Tag: Art exhibits

Exploring the Vibrant Art Scene at Brownsville Museum of Fine Art: Current Exhibitions You Can’t Miss

Brownsville Museum of Fine Art

Art museums are vital for preserving and showcasing creative expressions that reflect human experience, history, and culture. They offer a space where visitors can experience the transformative power of art, sparking imagination, emotion, and intellectual curiosity. People are drawn to art museums for their ability to inspire, provoke thought, and connect individuals across time and place. Viewing masterpieces or contemporary works allows people to engage with different perspectives and cultivate a deeper appreciation for creativity. Art museums also provide a sense of tranquility and reflection, offering visitors a break from the fast pace of daily life while fostering cultural enrichment and understanding.

Recently I visited the Brownsville Museum of Fine Art to check out their latest exhibitions. They change frequently, so each visit is an opportunity to discover a new artist. Right now there are four exhibitions on view, each as unique as the experiences of the artist and all of them are a joy to experience.

I enjoyed Guillermo Vasquez’ The Journey, The Path, And The Quest because the paintings are larger than life and the colors are so vibrant. A big plus is that it’s an outdoor exhibit, so that if you’re in the area, you can enjoy it without going inside the museum. I also like José Antonio Chaurand’s Idiosyncrasy of Luck because of the overall theme of ‘luck.’ Is what happens to us a matter of luck, or circumstances?

If you love art, do yourself a favor and plan your next museum adventure at the BMFA. There’s still time to check them out since they’re on view until December 11. Museum hours and ticket information is available online.

Current exhibitions are as follows: (Brownsville Museum of Fine Art, 2024)

The Journey, The Path, And The Quest
Guillermo Vasquez
Exhibition Dates: November 8 – December 11

Originally from Matamoros, Tamaulipas, Mexico, Vasquez graduated with a degree in Industrial Engineering from the Technological Institute of Matamoros. A self-taught painter, he began his artistic journey a decade ago, focusing on acrylic painting techniques. His skills were further refined through classes at BMFA with mentors Diana and Nerea Anzaldúa, who were instrumental in his development. As a committed member of the BMFA, he aims to create art that invites contemplation and intellectual engagement.

This exhibition offers viewers a journey through humanity’s evolution, from the origins of the universe to a utopian vision of society. Through large-scale acrylic paintings on treated wood, Guillermo Vasquez explores key moments such as the Big Bang, the rise of philosophy, the influence of religion, and societal transformations throughout history, including the Renaissance and the Enlightenment. By displaying the pieces in the BMFA garden, Vasquez seeks to create an engaging, accessible environment where the public can interact with art and reflect on our shared human experience.

Frutos Del Tiempo
Alonsa Guevara
Exhibition Dates: November 2 – December 11

Alonsa Guevara (b. 1986, Rancagua, Chile) is a visual artist based in Los Angeles, California. Guevara holds an MFA in painting from the New York Academy of Art (2014), and a BFA from the Pontifical Catholic University of Chile (2009). Guevara works primarily with painting, and her multidisciplinary practice extends to sculptures, installations, sound pieces, and video performance. Her works blur the lines between fantasy and reality while celebrating the connection between humankind and nature. As a Latin-American woman whose life has unfolded across three distinct countries—Chile, Ecuador, and the USA—Guevara’s art serves as an exploration of questions surrounding identity, belonging, and womanhood, offering her personal understanding and appreciation of beauty.

“Frutos del Tiempo” presents a variety of artworks by Chilean-American artist Alonsa Guevara, exploring the artistic and spiritual “fruits” that have emerged from her journey over the years. Featuring paintings and sculptures made from 2018 to the present, this exhibition invites viewers into a celebration of the beauty and complexity of the natural world, examining the deep connections between nature, humanity, and spirituality. As a Latin-American woman whose life has unfolded across Chile, Ecuador, and the USA, Guevara uses her art to explore identity, belonging, and womanhood. Her works offer a personal understanding of beauty, blending reality with fantasy to create an immersive, multi-sensory experience. With a ceremonial and ritualistic ambiance, her pieces pay homage to fertility, spirituality, and life cycles, commemorating the enduring connection between humankind and nature—one that has evolved and adapted through time.

