Mexican rock and pop-punk band The Supuestos release second single and video

The Supuestos’ ‘Apuesta En Mi’ is an animated video inspired by love lost during the pandemic. Courtesy photo, used with permission.

Mexican rock and pop-punk trio The Supuestos are excited to present their second single and animated video “Apuesta En Mi.” Featuring energetic guitar riffs and heart-pounding drum lines, the song takes listeners on a musical roller coaster ride while the video immerses viewers deeper into the vibrant, animated world of The Supuestos, with the band being trapped by the same group of aliens that captured the woman in their first video. It also depicts a fight against a succubus-like demon inside a casino and other out of this world imagery. (Vesper Public Relations, 2021)

The single’s lyrics explore the themes of love and relationships, emphasizing how we occasionally need to take chances. Founder Kenio Chavero comments, “I once had a girlfriend who was scared to take our relationship to the next level. My feelings of longing for her to take a bet on me came out while writing the song.”

Chihuahua based The Supuestos was born during the COVID-19 pandemic and includes members of the Mexican punk band Seis Pistos. With no venues to perform live, Kenio, Yorsh and el Shinobi found refuge by rehearsing and recording, giving birth to The Supuestos. The new band is driven by two universal powers: rock ‘n’ roll and love. These two pillars serve as both emotional and artistic sustenance for the members as they continue developing their sound.

Their first single, “No Me Digas Adiós,” is a fast-paced, headbanging song that reflect upon the difficulty of ending a relationship and is accompanied by a colorful animated video by the illustrator Manuel Fermont and Sergio Jaso featuring aliens, milkshakes, skateboards, and a re-kindled romance. Tight guitar lines and drum rhythms sustain the drive from start to end.

Music, animation, and virtual reality are equally important for The Supuestos. The band’s goal is to immerse listeners and viewers in a cartoon-like world with a wild and fun soundtrack. Each of their videos are chapters of a longer story.

New album: On Solid Ground – Reggie Harris

On Solid Ground is available now. Photo: amazon

Reggie Harris is a teaching artist in the Kennedy Center’s CETA program (Changing Education Through the Arts) and a fellow for the prestigious Council of Independent College lecture program. He also serves as Co-President and Director of Music Education for the Living Legacy Project—an advocacy group that sponsors Civil Rights pilgrimages throughout the South and online education seminars worldwide. Reggie Harris counters injustice with love on his new album On Solid Ground, which is out now.  Harris’ incredibly unique perspective—that of a Black folk singer with roots in the Modern Civil Rights revolution and the great-great-great-grandson of a Confederate general and one of his slaves—brings a truth, a fire, and a positive outlook to each of the album’s thirteen songs. (IV-PR, 2021)

“Well it’s a plague on the nation / It’s all across the news / Splashed up in color for all the world to see.” Those are the opening lines Reggie Harris sings on his new album On Solid Ground. A veteran folk musician—recently the recipient of Folk Alliance International’s 2021 Spirit of Folk Award—Harris has sung songs like this his entire career, but the current political and social climate is drawing his personal voice out and into the conversation. “My story includes aspects of my journey as a Black male growing up in Philadelphia during the 50s and 60s; pushed into integrating schools and neighborhoods which forced me to learn to live between two worlds using music as a foil to become a bridge-builder.” On Solid Ground is just as much about healing and inspiration in the face of injustice and dissension. That first stanza closes with a perfect example of Harris’s honed duality: “Our leaders say they’re angry / The people are confused / So, I guess this just comes down to you and me.” In the end, it is all about how we collectively move forward. Longtime fans and curious readers can stream or purchase On Solid Ground—out now—at this link.

