Category: Music News

Posthumous Tony Joe White album Smoke from the Chimney

Tony Joe White’s Smoke from the Chimney is set for May 7 release. Photo: google

Across five decades as a performer and storyteller, Tony Joe White—a.k.a. “The Swamp Fox”—left an indelible mark on American music. His catalog offers indisputable classics such as “Polk Salad Annie” and “Rainy Night in Georgia” and his songs have been recorded by Ray Charles, Kenny Chesney, Waylon Jennings, Tim McGraw, Willie Nelson, Elvis Presley, Dusty Springfield, and Tina Turner. On Friday, May 7, Smoke from the Chimney, a nine-song album of never-before-heard Tony Joe White tunes, will be released on Easy Eye Sound. Produced by Dan Auerbach and rounded out by Nashville’s most seasoned studio musicians, Smoke from the Chimney started out as several unadorned voice and guitar demos from White’s home studio before being transformed into full band arrangements harkening back to the albums he recorded in the late 60s and early 70s in Nashville and Muscle Shoals—just as he was emerging as an internationally recognized songwriter and recording artist. (IV-PR, 2021)

On Friday, NPR/World Cafe gave fans their first listen of “Boot Money,” a gritty, thumping ode to keeping a little bit of extra scratch hidden away. “Boot Money” comes accompanied by an animated video from director Robert Schober which colorfully places White and Auerbach in the recording studio to kick off the tune before following along while White lives out the song’s storyline. Fans can see the video for “Boot Money” at this link and pre-order or pre-save Smoke from the Chimney here.

After his father’s death in 2018, Jody White, White’s son and manager, started transferring his father’s multitrack home recordings to digital files. Looking back on the moment he unearthed the demo of “Smoke from the Chimney,” he recalls a mix of happiness, gratification, and shock. As he continued to find other songs that did not make an album, he moved the material into a separate folder. Within a year, those select recordings would evolve into Smoke from the Chimney. Jody says that even in those basic tracks, that definitive Tony Joe White groove instantly stood out. “He always finds a tempo and a pocket that is exactly right. And it’s a little bit different than anybody else would choose themselves,” he says. Jody believes that his father would love the way Smoke from the Chimney turned out.

Smoke from the Chimney Track list:
Smoke from the Chimney
Boot Money
Del Rio, You’re Making Me Cry
Listen to Your Song
Over You
Scary Stories
Bubba Jones
Someone Is Crying
Billy

“Smoke From The Chimney” is more than a faithful tribute to one of the great Americana musicians and national treasures, performed by an ensemble who capture the DNA of Tony Joe White’s songs with beauty, warmth, and reverence.” – NPR’s Bruce Warren

New music release: The Waylon Sessions by Shannon McNally

The Wayon Sessions by Shannon McNally will be out Friday May 28, 2021. Photo: amazon

Born and raised on Long Island, Shannon McNally has, at various points, called New Orleans, Nashville, and Holly Springs, Mississippi, home, but it was in Los Angeles that she first came to national attention in the early 2000s with her Capitol Records debut, Jukebox Sparrows. She followed it up in 2005 with Geronimo, a critically acclaimed sophomore effort that prompted The New York Times to call her “irresistible” and the Washington Post to hail her as “a fine lyricist who often calls to mind Lucinda Williams.” With her new album, The Waylon Sessions, the prolific and wide-ranging Shannon McNally sets out to revisit the songs and spirit of Waylon Jennings, a legend with whom she has always had an ongoing fascination. The album will be released on Compass Records on May 28, 2021. (IVPR, 2021)

American Songwriter provided the very first glimpse into The Waylon Sessions with the premiere of “I Ain’t Living Long Like This” featuring Rodney Crowell, which first appeared on What Goes Around Comes Around in 1979. Hear McNally’s take on “I Ain’t Living Long Like This” here and pre-order or pre-save ‘The Waylon Sessions’ at this link ahead of its May 28 release via Compass Records in partnership with Blue Rose.

