trauma ray’s Carnival EP Is a Dark, Shoegaze-Fueled Descent Into Unease

trauma ray announces new album – Carnival. Photo: Erasmo Viera, used with permission.

trauma ray Explores the Dark Funhouse on Carnival EP

trauma ray’s Carnival EP captures the Fort Worth five’s strongest, most intense, and exploratory work within the boundaries of a whirlwind year. Carnival delves into moodier, more cerebral material, like holding their past excursions against a funhouse mirror. There’s a distinct sense of unease in these songs, built in a fleeting window of time, proving the band works best under pressure and when pulling from the darkest corners of their subconscious. (another side, 2026)

Carnival will be available on February 20 via Dais Records.
Pre-save / pre-order here.


Following the Breakout of Chameleon

Carnival follows the breakout success of Chameleon, trauma ray’s 2024 debut on Dais Records. The album helped firmly establish the band amidst the current wave of shoegaze revivalists. Increasingly agile, trauma ray has proven able to weave between scenes, touring extensively with the likes of Deafheaven, Loathe, Touché Amoré, and more.

A confluence of blitzing riffs and stark beauty, trauma ray’s sound continues to evolve, nodding to loud-quiet-loud greats across metal, grunge, and shoegaze, from Slowdive to Smashing Pumpkins.


New Single: “Hannibal”

trauma ray’s new single and video, “Hannibal,” contorts with a tinge of unprecedented evil, slithery and, as vocalist Uriel Avila puts it, “Stone Temple-y, Alice in Chains-y.” Lyrically, the track taps into teenage angst and the feeling of being dissected and rejected.

“It’s a song about the feeling of doing your best as an individual yet still falling short in the eyes of those you hope to make proud,” Avila explains.

“A lot of it stems from internal battles I faced growing up with my father, role models, and religion. Some of it comes from more recent experiences of being put under the microscope by my peers. It’s a gut-wrenching sensation that I was able to tie lyrically to the visceral mood of the instrumentation that kicks off the track and begins the journey through Carnival’s overall theme.”


Recording Under Pressure

During a brief break in their relentless touring schedule last summer, trauma ray regrouped in Texas for a few days to record a flurry of tracks, later sent to Corey Coffman for mixing and mastering. Core songwriting duo Avila and guitarist Jonathan Perez welcomed increased contributions from the rest of the band, most notably guitarist Coleman Pruitt and bassist Darren Baun, who brought an eerier strain of rhythmic and textural ideas.

This shift coincided with a growing sense of collective dread and anxiety, visually captured in a striking photo set of a deserted amusement park near Brighton, England. Shot on tour by drummer Nicholas Bobotas, the images now serve as the EP’s artwork.


Track-by-Track Through the Funhouse

The wordless opener “Carousel” ushers in Carnival’s unsettling atmosphere, with blasts of static and downcast strums giving way to “Hannibal,” the anthemic lead single packed with power riffs and raw emotion.

“Méliès,” named after French illusionist and filmmaker Georges Méliès, cuts between heavy, sludgy chords and a skyward chorus—“from something scary to like a dream state,” Avila says, channeling the surreal abstraction of its namesake.

“Funhouse” dips into doom metal, featuring sparse guitar work and possibly the band’s slowest BPM yet. Lyrics play with shifting perspectives, culminating in a call-and-response outro—“take my hand / this is not your wonderland”—that conjures opposing forces or frames of mind.


A Jarring Exit: “Clown”

In contrast, the final track “Clown” jolts, flashes, and pummels, like emerging from the other end of a house of horrors, now immersed in the disorienting lights of the carnival. Personified by a knotty, synth-soaked lead guitar squall, the song evokes Robin Williams as an archetype of tragic happiness: those who work hardest to make others laugh may privately be the saddest.

Sonically, the band cites influences like Failure’s “Undone” and “Stuck on You,” alongside the omnipresent Loveless. The result speaks to trauma ray’s growing strength: five musicians absorbing, synthesizing, and expanding on what they love.

Carnival offers a brief, highly loopable detour into darkness from a band growing more formidable by the mile.


Carnival EP tracklist: 

1 – carousel
2 – Hannibal
3 – Méliès
4 – Funhouse
5 – Clown


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Final Gasp Expands Their Sound on New Album ‘New Day Symptoms’

New Day Symptoms is the new album by Final Gasp, due out February 27. Courtesy photo, used with permission.