Of the thirteen songs on On Solid Ground, Harris wrote nine of them. From the driving, funky “Standing In Freedoms Name”—which tells the tale of Rev. C.T. Vivian’s iconic encounter with Sheriff Jim Clark in Selma, Alabama, in 1965—to album-closing tribute to his friend and mentor Pete Seeger, “High Over the Hudson,” Harris dances between genres without hesitation and rides the highs and lows of each song’s content with a confident wisdom that only comes from a lifetime of studying folk music. A beautiful cover of the Beatles’ “All You Need Is Love” with Baltimore-based jazz pianist Eric Byrd is carefully placed in the album’s lineup, along with a version of John Prine’s “Hello In There” and an up-tempo recasting of Malvina Reynolds’ classic protest song, “It Isn’t Nice.” 

While writing for On Solid Ground, Harris was featured in 2020 on CNN’s Silence is Not An Option with Don Lemon and in The New York Times to discuss his familial connection as the descendant of slavery as a great-great-great-grandson of confederate General Williams Carter Wickham and his slave Bibhanna Hewlett with his White cousins. “I’ve been a 40-year pioneer as one of the few African-Americans in the folk music community and a Black educator touring around America,” he says. On Solid Ground continues to add to Harris’ legacy, but there is something about this album—at this moment—which feels remarkable; a perfect statement on the times and a peaceful guide to overcoming them. 

On Solid Ground Track list:

  1. It’s Who We Are
  2. My Working Bones
  3. Come What May
  4. Standing in Freedom’s Name
  5. All You Need Is Love
  6. On Solid Ground
  7. Maybe It’s Love
  8. Hello in There
  9. Rise Up/March On
  10. It Isn’t Nice
  11. Let’s Meet Up Early
  12. Tree of Life
  13. High Over the Hudson

Tropical music star Emir Pabón releases Rigo Tovar tribute album

‘Rigo Puro Amor’ is a tribute album to Mexican pop culture cumbia icon Rigo Tovar. Courtesy photo, used with permission.

Tropical music star Emir Pabón presents the tribute album ‘Rigo Puro Amor’ in honor of his godfather, the Mexican Cumbia icon Rigo Tovar. While recreating the greatest hits that made Rigo Tovar a legend, the percussionist, producer, and composer Emir Pabón remembers the impact that this idol had on Mexican culture while also recalling his personal connection to the artist as his godson. Pabón, who also serves as the percussionist for Grupo Cañaveral, is proud to now present ‘Rigo Puro Amor.’ (Vesper Public Relations, 2021)

As a celebration of both the anniversary of Rigo Tovar’s birth (March 29) and his death (March 27), Pabón has reimagined Tovar’s greatest hits. This new tribute album, which also happens to be Pabón’s debut full length release, features collaborations with esteemed artists such as Mariana Seoane, Percance, Jorge Medina, Grupo Cañaveral, Los Rojos, Fátima Campo, and PeeWee. Listeners will be able to enjoy cumbia classics such as “La Múcura,” “Amor Sincero,” “¿Quién Será la Mujer?,” and “Quítate La Mascara.” Emir Pabón is known as an artist who likes to reinvent himself and be at the vanguard. Adapting different sounds is part of his artistic essence, which he continues to do with ‘Rigo Puro Amor.’

‘Rigo Puro Amor’ is now available on all digital formats.

‘Rigo Puro Amor’ – Track list
“Oh Qué Gusto De Volverte A Ver” ft. Jose Adán Esparza Y René Esparza
“El Sirenito” ft. Pedro Fernández
“Mi Matamoros Querido” ft. Lemongrass
“Cómo Será La Mujer” ft. Jorge Medina
“El Testamento” ft. PeeWee
“Quítate La Máscara” ft. Los Rojos
“No Que No”
“Carita De Angel”
“Mi Tinajita” ft. W Corona
“Perdóname, Mi Amor Por Ser Tan Guapo” ft. Chico Che Chico
“Cuando Tu Cariño”
“Amor Sincero” ft. Grupo Cañaveral
“Lamento De Amor” ft. Carolina Ross
“Dos Tardes De Mi Vida” ft. Sandoval
“Me Quiero Casar” ft. Fátima Campo
“Así Soy Yo” ft. Percance
“Mi Amiga, Mi Esposa, Mi Amante” ft. Claudio Alcaraz
“La Calandria Canta” ft. Jonaz
“La Múcura” ft. Mariana Seoane
“Carta De Recuerdo” ft. Buyuchek

