Category: new releases

Rising Appalachia’s surprising new album release

Rising Appalachia channel rush of inspiration on surprise new release The Lost Mystique of Being in the Know. Courtesy photo, used with permission.

Sisters Leah Song and Chloe Smith, known musically as Rising Appalachia, are stewards for their earth and its peoples as well as musicians. Framing their foundation of traditional American music with West African n’goni and Celtic-Irish fiddle, Rising Appalachia have landed on something that has the potential to grow its own roots, rather than leaning on one particular past—folk music from different corners of the world all working together as one, used as a sharpened tool for cultural and environmental preservation and education. Their most recent album, Leylines, has been a defining record for the sister-led band, garnering praise from a wide swath of critics and solidifying their place in the greater Americana musical movement. (Rising Appalachia, 2021)

BrooklynVegan called “Speak Out,” one of the album’s standout tunes featuring Ani DiFranco, “an appealing dose of fiddle-fueled folk and close harmonies.” NPR praised album closer, “Resilient,” as an “uplifting, original folk anthem” and Rolling Stone called their sound “protest music for the modern age bolstered by delicate, skillful musicianship and otherworldly vocal harmonies.” On May 21, Rising Appalachia surprised fans with the release of The Lost Mystique of Being in the Know, a full-length album of new music dreamt up and recorded simultaneously after having not seen each other in over 10 months. This new collection of nine songs is abstract; a concept album which the band calls “the most dynamic fun we have ever had in the studio.” Rising Appalachia—Leah Song, Chloe Smith, Biko Casini, Arouna Diara, Duncan Wickel, and David Brown—removed themselves from the outcome, let the songs lead, and were rewarded with a gorgeous snapshot of not just the music, but the time and circumstance that forged it. Fans can stream or purchase the entirety of The Lost Mystique of Being in the Know right now at this link.

The Lost Mystique of Being in the Know Track list:
Catalyst
Ngoni
Silver
Tempest
Lost Girl
Top Shelf
Clay
Keep Going
Depth

Rising Appalachia – Resilient

John Smith’s new video for ‘Hold On’

Escape with John Smith into the ethereal Welsh countryside in his new video for Hold On from his new album The Fray Photo: google

John Smith was born in Essex and raised on the Devon seaside. Known for his intimate songwriting, his honey-on-gravel voice, and pioneering guitar playing, he has spent the last fifteen years touring internationally and has amassed over 40 million streams on Spotify. As a session musician, he has played guitar with artists as diverse as Joan Baez, David Gray, Joe Henry, Lianne La Havas, and Tom Jones. His new album The Fray is out now as is the video for Hold On from this new album. (IV-PR, 2021)

Throughout The Fray, Smith touches on not just his own emotional turmoil experienced over the past year, but also his observance of the pain of those around him. But it is Smith’s stubborn optimism that shines through and differentiates his experiences and songs from his influences and contemporaries, which PopMatters and Americana Highways recently touched on, the latter highlighting his “excellent, consistent songwriting.” His traits of holding onto hope, forgiving transgressions, and reckoning with his place in a world which does not always reciprocate are not only necessary for Smith to deal, but they are also contagious to anyone who finds themselves in similar situations, adrift in the wind. For those who echo that sentiment, from experience, Smith shares his message on The Fray; “If we don’t hold on, we’re lost.”

Fans can follow this link to see the full video for “Hold On,” a song which Under The Radar called “an unrelentingly warm and uplifting ballad, one that was as healing for Smith to write as it is to take in as a listener” from a record that The Bluegrass Situation applauded as “an album of searing honesty and lithe beauty whose songs amplify the emotions and experiences of so many of us this year—the reassessed relationships, the self-reflection, and the ultimate search for hope.”

A drove of critics went on to also praise the instrumentation and production of The Fray. No Depression called Smith’s work “a meticulously constructed album that expresses its sadness but doesn’t get bogged down in it”; Fretboard Journal exclaimed “beautiful, introspective and loaded with great guitar tones”; and Associated Press wrote “There’s a comforting sway to the album’s melodic folk-pop, built on Smith’s subtle guitar work…12 tunes of resilience, devotion and hope, with determination in the lyrics and buoyancy in the music.” Fans can follow this link to purchase or stream The Fray in its entirety now.

