The new album will be released March 3, 2026. Photo: Google
The Latin Rock Titan Returns: Juanes Announces New Album ‘JuanesTeban’
The wait is almost over for fans of the Colombian legend. Juanes has officially announced that his 12th studio album, titled JuanesTeban, is set to drop on March 6. (Hits Daily Double, 2026)
Alongside the announcement, the Latin rock icon released a teaser trailer giving fans a glimpse into what’s being hailed as one of his most personal projects yet. The LP was co-produced by Juanes himself and the reigning Latin Grammy Producer of the Year, Nico Cotton (known for his work with Aitana and Nathy Peluso).
A “Kaleidoscope” of Sound
According to Juanes, this album is a return to his roots, blending his signature rock style with the rhythmic soul of Latin America.
“It’s like a kaleidoscope of my many moods: joyful, enthusiastic, melancholy,” Juanes shared. “I wanted to make the kind of album that would take me back to the land of dancing and cumbia – the feeling of Latin America, the root of folklore.”
Tracklist Teasers & Collaborations
The album features high-energy collaborations and soulful solo tracks, including:
“Muérdeme” (featuring Bomba Estéreo)
“Una Noche Contigo”
“Hagamos Que”
“Cuando Estamos Tú Y Yo”
Upcoming Tour Dates & Honors
It’s going to be a massive spring for the “A Dios le Pido” singer. Before the album even hits shelves, Juanes will be honored by Univision at Premio Lo Nuestro with the Lifetime Achievement Award on February 19.
He is also set to headline some of the biggest stages in the world:
Viña del Mar (Chile)
Vive Latino (Mexico)
El Carnaval de Barranquilla (Colombia)
Movistar Arena (Madrid, Spain)
About Juanes
With a career spanning over two decades, Juanes remains one of the most influential figures in music history. Since his solo debut Fíjate Bien in 2000, he has secured 26 Latin Grammy Awards and sold over 15 million records worldwide.
Ready to listen?JuanesTeban is available for pre-order.
‘Threshold’ will premiere on Peacock on February 23. Photo: Brinkema Brothers Productions, used with permission.
The Struggle Behind the Smile: New Documentary ‘Threshold’ Premieres Feb 23
I’m excited to announce the upcoming premiere of Threshold, a powerful feature documentary chronicling the life of Olympic legend Jessie Diggins. The film will debut on Peacock on Monday, February 23rd, strategically timed to coincide with the Winter Olympic Games. (EG PR, 2026)
At a Glance
Premiere Date: Monday, February 23rd on Peacock
Directed by: Lars Brinkema and Torsten Brinkema
Featuring: Jessie Diggins
Executive Producers: Torsten Brinkema, Patrick Dempsey
Music by: Julianna Barwick & Mary Lattimore
Running Time: 85 minutes
The Story: Beyond the Gold
Threshold is the story of the most decorated American cross-country skier ever, Jessie Diggins, and the painful fight with an eating disorder that occurred at the very peak of her career.
This is more than a sports story; it is a visceral, human account of vulnerability and recovery unfolding in real-time. Through unprecedented access to Jessie and the U.S. Ski Team, the film explores a disorder that often hides in plain sight, yet remains tragically misunderstood in professional athletics.
A Season Lived in Real-Time
The film unfolds over a single, high-stakes season, intercutting present-day vérité footage with decisive moments from Jessie’s past. It traces how a relentless pursuit of perfection led her to believe that controlling her body mass was the only key to success.
From grueling races above the Arctic Circle to the first World Cup on American snow in over 25 years, the documentary tracks the mounting pressure of elite sport. Ultimately, Threshold is a film about hope, proving that relapse is not failure and asking for help is not a weakness.
About the Subjects
Jessie Diggins | Olympic Gold Medalist
A three-time Olympic medalist, Jessie is known for her legendary ability to enter the “Pain Cave” during the closing moments of the world’s most grueling races. As the reigning two-time World Champion, she will compete in an extraordinary six different events at the 2026 Olympic Games.
Off the snow, Jessie is a fierce advocate for:
Mental Health: Managing and speaking openly about eating disorder recovery.
Sustainability: Raising awareness about the effects of global warming on winter sports.
