega’s landmark 1980 self-titled debut, along with its follow-up, Collision Drive. (another side, 2025)

Remastered From Original Tapes & Streaming for the First Time

Both albums have been newly remastered from the original tapes and are available on streaming platforms for the first time ever. Sacred Bones Records will re-release the albums with a commitment to preserving the raw intensity of Vega’s original recordings while making them newly accessible to listeners worldwide.

These carefully curated reissues will be accompanied by Alan Vega Deluxe Edition, a limited deluxe double LP packed with unheard demos, unseen photos, new artwork, and Vega’s original track sheets from his 1978 Suicide / The Clash tour notebook.

Release Date and Availability

Alan Vega, Collision Drive, and the Alan Vega Deluxe Edition all arrive on January 23, 2026. The deluxe edition, available as a limited double LP, is positioned as the definitive version of Vega’s solo debut. Pre-order/Pre-save here: Alan Vega, Alan Vega Deluxe Edition, Collision Drive.

A Look Back at Vega’s Solo Breakthrough

Released in 1980, Alan Vega arrived at the same time Suicide released their second album, Suicide: Alan Vega and Martin Rev. Eager to explore his personal sonic identity, Vega drew inspiration from rockabilly, early rock ’n’ roll, and his lifelong admiration for Elvis Presley. Filling the spaces between Suicide sessions, he began writing and performing his own material, developing a sound that pushed even further into the edges of experimentation.

The Grit and Fire of Collision Drive

Recorded in the same year and the same New York studio as his debut, 1981’s Collision Drive expanded Vega’s artistic reach. The album delivered a harder, grittier, and more layered energy. Vega’s lyrics tapped into universal themes inspired by street culture, science fiction, politics, comics, love, and cosmic mystery. The result: a record bursting with rebellion, feeling, and the evolving spark of Vega’s creative vision.

Unearthed Demos and New Visuals

The new reissues pair the remastered original albums with early, previously unheard demos discovered in the Vega Vault by Liz Lamere and Jared Artaud. The tapes were transferred by engineer Ted Young and mastered by Josh Bonati, offering rare insights into the making of Vega’s cult classics.

All three albums include newly designed artwork by Artaud and Michael Handis, making each release a collector’s piece and an essential addition for longtime fans.


More About Alan Vega and the Vega Vault Project

Born in Brooklyn in 1938, Alan Vega co-founded the groundbreaking avant-garde band Suicide with Martin Rev in 1970. Their influence has echoed across genres for decades. Vega’s solo career took off with the hit “Jukebox Babe,” leading to a contract with Elektra Records and the release of two albums, including the cult favorite Saturn Strip, produced by Ric Ocasek.

Rejecting commercial constraints, Vega returned to his experimental roots, generating a steady stream of solo releases over the following decades, from Deuce Avenue to Dujang Prang (released on Henry Rollins’ 2.13.61 imprint), culminating in his late-career masterpiece, It. Vega viewed these albums as sonic counterparts to his visual art, capturing both the world around him and timeless, universal themes. His work remains just as relevant today.

During this prolific era, Vega began collaborating with Liz Lamere, his wife and most significant creative partner. In 2019, Lamere and Jared Artaud unearthed the lost Vega album Mutator, released in 2021, followed by Insurrection in 2024. They co-produced and mixed both records and now lead the Vega Vault Project, dedicated to bringing rare and unreleased Vega material to the public.

A third full-length collection of previously unheard recordings, Ascension Dive, is currently in development.



Alan Vega Tracklist:

01 – Jukebox Babe
02 – Kung Foo Cowboy
03 – Fireball
04 – Love Cry
05 – Speedway
06 – Ice Drummer
07 – Bye Bye Bayou
08 – Lonely


Alan Vega Deluxe Edition Tracklist:
 
01 – Jukebox Babe
02 – Kung Foo Cowboy
03 – Fireball
04 – Love Cry
05 – Speedway
06 – Ice Drummer
07 – Bye Bye Bayou
08 – Lonely
09 – Ice Drummer (Demo)
10 – Fireball (Demo)
11 – Speedway (Demo)
12 – Love Cry (Demo)
13 – Kung Foo Cowboy (Demo)
14 – Lonely (Demo)
15 – Bye Bye Bayou (Demo)


Collision Drive Tracklist: 

01 – Magdalena 82
02 – Be Bop A Lula
03 – Outlaw
04 – Raver
05 – Ghost Rider
06 – I Believe
07 – Magdalena 83
08 – Rebel
09 – Viet Vet

Begging Dog: Jeff Kleinman’s Gritty Tribute to Everyday Life

Begging Dog shares new single Common Place from forthcoming album. Photo: Photo By Kat Nijmeddin, used with permission.