The Fray Track list:
1. Friends
2. Hold On
3. Sanctuary
4. Deserving
5. The Best Of Me (feat. Bill Frisell)
6. Star-Crossed Lovers (feat Lisa Hannigan)
7. To The Shore
8. Eye To Eye (feat Sarah Jarosz)
9. Just As You Are
10. The Fray (feat. The Milk Carton Kids)
11. She’s Doing Fine
12. One Day At A Time

John Smith ‘Hold On’

Sam Filiatreau shares first track from self-titled debut

Sam Filiatreau’s self-titled debut album from Gjenny Records. Courtesy photo, used with permission.

As a teenager who began writing songs almost as soon as he learned to play guitar, Sam Filiatreau found his calling in the storytelling songs of ‘70s country, along with John Prine and Randy Newman. Deciding to pursue music full-time at 16, Filiatreau quit high school, moved out of the family home, and joined a rock band. However, most of his free time was dedicated to traveling to area festivals, absorbing what he calls “sad mountain music,” and honing his own songwriting and singing. Along with his own gigs, Filiatreau has also played shows with Houndmouth and the Felice Brothers. His self-titled debut on Gjenny Records is now out this month with “Wrecking Ball” being the first single. (IV-PR, 2021)

The story behind Kentuckian Sam Filiatreau’s new record is one of chance and good fortune. A last-minute house show gig that just so happened to be in front of the right guys—Taylor Meier and Matt Vinson, who were on their way to AAA stardom with their band Caamp—led to a quick friendship and mutual respect which eventually landed Filiatreau the first spot on Meier’s new record label, Gjenny Records. American Songwriter premiered “Wrecking Ball,” an effortless indie-two-step which, in Sam’s words, “is a nod to the old time music I’ve always been so drawn to.” But, like the rest of Filiatreau’s tunes, there is a clever, quirky depth that might be missed on the first listen. American Songwriter notes, “Without saying too much, the artist’s stripped-back styling elicits a certain unifying nostalgia—even the empty spaces still brim with emotion.” Fans can hear the single now at this link.

“I don’t have a theme, other than it is honest and not trying too hard,” says Filiatreau. “I feel like whenever I’m writing songs or music, I’m trying to find that fine line of doing something well, but also not taking it too seriously. To me, this record feels loose and fun. I feel like we captured exactly what was going on there.”

Sam Filiatreau Track list:
Hold The Door
Wrecking Ball
El Camino
Hold Me
Ashes
Tired
Silver Highway
Fine By Me

Latin Grammy nominated Buyuchek joins forces with Los Askis

Buyuchek joins forces with Los Askis on a norteño-Andean version of the beloved cumbia song “Cariñito.” Courtesy photo, used with permission.

Two-time Latin Grammy nominees Buyuchek continue to expand their repertoire and musical influences with the release of their new collaboration with the internationally renowned Los Askis, a norteño-Andean version of the beloved cumbia song “Cariñito.” (Buyuchek, 2021)

On this special occasion, Buyuchek delves into a musical fusion, exploring sounds beyond their typical repertoire and demonstrating that music has no borders. They join Andean–cumbia international Mexican stars Los Askis who blend cumbia with Andean music and pre-Hispanic musical elements.

Founded in 2012, Buyuchek is a norteño band from General Tehran, Mexico that has earned two Latin Grammy nominations (2019 & 2020) for Best Norteño Album. The band has quickly become fan favorites in both Mexico and the U.S. thanks to their collaborations with the 82-year old singer Irma Silva, aka La Abuela. She is both a vocalist and the grandmother of the leader and founder of the band, Jorge Loayzat.

Originally from General Terán, Mexico, La Abuela grew up in poverty and in a male-dominated environment, which made it nearly impossible for her to follow her musical dreams. She spent the majority of her life as a seamstress, always singing along with her radio while working. La Abuela Irma Silva is also the niece of Eugenio Ábrego, accordionist and second voice of the legendary Norteño duet Los Alegres De Terán. The duet is one of the founding fathers of norteño music.

The name Buyuchek is a play on words of the International Büyükçekmece Culture and Art Festival in Istanbul, Turkey, where they performed. Buyuchek and La Abuela Irma Silva released their first collaboration album in 2018, titled Las Canciones de la Abuela. The album was conceived as an 80th birthday gift for Irma Silva and went viral, earning a Latin Grammy nomination and launching La Abuela’s new artistic career. The album’s music videos were filmed at Hacienda El Granjenal, where Irma Silva lived for more than 50 years.