McNally knew that assembling the right band would be essential to capturing Jennings’ mix of laid-back charm and swaggering bravado, so she called AMA-winning guitarist Kenny Vaughan (Marty Stuart, Lucinda Williams) to help her assemble a team that included drummer Derek Mixon (Chris Stapleton), pedal steel legend and longtime Jennings bandmate Fred Newell, Texas keyboard mainstay Bukka Allen (Robert Earl Keen, Jerry Jeff Walker), and bassist Chris Scruggs (Marty Stuart, Charlie Louvin). Working live and raw, they tracked sixteen songs in just five days, relying on instinct and intuition to guide their decisions at every turn. As brilliant as the band’s performances are, it is McNally who breathes new life into the music here, tackling the tunes with an honesty and a maturity that transcends genre and gender. She does not swap pronouns or couch her delivery with a wink; she simply plays it straight, singing her truth as a divorced single mother in her 40s in all its beauty, pain, and power. The result is a rare covers record that furthers our understanding of the originals; an album of classics that challenges our perceptions and assumptions about just what made them classics in the first place.

The Waylon Sessions Track listing:
I’ve Always Been Crazy
You Asked Me To – feat. Buddy Miller
Out Among The Stars – feat. Jessi Colter
You Show Me Yours And I’ll Show You Mine – feat. Lukas Nelson
Black Rose – feat. Buddy Miller
This Time
I Ain’t Living Long Like This – feat. Rodney Crowell
I’m A Ramblin’ Man
Mammas Don’t Let Your Babies Grow Up To Be Cowboys
Help Me Make It Through The Night
We Had It All

“My goal wasn’t to force anything onto the music that wasn’t there already. There’s a feminine perspective hidden somewhere inside each of these songs. My job was to find a way to tap into that and draw it out.” – Shannon McNally

Bluegrass Pride presents virtual Valentine’s Day sing along

Bluegrass Pride invites public to join them for a special Valentine’s Day edition of their series. Photo: google

Bluegrass Pride, a 501(c)(3) dedicated to uplifting LGBTQ+ folks in American roots music, invites the public to join them for a special Valentine’s Day edition of their monthly livestream series, Live With Bluegrass Pride. On Sunday, February 14, 2021 at 1p.m. PST / 4p.m. EST old-time musicians, multi-instrumentalists, and educators Rachel Eddy & Em Hammond will lead Bluegrass Pride members and fans in a beginner-friendly jam-along of queer-centered love songs to celebrate the occasion. Viewers will be able to watch via BGP’s Facebook page, YouTube channel, and website. (IVPR, 2021)

Live With Bluegrass Pride benefits each month’s featured artists as well as supporting the ongoing work of Bluegrass Pride. The virtual event is free to attend, but there is a suggested $25 donation.

Launched in the fall of 2020 after the smashing success of Bluegrass Pride’s flagship virtual event, Porch Pride, Live with Bluegrass Pride is a periodic livestream series celebrating LGBTQ+ folks and their allies in bluegrass, old-time, country, and beyond. Most months, viewers enjoy songs and casual conversation from the Bluegrass Pride family of artists and bands, but on occasion, they like to include the public. So, on February 14, BGP and featured musicians Rachel Eddy (they/them) & Em Hammond (they/them) will also display lyrics, chords, and simple instructions so that anyone can play along and enjoy a beginner, slow-jam flow. As a holiday celebrating traditional and consumerist ideas of love and romance, BGP realizes that Valentine’s Day can leave queer folks feeling erased, left out, and isolated. As such, BGP has purposefully created this space for queer folks and roots music fans from across the country and around the world to join the music, fellowship, and celebration of queer, non-binary, non-heteronormative love.

Rachel Eddy is a native of West Virginia who grew up in a musical family steeped in the traditions of Appalachian music and dance. Now based in Washington, D.C., they are known throughout the world as both a dynamic, emotionally powerful performer and an engaging, thoughtful teacher. Eddy’s soulful singing and multi-instrumental finesse—including fiddle, banjo, guitar, and mandolin—may be heard on numerous solo and collaborative recordings as well as at dances and jam sessions, where they are dedicated to fostering community and sharing a love of music with others. Eddy will be joined by special guest, their partner, multi-instrumentalist Em Hammond.

