Newport’s Own Asher Brinson Drops Debut Bluegrass Album ‘Midnight Hurricane’

Asher Brinson. Photo: Sarah K. Photography, used with permission.

Coastal Rhythms & Bluegrass Roots: Asher Brinson Debuts ‘Midnight Hurricane’

Newport, North Carolina, has a new voice in bluegrass, and he’s playing it left-handed. Asher Brinson, the young picker and songwriter who has been turning heads from MerleFest to the IBMA, has officially released his debut album, Midnight Hurricane. (Dreamspider Publicity, 2026)

Blending refreshingly honest storytelling with the salt-air influence of the Carolina coast, Brinson’s debut is a standout in modern bluegrass collaboration.


A Self-Taught Journey to the Main Stage

Asher has been around music his entire life in family jams and the legendary circles of the Galax Fiddlers Convention. His talent caught the eye of the late, legendary luthier Wayne Henderson, who became a mentor and friend, even building Asher a rare, custom left-handed guitar.

Since then, Asher’s trajectory has been exceptional:

  • Mentorship: Studied under Christopher Henry (Noya Mountain Music Studio), who produced the new record.
  • The Stage: Shared spotlights at the Wayne C. Henderson Festival and recently joined The Travelin’ McCourys Young Guns Tour.
  • What’s Next: Catch him live at the Bijou Theatre in Knoxville (4/9), Ocrafolk Festival (6/5-7), and the Outer Banks Bluegrass Island Festival (10/15-17).

Inside the Tracks: Midnight Hurricane

The album features eight original songs, two traditional instrumentals, and a gritty Billy Strings cover. To bring these stories to life, Asher assembled an “all-star” studio band:

  • Asher Brinson: Lead Vocals & Guitar
  • Cory Walker: Banjo
  • Jason Carter: Fiddle
  • Christopher Henry: Bass & Mandolin

Album Highlights

“This song naturally evolved from living on the North Carolina coast, experiencing the late-night intensity of hurricanes—where you hear everything but see nothing.”Asher Brinson on the title track.

SongFeaturingInspiration
“Midnight Hurricane”Sierra Hull & Lindsay LouThe sensory overload of coastal storms.
“Lonesome Hobo Song”Sam BushClassic tales of train hopping.
“And Why Is That”Smith Curry (Pedal Steel)A tribute to a family friend who lived on a sailboat.
“Queen Anne’s Waltz”Bronwyn Keith-HynesLocal maritime history and the swaying of a boat.
“Low Hanging Fruit”Sam BushThe very first song Asher ever wrote.

The record rounds out with the driving “I’m Going Back to Galax,” a nod to his competitive roots, and a high-energy cover of Billy Strings’ “Seven Weeks in County.”


Where to Hear Him

Asher Brinson is currently on the road, bringing his energy to stages across the Southeast. Whether it’s the underground depths of The Caverns or the salty breeze of the Outer Banks, Asher’s honest sound is one you don’t want to miss.

Stream Midnight Hurricane now and follow Asher’s journey as he carves out a new legacy in North Carolina music.

Album Cover. Photo: Sarah K. Photography

Belles’ Journey to the Release of ‘Son of Jolene’

Belles and Dolly Parton unite on ‘Song of Jolene,’ bridging generations of country music. Photo: ashtronot, used with permission.

The Legacy Continues: Belles Teams Up with Dolly Parton for “Son of Jolene”

NASHVILLE, Tenn. — Emerging country artist Belles is set to make waves with a historic new collaboration. On April 17, she will release “Son of Jolene,” a special track featuring the legendary Dolly Parton. (Aristo PR, 2026)

This release serves as a massive milestone for Belles, leading up to her highly anticipated debut full-length album slated for 2026. Fans can expect the track to hit country radio airwaves on May 11.


A Modern Twist on a Classic Tale

Inspired by the narrative that has captivated country fans for decades, Belles penned “Son of Jolene” as a character-driven sequel to Parton’s 1973 hit. The song imagines a chance encounter years later with the son of the infamous Jolene, blending vivid storytelling with a sharp, modern country edge.