The High Hawks’ new self-titled album

The High Hawks’ new album will be out June 11, 2021. Photo: google

With close to 150 years of collective experience as professional touring musicians, The High Hawks—Vince Herman  (Leftover Salmon), Tim Carbone (Railroad Earth), Chad Staehly (Hard Working Americans), Adam Greuel (Horseshoes & Hand Grenades), Brian Adams (DeadPhish Orchestra), and Will Trask (Great American Taxi)—have maintained a generation-spanning presence at the forefront of the roots music scene for over two decades. On June 11, their debut album The High Hawks will be released via LoHi Records. (IV-PR, 2021)

In the first few seconds of The High Hawks’ debut single, a flurry of pulsing electric piano, kick drum, and Townshend-esque guitar strums give way to a flat out J.J. Cale groove just in time for the first line to be sung: “If we could just find a highway…might even find a way to make it home.” And thus, The High Hawks take flight. That tune, “Heroes & Highways,” is an appropriate first taste of music from the long-time-coming, feel-good Americana cooperative, naturally expressing the range of which the bands’ members can reach.

This month, Live for Live Music premiered the music video for the aforementioned “Heroes & Highways,” a song the band calls “a nod to the ever-present tension of the thrills and experiences of ‘the highway’ and the comfort and pleasures of home sweet home.” Live for Live music echoed that sentiment, calling the tune “a much-needed reflection on the way of the road.” Fans can watch the video for “Heroes & Highways” now at this link and pre-order or pre-save The High Hawks ahead of its June 11th release right here.

The baker’s dozen of songs that make up their debut have the strong identity and cohesiveness of a band three records into their career. The summery, fiddle-infused opener “Singing a Mountain Song,” with its self-referential line—Soaring like a high hawk across this mountain top—acts as a kind of mission statement for the whole collection. There is plenty of good feeling and optimism in these grooves, from the celestial cowboy vibe of “White Rider” and the revved-up Cash rockabilly of “Bad Bad Man,” to the catchy, sauntering “Do Si Do,” which sounds like a lost Grateful Dead track, the spare emotional cover of Woody Guthrie’s “Fly High,” and “Just Another Stone,” a moving ode to love’s redemptive power. Throughout, the creative hand-offs between four songwriters and four distinct singers all come together to channel influences from bluegrass to folk to reggae to cosmic Americana into a singular, appealing voice. “These songs wouldn’t sound like High Hawks songs if it was just one of us playing them,” Adam Greuel says. “When it all comes together, there’s a sound.”

As touring starts to wind back up, the band is ready to get these new, feel-good songs out in front of a live audience.

The High Hawks Track list:
Singing A Mountain Song
Talk About That
Heroes & Highways
Just Another Stone
When The Dust Settles Down
White Rider
Fly High
Bad Bad Man
Do Si Do
Home Is
Blue Earth
Trying To Get By
Goodnight Irene

The High Hawks On Tour:
June 2 – Pearl Street Brewery – La Crosse, WI
June 3 – The Hook & Ladder Under The Canopy – Minneapolis, MN
June 4 – WIJAM Presents Sol Dance at Jones Park – Appleton, WI
June 5 – Mackey’s Hideout (outdoor stage) – McHenry, IL
June 6 – The High Hawks Invitational @ Long Bridge Golf Course – Springfield, IL

 

Heroes & Highways by The High Hawks

Dallas Burrow finds a new kind of adventure on self-titled LP

Dallas Burrow’s new LP will be out July 23, 2021. Courtesy photo, used with permission.

A Texas-born Americana artist rooted in the tradition of his home state’s songwriting heroes, Dallas Burrow built a career on both sides of the Atlantic with his 2019 debut, Southern Wind. Recorded in Nashville, the album reached Number 25 on the UK Americana Chart and Number 4 on the US Alt-Country chart, paving the way for a string of cross-country shows alongside fellow road warriors like Charley Crockett. Dallas Burrow has built his own unique brand of American roots music. It is a sound rooted in folk, shaped by classic country, and heavily influenced by the Texan craftsmen who came before him. On July 23, he will be introducing a new side of himself on record, that of a newly sober man embracing the stability of fatherhood and family life. (IV-PR, 2021)