New music release: Normal Isn’t Normal Anymore by Rod Abernethy

Normal Isn’t Normal is Rod Abernethy’s new album. Photo: google

Rod Abernethy is the 2019 Winner of American Songwriter’s Bob Dylan Song Contest for his riveting performance of “Oxford Town.” His last album The Man I’m Supposed To Be—produced by the legendary Don Dixon (REM, Marti Jones, The Smithereens, Marshall Crenshaw)—reached the top 10 in 2018 on the Folk DJ Chart. As a composer, he has scored and produced music for over 80 video games including the Electronic Art’s blockbuster hit “Dead Space” which won a BAFTA Award in 2009 for Best Original Score, and Tolkien’s “The Hobbit” for Vivendi Universal which won Video Game Soundtrack Of The Year in 2003.  Now, Abernethy is proud to add his new full-length album Normal Isn’t Normal Anymore to his vast catalog of works and is available for purchase here. (IVPR, 2021)

Normal Isn’t Normal Anymore is a mixture of guitar virtuosity and world-class songwriting, most of which happened on Abernethy’s last year of touring. The album has received praise from fans and critics alike, including The Wall Street Journal, who complimented his “impressive guitar-picking.” According to American Songwriter, the lead single Another Year, is “a message as poignant as it is heartwarming…this idea of unity, so valuable and necessary in these times of polarization and strife, is so beautifully done.”

Abernethy’s knack for songcraft spans from finding excitement in the mundane day-to-day to making sense of the heavier bits of life; the latter being apparent in “My Father Was A Quiet Man” and the former in the rollicking “Birds In The Chimney.” The album also features two of Abernethy’s lively, intricate guitar instrumentals like “Over The Fence,” a rollicking six-string instrumental adventure about the family coonhound who jumps the fence and roams the downtown area for hours. With star performances from some of Nashville’s finest including Will Kimbrough on guitar, it should be noted that Normal Isn’t Normal Anymore is just as much about musicianship as it is songwriting, and neither take the back seat to the other.

Normal Isn’t Normal Anymore Track Listing:
1. Just Around The Corner
2. It’s Always Something
3. Whiskey & Pie
4. My Father Was A Quiet Man
5. Birds In The Chimney
6. When Tobacco Was King
7. Normal Isn’t Normal Anymore
8. Changing
9. Just Get In The Car
10. Another Year
11. Over The Fence
12. Oxford Town

Nitty Gritty Dirt Band releases all-star cast cover of Bob Dylan classic song

Nitty Gritty Dirt Band gathers all-star cast for a timely cover of Bob Dylan’s The Times They Are A-Changin. Photo: google

Nitty Gritty Dirt Band gathers an all-star cast for a timely cover of Bob Dylan’s The Times They Are A-Changin’. In the fifty-seven years since Bob Dylan released his career-altering folksong, the times he sang of did seem to change. But now, in another period of national unrest, a President refusing to concede defeat or peacefully transfer power, and a renewed fire for justice in the long-fought battle for civil rights, Nitty Gritty Dirt Band’s new version of Dylan’s classic sounds more poignant and insistent than ever before. On Friday, JamBase shared NGDB’s star-studded version of Dylan’s classic and is available for “name your price” purchase on the band’s Bandcamp page with all proceeds going to Feeding America. On February 8, the song will become available on digital service providers with those proceeds also going towards Feeding America’s cause. (IVPR, 2021)

Amidst the compounding, pleading verses of Scottish ballad by way of Greenwich Village, the Dirt Band’s distinguished musical guests—Jason Isbell, Rosanne Cash, The War And Treaty, and Steve Earle, all of whom are no strangers to writing and singing their beliefs on record, each step to the microphone to contribute a verse with Isbell also adding slide guitar—carry the same tone and energy in their voices as the song’s writer did almost six decades ago; an unfortunate but earnest reaction to the all too evident parallels between now and then. “It moved me deeply then and that hasn’t changed,” NGDB founding member and lead singer Jeff Hanna notes. “The lyrics are as relevant today as they were when Dylan wrote it. Maybe even more so.”

Produced by Ray Kennedy, “The Time’s They Are A-Changin’” was collectively recorded up and down the east coast. John Leventhal recorded his wife, Rosanne Cash’s vocals in their New York City home studio and Steve Earle contributed his verse via the world-famous Electric Lady Studios in Greenwich Village. In Nashville, NGDB and guests joined Kennedy in his Room & Board Studio. Rounding out the already outstanding cast of characters on this track are all the current members of NGDB—Jeff Hanna (lead vocals and acoustic guitar), Jimmie Fadden (drums), Bob Carpenter (accordion), Jim Photoglo (electric bass), Jaime Hanna (electric guitar), and Ross Holmes (fiddle and mandolin)—as well as Fred Eltringham (Sheryl Crow, The Wallflowers) on additional drums and Nashville songwriting legend—and Jeff Hanna’s better half—Matraca Berg on harmonica and harmony vocals. “We’ve got great admiration for all of these folks, not only as artists, but more importantly, as people,” says Hanna.