Resilience: Sharing her experience on teamwork and mental toughness.
Lars Brinkema | Director & Cinematographer
Based in Los Angeles, Lars Brinkema began his career in photojournalism documenting the Minneapolis community’s resilience following the murder of George Floyd. His award-winning short, I Pray, set the stage for his feature directorial debut with Threshold.
When Jessie entrusted Lars with her story, the project became a personal mission rooted in his commitment to intimate, character-driven storytelling that fosters genuine social change.
“By allowing herself to be seen, Jessie offers something rare to those living in silence: proof that you can reclaim your health and your dreams.”
Ana Cristina Cash explores her roots in her new album. Photo: Gina Binkley, used with permission.
A Fusion of Heritage and Harmony: Ana Cristina Cash Releases New Bilingual Album, The Sunshine State
Acclaimed songstress Ana Cristina Cash has officially released her latest project, The Sunshine State. A masterful blend of her Cuban-American roots and her home in the heart of country music, this bilingual album is now available across all major streaming platforms. (Aristo PR, 2026)
Recorded at the legendary Cash Cabin Studio in Hendersonville, Tennessee and produced by John Carter Cash and Willie Breeding, the album is a testament to Ana Cristina’s versatility. Listeners can expect to hear her remarkable vocal range on full display, transitioning effortlessly from a resonant contralto to a soaring soprano.
The Duality of Sound
Having spent over a decade in Nashville, Ana Cristina’s artistry is firmly grounded in country music. However, her Spanish lineage provides a distinct depth that sets this project apart.
“That duality is present in everything I do,” says Ana Cristina. “I’m proud to be an American living in Nashville… and equally proud of my Hispanic culture. I grew up speaking both English and Spanish at home, so it felt natural to record Spanish versions of several of my songs.”
Track Highlights
The album serves as a cultural crossroads, featuring a mix of English, Spanish, and Spanglish tracks:
“Daybreak” / “Un Break”: The breezy opening single and its Spanish counterpart.
“Florida Girl”: A heartfelt nod to her roots.
“Cheap Margaritas”: Available in both the original and a playful Spanglish version.
“Last Call”: A fiery track featured in both languages.
Brand New Tunes: Including the nostalgic “Janice” and “Don’t Give Up.”
Inspired by the Everglades
Much of the album’s imagery is drawn from Ana Cristina’s childhood in rural West Miami. She recalls a time when the area was “wild and untouched,” bordered by the Florida Everglades.
“The first home I grew up in… I only had four neighbors, a dirt road, orange trees in the backyard, and our own chickens,” she notes. “That formative period of my life influenced so much of this record.”
About Ana Cristina Cash
Ana Cristina’s career began at the age of six. By 15, she had signed with Sony Music Latin. Her career is marked by historic milestones, including:
Historic Performances: The first Hispanic American to perform the “Star-Spangled Banner” at a presidential inauguration (2005).
Iconic Venues: Performances at the Country Music Hall of Fame, the Rock and Roll Hall of Fame, and Madison Square Garden.
Nashville Legacy: Married to John Carter Cash since 2016, she continues to record at the historic Cash Cabin Studio and recently signed a global publishing deal with BMG Rights Management.
The Sunshine Stateis out now. Experience the soulful blend of country and Latin influences today.
The Sunshine State tracklist:
“Daybreak”
“Cheap Margaritas”
“Florida Girl”
“Janice”
“Last Call”
“Don’t Give Up”
“Un Break (Daybreak Versión En Español)”
“Cheap Margaritas (Spanglish Version)”
“Tu Última Llamada (Last Call Versión En Español)”
Crime 101 is one of the short stories in Don Winslow’s Broken. Photo: Barnes & Noble
Broken by Don Winslow: From Gritty Crime Fiction to the Big Screen
“No matter how you come into this world, you come out broken…”
Don Winslow’s Broken is a blistering collection of crime stories that showcases why he’s long been considered one of the most powerful voices in contemporary crime fiction. Now, one of its standout stories—“Crime 101”—has made the leap from the page to a major motion picture, bringing Winslow’s razor-sharp storytelling to an even wider audience.