Final Gasp Announce New Day Symptoms

Steeped in nocturnal death rock adventurism, driven by post-punk anxiety that feels increasingly like the twitching heart of our modern age, and fueled by hardcore punk intensity, the second studio album from Boston’s Final Gasp, New Day Symptoms, does what all great rock records do. (another side, 2026)

Not only does it place itself within a lineage, summoning and amplifying a spectrum of powers from rock ’n’ roll lore, it makes them resonate in the here and now. The album gives voice to the fears and frustrations lurking just under the surface of waking consciousness and transforms them into a rallying cry.

Produced by Arthur Rizk, New Day Symptoms will be released on February 27 via Relapse Records. Pre-order/Pre-save here.


Channeling Fury and Reflection

Throughout New Day Symptoms, Final Gasp creates a potent emotional reaction, balancing fury and forlorn introspection. Frontman Jake Murphy vocalizes both a supercharged howl into the void and a remorseful echo back, capturing the album’s emotional duality.


Lead Single: “The Apparition”

The lead single, “The Apparition,” tells what Jake describes as “a story of reality being much more horrifying than fiction.”

“It’s about a captain and his crew on a small boat. A storm came and capsized it, and he and his two crew members were forced to swim to some sort of safety. Ultimately, only he survived—having to watch his two friends be taken away by something that could have been avoided. He knew a storm was coming but thought they could make it. It’s all about bad timing and facing the consequences.”

“The Apparition” is available now, along with its haunting video directed by Caleb Gowett and Bill Politis.


Expanding the Sound

Where Final Gasp’s acclaimed 2023 debut, Mourning Moon, was a concentrated shot of acrid underground death rock, its propulsion tanks largely filled with references to Samhain and Killing Joke, New Day Symptoms retains that core urgency while vastly broadening its scope.

With new space to explore, the album feels communal: a mapping of personal trials and dark recesses onto a landscape dotted with rafter-rousing marker points.


A More Democratic Process

Final Gasp’s ability to meld opposing forces into something vibrant and new is encoded into their DNA. Forging a sound that both honored and moved beyond their musical backgrounds required deep soul-searching, placing the band on a path whose destination remains open-ended.

One of the main reasons for the broadened sound on New Day Symptoms is that the album was written far more democratically than Mourning Moon, allowing multiple creative voices to shape its direction.


Themes of Acceptance and Moving Forward

That open-mindedness, paired with a firm grip on underground roots, gives New Day Symptoms its galvanizing force. While its predecessor dealt directly with personal loss and anxiety, this album approaches similar themes from a different angle.

“With this one, I didn’t want it to be as personal,” says Jake. “But then reading the lyrics back, I ended up feeling differently about them—they were personal on a different level. A lot of these songs are written from an outside perspective, what could’ve happened if things were different, but ultimately it didn’t end that way. You can’t change what’s already been done, so you just have to move on. It just means it’s a part of who you are now.”


A Record Built to Last

Above all, New Day Symptoms is one of those rare killer rock ’n’ roll albums whose conviction and honesty set it apart, an album primed to stand the test of time.

As acclaimed tours with Abbath, Gatecreeper, Fiddlehead, Poison Ruin, Devil Master, and Imperial Triumphant make clear, Final Gasp’s appeal is both expansive and unbounded.

Last month, Final Gasp announced a headlining North American tour which crosses both coasts, the Midwest and more.

See below for a full list of dates. Tickets are on sale here.

Feb 26: Cambridge, MA – Sonia
Mar 01: Cincinnati, OH – Dsgn Clltcv
Mar 02: Kansas City, MO – Howdy
Mar 04: Denver, CO – Bar 404
Mar 05: Salt Lake City, UT – Aces High Saloon
Mar 07: Portland, OR – The High Water Mark
Mar 08: Vancouver, BC – The Cobalt
Mar 09: Seattle, WA – The Funhouse
Mar 11: Sacramento, CA – Cafe Colonial
Mar 12: Oakland, CA – Stork Club
Mar 13: Los Angeles, CA – The Moroccan Lounge
Mar 14: Joshua Tree, CA – Joshua Tree
Mar 15: San Diego, CA – Brick By Brick
Mar 16: Mesa, AZ – The Nile Underground
Mar 19: Tulsa, OK – Whittier Bar
Mar 20: Austin, TX – The Lost Well
Mar 21: Dallas, TX – Dusty’s
Mar 22: Little Rock, AR – Vinos