“I’ve been a fan of Bob Dylan’s since I was a teenager, living in California. I was fortunate enough to see him sing The Times They Are A-Changin’ in concert the year the song was released: 1964.” – Jeff Hanna.

New music release: Bullseye by The Shootouts

The Shootout’s sophomore album Bullseye will be released on April 30. Photo: google

The Shootouts are known for their energetic blend of honky-tonk, Americana, and traditional country. After releasing their acclaimed 2019 debut Quick Draw, the band charted Top 50 on Americana radio and in 2020, were nominated for an Ameripolitan Music Award for “Best Honky-Tonk Group.” They have shared the stage with luminaries Marty Stuart, Jim Lauderdale, the Nitty Gritty Dirt Band, Radney Foster, Sheryl Crow, and many more. Produced by Grammy-nominee and BR549 founder Chuck Mead, their new album Bullseye ranges from catchy pedal steel-filled numbers (“Everything I Know”) to two-step worthy tunes (“Here Come The Blues”) to never recorded fan live favorites (“Rattlesnake Whiskey” and “Saturday Night Town”). (IVPR, 2021)

On Friday April 30, The Shootouts will release their sophomore album Bullseye via Soundly Music, but Wide Open Country just premiered a video for the album’s first track, “Rattlesnake Whiskey,” a live staple and fan favorite from the band’s catalog that is finally being immortalized on record. Fans can watch the video for “Rattlesnake Whiskey” at this link, pre-order or pre-save Bullseye here, and get a glimpse of the album’s eleven other songs via The Shootouts’ album preview video.

Equal parts vintage Nashville, Texas swing, and Bakersfield bravado, the new album draws heavily from the music on which the band’s members were brought up, packaging all of country music’s classic subgenres in their modern, signature sound. Produced by former BR459 lead singer Chuck Mead, Bullseye has The Shootouts mining their roots and expanding the territory they explored with their debut album, Quick Draw. The songs invoke a wide array of country music’s most important contributors, lassoing the band’s classic influences and bringing them straight into the present. The Shootouts’ mission with Bullseye was simply to create an album that puts a smile on listeners’ faces—music that helps them escape from the difficult times they have recently faced.

“For everyone’s sake, this needed to be a fun record. We’re living through a time where people are suddenly out of work, have lost loved ones, and have been experiencing unimaginable stress on a daily basis. Even if it’s just for 30 minutes, we want them to take a break, crank it up, and enjoy themselves.” – Ryan Humbert, The Shootouts’ lead vocalist, guitarist

Bullseye Track Listing:
1. I Don’t Think About You Anymore
2. Rattlesnake Whiskey
3. Another Mother
4. Hurt Heartbroke
5. Bullseye
6. Here Come The Blues
7. Everything I Know
8. Waiting on You
9. Missing The Mark
10. I Still Care
11. Forgot to Forget
12. Saturday Night Town

Upcoming new album: The Fray by John Smith

John Smith’s The Fray will be out Friday, March 26, 2021. Courtesy photo, used with permission.

British folksinger John Smith was born in Essex and raised on the Devon seaside. Known for his intimate songwriting, his honey-on-gravel voice, and pioneering guitar playing, he has spent the last fifteen years touring internationally and has amassed over 40 million streams on Spotify. As a session musician, he has played guitar with artists as diverse as Joan Baez, David Gray, Joe Henry, Lianne La Havas, and Tom Jones. (IVPR, 2021)

The first song released from his new album is “Eye to Eye.” It embodies a thread of hopefulness in a blanket of bad news; a thread that runs throughout his new full-length album, The Fray. Out March 26, The Fray finds Smith writing his sixth album, grounded from his usually busy touring schedule, and reeling from a cascade of even worse news in his personal life; wading through it all with a defiant positivity. Last month, Fretboard Journal premiered “Eye to Eye,” describing it as, “A gorgeous new album…beautiful, introspective and loaded with great guitar tones.” A pulsing plea for understanding which was co-written with Americana mainstay Sarah Siskind and features Grammy-nominated multi-instrumentalist and songwriter Sarah Jarosz, “Eye to Eye” is a shining example of Smith’s ability to deliver a tough conversation wrapped in uplifting verse and melody. Fans can listen to “Eye to Eye” right now at this link and pre-order or pre-save The Fray ahead of its March 26.