Idiosyncrasy of Luck
José Antonio Chaurand
Exhibition Dates: November 2 – December 11

José Antonio Chaurand (b. Mexico, 1974) also known as JACH, is a visual artist, publisher, and economist. He obtained a bachelor’s degree in economics (1998) and continued his education in art history, journalism, graphic design, drawing, and cultural management as self-taught while running La Tempestad, considered by experts the fundamental magazine and media outlet of international art in México. (1998-2017)

The idea that the individual can forge his/her own destiny has become predominant around the world. This notion began during the Industrial Revolution, but became popular after the end of World War II propelled mainly by American mass media, and continued growing throughout the twentieth century. During the new millennia, Social media has become the receptacle for ‘‘prophets of human autonomy,” people attempting to profit by convincing others that success, happiness, and abundance are a decision and not a circumstance. The message has now become embedded in mostly all of our contemporary narratives, even reaching the spheres of health and longevity. This project aims to de-dogmatize this notion, manifesting that luck is a variable that must be included in every equation of the human endeavor; once randomness is acknowledged it is easy to see the myth of autonomy. The way luck works can be seen at plain sight, its idiosyncrasy has been revealed, yet we have chosen not to see it.

Iman, Al Safa WAl Marwa: Faith in the Pilgrimage
Ibtisam Tasnim Zaman
Exhibition Dates: November 2 – December 11

Ibtisam Tasnim Zaman is a New York based Black Lesbian American, interdisciplinary, and conceptual artist. Originally from Tulsa, Oklahoma, Ibtisam moved at six years old to the UAE. This forced migration was shortly after 9/11, to escape the violence that Black Muslims, Muslims of color, and all immigrants are still facing today.

Ibtisam Tasnim Zaman’s solo exhibition, ‘Iman, Al Safa WAl Marwa: Faith in the Pilgrimage,’ is a feature of works that use figurative surrealism to narrate the layers of systemic structures. A constant state of revealing ‘manufactured nature’ through everyday life: in the mundane, journey to work, and overall culture of normalization. Zaman contrasts these dense realities, through depicting acts of intimacy, tenderness, paradox of motherhood, and love as acts of resistance in the midst of chaos.

Brownsville Museum of Fine Art
660 E Ringgold St
Brownsville, TX 78520

Current Highlights: What’s New at Contemporary at Blue Star This Summer

Installation view C& Center of Unfinished Business, HERE AND NOW at Museum Ludwig: Dynamic Spaces, Museum Ludwig, Cologne 2020, © Contemporary And, photo: Rheinisches Bildarchiv Köln, Cologne / Nina Siefke

The Contemporary at Blue Star is excited to announce three new exhibitions, The C&s Center of Unfinished Business, Kaysaypac: Portraits and Figures by Leeanna Chipana, and Cheng Xinhao’s Silver…and Other Elements. The summer exhibitions weave an unavoidable thread that sparks conversation around the history of colonialism, its presence in contemporary life, and encourages education and dialogue. They are currently on view until October 6, 2024. (Contemporary at Blue Star, 2024)

The C&s Center of Unfinished Business
Contemporary is thrilled to partner with C&, a multimedia platform for contemporary visual arts, to present the Center of Unfinished Business, a reading room that encapsulates an array of books that explore the persistence of colonialism in various ways, from its origins to how it effects people and places today. You’ll find texts on the way land and culture have been forcibly stripped from native people due to colonialism alongside texts that explore how empire-building also connects to fashion, 21st century capitalism, and more.