Begging Dog: Jeff Kleinman’s Raw, Everyday Poetry Finds Its Voice

Begging Dog is the indie-punk project of Los Angeles–based artist and multi-instrumentalist Jeff Kleinman. Known for his work with Choir Boy, Kleinman created Begging Dog as an outlet for songs that embrace the mundane with a raw, homespun sound. The project leans into garage-punk grit and plain-language lyricism, capturing the poetry of everyday life. (another side, 2025)

A Demo That Sparked a Buzz

Kleinman’s debut, DEMO 1, spread quickly through underground circles. Word reached Dais Records, who soon signed Kleinman and announced a wider vinyl release of the original album.

Clocking in at just 26 minutes, DEMO 1 is packed with rolling bass and synth lines, charismatic riffs, and motorik drum beats. Sonically lean but emotionally weighty, the project showcases Kleinman’s distinctive storytelling and ear for melody.

Characters, Scenes, and Lived-In Observations

Lyrically, DEMO 1 drifts through a series of lived-in characters and scenes:

  • a pushy union rep
  • a mailman with a steady federal job
  • a compulsive gambler
  • a beloved neighborhood homeless man

Ex-lovers flicker in and out of several tracks, collaged into sharp, witty free verse. Kleinman cites Bruce Springsteen as an influence, not in genre, but in philosophy. He writes in “plain ink,” opting for direct simplicity over flowery prose.

Loneliness in Plain Sight

Much of DEMO 1 taps into a shared loneliness, universal and uniquely tied to life in Los Angeles. The title track anchors that feeling as Kleinman sings, “no one loves a begging dog.” Borrowed from a friend, the line encapsulates the project’s core: the world can make you feel like a begging dog searching for affection and security, yet there’s beauty in solitude, routine, and the quiet hum of everyday life.

From Solo Recordings to a Seven-Piece Band

Kleinman recorded DEMO 1 almost entirely on his own. But live, Begging Dog expands into a dynamic seven-piece band, giving the songs a new sense of scale and energy.

“No matter how good or not good you have it, you’re kind of like looking for something more,” Kleinman says. He stops short of assigning grand meaning to the work, maintaining a sense of humility that permeates the project. DEMO 1 thrives on this balance of candor, grit, and hook-driven songwriting.

Release Details

DEMO 1 was mixed and mastered by Matt Whitehurst. It’s currently streaming on all major platforms and will be released on vinyl via Dais Records on December 12. It is available for pre-order.

Kleinman’s latest single, “Common Place,” reflects on his five years living in Salt Lake City, another snapshot of everyday life reframed through Begging Dog’s honest, unvarnished lens.


DEMO 1 Tracklist:
01 – Begging Dog
02 – Cave In On Me
03 – Money Tree
04 – The Eel
05 – Laughing Boy
06 – Clamshell Tune
07 – Continuing Education
08 – Tell Me That You Love Me
09 – Common Place
10 – Here For A Good Time



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Demo 1 release date

Your Guide to December’s Backyard Stage Lineup at Otto’s

This December, enjoy live performances with crisp drinks and good eats in the heart of a true Texan ice house. Photo: Otto’s Ice House

Live Music All Month at Otto’s Ice House on the San Antonio River

Otto’s Ice House, your relaxed, riverside watering hole at the Pearl, is rolling out a fresh lineup of artists for December, and the vibes couldn’t be better. All shows are free, all-ages, and held on the backyard stage beneath the shady trees along the San Antonio River. (Otto’s Ice House, 2025)

Throughout the month, guests can enjoy soulful rock, authentic Americana, and talented folk troubadours who bring a genuine Texas energy to every song. Each artist carries a distinctly local spirit that pairs perfectly with the easygoing charm of this iconic ice house.

While you soak in the music, grab an ice-cold drink and savor Otto’s favorites like the Cantina Queso, Hill Country Deluxe Smashburger, Otto’s Last Shot, and more. It’s a welcoming spot to “come as you are,” trade tallboys, and enjoy community, all in one of San Antonio’s most scenic settings.


🎵 December Live Music Schedule

Nyles Robakiewicz

Thursdays — December 4, 11 & 18
Show begins at 6 p.m.

Paul Eldridge

Friday — December 5
Saturday — December 13
Show begins at 6 p.m.

Steven Marcus

Sunday — December 7
Show begins at 2 p.m.

Friday — December 19
Saturday — December 20
Shows begin at 6 p.m.

JJ Villarreal

Friday — December 12
Show begins at 6 p.m.

Sundays — December 21 & 28
Shows begin at 2 p.m.

Eros Garcia

Sunday — December 14
Show begins at 6 p.m.


📍 Otto’s Ice House
111 Newell Ave
San Antonio, TX 78212