Throughout The Fray, Smith touches on not just his own emotional turmoil experienced over the past year, but also his observance of the pain of those around him. But it is Smith’s stubborn optimism that shines through and differentiates his experiences and songs from his influences and contemporaries. His traits of holding onto hope, forgiving transgressions, and reckoning with his place in a world which does not always reciprocate are not only necessary for Smith to deal, but they are also contagious to anyone who finds themselves in similar situations, adrift in the wind. For those who echo that sentiment, from experience, Smith shares his message on The Fray; “If we don’t hold on, we’re lost.”

“It’s been a hell of a year, but I feel I’ve created my most honest work as a result—and as a necessity. A lot of these songs are about accepting that life is hard, but just holding on and trying to enjoy it anyway.”- John Smith

The Fray Track listing:
1. Friends
2. Hold On
3. Sanctuary
4. Deserving
5. The Best Of Me (feat. Bill Frisell)
6. Star-Crossed Lovers (feat Lisa Hannigan)
7. To The Shore
8. Eye To Eye (feat Sarah Jarosz)
9. Just As You Are
10. The Fray (feat. The Milk Carton Kids)
11. She’s Doing Fine
12. One Day At A Time

New music release: Nowhere Sounds Lovely by Cristina Vane

Nowhere Sounds Lovely by Cristina Vane will be out April 2. Photo: amazon

The origins of American music are prevalent with sounds and styles from all reaches of the globe, but over the last century or so, the roles have somewhat reversed themselves with blues, jazz, and mountain music being re-dispersed and re-interpreted by musicians worldwide. Cristina Vane, born in Italy to a Sicilian-American father and a Guatemalan mother, grew up between England, France, and Italy, and was fluent in four languages by the time she moved to her fathers’ native United States to attend university at 18 years old. Unlike most of her contemporaries in the music industry, Vane has a taste for pre-war American blues from the likes of Skip James, Robert Johnson, and Blind Willie Johnson. Add a splash of slow western waltzes and haunting Appalachian melodies for good measure and she has tapped in to the very well from which rock and roll sprung. (IVPR, 2021)

Vane’s debut full-length album, Nowhere Sounds Lovely, explores the depths of her new home’s musical history from her unique perspective without ever sounding like a re-hashing of old tricks. Out April 2, Nowhere Sounds Lovely flows naturally from the album-opening slow-burn blues of “Dreamboy” to the clawhammer banjo driven lament of “Will I Ever Be Satisfied.” Last week, American Songwriter premiered “Badlands,” the album’s closing track–a haunting and visceral nod to the Dakota’s rocky, windy plains–noting, “Like a young Bonnie Raitt, Vane sings from both her voice and her supple, bluesy guitar playing almost simultaneously–her sound as earthen as the South Dakota landscape…” Preview available here.

Vane’s perspective on American music is a decidedly unique one, but absolutely an authentic one; pieced together through sights, sounds, and experiences just like the pioneers of the music she so dearly loves. If Nowhere Sounds Lovely is any indication, Vane’s ability to carry the torch of her forebearers is strong and she is just getting started.

Nowhere Sounds Lovely track list:
Dreamboy
Dreaming Of Utah
The Driving Song
Heaven Bound Station
Prayer For The Blind
Satisfied Soul
Travelin Blues
What Remains
Will I Ever Be Satisfied
Wishing Bone Blues
Blueberry Hill
Badlands

New album release: There Used To Be Horses Here by Amy Speace

Amy Speaces’ new deeply personal album with The Orphan Brigade will be out April 30 but the first single is out this week. Photo: google

