This Sunday February 16 from 3p.m. to 7p.m, The Squeezebox will host Santiago Jiménez Jr.’s latest album release party. The puro conjunto album, El Chief, is a collection of songs recorded by producer Adam Ahrens at Magnolia Recording Studio for Bull Calf Records. It features authentic instrumentation of two row button accordion by maestro Jimenez, all recorded in live, real-time recording. Santiago features his father’s original compositions as well as a handful of Conjunto standards. This event is open to the public with $5 tickets at the door. (The Squeezebox, 2020)
The celebration will feature free Fideo Loco provided by The Cookhouse’s GM Matt Garcia while supplies last. Drinks specials will be available all day long as well as a Michelada Bar provided by Twang. Santiago Jiménez Jr. will perform music from his latest album El Chief with a set start time of 4p.m.
Santiago Jiménez Jr. is a San Antonio based folk musician and recipient of the National Heritage Fellowship in 2000 for lifetime achievement in traditional Tex-Mex/folk music. In 2016, he received the National Medal of Arts award for his contribution to American music. This three-time Grammy nominee comes from a family of musical pioneers with his father being Santiago “Flaco” Jiménez Sr. and his older brother, Leonardo “Flaco” Jiménez, who many consider the greatest and most famous Tejano accordionist ever. Santiago recorded his first album with his brother Flaco at age 17, and since then, he has recorded over 700 songs on numerous labels. In 2012, Santiago and Flaco reunited for a performance at the Tejano Conjunto Festival in San Antonio, the first time they were on the same stage since 1982. His latest album titled El Chief will be released in mid-February 2020.
The Squeezebox
2806 N St Mary’s St.
San Antonio, TX 78212
Sami Serrano as Marian Paroo and Trey Hoadley as Harold Hill in ‘The Music Man,’ now playing at the Woodlawn Theatre. Photo: Woodlawn Theatre, used with permission.
Now playing at the Woodlawn Theatre is ‘The Music Man,’ a musical about con man Harold Hill who poses as a boys’ band organizer and leader and sells band instruments and uniforms to naïve Midwestern townsfolk, promising to train the members of the new band. This family friendly production opened on Friday January 31 with much acclaim and is running through Sunday February 23. Show times are Friday and Saturday at 7:30p.m. and Sunday at 3p.m. Tickets prices range from $18 to $30 and are available online or by calling the box office at (210) 267-8388. The non-profit partner during this production is YOSA (Youth Orchestras of San Antonio) so the theater is currently accepting musical instrument and office supply donations during the run.
‘The Music Man’ is set in the early summer of 1912 and begins aboard a train leaving Rock Island, Illinois. A group of traveling salesmen debate about how modern innovations are making their livelihood more difficult. “Rock Island” When the train gets to River City, Iowa, a passenger leaves with a suitcase labeled “Professor Harold Hill.” Once in town, Harold Hill (Trey Hoadley) sees his old friend and sidekick Marcellus Washburn (Michael Parisi) who is trying to lead a normal life. He tells Harold about a pool table that was just delivered to the local pool hall and to launch his scam, Harold tries to convince the town’s parents of the supposed trouble that a pool table could bring. “Ya Got Trouble” Harold meets Marian Paroo (Sami Serrano) and attempts to flirt with her but she continuously ignores him. Despite his complete lack of musical literacy, he convinces everyone that he is a brilliant bandleader. As Harold struggles to keep his scheme afloat, he finds himself increasingly attached to the townspeople, who have all experienced a positive change since Harold came to town. When the truth comes out, Harold is arrested but Marian, who has fallen for Harold, defends him because of the positive influence he has had on everyone.
The Tony Award winning ‘The Music Man’ has become a beloved classic and the Woodlawn Theatre does an excellent job of bringing it to the local stage. With book, music and lyrics by Meredith Wilson, it is based on a story by Wilson and Franklin Lacey. The cast is one of the biggest seen at the Woodlawn in some time but they all work well together so that the action onstage flows effortlessly. It is interesting to notice that Harold Hill’s dialogue is fast paced and sometimes it is difficult to follow; maybe this is a way of suggesting how salesmen are often thought of as “fast talkers.” Regardless, Trey Hoadley does an admirable job as the con man Harold Hill. Highlights include the catchy “Seventy-Six Trombones” by Harold and the Children of Rivery City and “Marian The Librarian” when Harold and Marian dance in the library with the town’s children – it includes some of the production’s most impressive choreography. The costumes are gorgeous, the story is entertaining and musical numbers include the classic romantic song “Till There Was You.” After a successful opening weekend, ‘The Music Man’ continues to entertain guests of all ages, especially fans of marching bands. It is a definite must-see musical for the entire family.