Mexican by birth and Colombian at heart, Emir Pabón was born in Mexico City and began his musical career by attending his father’s concerts. He eventually joined his father’s legendary band Grupo Cañaveral as a percussionist and has served an integral role in the ensemble for the past 23 years. In addition to a percussionist, Pabón is also a producer, businessman, actor and composer.

Pabón began a new phase of his career in 2019, releasing several singles as a soloist including “Echa pa’lante,” which invites listeners to overcome their problems with a positive attitude, as well as “Swing,” a collaboration with the acclaimed reggaeton artists Nacho and Joey Montana. In 2020, Grupo Cañaveral celebrated their 25th anniversary and Emir finished up recording his debut solo album – a tribute to his godfather, the Mexican icon Rigo Tovar.

Emir Pabon. Courtesy photo, used with permission.

New album: John Smith’s The Fray

The Fray is John Smith’s new album. Photo: google

British songwriter John Smith was born in Essex and raised on the Devon seaside. Known for his intimate songwriting, his honey-on-gravel voice, and pioneering guitar playing, he has spent the last fifteen years touring internationally and has amassed over 40 million streams on Spotify. As a session musician, he has played guitar with artists as diverse as Joan Baez, David Gray, Joe Henry, Lianne La Havas, and Tom Jones.  He holds on to optimism with his new album The Fray. (IV-PR, 2021)

The song ‘Hold On’ embodies a thread of hopefulness in a blanket of bad news; a thread that runs throughout his new full-length album, The Fray—available now to stream or purchase at this link. Smith co-produced The Fray with long-time friend and producer Sam Lakeman at Peter Gabriel’s Real World Studio. Calling on an all-star band—pianist Jason Rebello, bass player Ben Nicholls, Drummer Jay Sikora, and Jessica Staveley-Taylor of The Staves—Lakeman and Smith honed an honest sound not unfamiliar to existing fans; a focus on the songs as well as the beautiful way in which Smith picks and plucks them. Not allowing a global pandemic to prohibit collaboration, Smith’s guests on the album recorded remotely and sent their contributions digitally over international borders—Sarah Jarosz, Courtney Hartman, The Milk Carton Kids, and Bill Frisell from the Americas and Smith’s frequent touring partner Lisa Hannigan via a virtual studio session in Dublin. 

Throughout The Fray, Smith touches on not just his own emotional turmoil experienced over the past year, but also his observance of the pain of those around him. But it is Smith’s stubborn optimism that shines through and differentiates his experiences and songs from his influences and contemporaries, which PopMatters and Americana Highways recently touched on, the latter highlighting his “excellent, consistent songwriting.” His traits of holding onto hope, forgiving transgressions, and reckoning with his place in a world which does not always reciprocate are not only necessary for Smith to deal, but they are also contagious to anyone who finds themselves in similar situations, adrift in the wind. Atwood Magazine commented, “Pain, loss, isolation, sadness—these are all a part of life, and they will knock us down. Smith’s music reminds us that we will rise again, stronger than before.” For those who echo that sentiment, from experience, Smith shares his message on The Fray; “If we don’t hold on, we’re lost.”

On April 11, Smith will be hosting a Behind the Music livestream in which he will discuss what it takes to put an album together; from writing and arranging to production and recording. For more information and to purchase a pass, please visit Mandolin online. 