About the Book: Broken
Hailed by Stephen King as “one of America’s greatest storytellers,” #1 international bestselling author Don Winslow returns in Brokenwith six intense short novels. Some feature familiar characters, others introduce new ones, but all are connected by Winslow’s signature themes: crime, vengeance, guilt, and redemption.
With his trademark blend of insight, humanity, dark humor, and propulsive action, Winslow delivers stories that feel both immediate and timeless. These are tales of people living by codes, moral, criminal, or personal, and the devastating consequences when those codes are tested or broken.
Spotlight on “Crime 101”
At the heart of Broken is “Crime 101,” a tightly wound crime story that reads like a perfect noir film waiting to happen.
A series of high-level jewel heists along California’s Pacific Coast Highway has baffled law enforcement for years. The crimes are initially attributed to Colombian cartels, but Detective Lou Lubesnick suspects something else entirely: a lone thief operating under a strict personal philosophy known as Crime 101.
The jewel thief has followed his rules flawlessly, until now. As he plans one final, legendary score, Lou decides to do the unthinkable: break every rule of Crime 101 to stop him.
It’s a story about obsession, intuition, and the thin line between hunter and hunted, and it’s no surprise Hollywood came calling.
About the Movie: Crime 101
The film adaptation of Crime 101 brings Winslow’s story to life with an all-star cast and sleek, tension-filled direction.
Plot Overview
A jewel thief named Mike Davis has executed a series of daring heists along the 101 freeway, leaving police completely stumped. When he sets his sights on the ultimate score, his plans intersect with those of insurance broker Sharon Colvin. Meanwhile, Detective Lou Lubesnick believes he’s finally cracked the thief’s pattern and is determined to bring him down before the next job.
Film Details
Written and Directed by: Bart Layton
Starring: Chris Hemsworth, Mark Ruffalo, Barry Keoghan, Monica Barbaro, Corey Hawkins, Jennifer Jason Leigh, Nick Nolte, and Halle Berry
Crime 101 premiered on January 28, 2026, in London and is scheduled for U.S. release on February 13, 2026.
About the Author: Don Winslow
Don Winslow is the author of twenty-six acclaimed, award-winning international bestsellers, including eight New York Times bestsellers such as Savages, The Cartel, The Force, The Border, and his epic City trilogy (City on Fire, City of Dreams, City in Ruins).
A former investigator, anti-terrorism trainer, and trial consultant, Winslow brings lived experience to his fiction, lending it an authenticity that sets his work apart. He has also written award-winning short stories for Audible, narrated by four-time Oscar nominee Ed Harris. Winslow currently lives in California and Rhode Island.
Final Thoughts
With Broken, Don Winslow once again proves his mastery of crime fiction, and Crime 101’s transition from short novel to feature film feels both natural and inevitable. Whether you encounter this story first on the page or on the screen, one thing is certain: Winslow’s world is gripping, morally complex, and impossible to forget.
trauma ray announces new album – Carnival. Photo: Erasmo Viera, used with permission.
trauma ray Explores the Dark Funhouse on Carnival EP
trauma ray’sCarnival EP captures the Fort Worth five’s strongest, most intense, and exploratory work within the boundaries of a whirlwind year. Carnival delves into moodier, more cerebral material, like holding their past excursions against a funhouse mirror. There’s a distinct sense of unease in these songs, built in a fleeting window of time, proving the band works best under pressure and when pulling from the darkest corners of their subconscious. (another side, 2026)
Carnival will be available on February 20 via Dais Records. Pre-save / pre-order here.
Following the Breakout of Chameleon
Carnival follows the breakout success of Chameleon, trauma ray’s 2024 debut on Dais Records. The album helped firmly establish the band amidst the current wave of shoegaze revivalists. Increasingly agile, trauma ray has proven able to weave between scenes, touring extensively with the likes of Deafheaven, Loathe, Touché Amoré, and more.
A confluence of blitzing riffs and stark beauty, trauma ray’s sound continues to evolve, nodding to loud-quiet-loud greats across metal, grunge, and shoegaze, from Slowdive to Smashing Pumpkins.