The ‘Bit and Spur Makers of the Texas Tradition’ is this Friday February 7. Courtesy photo, used with permission.
This week, the Briscoe Western Art Museum is hosting a Lunch Lecture with bits and spurs specialist Kurt House on Friday February 7 from 12p.m. to 1:30p.m. He will be talking about the spur and how it evolved from a European symbol of wealth and power to an essential tool of the cowboy. Co-author of the book “Bit and Spur Makers of the Texas Tradition,” House will share stories about spur makers and how the Texas-made OK spur became one of the most sought-after pieces of cowboy equipment. House’s in-depth knowledge of spurs and bits will give everyone something to chew on during an open-lunch session where attendees can bring their lunch or grab a flavorful bite from Go’Shen Point BBQ food truck on the Briscoe’s campus. The lecture is included in museum admission. (Briscoe Western Art Museum, 2020)
Open daily, admission to The Briscoe Western Art Museum is free for children 12 and under, as well as active duty members of the military and up to four members of their family. Museum admission is $10 for adults, $8 for seniors and students, and $5 for retired military, first responders, educators, firemen and police officers. The museum offers extended hours and free admission every Tuesday from 4p.m. to 9p.m.
Briscoe Western Art Museum
210 W. Market Street
San Antonio, TX 78205
(210) 299-4499
George Winston will be performing at the Tobin Center on February 15 and 16. Photo: Todd V. Wolfson, used with permission.
Acclaimed pianist/composer George Winston released his 15th solo piano album, Restless Wind, on May 3, 2019 and is currently on tour. Restless Wind beautifully documents Winston’s sociological observations in American history with renditions of stunningly relevant works by musical greats such as Sam Cooke, The Doors, Stephen Stills, George & Ira Gershwin, Country Joe McDonald and others. He will be performing at the Tobin Center for the Performing Arts this month and due to popular demand, a second performance has been added. Performances are set for Saturday February 15 at 8p.m. and Sunday February 16 at 7p.m. at the Carlos Alvarez Studio Theater. General Admission tickets are $39.50 and VIP General Admission tickets are $85 and are available online. In support of the San Antonio Food Bank, 100% of merchandise sales at the concerts will go to benefit their great work. (JP Cutler Media, 2020)
George Winston is undeniably a household name. He has inspired fans and musicians alike with his singular solo acoustic piano songs for more than 40 years while selling 15 million albums. A tireless road warrior playing nearly 100 concerts annually, live performance for Winston is akin to breathing. Winston’s music is evocative, offering a chance to take a step back from perpetually busy lives and let the mind adventurously wander. Restless Wind is a portrayal of Winston’s place in a chaotic world, his compositions extend solace with an idiosyncratic grace. Reflective of Winston’s catalogue of famed albums, Restless Wind is the next chapter for the pianist’s ambitious recordings. It captures Winston’s inimitable melodic language where piano textures and tones set the stage for vivid renderings of classic compositions. Winston’s latest song collection exhibits his masterful artistry of adapting ensemble arrangements to solo piano with magnificent results.
Tobin Center for the Performing Arts
100 Auditorium Circle
San Antonio, TX 78205
(210) 223-8624
The next Canciones will be Friday February 28. Photo: Matt Buikema, used with permission.
This February, Pearl will host a special Valentine’s Day SoundCream night and bring back the live music series, Canciones. Pearl will also continue free weekly fitness sessions open to the public guided by Pilates Platinum. (Pearl, 2020)
SoundCream “I Dedicate…”- Friday February 14 from 6:30p.m. to 9p.m. at Pearl Park
Dance the night away with loved ones as SoundCream Airstream returns to Pearl Park for a special Valentine’s Day edition of Sunset Sessions with DJ JJ Lopez. Enjoy love songs and dedicate a tune to that special someone. Free and family-friendly. The League of Women Voters of the San Antonio Area will be on site to provide voter registration services and Susan G. Komen San Antonio will be on site to raise awareness of its work in the community.