Final Gasp is:
Jake Murphy – Vocals
Alex Consentino – Guitar/Synth
Sean Rose – Bass
Peter Micanovic – Guitar
Kevin Ordway – Drums

Photo: Caleb Gowett, used with permission


New Day Symptoms tracklist:
01 – Eternal Silence
02 – Look Away
03 – The Apparition
04 – Gifted Shame
05 – No Hand To Lead
06 – Prediction
07 – Burials Of Birth
08 – Fractures
09 – New Day Symptoms
10 – Pale Sun


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Worm Unveils the Dark Majesty of Necropalace

Worm announces new album Necropalace. Photo: Andreas Marschall, used with permission.

Worm Walks Backwards Into the Future with Necropalace

Worm has incessantly built upon their sonic palette of “Necromantic Black Doom” with roots in nearly every worthy corner of extreme metal’s history, from the grandiose heights of ’90s symphonic black metal to the emotional technicality of ’80s shred metal. (another side, 2025)

Four years after their acclaimed full-length Foreverglade, Worm emerges with their next studio album and first release with Century Media Records, Necropalace. The Floridian band has only grown more powerful, showcasing a level of grandiose songcraft that is beyond modern compare. On Necropalace, Worm has managed to do what many others in this day and age can only attempt: they walk backwards into the future.


A World Untouched by Time

Necropalace lives in a world of its own.

A world of lush velvet and ostentatious gold, covered in the dust of time.
A world where shadows seem to move in your peripheral vision, yet the loneliness never ceases.
A world where wounds of the flesh may heal, but those of the heart never do.


The Gates Open: “Necropalace”

The nightmarish omnipotence of album opener and title track “Necropalace” ushers the listener into a journey through obsessive bloodlust. Spellbinding, powerful vocals from Phantom Slaughter guide the descent, while guitarist Wroth Septentrion flaunts his stunningly masterful songwriting throughout.

“Necropalace” feels like an endless maze of subterranean, candle-lit corridors, each riff constantly shifting and evolving. With multiple listens, however, one discovers that the maze contains many paths that ultimately converge into one another.


Into the Crypt: “Blackheart”

Worm’s latest single, “Blackheart,” is a descent into the nether vaults of the Necropalace. As you make your way through the crypts and catacombs beneath the castle, you find Nightfang’s resting place. Beside his black coffin sits the Blackheart, encased in ice and glowing blood red.

This occult artifact pumps life into the ancient palace walls and keeps the vampire lord immortal.

“Blackheart” serves as part two of Worm’s official Necropalace short-film series, heavily inspired by their obsession with horror from the ’80s and ’90s. Director Norman Cabrera, Producer Maya Kay, and Colorist Alex Nicolaou, under the direction of Ted Nicolaou, continue to bring Worm’s dark fantasy into reality following “Necropalace,” now deepening the vision with “Blackheart.”


The Infernal Masquerade

Enter if you dare, but know the consequences of your choice.

Through the opulent finality of album closer “Witchmoon: The Infernal Masquerade,” featuring guitar virtuoso Marty Friedman, Necropalace reveals itself as the true sonic representation of unbridled, night-bound maleficence.

The album manifests as the soundscape to a star-laden winter sky reflecting off the Everglades’ darkest slough, where death meets the deathless. This is a vociferous call to action for anyone who still possesses ancient vampiric blood in their veins.

Prepare yourself for a full-force attack of zealous guitar agility and heretic spellcraft.

The gates are now open.


Release Information

Necropalace will be released February 13, 2026 via Century Media Records. Pre-order/Pre-Save here.

Necropalace tracklist:
1 – Gates to the Shadowzone (Intro)
2 – Necropalace
3 – Halls of Weeping
4 – The Night Has Fangs
5 – Dragon Dreams
6 – Blackheart
7 – Witchmoon – The Infernal Masquerade (Feat. Marty Friedman)



Photo courtesy of artist, used with permission.

The Enduring Legacy of SNFU’s …And No One Else Wanted to Play

SNFU reissues pivotal punk LP ‘…And No One Else Wanted to Play.’ Photo: Doug Humiski, used with permission.