The Fray Track listing: 

  1. Friends
  2. Hold On
  3. Sanctuary
  4. Deserving
  5. The Best Of Me (feat. Bill Frisell)
  6. Star-Crossed Lovers (feat Lisa Hannigan)
  7. To The Shore
  8. Eye To Eye (feat Sarah Jarosz)
  9. Just As You Are
  10. The Fray (feat. The Milk Carton Kids)
  11. She’s Doing Fine
  12. One Day At A Time

Ervin Stellar’s new EP Nothing to Prove out now

Ervin Stellar’s feel-good Americana EP, Nothing to Prove. Photo: google

Ervin Stellar channels the energy and integrity of American roots music with his new EP, Nothing to Prove. Using the name Ervin Stellar as his public persona, Nashville musician Andrew Jordan self-produced and mixed the five-song project and released it independently. During his 12 years living in Brooklyn, New York, Jordan discovered a community of session players who were as comfortable with country as they were with jazz. By blending those styles into his own music—from banjo and pedal steel to drums and electric guitar—Ervin Stellar brings a compelling perspective to Americana music. (IV-PR, 2021)

“I left New York City with a gold nugget in my pocket,” sings Ervin Stellar in the opening line of the opening song on his new EP Nothing to Prove. A dancing, melodic bassline and tastefully twangy guitar flourishes could slip in unnoticed on Dylan’s Blood On The Tracks were it not for Stellar’s smooth, intimate vocal delivery. An album that will certainly warrant more than one listen to catch each impeccably crafted line, Nothing to Prove is a shining example of how Stellar pulls off a balancing act of being earnest, lighthearted, and virtuous—one song at a time. Fans can now hear Nothing to Prove in its entirety at this link.

Ervin Stellar is the public persona of Andrew Jordan, who moved from New York to Nashville following his 2018 album, The Moment. That relocation is referenced in the first line of Nothing to Prove’s title track, setting up a series of musical snapshots that encompasses three original songs and two well-chosen covers—all of which are executed in a hard-to-pin-down mix of organic tones and greasy grooves. His sound reflects his youth in Southern Michigan, where his mother preferred country on the radio while his dad enjoyed playing jazz records at home.

In addition to his three outstanding originals on Nothing To Prove, Jordan included covers of Jonathan Edwards’ “Shanty” and John Fogerty’s “Who’ll Stop the Rain.” Jordan recalls hearing “Shanty” every Friday afternoon on the radio in Grand Rapids, Michigan, and decided to work it up after realizing it fit the lockdown vibe. As for “Who’ll Stop the Rain,” Jordan slows down the tempo of the Creedence Clearwater Revival original, though the message resonates as much as ever.

Nothing To Prove Track listing:
Nothing To Prove
Love Is Love
Who’ll Stop The Rain
S.O.S.
Shanty

Rapper and producer W Corona releases new album

W Corona’s new album is Rancho Gang. Courtesy photo, used with permission.

Rapper and producer W. Corona continues his journey through the Regional Mexican landscape with the release of his latest album ‘Rancho Gang.’ Showcasing a creative fusion of acoustic and electronic sounds, the new album was co-written and produced by the Monterrey-based rapper himself and reflects his relentless search for new rhythms and melodies. (Vesper Public Relations, 2021)

‘Rancho Gang’ features 13 songs infused with hip hop, sierreño, and norteño influences, taking listeners on an audible trip through the genres that have formed a principal part of W. Corona’s childhood experiences in his home city of Monterrey, Mexico. It also includes Reggaeton and Cumbia rhythms, creating a multicultural album nourished by Latin American and Mexican sounds.

W. Corona is well known for the diversity of his music. Thanks to his honesty, listeners are consistently offered tales of his experiences, triumphs, romances, heart breaks, celebrations, nostalgias, and failures. While in the studio, he always follows his heart and uses fear as an incentive to work harder and to take risks to achieve his goals: to grow as an artist and evolve, have fun with friends and enjoy the journey without “taking it too serious.”

One year and eleven months have passed since W. Corona began this new era in his career with the single “Cuadro Chico” ft. El Chino Del Rancho, which he followed up with “Bendecido” and more recently with “Sed De La Mala”. The young producer and MC has found a new path by mixing modern hip hop styles with organic Regional Mexican sounds while melodically telling poignant stories with colloquial lyrics.