New Single: “Hannibal”
trauma ray’s new single and video, “Hannibal,” contorts with a tinge of unprecedented evil, slithery and, as vocalist Uriel Avila puts it, “Stone Temple-y, Alice in Chains-y.” Lyrically, the track taps into teenage angst and the feeling of being dissected and rejected.
“It’s a song about the feeling of doing your best as an individual yet still falling short in the eyes of those you hope to make proud,” Avila explains.
“A lot of it stems from internal battles I faced growing up with my father, role models, and religion. Some of it comes from more recent experiences of being put under the microscope by my peers. It’s a gut-wrenching sensation that I was able to tie lyrically to the visceral mood of the instrumentation that kicks off the track and begins the journey through Carnival’s overall theme.”
Recording Under Pressure
During a brief break in their relentless touring schedule last summer, trauma ray regrouped in Texas for a few days to record a flurry of tracks, later sent to Corey Coffman for mixing and mastering. Core songwriting duo Avila and guitarist Jonathan Perez welcomed increased contributions from the rest of the band, most notably guitarist Coleman Pruitt and bassist Darren Baun, who brought an eerier strain of rhythmic and textural ideas.
This shift coincided with a growing sense of collective dread and anxiety, visually captured in a striking photo set of a deserted amusement park near Brighton, England. Shot on tour by drummer Nicholas Bobotas, the images now serve as the EP’s artwork.
Track-by-Track Through the Funhouse
The wordless opener “Carousel” ushers in Carnival’s unsettling atmosphere, with blasts of static and downcast strums giving way to “Hannibal,” the anthemic lead single packed with power riffs and raw emotion.
“Méliès,” named after French illusionist and filmmaker Georges Méliès, cuts between heavy, sludgy chords and a skyward chorus—“from something scary to like a dream state,” Avila says, channeling the surreal abstraction of its namesake.
“Funhouse” dips into doom metal, featuring sparse guitar work and possibly the band’s slowest BPM yet. Lyrics play with shifting perspectives, culminating in a call-and-response outro—“take my hand / this is not your wonderland”—that conjures opposing forces or frames of mind.
A Jarring Exit: “Clown”
In contrast, the final track “Clown” jolts, flashes, and pummels, like emerging from the other end of a house of horrors, now immersed in the disorienting lights of the carnival. Personified by a knotty, synth-soaked lead guitar squall, the song evokes Robin Williams as an archetype of tragic happiness: those who work hardest to make others laugh may privately be the saddest.
Sonically, the band cites influences like Failure’s “Undone” and “Stuck on You,” alongside the omnipresent Loveless. The result speaks to trauma ray’s growing strength: five musicians absorbing, synthesizing, and expanding on what they love.
Carnival offers a brief, highly loopable detour into darkness from a band growing more formidable by the mile.
New Day Symptoms is the new album by Final Gasp, due out February 27. Courtesy photo, used with permission.
Final Gasp Announce New Day Symptoms
Steeped in nocturnal death rock adventurism, driven by post-punk anxiety that feels increasingly like the twitching heart of our modern age, and fueled by hardcore punk intensity, the second studio album from Boston’s Final Gasp, New Day Symptoms, does what all great rock records do. (another side, 2026)
Not only does it place itself within a lineage, summoning and amplifying a spectrum of powers from rock ’n’ roll lore, it makes them resonate in the here and now. The album gives voice to the fears and frustrations lurking just under the surface of waking consciousness and transforms them into a rallying cry.
Produced by Arthur Rizk, New Day Symptoms will be released on February 27 via Relapse Records. Pre-order/Pre-save here.
Channeling Fury and Reflection
Throughout New Day Symptoms, Final Gasp creates a potent emotional reaction, balancing fury and forlorn introspection. Frontman Jake Murphy vocalizes both a supercharged howl into the void and a remorseful echo back, capturing the album’s emotional duality.
Lead Single: “The Apparition”
The lead single, “The Apparition,” tells what Jake describes as “a story of reality being much more horrifying than fiction.”
“It’s about a captain and his crew on a small boat. A storm came and capsized it, and he and his two crew members were forced to swim to some sort of safety. Ultimately, only he survived—having to watch his two friends be taken away by something that could have been avoided. He knew a storm was coming but thought they could make it. It’s all about bad timing and facing the consequences.”