The full-length, self-titled album, Dallas Burrow, is a collection of songs about maturing and finding one’s path, recorded to two-inch analog tape by producer Bruce Robison and shot through with the rich storytelling, organic Texas twang, and authentic Americana that have all become Burrow’s sonic signature. Last week, Holler premiered the first single from Dallas Burrow, the groovy, slow-burn blues of “Born Down In Texas.” Holler praised the album’s old-school, straight-to-tape recording process, saying, “That live feel crackles throughout Dallas Burrow, which, when thread through Burrow’s singular voice, captures the humidity and haunts of the Texas countryside that formed him.” Fans can hear “Born Down In Texas” now at this link and pre-order or pre-save Dallas Burrow ahead of its July release right here.

The result is a 14-song collection of western Americana, sung by Burrow in a voice that bears both the road-worn weariness of a lifelong highwayman and the fierce fire of a man reborn. This is an album about craft and conviction, from the moody western folk of the opening song, “Country Girl,” to the woozily gorgeous closer, “Outlaw Highway.” The latter track features lyrics written long ago by Burrow’s father, whose own songwriting helped lay the brickwork for his son’s career. Album highlights “Easter Sunday,” “American Dream,” and the anthemic “Independence Day” double down on that family theme, with Burrow nodding to his new role as a father and husband. Dallas Burrow is a celebration of fresh starts and new beginnings. Burrow is not cheating death anymore; instead, he is rediscovering a new way to live, with this self-titled album serving as the soundtrack.

Dallas Burrow Track list:
Country Girl
American Dream
Born Down In Texas
Easter Sunday
Holy Grail
Independence Day
Look At Us Now
My Old Friend The Shadow
Father’s Son
The Other Side
Street Hustler’s Blues
River Road
Keep On Tryin’
Outlaw Highway

When Burrow is not making records or on the road, he is the owner and proprietor of the newly opened Redbird Listening Room in New Braunfels, Texas; an intimate listening room inspired by places like Nashville’s Bluebird Cafe and Kent Finlay’s Songwriter Circle at the Cheatham Street Warehouse in San Marcos, TX, where Burrow and countless others cut their teeth.

2021-07-23T13:24:00

  days

  hours  minutes  seconds

until

Release of Dallas Burrow’s new LP

Jamestown Revival releases first track from upcoming EP

Prospector Blues is the first track from Jamestown Revival’s upcoming Fireside With Louis L’Amour EP which will be out May 28, 2021. Courtesy photo, used with permission.

In 2020, Jamestown Revival released A Field Guide To Loneliness, an intimate collection of songs that finds Clay and Chance reflecting on recent times whereby human contact was limited more than ever. A Field Guide To Loneliness follows Jamestown Revival’s 2019 critically acclaimed release, San Isabel. Recorded in a remote cabin in the majestic and calming landscape of central Colorado, the band embraced a minimalist approach in the recording of San Isabel. Finding inspiration in ‘60s and early ‘70s folk and pop, the original songs on San Isabel show reverence for early John Denver and Bob Dylan, as well as Simon & Garfunkel and Crosby, Stills, Nash & Young. (IV-PR, 2021)

The frontier stories of American novelist Louis L’Amour have been an influence on Jonathan Clay and Zach Chance of Jamestown Revival since the band’s formation. At the age of 23, both Clay and Chance read L’Amour’s memoir, “The Education Of A Wandering Man,” and since then, fans have not had to dig very deep to find their hat tips to the late great legend. On May 28, Jamestown Revival’s newest project, an EP titled Fireside With Louis L’Amour, will forever immortalize the guys’ love for L’Amour’s storytelling in a six-song roundup of tunes directly inspired by his short stories. When it was all said and done, Jamestown Revival was successful in their effort to distill a half-dozen tales from “The Collected Short Stories of Louis L’Amour, Volume 1: Frontier Stories” from 30-page adventures down to three and a half minute songs; each directly inspired by individual stories from the collection—Jamestown Revival’s tune “Bound for El Paso” comes from L’Amour’s “The Gift of Cochise,” “Fool Me Once” was inspired by “The Man from Bitter Sands,” and so on. This past Friday, the band released “Prospector’s Blues,” their thumping, resonator-driven album-closer inspired by L’Amour’s tale of cautious-turned-reckless mining in “Trap of Gold.” Fans can listen to “Prospector’s Blues” here and pre-order or pre-save Fireside With Louis L’Amour ahead of its May 28 release with this link.