Launched in 2017, the Reading Room has traveled to institutions around the world. As it travels, the room integrates books from each of its host venues (and their collaborators), who add text that is relevant to the place the Reading Room inhabits. For the Contemporary’s iteration of this installation, we have partnered with the Guadalupe Cultural Arts Center Latino Bookstore to include texts that touch on the themes of colonialism and borders that are present in the exhibitions in the surrounding galleries.

Kaysaypac: Portraits and Figures by Leeanna Chipana
Born in Long Island, New York to an immigrant Quechuan-Peruvian father and American mother, Leeanna Chipana draws from her Quechuan and American identity by incorporating Incan, Aztec, and Mayan iconography with classical European oil painting techniques and approaches. The blending and blurring of indigenous figures and Western techniques is an effort of disrupting colonial erasure by placing Indigenous-Latinx figures at the forefront of a very Euro-centric style of painting.

The exhibition title, Kaysaypac (pronounced cow-say-pak), a nod to Chipana’s Quechuan-Peruvian heritage, is a phrase often used while making a toast or a cheers and translates to “to live/to life.” Further cementing the presence of indigenous peoples, this sentiment incorporated into the title is a dedication to the descendants of the Incans continuing to live in community, surviving colonialism and violence.

Cheng Xinhao
Silver…and Other Elements
In this four-channel film, Cheng Xinhao investigates the Mang people’s (the indigenous people living at the border of Vietnam and China) adaptation to shifting borders and changing systems. To explore this moving borderline and the migration of its people, Xinhao follows the fluctuating use of currency.

These shifting borders create a state of in-betweenness and displacement—a sentiment many border communities around the world still struggle with, and yet adapt to. Xinhao’s video raises the question: what symbols are appropriated and survive under new regimes? Will they be incorporated into existing systems, or will new forms be created?

Contemporary at Blue Star
116 Blue Star
San Antonio, TX 78204

Public visiting hours during exhibitions:
Monday – Tuesday Closed
Wednesday 12p.m. – 5p.m.
Thursday – Friday 12p.m. – 8p.m.
Saturday – Sunday 10a.m. – 6p.m.

Admission is always free.

Photo: Contemporary at Blue Star, used with permission.

Briscoe Summer Film Series 2024: Schedule, Tickets, and Highlights

Killers of the Flower Moon is one of the movies that will be featured in this summer’s Briscoe Summer Film Series. Photo: Briscoe Western Art Museum, used with permission.

Stampede into the Briscoe Western Art Museum for a wild summer of survival. From hands-on workshops and book signings, film screenings and conversations about wildlife and conservation to the museum’s beloved National Day of the Cowboy celebration, the Briscoe is the place to be to survive this summer. (Briscoe Western Art Museum, 2024)

Opening June 14, venture where nature’s beauty and resilience take center stage during the Briscoe’s summer exhibition, Survival of the Fittest: Envisioning Wildlife and Wilderness with the Big Four, Masterworks from the Rijksmuseum Twenthe and the National Museum of Wildlife Art.

Survival of the Fittest:  June 14 – September 8

The exhibition’s title references Charles Darwin’s On the Origin of Species, which had a revolutionary impact on how people from Western cultures envisioned our relationship with the other animals on Earth. In the post-Darwin era, a group of classically trained painters now known as the “Big Four” emerged and helped establish a vision of wildlife and nature that remains with us today. German Richard Friese (1854–1918) is the Big Four’s elder, followed chronologically by Swede Bruno Liljefors (1860–1939), German Wilhelm Kuhnert (1865–1926), and German-American Carl Rungius (1869–1959).

The Rijksmuseum Twenthe in Enschede, Netherlands, and the National Museum of Wildlife Art are the only two museums in the world to hold masterpieces by each member of the group. Survival of the Fittest brings together the best paintings from these two esteemed institutions for the first time. Along with the 45 works featured in the exhibition, the Briscoe will feature eight works by Robert “Bob” Frederick Kuhn (1920-2007), on loan exclusively to the Briscoe to showcase how Kuhn – one of the most prolific American wildlife artists – was greatly influenced by the Big Four. Separately, the Briscoe’s permanent collection includes “Rainbow Rams” by Carl Rungius, giving everyone 54 wildlife works to explore.