The Parton Connection

The collaboration was born from a creative spark and mutual respect. Upon hearing the track, Dolly Parton immediately connected with the concept, seeing it as a natural evolution of the story she started over 50 years ago. Her iconic vocals on the track bridge the gap between country music’s golden era and its bright future.

“I grew up so inspired by Dolly and the worlds she created through her songs. Having her lend her voice to this record is beyond anything I could have imagined. It feels like a full-circle moment and a true honor.” — Belles


High Praise from PEOPLE

The industry is already buzzing about the release. PEOPLE recently debuted an exclusive feature on the song, offering fans a behind-the-scenes look at its inspiration. They described the collaboration as:

“…the equivalent of a musical and generational bridge being built between the two artists.”


Belles by the Numbers

Following the success of her self-titled EP and the viral breakout of “Crazy As Me,” Belles has cemented her status as a powerhouse in the digital age of country music.

MetricAchievement
Social Media Followers1.5 Million+
TikTok Followers450,000+
Total Views & Streams100 Million+
iTunes Country ChartPeaked at No. 3
Stream Growth400% Increase post-viral success

What’s Next for Belles?

Since moving to Nashville in 2018, Belles has shared the stage with superstars like Miranda Lambert and Old Dominion. Currently signed with East Music Row Records and managed by Red Light Management, her momentum is undeniable.

With “Son of Jolene” serving as the centerpiece of her current rise, all eyes are on her upcoming 2026 debut album. Keep an eye on this rising star—she isn’t slowing down anytime soon.



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Dallas Death Metal Unit Frozen Soul Teams Up with Gerard Way for New Single

Frozen Soul photo by Kate Russell, used with permission.

Frozen Soul Announces New Album No Place of Warmth — Featuring Gerard Way

Dallas’ premiere death metal/hardcore unit Frozen Soul has officially emerged from the frost to announce their third full-length studio album: No Place of Warmth. (another side, 2026)

Arriving May 8 via Century Media, the record is described as a monolithic and exigent collection of anthems. It promises the band’s signature blend of ferocity and subtle melody, guided by soaring guitar leads through a “dark chasm of merciless riffs.”

A Letter to the Fans from the Wasteland

While their previous work explored glacial territories, No Place of Warmth turns inward. The album surveys the emotional wasteland of everyday struggle, serving as an open letter to fans. It decries the cold realities of life while providing the tools and motivation to conquer them.

“Life is always coming at you, and death doesn’t stop—you might slow it down, but it’s always coming—so you have to make the best out of it and march on.”

Chad Green, Vocalist


The Title Track: “No Place of Warmth” (feat. Gerard Way)

In a landmark collaboration, the album opener and title track features Gerard Way (My Chemical Romance). The track is available now on all digital platforms.

  • The Concept: The song explores the choice between letting the cold consume you or finding warmth in a void.
  • The Video: Directed by Brendan McGowen, the visual features actor London Smith (from 2023’s “Morbid Effigy”) returning to play the personification of Death.
  • The Collaboration: Green and Way became friends a few years ago. “I knew he had a love for metal,” Green recalls. “Gerard is an amazing artist and musician whose creative vision has shaped generations.”

Evolution of the “Cold” Sound

Musically, the album sees Frozen Soul distilled to their primordial essence. Expect a “menacing” version of the band focused on maximal minimalism across eleven new songs.

AspectDescription
Vocal StyleChad Green’s “sandpaper-y bellow” acting as a dungeon master/soothsayer.
Musical DNAHardcore punk aggression meets classic American Death Metal (Obituary, Mortician).
InspirationEarly Earache ruination (Carcass, Bolt Thrower).
Philosophy“Stop overthinking it… emphasizing brutality but with an ear for hooks.”