“They say that L’Amour was the master of the short story and we would humbly agree. In 30 pages he manages to draw you in, make you invest in the characters, and oftentimes hit you with a twist that you truly didn’t expect,” say Clay and Chance. “The songs on Fireside With Louis L’Amour are our attempt to put a musical spin on some of Louis’ short stories found on ‘The Collected Short Stories of Louis L’Amour, Volume 1: Frontier Stories.’ To have the family of L’Amour on board was just icing on the cake for Jamestown Revival. “On top of that, it’s been an absolute honor to have the blessing of Louis’ son, Beau, and the L’Amour estate. We hope these songs inspire you to pick up ‘The Collected Short Stories of Louis L’Amour’ and read the true inspiration behind the music,” they say, before adding “We also feel it’s worthwhile to mention these songs should be best enjoyed sitting next to a fire with a nip of whiskey in the glass.”

Fireside With Louis L’Amour Track Listing:
1. Bound for El Paso
2. Fool Me Once
3. The Ballad of Four Prisoners
4. The Killing Type
5. Beyond the Ridge
6. Prospector’s Blues

Legión Alterna’s new single

The dynamic “norteño alternativo” ensemble from Chihuahua, Mexico presents their new single. Courtesy photo, used with permission.

Legión Alterna, a norteño group originally from Chihuahua, México, continues their successful musical journey after their debut during the COVID pandemic. The quartet has introduced a new and singular music style, giving honor to their name – “Legión” means group and “Alterna” means alternative. Each of the group members has strong musical backgrounds, which have converted Legión Alterna into one of the most unique ensembles of today. (Vesper Public Relations, 2021)

Each member draws influences from different genres, including classic rock, funk, reggae, and progressive Regional Mexican. These diverse elements add to the group’s alternative approach to the Regional Mexican genre. Moreover, the members have also been part of other musical groups and have experience in recording studios. Legión Alterna performs a variety of styles, but unlike other artists in Regional Mexican music, they do not perform songs with lyrics that mention drug trafficking and organized crime.

Legión Alterna’s goal is to present songs with socially conscious lyrics that the public can identify with. Their upcoming single, “Te Va A Doler” (“You Will Feel Hurt”), is a ballad with pop-rock influences, and their full-length album will be launched this fall with 10 original songs bringing classic norteño and alternative rock influences together.

After observing the musical preferences of younger generations, Edwin Reyes (Bajo Quinto and Vocals), Richi Ibarvo (Accordion and Vocals), Gio Ramírez (Bass), and Martin Parra (Drums) decided to create a new norteño project featuring a diversity of other musical influences, resulting in the formation of Legión Alterna. Each member carries norteño music in their veins but also loves other genres, giving the group an alternative touch.

Their most recent single “Pasajes De La Vida” (Stages of Life), is a socially conscious corrido about a man who grew up impoverished but succeeded in life via hard work. Another one of their singles “Dos Caminos” (“Two Paths”) invites listeners to reflect upon the story of a young man and his bad decisions, which ultimately change his life. The lyrics also truly give justice to the song title, conveying how we all face the reality of having to choose between good and bad paths.

Legión Alterna is an original, alternative norteño group whose focus is to produce and perform socially relevant songs with impeccable execution.

Banjoist and songwriter Justin Hiltner releases Dolly covers

The openly gay banjo player and songwriter’s two-song single release features popular arrangements of two Dolly Parton classics. Photo: google

Justin Hiltner is a queer, disabled, IBMA Award-nominated banjo player, songwriter, and music writer most recently heard on the Peabody Award-winning podcast Dolly Parton’s America. His debut record, Watch It Burn, made with longtime co-writer Jon Weisberger, was released in 2018. Hiltner is Associate Editor for The Bluegrass Situation, where he co-founded and produces Shout & Shine, a showcase, column, and video series celebrating representation in bluegrass and beyond. He also currently serves as chair of the board for Bluegrass Pride, a non-profit with a mission of uplifting LGBTQ+ folks in roots music. Hiltner’s solo debut, 1992, will be self-released in the fall of 2021. (IV-PR, 2021)

He will release an A side/B side single on April 30, 2021, featuring two Dolly Parton covers, as heard on WNYC Studios’ Dolly Parton’s America in November of 2019. Country Queer premiered the second track on the Silver Dagger release, “Wildflowers,” which features folk, bluegrass, and children’s music legends Cathy Fink & Marcy Marxer on harmony vocals. Stream “Wildflowers” on Country Queer here. Both tracks will be available to stream everywhere on Friday, April 30, 2021.