The Briscoe is hosting a preview party to open the exhibition, followed by a series of events that feature the exhibition curator and other special guests. Opening events include:

• Survival of the Fittest – Exclusive Preview Party
Thursday, June 13, 6p.m. – 8p.m.

The event includes complimentary valet, beer, wine, specialty cocktails, and light bites. Tickets are $25 for museum members and Contributing and President’s Society membership tiers receive two tickets. Museum members may upgrade their membership by calling 210.299.4499. Nonmembers may purchase tickets for $35. Tickets are available online.

• Survival of the Fittest: A Tour on the Wild Side
Exhibition tour and book signing with curator Adam Duncan Harris
Friday, June 14, 1p.m. – 2p.m., included with museum admission

Enjoy a tour of the exhibition with curator Adam Duncan Harris as he dives into the lasting impact of the Big Four and places their paintings in an international context – and how these paintings invite visitors to reflect on their relationship with the natural world. Harris will also sign copies of his book, “Survival of the Fittest: Envisioning Wildlife and Wilderness with the Big Four, Masterworks from the Rijksmuseum Twenthe and the National Museum of Wildlife Art,” available in the Briscoe’s Hendler Family Museum Store.

• Film Screening, Conversation and Tour: The Role of Artists in Wilderness Conservation – “There is a Place on Earth”
Curator Adam Duncan Harris and filmmaker Ellen van den Honert
Saturday, June 15, 1:30p.m., included with museum admission

Dive into the role artists play in wilderness conservation through “There is a Place on Earth,” Dutch filmmaker Ellen van den Honert’s beautiful and poetic journey around the world, meeting artists and conservationists who share extraordinarily creative work and a commitment to the environment. Following the screening, Harris and van den Honert will answer audience questions, then lead a tour of the exhibition.

• Watercolor Workshop: A Study of the Animal Form
A hands-on session for all skill levels with artist Teal Blake
Thursday, June 20, 6p.m. – 8p.m., $25 for members, $45 for non members

Award-winning artist and member of the Cowboy Artists of America Teal Blake returns to the Briscoe for a night of watercolor painting, guiding inspiring artists and providing instruction in how to portray the animal form with watercolor paint on paper. The workshop is for all skill levels and watercolor kits, brushes and paper are included. Pre-registration is required.

Following the Survival of the Fittest opening events, the Briscoe will be the place to be throughout the summer. Other activities on tap include:

Make this Summer One for the Books: Literary Cinema
The Briscoe’s Summer Movie Series explores western movies based on popular novels on the third Sunday of June, July, and August. A short presentation begins at 1p.m., followed immediately by the screening. Each movie is included in general museum admission, with complimentary beer courtesy of Ranger Creek Brewery, wine and movie snacks. Pre-registration with an online museum admission ticket purchase is encouraged to save your seat. Museum members may enjoy the series for free as part of their Briscoe membership.

o Briscoe Summer Film Series: Giant (1956)
Sunday, June 16, 1p.m. – 4p.m., included with museum admission

Spend a Giant Father’s Day at the Briscoe with dad enjoying this classic American epic brought to life with Rock Hudson, Elizabeth Taylor, and James Dean. All attendees will be entered to win a trip to stay at the Hotel Paisano in Marfa, Texas, where Hudson, Taylor and Dean stayed during filming, and tickets to the Museum of the Big Bend in Alpine, Texas. Tickets may be purchased online.

o Briscoe Summer Film Series: News of the World (2020)
Sunday, July 21, 1p.m. – 4p.m., included with museum admission