On the Road

Frozen Soul has solidified their place as leaders of metal’s next generation. This April, they will hit the road across the states with Avatar and Fleshgod Apocalypse. See tour information here.

Frozen Soul is:

  • Chad Green / Vocals
  • Michael Munday / Guitar
  • Chris Bonner / Guitar
  • Samantha Mobley / Bass
  • Matt Dennar / Drums

No Place of Warmth – Tracklist:
1 – No Place of Warmth (Feat. Gerard Way)
2 – Invoke War (Feat. Machine Head)
3 – Absolute Zero
4 – Dreadnought (Feat. Sanguisugabogg)
5 – Chaos Will Reign
6 – Eyes of Despair
7 – Ethereal Dreams
8 – Skinned by the Wind
9 – DEATHWEAVER
10 – Frost Forged
11 – Killin Time (Until its Time to Kill)


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A Kaleidoscope of Cumbia: Juanes Returns to His Roots with ‘JuanesTeban’

The new album will be released March 3, 2026. Photo: Google

The Latin Rock Titan Returns: Juanes Announces New Album ‘JuanesTeban’

The wait is almost over for fans of the Colombian legend. Juanes has officially announced that his 12th studio album, titled JuanesTeban, is set to drop on March 6. (Hits Daily Double, 2026)

Alongside the announcement, the Latin rock icon released a teaser trailer giving fans a glimpse into what’s being hailed as one of his most personal projects yet. The LP was co-produced by Juanes himself and the reigning Latin Grammy Producer of the Year, Nico Cotton (known for his work with Aitana and Nathy Peluso).

A “Kaleidoscope” of Sound

According to Juanes, this album is a return to his roots, blending his signature rock style with the rhythmic soul of Latin America.

“It’s like a kaleidoscope of my many moods: joyful, enthusiastic, melancholy,” Juanes shared. “I wanted to make the kind of album that would take me back to the land of dancing and cumbia – the feeling of Latin America, the root of folklore.”

Tracklist Teasers & Collaborations

The album features high-energy collaborations and soulful solo tracks, including:

  • “Muérdeme” (featuring Bomba Estéreo)
  • “Una Noche Contigo”
  • “Hagamos Que”
  • “Cuando Estamos Tú Y Yo”

Upcoming Tour Dates & Honors

It’s going to be a massive spring for the “A Dios le Pido” singer. Before the album even hits shelves, Juanes will be honored by Univision at Premio Lo Nuestro with the Lifetime Achievement Award on February 19.

He is also set to headline some of the biggest stages in the world:

  • Viña del Mar (Chile)
  • Vive Latino (Mexico)
  • El Carnaval de Barranquilla (Colombia)
  • Movistar Arena (Madrid, Spain)

About Juanes

With a career spanning over two decades, Juanes remains one of the most influential figures in music history. Since his solo debut Fíjate Bien in 2000, he has secured 26 Latin Grammy Awards and sold over 15 million records worldwide.

Ready to listen? JuanesTeban is available for pre-order.


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trauma ray’s Carnival EP Is a Dark, Shoegaze-Fueled Descent Into Unease

trauma ray announces new album – Carnival. Photo: Erasmo Viera, used with permission.

trauma ray Explores the Dark Funhouse on Carnival EP

trauma ray’s Carnival EP captures the Fort Worth five’s strongest, most intense, and exploratory work within the boundaries of a whirlwind year. Carnival delves into moodier, more cerebral material, like holding their past excursions against a funhouse mirror. There’s a distinct sense of unease in these songs, built in a fleeting window of time, proving the band works best under pressure and when pulling from the darkest corners of their subconscious. (another side, 2026)

Carnival will be available on February 20 via Dais Records.
Pre-save / pre-order here.


Following the Breakout of Chameleon

Carnival follows the breakout success of Chameleon, trauma ray’s 2024 debut on Dais Records. The album helped firmly establish the band amidst the current wave of shoegaze revivalists. Increasingly agile, trauma ray has proven able to weave between scenes, touring extensively with the likes of Deafheaven, Loathe, Touché Amoré, and more.