Canciones: Love Songs – Friday February 28 from 7:30p.m. to 9p.m. at Pearl Park
Pearl’s live music series returns during the month of love with a free concert by the Texicana Mamas. The powerhouse trio is made up of three of the state’s most celebrated Latina musicians—Tish Hinojosa, Stephanie Urbina Jones and Patricia Vonne. The League of Women Voters of the San Antonio Area will also be on site to provide voter registration services and Susan G. Komen San Antonio will be on site to raise awareness of its work in the community.
Fitness at Pearl
Pearl is thrilled to continue free community workout classes led by local fitness providers every Tuesday evening. Throughout the year, partners will include Pilates Platinum, Smart Barre, Nomadik Yoga, Dance Fitness with Mau Garcia, and Joy Ride. The February schedule is:
Tuesday, February 4 | Pilates Platinum | 5:30p.m. | Pearl Park
Tuesday, February 11 | Pilates Platinum | 5:30p.m. | Pearl Park
Tuesday, February 18 | Pilates Platinum | 5:30p.m. | Pearl Park
Tuesday, February 25 | Pilates Platinum | 5:30p.m. | Pearl Park
“It’s the Month of Love and we are excited to offer San Antonians a place to gather and celebrate one another while enjoying music at Pearl Park. Our weekly fitness classes are also a fun way to spend time with friends and family while getting a good workout.” – Elizabeth Fauerso, chief marketing officer of Pearl.
Pearl Brewery
303 Pearl Parkway
San Antonio, TX 78215
(210) 212-7260
Josey Porras and Joshua Segovia in ‘Anna in the Tropics’ at The Classic Theatre. Photo: Siggi Ragnar, used with permission.
The next production at The Classic Theatre of San Antonio, Nilo Cruz’ 2003 Pulitzer Prize-winning play ‘Anna in the Tropics,’ opens on Friday February 7. Set in 1929 in a Cuban-American cigar company, it is written by Nilo Cruz and directed by Kelly Hilliard Roush and will run until Sunday March 1. Showtimes are Friday and Saturday at 8p.m. and Sunday at 3p.m. Tickets are $34 for general admission, $30 for senior, military, educator or SATCO, and $19 for student and are available online. ID is required. On opening night, there will be a complimentary champagne reception after the show. (The Classic Theatre, 2020)
‘Anna in the Tropics’ is set in 1929 Florida in a Cuban-American cigar factory, where cigars are still rolled by hand, and “lectors” are employed to educate and entertain the workers. The lector reads Anna Karenina as the play delves into desire, power, rivalry, secrets and love. As the lives of a Cuban immigrant family begins to intertwine with the scandalous lives of Tolstoy’s characters, we ask what do we need to feel loved and alive?
Special event:
Community Conversation- February 23, 2020. Join The Classic Theatre for a conversation with Dr. Gerald Poyo from St. Mary’s University, whose great-grandfather was a lector, as well as the cast and director of the show.
The Classic Theatre of San Antonio
1924 Fredericksburg Rd
San Antonio, TX 78201
(210) 589-8450
The local production of ‘The Music Man’ opens at the Woodlawn Theatre on Friday January 31. Photo: Google
The next production at the Woodlawn Theatre is ‘The Music Man’ and it opens this Friday January 31 and runs until Sunday February 23. ‘The Music Man’ centers around con man Harold Hill, who poses as a boys’ band organizer and leader and sells band instruments and uniforms to naïve Midwestern townsfolk, promising to train the members of the new band. Showtimes are Friday and Saturday at 7:30p.m. and Sunday at 3p.m. Tickets are available online or by calling the Box Office at 210-267-8388. Ticket prices are: Adults $30, Senior/Military/First Responders $24, Children/Student $18. The non-profit partner during this production is YOSA (Youth Orchestras of San Antonio) and the theater will be accepting musical instrument and office supply donations beginning January 31. (Woodlawn Theatre, 2019)
In ‘The Music Man,’ smooth-talking con man Harold Hill arrives in town to dupe its residents with his elaborate moneymaking scheme. Despite his complete lack of musical literacy, he will convince everyone that he is a brilliant bandleader. As Harold struggles to keep his scheme afloat, he also finds himself increasingly attached to the townspeople, who have all experienced a positive change since Harold came to town. Complicating matters even more, he is falling head-over-heels in love with the beautiful Marian. Sponsored by North Park Lincoln, ‘The Music Man’ is a musical with book, music and lyrics by Meredith Wilson and is based on a story by Wilson and Franklin Lacey. Cast includes Trey Hoadley as Harold Hill, Sami Serrano as Marian Paroo, Michael Parisi as Marcellus Washburn and Ivan Ortega as Mayor Shinn.