The two bonus songs included on the album are “Duro” ft. Zkylz García & Fatboi and “El Clavo.” Both singles and their music videos showcase the wide range of influences that W. Corona brings to the plate. ‘Rancho Gang’ is a map that reflects the experiences of W’s life, with each of the thirteen songs taking listeners on a journey filled with many wild twists and turns.

Track list:

  1. California High Ft. El Chino Del Rancho
  2. Bendecido
  3. Duro Ft. Zkylz García, Fatboi
  4. El Clavo
  5. Cuadro Chico Ft. El Chino Del Rancho
  6. Abusando #1
  7. Agítalo Ft. Mad Fuentes
  8. Sed De La Mala
  9. Hong Kong Ft. Los Del Nido
  10. Mal De Amor
  11. Route 66 Ft. El Chino Del Rancho
  12. La Carga Pesada
  13. La Mejor Del Condado Ft. Zkylz García

Indie rockers Arts Fishing Club release new EP, The Show

Arts Fishing Club’s new EP The Show will be out April 30. Courtesy photo, used with permission.

An alternative rock band with pop hooks, indie sensibilities, and indie-folk roots, Arts Fishing Club built its audience the old-school way; by piling its members into a van and hitting the road. As Arts Fishing Club’s touring schedule grew, so did the band’s sound. It was a natural evolution of a band whose members had begun to turn up their guitar amps, dig into their 90s’ rock influences, and create new songs that were every bit as electrifying as their shows. That live energy found a permanent home in the band’s music, turning their upcoming EP—appropriately titled The Show—into the band’s most representative work to date. The group brings these themes to life across five songs with raucous rock and roll, mid-tempo grooves, and folk balladeering all making an appearance. (IV-PR, 2021)

This week, Live for Live Music gave fans a glimpse into The Show with the video premiere for album-closer “With Us All,” a tune in which the band gives a nod to Bob Dylan with their modern twist on a classic protest song—with a decidedly non-holier-than-thou attitude. “It’s with that not-so-thinly veiled reference to Bob Dylan that “With Us All” gets its raw, understated power,” the article says. “A much-needed 21st-century update to the landmark 1964 folk song about the changing nature of society, Arts Fishing Club is now reminding their parents—who were the very children that Dylan sang about—that “your sons and your daughters are beyond your command,” as Dylan originally sang. Watch the video for “With Us All” here and pre-order or pre-save The Show ahead of its April 30 release at this link.

Produced by Wilco co-founder Ken Coomer and mixed by Grammy-winning icon Ryan Hewitt (Red Hot Chili Peppers, The Avett Brothers, and blink-182), The Show is an alt-rock record with a message, filled with songs that sandwich Kessenich’s social commentary between singalong choruses, cinematic melodies, and bursts of Stratocaster guitar. The fact that it was recorded in two days speaks loudly to the band’s strength as a hard-touring, well-oiled machine. It is an anthemic sound that targets the head, heart, and dancing shoes, designed not only to get a crowd moving, but to get them thinking, as well.

The Show Track list:
Hollywood
Horizon Eyes
Tough Shit
The Show
With Us All

“We live in a world where everyone wants to be famous, whether you’re onstage, Tik Tok, or Instagram. I can’t even imagine what middle school must be like these days with social media. I don’t envy that kind of pressure. The Show is an album about fame culture, modern society, and self-reflection.” – Christopher Kessenich, Arts Fishing Club songwriting front man

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New album release: Beth Whitney’s Into the Ground