A confluence of blitzing riffs and stark beauty, trauma ray’s sound continues to evolve, nodding to loud-quiet-loud greats across metal, grunge, and shoegaze, from Slowdive to Smashing Pumpkins.


New Single: “Hannibal”

trauma ray’s new single and video, “Hannibal,” contorts with a tinge of unprecedented evil, slithery and, as vocalist Uriel Avila puts it, “Stone Temple-y, Alice in Chains-y.” Lyrically, the track taps into teenage angst and the feeling of being dissected and rejected.

“It’s a song about the feeling of doing your best as an individual yet still falling short in the eyes of those you hope to make proud,” Avila explains.

“A lot of it stems from internal battles I faced growing up with my father, role models, and religion. Some of it comes from more recent experiences of being put under the microscope by my peers. It’s a gut-wrenching sensation that I was able to tie lyrically to the visceral mood of the instrumentation that kicks off the track and begins the journey through Carnival’s overall theme.”


Recording Under Pressure

During a brief break in their relentless touring schedule last summer, trauma ray regrouped in Texas for a few days to record a flurry of tracks, later sent to Corey Coffman for mixing and mastering. Core songwriting duo Avila and guitarist Jonathan Perez welcomed increased contributions from the rest of the band, most notably guitarist Coleman Pruitt and bassist Darren Baun, who brought an eerier strain of rhythmic and textural ideas.

This shift coincided with a growing sense of collective dread and anxiety, visually captured in a striking photo set of a deserted amusement park near Brighton, England. Shot on tour by drummer Nicholas Bobotas, the images now serve as the EP’s artwork.


Track-by-Track Through the Funhouse

The wordless opener “Carousel” ushers in Carnival’s unsettling atmosphere, with blasts of static and downcast strums giving way to “Hannibal,” the anthemic lead single packed with power riffs and raw emotion.

“Méliès,” named after French illusionist and filmmaker Georges Méliès, cuts between heavy, sludgy chords and a skyward chorus—“from something scary to like a dream state,” Avila says, channeling the surreal abstraction of its namesake.

“Funhouse” dips into doom metal, featuring sparse guitar work and possibly the band’s slowest BPM yet. Lyrics play with shifting perspectives, culminating in a call-and-response outro—“take my hand / this is not your wonderland”—that conjures opposing forces or frames of mind.


A Jarring Exit: “Clown”

In contrast, the final track “Clown” jolts, flashes, and pummels, like emerging from the other end of a house of horrors, now immersed in the disorienting lights of the carnival. Personified by a knotty, synth-soaked lead guitar squall, the song evokes Robin Williams as an archetype of tragic happiness: those who work hardest to make others laugh may privately be the saddest.

Sonically, the band cites influences like Failure’s “Undone” and “Stuck on You,” alongside the omnipresent Loveless. The result speaks to trauma ray’s growing strength: five musicians absorbing, synthesizing, and expanding on what they love.

Carnival offers a brief, highly loopable detour into darkness from a band growing more formidable by the mile.


Carnival EP tracklist: 

1 – carousel
2 – Hannibal
3 – Méliès
4 – Funhouse
5 – Clown


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Latin Music Powerhouse Kings Del Wepa Announce 2026 U.S. Tour

Kings Del Wepa U.S. tour has arrived. Photo: Vesper Public Relations, used with permission.

Kings Del Wepa Announce February 2026 U.S. Tour Dates with Live Nation

Los Angeles, CA — Los Angeles–based production hub Misterpsychedelia has partnered with Live Nation to announce the Kings Del Wepa February 2026 U.S. tour, bringing the group’s high-energy cumbia wepa live performance to five cities across California and Texas. (Vesper Public Relations, 2026)

The February 2026 tour marks a major milestone in Kings Del Wepa’s U.S. touring expansion, with headline shows in key West Coast and Texas markets.