Promotional Nights:
Student Night – Saturday February 1 – $10 Student/Child tickets with code: STUDENT
Pride Night – Friday February 7 – 25% off tickets with code: PRIDE
ASL (American Sign Language) Night – Saturday February 22 – 25% off tickets with code: ASL
But there was no decision to make. This was my calling. Some powerful force had come to dwell inside me, something bigger and stronger than me. —Malala Yousafzai
Malala Yousafzai, as the world knows, was shot in the head by the Taliban on October 9, 2012, as she rode home on the school bus in the Swat Valley, Pakistan. Malala was fifteen at the time. She survived the attack, recuperated in England, and has continued her education. She was awarded the Nobel Peace Prize in 2014 for her “struggle against the suppression of children and young people and for the right of all children to education.”
Can a child, an adolescent, a young person—make a world-changing decision? Is someone ever too young?
Let’s take a look at Malala’s story, because none of this came out of the blue. The “struggle” the Nobel Committee cited, was a decision that was so deeply embedded into her character that, at age fifteen, it had already become her way of life. And continues to be.
Seemingly from birth, Malala loved education. Her biographical material makes much of the fact that she sought to emulate her father, Ziauddin Yousafzai, who was so dedicated to education that he had founded his own school, the one she attended. Such “private” schools are not uncommon in Pakistan.
But Ziauddin’s school and his outspoken daughter became special targets of the Taliban. The fundamentalist group had issued an edict against educating girls and death threats against the entire family (mother Toor Pekai Yousafzai and two sons). The school was forced to close for a time and had re-opened shortly before Malala was shot.
You might say that the child was merely following the example—or the dictates—of the father (who was supported in all endeavors by the mother). That the child made no decisions on her own. That happens in families all the time. I can think of many examples in my own life—involving my parents and the decisions they made for me when I was young, and about how my wife and I did the same for our sons. None of these decisions involved defying the Taliban and bringing danger to our family. But, that may not be the right way to look at what Ziauddin did. Were his decisions part of doing what parents claim we always try to do—leading by example?
Do you ever think about the phrase “an accident of birth”? It means that none of us are responsible for the circumstances of our birth—who our parents are, our family, our nationality or state or town, our genetic make-up, economic status and so on.
Among the things that Malala was not responsible for: That she was a first-born daughter in a culture that values boys over girls; that she was born into a troubled country being over-run by violent extremists. But it was also an accident of birth that she had two parents who were, by all accounts, as dedicated to her welfare, education, and growth as they were to that of her two younger brothers. It seems to me that Malala took what she was given and decided to run with it.
By the time she was shot in 2012, Malala had shown by her own example that she recognized her “accident of birth.” Her dedication to education for girls was in fact her own decision based on parental example. Consider her words, written just a year later in her autobiography:
“I was very lucky to be born to a father who respected my freedom of thought and expression and made me part of his peace caravan and a mother who not only encouraged me but my father too in our campaign for peace and education.”
At an even younger age than fifteen, Malala was already an ardent activist. She blogged for the BBC on the oppressions of life under the Taliban and was the subject of a New York Times documentary. She made speeches often, including one entitled “How dare the Taliban take away my right to an education.” The year before she was shot, she won both the International Children’s Peace Prize and Pakistan’s first Youth Peace Prize. As the Taliban’s noose ever tightened around her country, her family, and her safety, Malala’s outspokenness and visibility grew. As she wrote in her autobiography, “I decided I wasn’t going to cower in fear of [the Taliban’s] wrath.”