Based on the 2016 novel by Paulette Jiles, Tom Hanks portrays an aging Civil War veteran who must return a young girl who was taken in by the Kiowa – and raised as one of them – to her last remaining family. Everyone who attends the screening will receive a free copy of the book. Tickets may be purchased online.

o Briscoe Summer Film Series: Killers of the Flower Moon (2023)
Sunday, August 18, 1p.m. – 4p.m., included with museum admission

Directed by Martin Scorsese and based on the non-fiction book by David Grann, this Oscar-nominated film shares the story of a series of murders of members of the Osage after oil was discovered on tribal and. The movie stars Leonardo DiCaprio, Robert De Niro and Lilly Gladstone. Come to the movie with three books to donate to the San Antonio Independent School District Foundation’s Book Buddies program and receive a free copy of “Killers of the Flower Moon,” filling your bookshelf while sparking a love of reading for SAISD children in grades K-8. Tickets may be purchased online to guarantee your seat.

The Briscoe presents its annual National Day of the Cowboy celebration on Saturday, July 27, 10a.m. – 4p.m. at the museum. The free community event, which includes free admission to the museum and its exhibitions, features indoor and outdoor activities across the museum’s River Walk campus for cowpokes of all ages to enjoy and explore the west. This year’s celebration spotlights cowgirls and their role in roping, riding and taming the West to inspire young cowgirls – and cowboys – to follow their western dreams. Saddle up with your family and head west for a free day of fun you won’t forget.

 

Art exhibition: American Made: Paintings and Sculpture from the DeMell Jacobsen Collection

San Antonio Museum of Art’s American Made: Paintings and Sculpture from the DeMell Jacobsen Collection will close on January 7, 2024. Photo: San Antonio Museum of Art

The San Antonio Museum of Art’s special exhibition American Made: Paintings and Sculpture from the DeMell Jacobsen Collection is set to close on January 7, 2024 after an acclaimed run. The exhibition features more than a hundred artworks depicting the American experience in striking landscapes, Colonial-era portraits, still lifes, impressionist paintings, abstractions, and bronze sculptures. Spanning over 250 years of American art, American Made features exemplary works by renowned artists, including Baby Charles Looking Over His Mother’s Shoulder (No.3) by Mary Cassatt, An American Landscape by Luigi Lucioni, Elsie Wagg by John Singer Sargent, Chow Choy by Robert Henri, Seated Woman by Elizabeth Catlett, and Paris le Soir by Loïs Mailou Jones. (San Antonio Museum of Art, 2023)

American Made demonstrates not only how American art has changed stylistically, but also how the face of American art has changed — literally and figuratively. Though many objects from the DeMell Jacobsen Collection have been on view at museums around the country, American Made is the first exhibition to bring together highlights of this extensive private collection.

American Made was organized by The Mint Museum in Charlotte, North Carolina, and the Dixon Gallery and Gardens in Memphis, Tennessee.

San Antonio Museum of Art
200 W. Jones Ave.
San Antonio, TX 78215

The San Antonio Museum of Art serves as a forum to explore and connect with art that spans the world’s geographies, artistic periods, genres, and cultures. Its collection contains nearly 30,000 works representing 5,000 years of history. Housed in the historic former Lone Star Brewery on the Museum Reach of San Antonio’s River Walk, the San Antonio Museum of Art is committed to promoting the rich cultural heritage and life of the city. The Museum hosts hundreds of events and public programs each year, including concerts, performances, tours, lectures, symposia, and interactive experiences. As an active civic leader, the Museum is dedicated to enriching the cultural life of the city and the region, and to supporting its creative community.

Thomas Moran (American,1837-1926), Moonlight in Venice,1898, Oil on wood board. Courtesy of the Thomas H. and Diane DeMell Jacobsen PhD Foundation. Courtesy photo, used with permission.

Summer 2023 exhibitions open at Contemporary at Blue Star

Public opening for the Summer 2023 exhibitions will be on First Friday, July 7 from 6p.m. to 9p.m. Photo: Contemporary at Blue Star, used with permission.