“The Apparition” is available now, along with its haunting video directed by Caleb Gowett and Bill Politis.
Expanding the Sound
Where Final Gasp’s acclaimed 2023 debut, Mourning Moon, was a concentrated shot of acrid underground death rock, its propulsion tanks largely filled with references to Samhain and Killing Joke, New Day Symptoms retains that core urgency while vastly broadening its scope.
With new space to explore, the album feels communal: a mapping of personal trials and dark recesses onto a landscape dotted with rafter-rousing marker points.
A More Democratic Process
Final Gasp’s ability to meld opposing forces into something vibrant and new is encoded into their DNA. Forging a sound that both honored and moved beyond their musical backgrounds required deep soul-searching, placing the band on a path whose destination remains open-ended.
One of the main reasons for the broadened sound on New Day Symptoms is that the album was written far more democratically than Mourning Moon, allowing multiple creative voices to shape its direction.
Themes of Acceptance and Moving Forward
That open-mindedness, paired with a firm grip on underground roots, gives New Day Symptoms its galvanizing force. While its predecessor dealt directly with personal loss and anxiety, this album approaches similar themes from a different angle.
“With this one, I didn’t want it to be as personal,” says Jake. “But then reading the lyrics back, I ended up feeling differently about them—they were personal on a different level. A lot of these songs are written from an outside perspective, what could’ve happened if things were different, but ultimately it didn’t end that way. You can’t change what’s already been done, so you just have to move on. It just means it’s a part of who you are now.”
A Record Built to Last
Above all, New Day Symptoms is one of those rare killer rock ’n’ roll albums whose conviction and honesty set it apart, an album primed to stand the test of time.
As acclaimed tours with Abbath, Gatecreeper, Fiddlehead, Poison Ruin, Devil Master, and Imperial Triumphant make clear, Final Gasp’s appeal is both expansive and unbounded.
Last month, Final Gasp announced a headlining North American tour which crosses both coasts, the Midwest and more.
See below for a full list of dates. Tickets are on sale here.
Feb 26: Cambridge, MA – Sonia Mar 01: Cincinnati, OH – Dsgn Clltcv Mar 02: Kansas City, MO – Howdy Mar 04: Denver, CO – Bar 404 Mar 05: Salt Lake City, UT – Aces High Saloon Mar 07: Portland, OR – The High Water Mark Mar 08: Vancouver, BC – The Cobalt Mar 09: Seattle, WA – The Funhouse Mar 11: Sacramento, CA – Cafe Colonial Mar 12: Oakland, CA – Stork Club Mar 13: Los Angeles, CA – The Moroccan Lounge Mar 14: Joshua Tree, CA – Joshua Tree Mar 15: San Diego, CA – Brick By Brick Mar 16: Mesa, AZ – The Nile Underground Mar 19: Tulsa, OK – Whittier Bar Mar 20: Austin, TX – The Lost Well Mar 21: Dallas, TX – Dusty’s Mar 22: Little Rock, AR – Vinos
Final Gasp is: Jake Murphy – Vocals Alex Consentino – Guitar/Synth Sean Rose – Bass Peter Micanovic – Guitar Kevin Ordway – Drums
Photo: Caleb Gowett, used with permission
New Day Symptoms tracklist: 01 – Eternal Silence 02 – Look Away 03 – The Apparition 04 – Gifted Shame 05 – No Hand To Lead 06 – Prediction 07 – Burials Of Birth 08 – Fractures 09 – New Day Symptoms 10 – Pale Sun
Worm announces new album Necropalace. Photo: Andreas Marschall, used with permission.
Worm Walks Backwards Into the Future with Necropalace
Worm has incessantly built upon their sonic palette of “Necromantic Black Doom” with roots in nearly every worthy corner of extreme metal’s history, from the grandiose heights of ’90s symphonic black metal to the emotional technicality of ’80s shred metal. (another side, 2025)
Four years after their acclaimed full-length Foreverglade, Worm emerges with their next studio album and first release with Century Media Records, Necropalace. The Floridian band has only grown more powerful, showcasing a level of grandiose songcraft that is beyond modern compare. On Necropalace, Worm has managed to do what many others in this day and age can only attempt: they walk backwards into the future.