SNFU’s …And No One Else Wanted to Play Turns 40

Trust Records Announces Deluxe Anniversary Reissue

In 1985, underground rock was staunchly divided. At the heart of it was the crossover movement, the confounding middle ground between the longhairs and their arch enemies, the punks and hardcore kids. While each style had its own version of the punk-meets-thrash approach (itself a confrontation of scene norms), hardcore punk found its true disruptor in SNFU. (another side, 2025)

By bucking all the rules and writing their own, SNFU created a singular document that proved frenetic hardcore pacing and genuine catchiness were not mutually exclusive.

Trust Records is proud to announce the reissue of the bona fide classic, SNFU’s debut full-length …And No One Else Wanted to Play.


A 40th Anniversary Release

This reissue marks the 40th anniversary of the pivotal album and is available now in stores and across digital retailers.

The physical release includes two versions:

  • Standard Edition: A repress of the original LP
  • Limited Deluxe Edition:
    • Housed in a box set
    • Includes a bonus rarities LP featuring all-new artwork incorporating elements from the original seminal release
    • Accompanied by a 104-page book documenting the band from 1981–1985

Inside the Deluxe Book

The 104-page book is a treasure trove for fans and historians alike, featuring:

  • Unseen early photographs
  • Original fanzine interviews
  • Flyers, letters, and assorted ephemera
  • Ty Stranglehold’s oral history of SNFU (1981–1985)
  • Vocalist Chi Pig’s original yearbook photo

Both editions are available in several color variants.


A Cornerstone of Skate Punk

…And No One Else Wanted to Play stands as a cornerstone of skate punk and a monument to punk rock writ large, helping usher in the burgeoning genre of melodic hardcore.

With the sung vocals of Mr. Chi Pig, the dueling guitars of the Belke brothers, and a pummeling rhythm section capable of blinding velocity and sudden turns, the album achieves the rare feat of doing it all, anchored by a deep-rooted sense of melody and an ear for well-honed songwriting.

Across fourteen classic tracks, SNFU proves they can stand comfortably alongside genre-defining acts like Bad Religion, 7 Seconds, and the Descendents, influencing countless artists and sparking a shift still felt across modern music today.


The Origins of SNFU

SNFU formed in 1981 in Edmonton, Alberta, with core members:

  • Mr. Chi Pig (Ken Chinn) – vocals
  • Marc “Muc” Belke – guitar
  • Brent “Bunt” Belke – guitar

Bonding over skateboarding and punk, the band originally went by Society’s NFU (short for No F*cking Use).

The debut LP was recorded across two hectic days at Track Record Studios in Hollywood, CA, in December 1984, with BYO Records founders Mark and Shawn Stern producing. Jimmy Schmitz (bass) and Evan C. “Tadpole” Jones (drums) rounded out the lineup, departing shortly after the sessions.


Hitting the Road and Making History

Following the album’s release, SNFU embarked on a 48-date North American tour, spreading these then-new classics live and earning cult success from coast to coast.

With the release of …And No One Else Wanted to Play, and the shows that followed, those cities, and the world of punk, would never be the same. And now, after decades out of print, neither will your turntable.


New Music Video: “Cannibal Café”

SNFU is also pleased to share their new official music video for album centerpiece “Cannibal Café.” Compiled by Nathan Drillot, the video features unseen live footage and a special appearance by Mike Belke.


…And No One Else Wanted to Play – Standard LP tracklist:

Side One
1. Broken Toy
2. She’s Not on the Menu
3. Money Matters
4. I’m Real Scared
5. Joyride
6. Seein’ Life Through the Bottom of a Bottle

Side Two
7. Cannibal Café
8. Misfortune
9. Plastic Surgery Kept Her Beautiful
10. The Gravedigger
11. Bodies in the Wall
12. Get Off Your Ass
13. Loser at Life / Loser at Death
14. This Is the End

Jason Derulo Brings Holiday Magic With New Christmas Single ‘Miracle’

Jason Derulo’s new holiday song “Miracle” blends pop-R&B warmth, gratitude, and seasonal magic. Photo: Miller PR, used with permission.