Beth Whitney’s new album Into the Ground will be out May 28, 2021. Photo: google

Beth Whitney released her first album, Leave Your Shoes, in 2007, which garnered heavy airplay in the Seattle area. She released Yellow in 2010 and Ukulele in 2012, both of which won songwriting awards and were put into heavy rotation by local AAA station in the Seattle area. In 2013, Beth partnered with neighbor and fellow artist, Bradford Loomis, to write and record a self-titled album, The Banner Days (2014) and Hand Me A Hymnal (2015.) The collaboration garnered critical acclaim while they toured extensively across the nation including a performance at the Lincoln Center in New York and reached over 2 million streams on Spotify for their co-write, “My Beloved.” In 2017 she released The Wild Unrest. Whitney’s new album Into the Ground will be released May 28, 2021 on Tone Tree Music.  (IV-PR, 2021)

With the partnership of producer and mixer Brandon Bee and engineer Matt Terjeson, Whitney’s new collection of songs lands effortlessly on beds of organic and orchestral—and at times overdriven and rhythmic—production; never coming close to overpowering the songs and the voice singing them. This week, American Songwriter premiered “Two Sons,” the third single from Into the Ground, following “In Another Life” and “Wild Horse.” American Songwriter wrote, “Reimagining the beloved parable in a modern, Americana setting, Whitney’s understated arrangement beautifully serves the winder theme…the video and the song unite to express a timely message of celebrating those who were lost, but now are found.” “Somehow over my lifetime, this idea of home has become more familiar, and more foreign, all in the same cosmic breath,” says Whitney of “Two Sons.” “I suppose many of my songs thread-in an underlying search for someone or somewhere that would take me in. This desire to be fully known and embraced is so strong in us and yet so difficult to realize. ‘Two Sons’ is a parable Jesus told and one I’ve never forgotten.” Fans can pre-save “Two Sons” now at this link.

Into the Ground showcases Whitney’s artfulness as a songwriter and her determination as a musician to stare down the chaos in front of her and weave it into something else. She welcomes grief when it is in front of her because she knows what happens when grief is left out to spoil. Whitney looks straight ahead in her music; it’s the reason Into the Ground takes listeners deep into themselves in search of a common humanity.  

Into the Ground Track list:

  1. Wild Roses
  2. Two Sons
  3. Wild Horse
  4. In Another Life
  5. Whole Heart
  6. Moonlight
  7. Huckleberry
  8. Shelter From the Storm
  9. Thunder
  10. I Go 
  11. You Leave a Light On
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Esther Rose releases final single from upcoming album How Many Times

Esther Rose releases ‘Songs Remain,’ the final single from How Many Times. Photo: google

Esther Rose’s homespun brand of country music has drawn comparisons to legends like Hank Williams, modern trailblazers like Rilo Kiley, and a host of other luminaries in between, but she has her own thing going on. Rose’s innate ability to reflect on her own feelings, to not cast blame, and to keep a smile while doing so brings a spark to her music that sets it apart from her contemporaries and influences alike. On March 26, Rose will release How Many Times, her third full-length album and second with Father/Daughter Records. (IV-PR, 2021)

American Songwriter highlighted Rose’s fourth single, “Songs Remain,” calling it, “Tender and moving,” and noting that, “Rose reveals her vulnerability…through fragile, hesitant lyrics.” Previously, NPR Music included the single, “Keeps Me Running” in their weekly New Music Friday playlist and Forbes praised Rose’s ability to relate to fans. Fans can hear “Songs Remain,” as well as all of the previously released singles, and pre-save or pre-order How Many Times with this link. To Rose, How Many Times, written over the course of two years—including three moves, the end of a relationship, and countless tour dates—is an album symbolizing an awakening.