The two songs not only hearken back to the extremely popular sixth episode of Dolly Parton’s America, “The Only One for Me, Jolene,” which highlighted the queer narratives and homoerotic themes present in Parton’s body of work, they also preview Hiltner’s upcoming debut solo album, 1992, which was tracked during the same recording sessions at Cathy Fink & Marcy Marxer’s mountaintop studio in Western North Carolina. 

As he pointed out on Dolly Parton’s America, Hiltner sees “Wildflowers” as oozing with queerness, a story about migration and relocation, living one’s truth, and trying to find a sense of belonging – all themes so easily related to queerness. “Silver Dagger,” the first and titular track of the single release, is less directly connected to Hiltner’s experiences as an openly queer person in the more traditional spaces of American roots music, and speaks more to his own coming out journey and the barriers he and his family experienced during that journey.

Hiltner signals that these songs are merely the beginning, his first forays as a true solo artist – and his first ever recordings backed by solo banjo, alone – with more singles and his debut full-length solo LP due in the Fall 2021. “Dolly Parton’s America was such a wonderful introduction to the world, in a way,” Hiltner continues. “I’m so excited to reconnect with fans of the podcast and with new fans, listeners, and queer family members, too, as we all go on this new journey together – the journey of Justin the solo artist!” 

“Working with Cathy & Marcy was a dream on so many levels. But getting to add their harmonies to this queer reimagining of ‘Wildflowers’ was especially poignant to me, as we strive for a more equitable present and future in bluegrass, country, and roots music, we have to be looking to the folks who went before us and blazed the trail!” – Justin Hiltner

Upcoming new album release: Room to Dream by Ryan Kinder

Two new singles from the album, ‘Hell Is’ and “Blame’ are available now. Room to Dream will be out July 30, 2021. Photo: google

Ryan Kinder launched his performing career as a teenager in the clubs around his hometown of Birmingham, Alabama. His music has since carried him to Nashville and a tour with two of his musical heroes. Kinder uses his tour dates to bolster his charitable organization, Kinder’s Kids, that provides toys to children in the aftermath of national disasters. In his tour riders, Kinder asks each venue to supply a toy for the foundation. About his debut album, “It’s a riff-roaring rock with a sweet side of Southern soul” – that is how country music’s newest renaissance man Ryan Kinder describes the sound of Room To Dream. Two new singles ‘Hell Is’ and ‘Blame’ are available now. The album will be out Friday, July 30, 2021. (IV-PR, 2021)

Last week, Sounds Like Nashville premiered ‘Hell Is,’ a radio-ready heartbreaker inspired by an argument overheard in a YMCA locker room. “‘Hell Is’ brings to life the raw, agonizing emotions that follow a heartbreak,” the Sounds Like Nashville article reads. “With its genre-blurring arrangement, Kinder’s soul-crying delivery is augmented as he recounts his insufferable emotional state.” On the other hand—and further illustrating the ground Kinder covers on Room To Dream — Raised Rowdy shared a video for ‘Blame,’ a huge-sounding, guitar-laden rocker driven along with stomps, claps, and thick background vocals. Raised Rowdy praised the track, stating, “It’s loud, hits hard, and gets your attention from the start,” before claiming, “the track highlights just how powerful his vocals truly are while giving listeners a taste for his range at the same time.” Fans can hear both of these singles now at this link.

Today, Kinder is a proudly independent artist and he is ready to share Room To Dream. “I had a lot of time to figure out what I wanted to do after a certain time in my life, and all these songs came together with different aspects of who I was when I wrote them,” he concludes. “It was a beautiful realization that some of the bad things and not-so-fun situations led to the opportunity for me to have the room to dream, and to really be myself.”

Room To Dream Track list:
Something
Hell Is
Room To Dream
Tangled Up
Blame
Southbound
Want
Friends
Jane
Nothing But Time

‘Blame’ – one of the new singles from the new album