Jason Derulo Releases New Holiday Song “Miracle”: A Feel-Good Christmas Anthem

Los Angeles, CA — Multi-Platinum global superstar Jason Derulo has surprised fans with a festive new release just in time for the holidays. His new Christmas single, “Miracle,” released via Create Music Group, is now available on all major streaming platforms. (Miller PR, 2025)

The holiday track blends classic Christmas warmth with Derulo’s signature pop-R&B sound, delivering an uplifting anthem that celebrates gratitude, love, and togetherness.

Jason Derulo’s “Miracle” Captures the Meaning of Christmas

Miracle” is a feel-good Christmas song that highlights Jason Derulo’s unmistakable vocals while embracing the emotional heart of the holiday season. Through its reflective lyrics, the song explores how life’s simplest moments, family connections, unexpected kindness, and everyday love, are often the real miracles.

Rather than focusing on grand gestures, Derulo reminds listeners that the true magic of Christmas lives in quiet, ordinary joys that bring people together.

Photo: Miller PR

A Successful Year for Jason Derulo

The release of “Miracle” follows a standout year for the global hitmaker. Earlier this year, Jason Derulo released the pop anthem “Who Hurt You,” which quickly gained viral momentum, reaching 316 million streams in just eight weeks.

His previous single, “Snake,” featuring Nora Fatehi, has also made a major impact, accumulating over 124 million views online and reinforcing Derulo’s ability to create globally resonant hits.

Jason Derulo’s Social Media Influence

Jason Derulo remains one of the most influential musicians in the digital space. With nearly 250 million followers across social media platforms, including over 66 million followers on TikTok, he is currently the fourth most-followed male artist on TikTok.

His massive online presence continues to amplify his reach, making him one of the most visible and influential pop artists in today’s music landscape.

“The Last Dance World Tour” Kicks Off in 2026

On January 30, Jason Derulo will launch “The Last Dance World Tour,” featuring 25+ arena dates across the UK and Europe scheduled for early 2026. Additional tour dates are expected to be announced. Fans can view the complete tour schedule on his official website.


About Jason Derulo

With nearly 250 million followers worldwide, Jason Derulo is a true multi-platform powerhouse and one of the most successful pop and urban artists of his generation.

Originally known as the “kid from a Haitian family in Miami,” Derulo’s rise to global stardom has been built on consistency and creative evolution. He has sold over 250 million singles and generated tens of billions of streams, with a catalog that includes chart-topping hits like “Talk Dirty” (feat. 2 Chainz), “Wiggle,” “Swalla,” and “Savage Love.” “Savage Love” reached No. 1 on the Billboard Hot 100 and topped charts in 16 countries.

Known for genre-blending collaborations with artists such as BTS, Nicki Minaj, Luke Bryan, and Michael Bublé, Jason Derulo continues to shape global pop culture through both music and social media.


Begging Dog: Jeff Kleinman’s Gritty Tribute to Everyday Life

Begging Dog shares new single Common Place from forthcoming album. Photo: Photo By Kat Nijmeddin, used with permission.

Begging Dog: Jeff Kleinman’s Raw, Everyday Poetry Finds Its Voice

Begging Dog is the indie-punk project of Los Angeles–based artist and multi-instrumentalist Jeff Kleinman. Known for his work with Choir Boy, Kleinman created Begging Dog as an outlet for songs that embrace the mundane with a raw, homespun sound. The project leans into garage-punk grit and plain-language lyricism, capturing the poetry of everyday life. (another side, 2025)

A Demo That Sparked a Buzz

Kleinman’s debut, DEMO 1, spread quickly through underground circles. Word reached Dais Records, who soon signed Kleinman and announced a wider vinyl release of the original album.

Clocking in at just 26 minutes, DEMO 1 is packed with rolling bass and synth lines, charismatic riffs, and motorik drum beats. Sonically lean but emotionally weighty, the project showcases Kleinman’s distinctive storytelling and ear for melody.

Characters, Scenes, and Lived-In Observations

Lyrically, DEMO 1 drifts through a series of lived-in characters and scenes:

  • a pushy union rep
  • a mailman with a steady federal job
  • a compulsive gambler
  • a beloved neighborhood homeless man

Ex-lovers flicker in and out of several tracks, collaged into sharp, witty free verse. Kleinman cites Bruce Springsteen as an influence, not in genre, but in philosophy. He writes in “plain ink,” opting for direct simplicity over flowery prose.