Contemporary at Blue Star, San Antonio’s first and longest running exhibition space for contemporary art, proudly announces the opening of three solo exhibitions on July 7, 2023. These exhibitions feature new work by Brittany Ham, Adam Schreiber, and Michael Velliquette, three artists with strong ties to the San Antonio community. Ham and Schreiber are alumni of the Contemporary’s Berlin Residency Program and Velliquette is a former San Antonio resident, now based in Madison, WI. This year marks the 20-year anniversary since his first solo exhibition at the Contemporary. These exhibitions offer unique perspectives on self-portraiture, urban landscapes, and intricate paper sculptures, captivating audiences with their distinct artistic visions. (Contemporary at Blue Star, 2023)

Brittany Ham: Unmooring reaches into the exploration of interior and exterior spaces, both architecturally and psychologically. Through oil paintings, Ham chronicles her personal experiences with lockdown, social distancing, and the challenges of early motherhood. The seemingly longing subjects in her artworks often escape claustrophobia through imagined landscapes. Her works draw inspiration from sculptures, woodcuts, and paintings of exhausted women, including the Virgin Mary which she researched during her time at Künstlerhaus Bethanien International Studio Program as a grantee of Contemporary’s Berlin Residency Program. Ham’s works employ line and value to create molded planes that provide multidimensional perspectives. The curious contortions and collapsing of space in her pieces evoke a melancholic humor, inviting viewers to reflect on challenging times and the unknown horizons ahead.

Adam Schreiber: Stadtwald showcases photographs created during and since his residency at Künstlerhaus Bethanien as part of Contemporary’s Berlin Residency Program. Employing large format film cameras, he adopts the role of a photographic surveyor to document the city’s quiet and suspended scenes devoid of action. Schreiber’s images of isolated and decontextualized objects ignite viewers’ curiosity. Some of Schreiber’s photographs are visually dense with textural descriptions of the subject, yet they leave the viewer to decipher what exactly the subject is and what its significance might be. Grids, recurring in his work, hint at the artist’s camera lens and reflect the meticulous process of inspection. By presenting his subjects as unknown and encouraging active observation, Schreiber’s work engages viewers in a delightful game of curiosity and concentration.

Michael Velliquette: The Direct Path features an extraordinary display of intricate paper sculptures, making it the most comprehensive exhibition of these works to date. Velliquette’s installations create intimate spaces that invite viewers into these structural collages. Through layering, complexity, and vibrant colors, his works communicate a sense of ornate preciousness. However, their material and meditative creation process—meticulously measuring, cutting, composing, and gluing paper—reveal a delicate yet ordinary quality. This convergence of methods symbolizes transformation, showcasing unexpected metamorphoses of materials and offering moments of reflection to viewers as they visually enter these temple-like constructions.

As an artist-centric organization, the Contemporary is delighted to showcase the work of these talented artists and to nurture their creative practices. This commitment to supporting artists highlights the vital role that accessible spaces play in fostering a vibrant and dynamic art scene, encouraging artistic growth, and amplifying the diverse voices and perspectives that contribute to the richness of our cultural landscape. 

Briscoe Western Art Museum pairs Free Locals Day with family programming

The Briscoe brings together locals day and full STEAM fun and a fantastic new exhibition. Photo: Briscoe Western Art Museum, used with permission.

The Briscoe Western Art Museum is steaming into spring by pairing its monthly free days for local visitors with its popular “Full STEAM Ahead” educational series. The new double feature means locals can enjoy the museum for free, while families enjoy free, hands-on – and fun – educational activities. The new combination kicks off Sunday, April 2. (Briscoe Western Art Museum, 2023)

The Briscoe campus includes the McNutt Sculpture Garden and features 35 sculptures portraying various aspects of Western life in the garden and around the museum’s beautifully restored historic building that once housed the San Antonio Public Library. The collection spans 14 galleries with Western art and artifacts, including Santa Anna’s sword, works by Frederic Remington, Pancho Villa’s last known saddle, a fantastic Alamo diorama and artifacts, contemporary and historic paintings, sculptures, an impressive spur collection, and other cowboy and Native American relics, weapons, and photography. Best of all, locals can enjoy it all for free on the first Sunday of each month.