With the integrity of Dean Johnson, Faustina Masigat, and Kiki Cavazos serving as primary influences, Rose expands her alt-country sound into a blossoming world of folk pop, rustic americana, and tender harmonies. “They’re the holy trinity of songwriter magic,” she says, “and when I listen to them I feel like I can explore my own heartache.” Creative touches add detail throughout the album. Rose uses a 1962 Gibson ES-120T, her first semi-hollow body electric guitar, to play unplugged for a distinct tone. On “Mountaintop,” she includes a blustery voice memo recorded at the summit of Mount Philo, an homage to the field recording in a Bright Eyes song she holds dear. From “Coyote Creek” to “Without You,” Rose’s compelling voice is ferried masterfully by the musicians that join her: Matt Bell on lap steel, Max Bien Kahn on electric guitar, Dan Cutler on upright bass, Cameron Snyder on drums, and Lyle Werner on fiddle. A collection of complete takes recorded live to tape with rich instrumentation, soul-tugging hooks, and resonating vocal melodies, How Many Times carries you into the room in which it was made. There to help realize this was co-producer Ross Farbe of synthpop band Video Age, who Rose also credits for bringing a stereo pop glow to these new songs.

Overall, it is Rose’s way of handling life that singles her out in a crowd of other singers and songwriters. Her positive attitude is uplifting while never seeming too earnest and her heavier moments never crash the party. Her trials of moving through and reflecting on both adversity and beauty are present across the record, and her voice delivers an honest and open window into her heart with graceful dexterity. While comparisons to the musical greats are flattering, Rose is on her own path, marching to not just the beat of a different drum, but to a big brass band in her very own parade.

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The Accidentals’ new EP Time Out (Session 1) out May 7

The Accidentals new EP features songwriting collaborations. Photo: google

Female-fronted, multi-instrumentalist power trio, The Accidentals, (Sav Buist, Katie Larson, and Michael Dause) kicked off 2018 with the release of their debut album, Odyssey, with Sony Masterworks. They followed the album release with two-hundred days of touring nationally, seventeen festivals, sync placement with Turner Classic Movies and FOX sports, and a RAM Trucks BANDvan #tourtough commercial. In 2019, The Accidentals released a self-titled live album and toured the UK; all while scoring an indie film, teaching workshops across the country, playing with symphonies, and recording new music. Amid quarantines, protests, marches, political division, and unprecedented uncertainty, Buist, Larson, and Dause continually do what they do best; create. (IV-PR, 2021)

In the beginning of March 2020, the band was on their way to South By Southwest Music Festival in Austin, Texas, after a whirlwind 23-show tour. They were told to turn around in Arkansas and head home. It was no longer safe to keep touring. On May 7, the fruits of their lockdown labor will be available on Time Out (Session 1). A five-song EP of all-new co-written material, Time Out features songwriting collaborations between The Accidentals and renown songwriters including Kim Richey, Dar Williams, Maia Sharp, Tom Paxton, and Mary Gauthier & Jaimee Harris.

“When the road came to a hard stop and everything went quiet, we realized the extent of what we had lost. It was devastating. We drove back to Nashville, packed some things and quarantined together in Northern Michigan. Our industry shut down completely. For the first time in eight years we didn’t have anywhere to be. We found ourselves reaching out to each other in that process of navigating the isolation. We ended up collaborating with these incredible writers because for the first time in eight years we all had time. These songs might not have happened otherwise. We wanted to somehow capture the idea that even after all of this unbelievable heartbreak, some beauty can still come from it. Time Out is a healing anthem for us, and we hope it is for you too.” – Sav Buist

Under The Radar took time to chat with The Accidentals in conjunction with premiering the music video for “Wildfire,” noting that, “…rather than simply falling into nostalgia, the band looks to the future, hoping for the promise of new life and offering a simple hand of comfort.” Fans can watch the video at this link and listen to “Wildfire” right here.

Time Out (Session 1) Track listing and Co-writers:
Might As Well Be Gold (Maia Sharp)
Night Train (Dar Williams)
Wildfire (Kim Richey)
Anyway (Tom Paxton)
All Shall Be Well (Mary Gauthier & Jaimee Harris)

“Some of the most compelling writers of our time… they display equal interest in the focused musical forms of indie rock and pop and the expansive potential of orchestral arrangements, jam band open-endedness, and impressionistic singer-songwriter expression.” – NPR

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