Loneliness in Plain Sight

Much of DEMO 1 taps into a shared loneliness, universal and uniquely tied to life in Los Angeles. The title track anchors that feeling as Kleinman sings, “no one loves a begging dog.” Borrowed from a friend, the line encapsulates the project’s core: the world can make you feel like a begging dog searching for affection and security, yet there’s beauty in solitude, routine, and the quiet hum of everyday life.

From Solo Recordings to a Seven-Piece Band

Kleinman recorded DEMO 1 almost entirely on his own. But live, Begging Dog expands into a dynamic seven-piece band, giving the songs a new sense of scale and energy.

“No matter how good or not good you have it, you’re kind of like looking for something more,” Kleinman says. He stops short of assigning grand meaning to the work, maintaining a sense of humility that permeates the project. DEMO 1 thrives on this balance of candor, grit, and hook-driven songwriting.

Release Details

DEMO 1 was mixed and mastered by Matt Whitehurst. It’s currently streaming on all major platforms and will be released on vinyl via Dais Records on December 12. It is available for pre-order.

Kleinman’s latest single, “Common Place,” reflects on his five years living in Salt Lake City, another snapshot of everyday life reframed through Begging Dog’s honest, unvarnished lens.


DEMO 1 Tracklist:
01 – Begging Dog
02 – Cave In On Me
03 – Money Tree
04 – The Eel
05 – Laughing Boy
06 – Clamshell Tune
07 – Continuing Education
08 – Tell Me That You Love Me
09 – Common Place
10 – Here For A Good Time



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Gran Moreno Ignites with New Single ‘Temple of Fire’ Ahead of Debut Album El Sol

Gran Moreno is Ricardo (guitarist and vocals) and Christian (drums). Photo: Tico Mendoza, used with permission.

Gran Moreno Unleashes New Single “Temple of Fire” Ahead of Debut Album El Sol

This week, Austin duo Gran Moreno released their newest single, “Temple of Fire,” now available on all major streaming platforms. The track originally premiered via The Obelisk, offering an early glimpse into the band’s evolving sonic universe. (US/THEM Group, 2025)


A New Force in Psychedelic Rock

Gran Moreno is quickly emerging as one of the most compelling voices in the new wave of psychedelic rock. Their sound, rooted in analog warmth, expansive textures, and hypnotic grooves, creates an immersive experience that blurs the line between distortion and introspection. With heavy rhythms, emotionally charged melodies, and atmospheric layers, their music feels like a sonic mirage: shifting, evocative, and deeply felt.


A Conceptual Debut: El Sol and La Luna

At the heart of Gran Moreno’s artistry is a dedication to storytelling through sound. Their upcoming debut album is a conceptual, two-part experience:

  • Side A: El Sol — urgency, energy, and clarity
  • Side B: La Luna — shadow, mystery, and reflection

The first release, El Sol, captures the band at full intensity, offering a vivid and unfiltered introduction to their creative identity.


A Live Experience That Transcends the Stage

Gran Moreno’s live performances elevate their music into a full-body encounter. Blending sonic power with rich visual elements, their shows draw audiences into a shared trance, one that feels both deeply personal and profoundly communal. Their fierce independence and bold creativity continue to shape a musical world entirely their own.


Release Info

El Sol will be available on LP and digital download on January 17, 2026.
Pre-orders are available HERE.


El Sol tracklist:

  1. Las Montañas
  2. Aztlan
  3. Huracan
  4. Temple of Fire
  5. La Mentira
  6. Oaxaca – Please Don’t Cry
  7. Hikuri
  8. California Blues

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Between The Waves is Home Front’s Anthem for Resilience and Renewal

L-R Clint Frazier, Graeme MacKinnon. Photo By Lyle Bell, used with permission.

Home Front Shares Final Single “Between The Waves” Ahead of Watch It Die Release

This week, Home Front shared their final single, “Between The Waves,” from their upcoming album Watch It Die, out this Friday November 14 via La Vida Es Un Mus. Pre-Order/Pre-Save. (another side, 2025)

A Lifetime of DIY Spirit

For decades, Graeme MacKinnon and Clint Frazier have been deeply embedded in grassroots music-making, community building, and the unpredictable ebbs and flows of DIY punk.