Looking back on a twelve-month span between her son’s first birthday and the loss of her father, award-winning singer and songwriter Amy Speace created eleven new songs directly from her depth of personal experiences, childhood memories, coming of age in New York City, and losing a parent while learning to become one, to create her new full-length album, There Used to Be Horses Here, which will be out Friday, April 30th on Proper Records/Wind Bone Records. While many of the subjects on the album are heavy, There Used to Be Horses Here is not a sad record. Instead, it is a direct reflection of a year in Speace’s life, propelled by a playwright’s eye for detail, a performer’s gift of vocal delivery, a poet’s talent for concise writing, and the extraordinary musicianship of collaborators, The Orphan Brigade. The result is a sum much greater than its parts; a calling card for fans and critics alike to ask themselves whether Speace still fits only into the folksinger box she has long been placed in, or perhaps, with this new album, she deserves to be seen in a new light.  (IVPR, 2021)

This week, Rolling Stone premiered a music video for the album’s first single and title track, “There Used to Be Horses Here,” calling it “melancholy but gorgeous,” and noting that the video’s vivid imagery of a picturesque farm and its beautiful occupants serve “as a metaphor for all that we lose to both progress and the passing of time.” Speace laments, “During the last week of my father’s life, I drove [the road on the way to her parent’s house, past a farm she had grown to love] and the farm had been sold, gutted for condos, and the horses were gone. I wrote this song very quickly after he died, the loss of both the horses, my childhood, my parents’ house, and most acutely, my father all tied to the images in this song.” SiriusXM’s The Village also debuted the single with an exclusive interview, available here. Fans can hear “There Used to Be Horses Here” and pre-order or pre-save the album.

There Used to Be Horses Here Track listing:
Down the Trail
There Used to Be Horses Here
Hallelujah Train
Father’s Day
Grief is a Lonely Land
One Year
Give Me Love
River Rise
Shotgun Hearts
Mother is a Country
Don’t Let Us Get Sick

New album release: Fall Like Rain by Justin Moses

Releasing via Mountain Fever Records, Justin Moses’ Fall Like Rain will be out Friday January 22, 2021. Courtesy photo, used with permission.

In the world of bluegrass music, Bluegrass Music Association Award-winner Justin Moses has risen to his now prestigious status as one of the finest multi-instrumentalists in acoustic music. On January 22, Moses’s pickin’ prowess and songwriting skills will be on full display with his release of Fall Like Rain, a new self-produced full-length album on Mountain Fever Records. Featuring Moses on vocals and a slew of stringed instruments—from flat-top six-string and Weissenborn guitar to mandolin and banjo—Fall Like Rain not only sheds light on his many talents, but on the skill and perseverance it takes to piece them all together to create the final product. Fans can pre-order a signed copy of the album and pre-save or pre-order the album digitally. (IVPR, 2021) 

Moses began his musical journey at the age of six after becoming interested in the mandolin. He first started to improve his skills playing in his family’s band as a child and since then, he has toured with bands such as Blue Moon Rising, The Dan Tyminski Band, Ricky Skaggs & Kentucky Thunder, Blue Highway, and The Gibson Brothers. In his two-year stint with Tyminski, he realized an early dream of playing the Grand Ole Opry for the first time and recorded the 2009 IBMA Album of the Year and Grammy-nominated album, Wheels. In 2018 and 2020, Moses was the recipient of the IBMA’s Resophonic Guitar Player of the Year award.

Moses has performed on prominent national shows such as The Late Show, Conan, The Today Show, and Grand Ole Opry LIVE. He performed alongside Hall of Famer Ricky Skaggs on the CMA Awards in 2018 and appeared with an all-star cast of artists on the PBS special Country Music: Live at the Ryman in conjunction with Ken Burns’ Country Music documentary in 2019. That same year, the Country Music Hall of Fame and Museum honored Justin by featuring him as a part of the American Currents exhibit.

Fall Like Rain Track listing: 

  1. Fall Like Rain (4:24)
  2. Taxland (3:28)
  3. Between The Lightning and The Thunder (feat. Dan Tyminski) (3:17)
  4. Walking To Lebanon (3:50)
  5. Wise & Born (2:49)
  6. My Baby’s Gone (feat. Del McCoury) (3:13)
  7. Looking For A Place (feat. Shawn Lane) (3:19)
  8. Watershed (3:00)
  9. U.F.O. (3:09)
  10. Locust Hill (2:44)