The Briscoe continues to tip its hat to its neighbors with the first Sunday of each month greeting Bexar County residents with free admission. The museum’s “Locals Day” waives museum admission so everyone can enjoy heading West without ever leaving San Antonio.

Bexar County residents can enjoy the Briscoe’s Locals Days through 2023, with free admission on April 2, May 7, June 4, July 2, August 6, September 3, October 8, November 5 and December 3. Online registration for Locals Day is recommended. If you can not stop in on Locals Day, children 12 and under receive free admission to the Briscoe every day, as do active-duty members of the military, making the Briscoe a terrific spot for everyone to enjoy any time.

The Briscoe’s free monthly education series “Full STEAM Ahead” will now educate and entertain on the first Sunday of every month as well. Learners of all ages work together and learn about the American West by engaging in hands-on, STEAM (Science, Technology, Engineering, the Arts and Mathematics) learning experiences. Each activity ties back to the Briscoe’s art and artifacts, bringing the West to life in a new way.

From transportation and weather to animals, astronomy and engineering, each program explores an aspect of life in the West to engage and inspire learning. Full STEAM Ahead is designed for all ages to enjoy, making it a terrific family activity. Enjoy STEAMing with your family 11a.m. – 1p.m. on the first Sunday of every month at the Briscoe.

New 2023 Full Steam Ahead dates and topics include:

• April 2: Full STEAM Ahead – Painting Inspired Poetry
Celebrate Poetry Month and Fiesta at the Briscoe. After studying Kim Wiggins’ “Fiesta Day on the Plaza,” a vibrant, activity-rich painting showing a fiesta – families will create a poem about their favorite part of the painting. Bringing those words to life, they will then create their own artwork to illustrate their poetry.

• May 7: Full STEAM Ahead – Exploring Art in Nature
Learn about a form of art called “mandala,” a geometric configuration of symbols. After a short presentation, participants will go on a short nature walk through the Briscoe’s McNutt Sculpture Garden, where we will search for and collect interesting objects from nature. Those objects will be used to create a mandala. Digital photographs will be taken to capture each work of art.

• June 4: Full STEAM Ahead – Add Lightning to your Art
Learn about how electrical currents, including lightning, work. After a short presentation, create a piece of art with a light feature, then make the art glow by creating a paper circuit.

• July 2: Full STEAM Ahead – Tools of the (Cattle) Trade
The cattle industry is a vital part of the West. Hear more about the cattle industry and the simple machines cowboys used in their daily work, then create a simple machine using found and recyclable materials.

• August 6: Full STEAM Ahead – Gone for the Winter
Learn more about wildlife and the fall migration of hummingbirds. After a short presentation, families will have the opportunity to create a hummingbird feeder using found and recyclable materials.

• September 3: Full STEAM Ahead – Art in the Sky
Study the night sky through Kim Wiggins’ “Colonel Crockett’s Return to Cibolo Creek.” After a short study of the painting, everyone will create a bedroom planetarium to take home.

• October 8: Full STEAM Ahead – Pottery of the Southwest
Learn more about the pottery made by Native Americans in the southwest, including the techniques they used to craft their pieces. Use those techniques to create a piece of pottery of your own.

• November 5: Full STEAM Ahead – Native American Homes
Native Americans lived in a variety of homes. The type of home they built fit their culture and lifestyle. While learning about these different homes, put your engineering skills to the test and use materials provided to try to build a tipi, longhouse, wigwam, or other types of Native American shelters.