Formed in 2020, Home Front channels their lifetime of experience into a project that feels nostalgic and forward-looking; a sound that moves between the textured sounds of Tangerine Dream and the pounding urgency of an anthem for survival.

Music That Grows Through Change

Home Front’s music holds onto a rare kind of passion, the kind that guides you, like a climbing vine wrapping around both triumphs and losses. Their lyrics and influences are specific yet universal, personal yet accessible.

The new record’s production, guided by a close-knit team of longtime collaborators, reflects their DIY ethos. Recorded in home studios in their hometown of Edmonton, Alberta, Watch It Die is a testament to making something powerful out of humble circumstances.

Honest, Danceable, and Deeply Human

Watch It Die is built simply: 12 songs of danceable, hummable, and rousing honesty. The emotion of this LP solidifies these musical notions into meaningful art.

“For us, ultimately, this is music that comes out of loss and heartbreak and failure,” says the band. “You can get rowdy, you can get emotional, you can do whatever you want—but maybe, with all of that freedom, we take a second to reflect on all our fallen brothers and sisters and friends who may have slipped away.”

Finding Light in the Bleak

Rather than asking why or how we got here, Watch It Die offers a step forward, a dose of optimism and self-ownership in dark times. It reminds us that solitude doesn’t have to equal despair, and that wisdom can replace nostalgia as a form of grace.

This album doesn’t shy away from the world’s ills, it owns them, transforming pain into purpose.

Tour Dates

Home Front kick off their West Coast tour next week, including stops in:

  • San Francisco
  • Sacramento
  • Los Angeles’ Palladium (supporting Cock Sparrer on November 22 & 23)
  • Plus a release show just announced at Knuckleheads on November 22.

Home Front Live Dates:

Nov 20: Sacramento, CA – The Starlet Room
Nov 21: San Francisco, CA – Thee Parkside
Nov 22: Los Angeles, CA – Hollywood Palladium # (SOLD OUT)
Nov 22: Los Angeles, CA – Knucklehead (Release Show)
Nov 23: Los Angeles, CA – Hollywood Palladium !
Dec 13: Winnipeg, MB – The Handsome Daughter + (SOLD OUT)
Dec 19: Calgary, AB – Palomino * 
Dec 20: Edmonton, AB – Starlite Room ^
Feb 6-8: Hague, NL – Grauzone
# w/ Cock Sparrer, Dillinger Four, Castillo
! w/ Cock Sparrer, Dillinger Four, Generacion Suicida
+ Record Release Show w/ Imploders, Pure Impact
* Record Release Show w/ CloseTalkers, Puppet Wipes, Poltergeist
^ Record Release Show w/ Languid, Real Sickies


Watch It Die tracklist:
01 – Watch It Die
02 – New Madness
03 – Light Sleeper
04 – Between The Waves
05 – Eulogy
06 – The Vanishing
07 – For The Children (F*ck All)
08 – Kiss The Sky
09 – Always This Way
10 – Dancing With Anxiety
11 – Young Offender
12 – Empire


New Movie Strangers in a Car Park Challenges What We Choose to Believe

Strangers in a Car Park will be available on digital and on demand on November 11, 2025. Photo: One Tree Entertainment, used with permission.

New Movie Spotlight: Strangers in a Car Park

🎬 Strangers in a Car Park

The truth will always come to light

Available On Digital and On Demand – November 11

Written and Directed by: Stuart McBratney

Starring:
Brenton Prince (Home and Away, Underbelly),
Lawrence Ola (Upright, Wellmania, face of STEP ONE underwear), and
Arnijka Larcombe-Weate (Boy Swallows Universe)


When a cleaning lady spots a celebrated surfer being honored with a medal for heroism, her world comes crashing down. She recognizes him as the man who assaulted her years ago. (One Tree Entertainment, 2025)

With only a streetwise courier by her side, she sets out to expose the truth, risking everything to confront the man who’s built his life on lies.

Strangers in a Car Park is an unflinching and unorthodox drama about memory, justice, and the lies we tell ourselves and others.


Release Date: November 11
Watch: On Digital & On Demand


Photo: One Tree Entertainment, used with permission.

Jordin Sparks Joins Toby Gad on New Holiday Album Piano Diaries – Christmas

Toby Gad ushers in the season with his first holiday album. Courtesy photo, used with permission.