In the years since she survived the Taliban assassination attempt, Malala has become a global symbol for the cause of education for girls specifically and for the welfare of all children. Not even a year after she was shot, she addressed the “Youth Takeover” at the United Nations. Two years almost to the day after she was shot, the Nobel Committee announced that she would share the 2014 Peace Prize with Kailash Satyarthi, who made his name with international peaceful protests on behalf of children. Even with constant visibility while traveling the world to event after event, she completed the studies necessary to be accepted in 2017 into Oxford University (which fact she announced on her new Twitter account). Also in 2017, Malala was designated a United Nations Messenger of Peace “to help raise awareness of the importance of girls’ education.”
Malala is still enveloped in the support of her family, which left Pakistan to settle in the UK. The Economist, noting that “Pakistani education has long been atrocious,” included the following in a detailed and dismal examination of the current status:
“From 2007 to 2015 there were 167 attacks by Islamic terrorists on education institutions . . . When it controlled the Swat River valley in the north of the country, the Pakistani Taliban closed hundreds of girls’ schools. When the army retook the area it occupied dozens of them itself.”
Malala has written two books. The first, “I Am Malala,” was published a year after her shooting and tells, with the help of writer Christina Lamb, of her early life in Pakistan and the event that put her onto a new trajectory. Published in 2017, the second book is for children, “Malala’s Magic Pencil.” In it, young Malala yearns for a special pencil that would let her do all sorts of special, interesting things, including drawing “a lock on my door, so my brothers couldn’t bother me.” I think every child wants a lock like that. Eventually, she describes what we adults will recognize as an intention, a determination, a decision: “I knew then that if I had a magic pencil, I would use it to draw a better world, a peaceful world.”
Time will tell us how Malala’s decisions as a girl, a teenager, a young adult, and into the future will all play out, how world-changing they will be. My hope is that the answer is— immensely.
Malala’s story offers all of us one overarching lesson about decision-making that will help us all lead better lives:
If you are a parent or other adult in a position to influence children and young people, remember how important your own example is. The decisions you make on behalf of others may turn out to be the template that helps form their lives.
If that’s all you glean, that’s enough. But there are many other lessons to take:
Have courage to do the right thing, whether it is large or small.
Understand you may be attacked and plan for that in advance. I mean physically attacked, as well as the more expected verbal criticisms.
Recognize you may be a symbol for others and prepare for that in ways they will embrace and admire. And behave that way.
Follow your decision. Give it a chance to shape your life.
Do not give up.
Depend on each other. Know whom you can trust, and be that trustworthy person to others to the best of your ability.
Seek education and take every other opportunity to broaden your knowledge of the world and its people.
Robert L. Dilenschneider is the founder of The Dilenschneider Group, a corporate strategic counseling and public relations firm based in New York City. Formerly president and CEO of Hill & Knowlton, he is the author of the bestselling books “Power and Influence, A Briefing for Leaders,” “On Power” and newly released “Decisions: Practical Advice from 23 Men and Women Who Shaped the World.”
The company of ‘The SpongeBob Musical,’ now playing at the Majestic Theatre. Photo by Jeremy Daniel, used with permission.
Now playing at the Majestic Theatre is the North American Tour of the critically acclaimed, award-winning ‘The SpongeBob Musical’ and there is only one more performance on Sunday January 26 at 2p.m. This production brings the spirit of SpongeBob to life with humanity, heart and pure theatricality and is the 2018 Best Musical winner of the Drama Desk and Outer Critics Circle Awards. When the impending doom of an erupting volcano threatens Bikini Bottom, SpongeBob, Sandy Cheeks and Patrick join forces to save the day. Tickets start at $45 and are available in person at the Majestic Theatre Box Office or online.