A World Untouched by Time
Necropalace lives in a world of its own.
A world of lush velvet and ostentatious gold, covered in the dust of time. A world where shadows seem to move in your peripheral vision, yet the loneliness never ceases. A world where wounds of the flesh may heal, but those of the heart never do.
The Gates Open: “Necropalace”
The nightmarish omnipotence of album opener and title track “Necropalace” ushers the listener into a journey through obsessive bloodlust. Spellbinding, powerful vocals from Phantom Slaughter guide the descent, while guitarist Wroth Septentrion flaunts his stunningly masterful songwriting throughout.
“Necropalace” feels like an endless maze of subterranean, candle-lit corridors, each riff constantly shifting and evolving. With multiple listens, however, one discovers that the maze contains many paths that ultimately converge into one another.
Into the Crypt: “Blackheart”
Worm’s latest single, “Blackheart,” is a descent into the nether vaults of the Necropalace. As you make your way through the crypts and catacombs beneath the castle, you find Nightfang’s resting place. Beside his black coffin sits the Blackheart, encased in ice and glowing blood red.
This occult artifact pumps life into the ancient palace walls and keeps the vampire lord immortal.
“Blackheart” serves as part two of Worm’s official Necropalace short-film series, heavily inspired by their obsession with horror from the ’80s and ’90s. Director Norman Cabrera, Producer Maya Kay, and Colorist Alex Nicolaou, under the direction of Ted Nicolaou, continue to bring Worm’s dark fantasy into reality following “Necropalace,” now deepening the vision with “Blackheart.”
The Infernal Masquerade
Enter if you dare, but know the consequences of your choice.
Through the opulent finality of album closer “Witchmoon: The Infernal Masquerade,” featuring guitar virtuoso Marty Friedman, Necropalace reveals itself as the true sonic representation of unbridled, night-bound maleficence.
The album manifests as the soundscape to a star-laden winter sky reflecting off the Everglades’ darkest slough, where death meets the deathless. This is a vociferous call to action for anyone who still possesses ancient vampiric blood in their veins.
Prepare yourself for a full-force attack of zealous guitar agility and heretic spellcraft.
The gates are now open.
Release Information
Necropalace will be released February 13, 2026 via Century Media Records. Pre-order/Pre-Save here.
Necropalace tracklist: 1 – Gates to the Shadowzone (Intro) 2 – Necropalace 3 – Halls of Weeping 4 – The Night Has Fangs 5 – Dragon Dreams 6 – Blackheart 7 – Witchmoon – The Infernal Masquerade (Feat. Marty Friedman)
SNFU reissues pivotal punk LP ‘…And No One Else Wanted to Play.’ Photo: Doug Humiski, used with permission.
SNFU’s …And No One Else Wanted to Play Turns 40
Trust Records Announces Deluxe Anniversary Reissue
In 1985, underground rock was staunchly divided. At the heart of it was the crossover movement, the confounding middle ground between the longhairs and their arch enemies, the punks and hardcore kids. While each style had its own version of the punk-meets-thrash approach (itself a confrontation of scene norms), hardcore punk found its true disruptor in SNFU.(another side, 2025)
By bucking all the rules and writing their own, SNFU created a singular document that proved frenetic hardcore pacing and genuine catchiness were not mutually exclusive.
Trust Records is proud to announce the reissue of the bona fide classic, SNFU’s debut full-length …And No One Else Wanted to Play.
A 40th Anniversary Release
This reissue marks the 40th anniversary of the pivotal album and is available now in stores and across digital retailers.
The physical release includes two versions:
Standard Edition: A repress of the original LP
Limited Deluxe Edition:
Housed in a box set
Includes a bonus rarities LP featuring all-new artwork incorporating elements from the original seminal release
Accompanied by a 104-page book documenting the band from 1981–1985
Inside the Deluxe Book
The 104-page book is a treasure trove for fans and historians alike, featuring:
Unseen early photographs
Original fanzine interviews
Flyers, letters, and assorted ephemera
Ty Stranglehold’s oral history of SNFU (1981–1985)
Vocalist Chi Pig’s original yearbook photo
Both editions are available in several color variants.