🎹 Toby Gad Unveils Piano Diaries – Christmas: A New Chapter in Holiday Music

GRAMMY®-winning songwriter Toby Gad releases Piano Diaries – Christmas on November 7, a deeply personal, all-original holiday album featuring Jordin Sparks, Victoria Justice, Loren Allred, and more.


Los Angeles, CA — After decades shaping some of pop music’s most defining hits, GRAMMY®-winning and Diamond-certified songwriter Toby Gad turns inward this season with the release of his first all-original holiday album, Piano Diaries – Christmas, available on all digital platforms November 7. Pre-save here. (Miller PR, 2025)

Known for writing emotional powerhouses like John Legend’s “All Of Me,” Beyoncé’s “If I Were A Boy,” and Fergie’s “Big Girls Don’t Cry,” Gad now turns his songwriting lens toward the most nostalgic and heartfelt season of the year.


A Modern Holiday Songbook

Each song on Piano Diaries – Christmas was born from authentic, intimate collaboration. Gad invited twelve world-class vocalists to sit at the piano and transform their most personal holiday memories into original songs. The result is a modern seasonal songbook that blends intimacy and sophistication through piano, orchestral, and vocal performances.

The twelve-track collection features performances by:

  • Jordin Sparks (American Idol)
  • Victoria Justice (TV star and pop singer)
  • Loren Allred (The Greatest Showman)
  • Megan McKenna (Celeb-X winner)
  • Michael Huntley (The Voice Season 24 winner)
  • Louisa Johnson (X-Factor winner)
  • Anthony Gargiula (TikTok sensation)
  • Sam Ryder (Eurovision star)
    …and more.

🎶 Stories Told in Song

A deeply personal project, Piano Diaries – Christmas radiates warmth and reflection. Each track unfolds like an entry in Gad’s musical journal: intimate, cinematic, and timeless.

“With Piano Diaries – Christmas, I wanted to create a timeless soundtrack that feels like a letter to the season itself. Every song carries a personal story of the artist singing it, and each performance reflects a sentimental truth about their own experience of the holidays.” – Toby Gad

The album strikes a rare balance between reverence and reinvention:

  • Jordin Sparks’ “Christmas Takes Me Back Home” and Michael Huntley’s “Mama Made Christmas” channel nostalgia and family tradition.
  • Megan McKenna’s “Feels Like Hallelujah” and Anthony Gargiula’s “Fall in Love with Christmas” radiate pure joy.
  • Victoria Justice’s “Blessed” and Dionne Bromfield’s “Christmas For One” bring emotional depth and quiet introspection.

Together, they capture the many shades of the holiday season.


🎄 Release Details

Piano Diaries – Christmas will be available November 7 on all streaming platforms via Kite Records. A limited-edition vinyl will also be sold at The London Shard, accompanied by two exclusive Christmas Live performances on December 15 and 16.


🎵 About Toby Gad

Toby Gad is a GRAMMY® Award-winning songwriter and producer based in Los Angeles, celebrated for crafting timeless pop anthems across genres from pop and R&B to rock. His catalog of hits spans decades and includes collaborations with some of the biggest artists in the world.

Beyond his chart-topping success, Gad has expanded into filmmaking, directing and producing documentaries centered on environmental causes close to his heart.

With Piano Diaries – Christmas, Gad steps into the spotlight under his own name, creating an original and heartfelt collection that feels destined to join the canon of modern holiday classics.


Piano Diaries – Christmas Tracklist:

  1. Joelle James – “Kiss Me for Christmas”
  2. Loren Allred – “What a Wonderful Night”
  3. Huntley – “Mama Made Christmas”
  4. Sam Ryder – “Holy Night”
  5. Megan McKenna – “Feels Like Hallelujah”
  6. Gavin James – “We’ve Really Loved Someone”
  7. Louisa Johnson – “Follow the Stars”
  8. Victoria Justice – “Blessed”
  9. Jordin Sparks – “Christmas Takes Me Back Home”
  10. Dionne Bromfield – “Christmas For One”
  11. Anthony Gargiula – “Fall in Love with Christmas”
    Bonus Track:
  12. Marisha Wallace – “Little House in the Snow”

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Piano Diaries- Christmas release date