‘The SpongeBob Musical’ begins with a pre-show skit that has Patchy the Pirate, SpongeBob’s number one fan, in the audience taking pictures of the stage when two security guards try to stop him. Patchy claims he is being harassed and alleges pirate discrimination as he is led away. The guards then go through the usual theater etiquette that includes no picture or video taking allowed. The story begins as SpongeBob (Lorenzo Pugliese) awakens and welcomes the day with his pet sea snail Gary. He greets his fellow Bikini Bottom friends, including best friend Patrick (Beau Bradshaw), Squidward (Cody Cooley) and Sandy Cheeks (Daria Pilar Redus), as he walks to work at the Krusty Krab restaurant. “Bikini Bottom Day” At work, SpongeBob hints to Mr. Krabs (Zach Kononov) about his desire to become the manager but he just laughs and tells SpongeBob that he is “just a simple sponge.” The entire town is then rocked by a violent tremor and a news report reveals that it was caused by the nearby Mount Humongous, a volcano that is about to erupt. “No Control” The town predictably panics but the town villains Sheldon Plankton (Tristan McIntyre) and Karen the computer (Caitlin Ort) convince them to use an escape pod, which is really just a plot to hypnotize them into liking their restaurant. Always the optimistic, SpongeBob believes the town should try to save Bikini Bottom instead of running and convinces Sandy, who is a scientist, to help him stop the volcano. A last minute effort stops the volcano’s eruption and SpongeBob emerges the hero and the townspeople welcome a brand new day. During the curtain call, the cast performs the SpongeBob Square Pants theme song and the theater bursts out into full on party mode.
SpongeBob SquarePants is a beloved animated series and its successful transition to the stage will entertain both children and adults. With themes like friendship, determination and teamwork, ‘The SpongeBob Musical’ is a delight to experience for die hard fans of the franchise as well as those who appreciate silly, goofy and whimsical entertainment. It is true to the general feel of the animated series but some fans may be disappointed that the costumes are not more obvious to the characters. With that said, Lorenzo Pugliese is adorable as SpongeBob and Tristan McIntyre makes the evil Sheldon Plankton the evil villain everyone loves to hate. A creativity plus is awarded for using constantly moving and revolving ladders to simulate SpongeBob and Sandy’s ascent to Mount Humongous. Show highlights include “BFF” as SpongeBob tries to comfort an upset Patrick and “I’m Not a Loser” when Squidward performs a dance number in his imagination. The setting and costumes are bright and cheerful, with special mention of the gorgeous giant jellyfish, and it is just what ‘The SpongeBob Musical’ aims to be. This family friendly production has heart and plenty of laughs and is a definite must see but it may not be for the smaller kids because it is the length of an average Broadway musical.
Brandyn Cross, accomplished TV filmmaker, actor and writer and award-winning singer/songwriter, makes his debut as a novelist. “The Legacy Series: Book One,” the first novel in the epic book series, will be released February 18, 2020. Based on real events, writings, and correspondences, it tells the story of a terminally ill young boy who is also enduring a life of physical, emotional, and sexual abuse. It will be available in paperback and digital version on Amazon and all other major retailers and bookstores. (Black Château, 2020)
“The Legacy Series: Book One” offers a unique, unparalleled glimpse into the mind of abused children amid the hysteria surrounding the Satanic Ritual Abuse Panic of the early 1990s. It provides an unprecedented opportunity to experience a real world of childhood desperation and painful secrets, through first-hand, day-to-day accounts as they occur; it is a world known by millions of children, but never openly shared with adults. In the early days of the Internet, Brandyn (Brandy) Harris builds his private virtual world outside the knowledge of his strict and abusive parents. He finds solace in the messages he exchanges with a close group of virtual teen friends. Written in the message board format specific to the infant days of the Internet, “The Legacy Series: Book One” reveals the truths kids only tell their friends when they are away from adult supervision. It also proves that no matter how dreary the circumstances of our lives, we can always choose happiness, a philosophy by which Brandyn Cross himself lives.
Brandyn Cross was born a high functioning autistic with a love of music, books and film, but he did not begin exploring his creative gifts until a severe industrial accident left him a wheelchair-bound amputee. Determined to show the world that even severe obstacles can be overcome, he began studying and honing his craft, until ultimately turning his ambitions into a professional reality. He is a multi-media artist with credits ranging from accomplished writer to recording artist, songwriter, filmmaker and actor. As a singer/songwriter, Brandyn scored the international top 10 hits and won BEST SONG at the prestigious Utah Film Festival & Awards. As an actor and filmmaker, Brandyn has worked on numerous projects such as Unicorn City and The Wayshower and is presently in post-production on his feature directorial debut with the dark Emo drama, The Legacy.