A Cornerstone of Skate Punk
…And No One Else Wanted to Play stands as a cornerstone of skate punk and a monument to punk rock writ large, helping usher in the burgeoning genre of melodic hardcore.
With the sung vocals of Mr. Chi Pig, the dueling guitars of the Belke brothers, and a pummeling rhythm section capable of blinding velocity and sudden turns, the album achieves the rare feat of doing it all, anchored by a deep-rooted sense of melody and an ear for well-honed songwriting.
Across fourteen classic tracks, SNFU proves they can stand comfortably alongside genre-defining acts like Bad Religion, 7 Seconds, and the Descendents, influencing countless artists and sparking a shift still felt across modern music today.
The Origins of SNFU
SNFU formed in 1981 in Edmonton, Alberta, with core members:
Mr. Chi Pig (Ken Chinn) – vocals
Marc “Muc” Belke – guitar
Brent “Bunt” Belke – guitar
Bonding over skateboarding and punk, the band originally went by Society’s NFU (short for No F*cking Use).
The debut LP was recorded across two hectic days at Track Record Studios in Hollywood, CA, in December 1984, with BYO Records founders Mark and Shawn Stern producing. Jimmy Schmitz (bass) and Evan C. “Tadpole” Jones (drums) rounded out the lineup, departing shortly after the sessions.
Hitting the Road and Making History
Following the album’s release, SNFU embarked on a 48-date North American tour, spreading these then-new classics live and earning cult success from coast to coast.
With the release of …And No One Else Wanted to Play, and the shows that followed, those cities, and the world of punk, would never be the same. And now, after decades out of print, neither will your turntable.
New Music Video: “Cannibal Café”
SNFU is also pleased to share their new official music video for album centerpiece “Cannibal Café.” Compiled by Nathan Drillot, the video features unseen live footage and a special appearance by Mike Belke.
…And No One Else Wanted to Play – Standard LP tracklist:
Side One 1. Broken Toy 2. She’s Not on the Menu 3. Money Matters 4. I’m Real Scared 5. Joyride 6. Seein’ Life Through the Bottom of a Bottle
Side Two 7. Cannibal Café 8. Misfortune 9. Plastic Surgery Kept Her Beautiful 10. The Gravedigger 11. Bodies in the Wall 12. Get Off Your Ass 13. Loser at Life / Loser at Death 14. This Is the End
Jason Derulo’s new holiday song “Miracle” blends pop-R&B warmth, gratitude, and seasonal magic. Photo: Miller PR, used with permission.
Jason Derulo Releases New Holiday Song “Miracle”: A Feel-Good Christmas Anthem
Los Angeles, CA — Multi-Platinum global superstar Jason Derulo has surprised fans with a festive new release just in time for the holidays. His new Christmas single, “Miracle,” released via Create Music Group, is now available on all major streaming platforms. (Miller PR, 2025)
The holiday track blends classic Christmas warmth with Derulo’s signature pop-R&B sound, delivering an uplifting anthem that celebrates gratitude, love, and togetherness.
Jason Derulo’s “Miracle” Captures the Meaning of Christmas
“Miracle” is a feel-good Christmas song that highlights Jason Derulo’s unmistakable vocals while embracing the emotional heart of the holiday season. Through its reflective lyrics, the song explores how life’s simplest moments, family connections, unexpected kindness, and everyday love, are often the real miracles.
Rather than focusing on grand gestures, Derulo reminds listeners that the true magic of Christmas lives in quiet, ordinary joys that bring people together.
Photo: Miller PR
A Successful Year for Jason Derulo
The release of “Miracle” follows a standout year for the global hitmaker. Earlier this year, Jason Derulo released the pop anthem “Who Hurt You,” which quickly gained viral momentum, reaching 316 million streams in just eight weeks.
His previous single, “Snake,” featuring Nora Fatehi, has also made a major impact, accumulating over 124 million views online and reinforcing Derulo’s ability to create globally resonant hits.
Jason Derulo’s Social Media Influence
Jason Derulo remains one of the most influential musicians in the digital space. With nearly 250 million followers across social media platforms, including over 66 million followers on TikTok, he is currently the fourth most-followed male artist on TikTok.