• December 3: Full STEAM Ahead – Gingerbread Cowboy Storytime at Cowboy Christmas
Join the Briscoe to celebrate the holidays with story time and a visit with Cowboy Claus. Families will listen to “The Gingerbread Cowboy” by Janet Squires. After the story, create a gingerbread cowboy of your own and make sure Cowboy Claus knows what you want for Christmas. Cowboy Christmas at the Briscoe is free holiday fun, making the Briscoe the perfect way to make holiday memories with your family.

The Briscoe is open Thursday through Monday, 10a.m. – 5p.m. and closed to the public on Tuesdays and Wednesdays. Admission is free for children 12 and under and for active duty members of the military. The museum is proud to participate in Museums For All, Blue Star Museums and Bank of America Museums on Us. The Briscoe is located on the south end of the River Walk, near the Arneson River Theatre and La Villita, with convenient parking at the Riverbend Garage directly adjacent to the museum or one of many downtown surface lots. Museum hours, parking and admission details are available online.

David Rogers’ Big Bugs exhibit coming to the San Antonio Botanical Garden

bigbugs
David Rogers’ Big Bugs exhibit opens this weekend and will be on display through Sunday December 8. Photo: google

David Rogers’ Big Bugs larger-than-life sculptures is coming to the San Antonio Botanical Garden. The exhibition opens this Labor Day weekend, August 31 through September1, and will be on display through Sunday December 8. Exhibit viewing times are 9a.m to 5p.m. Regular admission rates apply. Tickets are $12 for adults; $10 for senior citizens aged 65 and older, military (active, retired, reserve) with current ID, dependents not included and students with current ID; $9 for children ages 3-13. Children under 3 and members get free admission. Museums for All rate – per person, up to four people, must show EBT or WIC card with valid ID – $3. (San Antonio Botanical Garden, 2019)

Opening weekend events:

  • Saturday, August 31 from 10a.m. to 2p.m.- Educational Children’s Activities: Children will have an opportunity to participate in an educational scavenger hunt and make insects using natural materials.
  • Saturday, August 31 – Sunday, September 1 from 9a.m. to 5p.m. – Social Bingo and Prizes: Take photos with 5 David Rogers’ Big Bugs and show them at the Gift Shop for a prize. Offer only valid during opening weekend, while supplies last. Use hashtags #DavidRogersBigBugs and #SABOTgarden.

They are big, really big. David Rogers’ Big Bugs stand as tall as 25 feet and have wingspans up to 17 feet wide. David Rogers’ Big Bugs exhibit includes 10 larger-than-life insect sculptures, all made from natural materials, positioned throughout the 38 acres of the Botanical Garden. The sculptures are created using various combinations of whole trees found standing or fallen dead, cut green saplings selectively harvested from the willow family, dry branches, and other forest materials. Guests can shop for bug merchandise and edible insects at the Garden Gift Shop.

For the past 25 years, David Rogers’ Big Bugs exhibition has educated the public about the importance of preservation and conservation on the planet by introducing them to the world of insects, the role they play in the plant world, and their interconnectedness to our lives. Bugs outnumber humans one million to one. Many live in communal groups working as one for the common good of all. Their ranks include engineers, soldiers, weightlifters, weavers, hunters, stalkers, gatherers and even royalty. When you take this remarkable and diverse group of hidden gardeners and recreate them on a gargantuan scale, you have David Rogers’ Big Bugs.

The artist was not a traditional learner. He was not good in school or sports like his siblings. Instead, David found peace in the woods near his home.  As he focused on his artwork, he understood it came from “not fitting a mold.” And it became something much bigger. His art now teaches others about the importance of caring for our natural world. David also finds that his personal story connects with other non-traditional learners.

This exhibit is made possible by the generosity of these sponsors: Dickson-Allen Foundation, Gretchen Swanson Family Foundation, Robert J. Kleberg, Jr. and Helen C. Kleberg Foundation and The USAA Foundation.