His massive online presence continues to amplify his reach, making him one of the most visible and influential pop artists in today’s music landscape.
“The Last Dance World Tour” Kicks Off in 2026
On January 30, Jason Derulo will launch “The Last Dance World Tour,” featuring 25+ arena dates across the UK and Europe scheduled for early 2026. Additional tour dates are expected to be announced. Fans can view the complete tour schedule on his official website.
About Jason Derulo
With nearly 250 million followers worldwide, Jason Derulo is a true multi-platform powerhouse and one of the most successful pop and urban artists of his generation.
Originally known as the “kid from a Haitian family in Miami,” Derulo’s rise to global stardom has been built on consistency and creative evolution. He has sold over 250 million singles and generated tens of billions of streams, with a catalog that includes chart-topping hits like “Talk Dirty” (feat. 2 Chainz), “Wiggle,” “Swalla,” and “Savage Love.” “Savage Love” reached No. 1 on the Billboard Hot 100 and topped charts in 16 countries.
Known for genre-blending collaborations with artists such as BTS, Nicki Minaj, Luke Bryan, and Michael Bublé, Jason Derulo continues to shape global pop culture through both music and social media.
Begging Dog shares new single Common Place from forthcoming album. Photo: Photo By Kat Nijmeddin, used with permission.
Begging Dog: Jeff Kleinman’s Raw, Everyday Poetry Finds Its Voice
Begging Dog is the indie-punk project of Los Angeles–based artist and multi-instrumentalist Jeff Kleinman. Known for his work with Choir Boy, Kleinman created Begging Dog as an outlet for songs that embrace the mundane with a raw, homespun sound. The project leans into garage-punk grit and plain-language lyricism, capturing the poetry of everyday life. (another side, 2025)
A Demo That Sparked a Buzz
Kleinman’s debut, DEMO 1, spread quickly through underground circles. Word reached Dais Records, who soon signed Kleinman and announced a wider vinyl release of the original album.
Clocking in at just 26 minutes, DEMO 1 is packed with rolling bass and synth lines, charismatic riffs, and motorik drum beats. Sonically lean but emotionally weighty, the project showcases Kleinman’s distinctive storytelling and ear for melody.
Characters, Scenes, and Lived-In Observations
Lyrically, DEMO 1 drifts through a series of lived-in characters and scenes:
a pushy union rep
a mailman with a steady federal job
a compulsive gambler
a beloved neighborhood homeless man
Ex-lovers flicker in and out of several tracks, collaged into sharp, witty free verse. Kleinman cites Bruce Springsteen as an influence, not in genre, but in philosophy. He writes in “plain ink,” opting for direct simplicity over flowery prose.
Loneliness in Plain Sight
Much of DEMO 1 taps into a shared loneliness, universal and uniquely tied to life in Los Angeles. The title track anchors that feeling as Kleinman sings, “no one loves a begging dog.” Borrowed from a friend, the line encapsulates the project’s core: the world can make you feel like a begging dog searching for affection and security, yet there’s beauty in solitude, routine, and the quiet hum of everyday life.
From Solo Recordings to a Seven-Piece Band
Kleinman recorded DEMO 1 almost entirely on his own. But live, Begging Dog expands into a dynamic seven-piece band, giving the songs a new sense of scale and energy.
“No matter how good or not good you have it, you’re kind of like looking for something more,” Kleinman says. He stops short of assigning grand meaning to the work, maintaining a sense of humility that permeates the project. DEMO 1 thrives on this balance of candor, grit, and hook-driven songwriting.
Release Details
DEMO 1 was mixed and mastered by Matt Whitehurst. It’s currently streaming on all major platforms and will be released on vinyl via Dais Records on December 12. It is available for pre-order.
Kleinman’s latest single, “Common Place,” reflects on his five years living in Salt Lake City, another snapshot of everyday life reframed through Begging Dog’s honest, unvarnished lens.
DEMO 1 Tracklist: 01 – Begging Dog 02 – Cave In On Me 03 – Money Tree 04 – The Eel 05 – Laughing Boy 06 – Clamshell Tune 07 – Continuing Education 08 – Tell Me That You Love Me 09 – Common Place 10 – Here For A Good Time
SA Examiner 