Kings Del Wepa 2026 U.S. Tour Dates

  • February 10, 2026 — Ace of Spades — Sacramento, CA
  • February 12, 2026 — The Regent Theater — Los Angeles, CA
  • February 17, 2026 — House of Blues — Houston, TX
  • February 18, 2026 — The Echo Lounge & Music Hall — Dallas, TX
  • February 19, 2026 — The Aztec Theatre — San Antonio, TX

Each concert will feature a 75–90 minute headline set, delivering the full Kings Del Wepa live experience, immersive, percussive, and built for movement. Tickets available here.


Who Are Kings Del Wepa?

Originating from Monclova, Coahuila, Mexico, Kings Del Wepa are known for their commanding stage presence, deep rhythmic roots, and genre-bending sound that fuses traditional cumbia with modern Latin influences.

Their live shows blur the line between concert, cultural ceremony, and dance-floor celebration, making them a standout act in the contemporary Latin music scene.


Popular Kings Del Wepa Songs

Kings Del Wepa have built a strong catalog of fan-favorite tracks that frequently appear on cumbia wepa and Latin dance playlists, including:

Cumbia Lorana, Medio Metro, La Bomba Arabe, Mi Abuela Baila Wepa, La Sampuesana Regreso, Atrévete, Meneando Cinturita, Cumbia de la Cinta, Hey Morros, Wepiriski, and Cumbia Cartagena.

Fans of both traditional cumbia and modern Latin music connect with the band’s catchy melodies, contagious rhythms, and uplifting lyrics, an authentic reflection of Mexico’s rich cultural heritage.


Misterpsychedelia and Live Nation Partnership

The 2026 U.S. tour represents a strategic collaboration between Misterpsychedelia and Live Nation, blending global touring infrastructure with curator-driven programming rooted in underground, international, and Latin music cultures.

Photo: Vesper Public Relations

Final Gasp Expands Their Sound on New Album ‘New Day Symptoms’

New Day Symptoms is the new album by Final Gasp, due out February 27. Courtesy photo, used with permission.

Final Gasp Announce New Day Symptoms

Steeped in nocturnal death rock adventurism, driven by post-punk anxiety that feels increasingly like the twitching heart of our modern age, and fueled by hardcore punk intensity, the second studio album from Boston’s Final Gasp, New Day Symptoms, does what all great rock records do. (another side, 2026)

Not only does it place itself within a lineage, summoning and amplifying a spectrum of powers from rock ’n’ roll lore, it makes them resonate in the here and now. The album gives voice to the fears and frustrations lurking just under the surface of waking consciousness and transforms them into a rallying cry.

Produced by Arthur Rizk, New Day Symptoms will be released on February 27 via Relapse Records. Pre-order/Pre-save here.


Channeling Fury and Reflection

Throughout New Day Symptoms, Final Gasp creates a potent emotional reaction, balancing fury and forlorn introspection. Frontman Jake Murphy vocalizes both a supercharged howl into the void and a remorseful echo back, capturing the album’s emotional duality.


Lead Single: “The Apparition”

The lead single, “The Apparition,” tells what Jake describes as “a story of reality being much more horrifying than fiction.”

“It’s about a captain and his crew on a small boat. A storm came and capsized it, and he and his two crew members were forced to swim to some sort of safety. Ultimately, only he survived—having to watch his two friends be taken away by something that could have been avoided. He knew a storm was coming but thought they could make it. It’s all about bad timing and facing the consequences.”

“The Apparition” is available now, along with its haunting video directed by Caleb Gowett and Bill Politis.


Expanding the Sound

Where Final Gasp’s acclaimed 2023 debut, Mourning Moon, was a concentrated shot of acrid underground death rock, its propulsion tanks largely filled with references to Samhain and Killing Joke, New Day Symptoms retains that core urgency while vastly broadening its scope.

With new space to explore, the album feels communal: a mapping of personal trials and dark recesses onto a landscape dotted with rafter-rousing marker points.


A More Democratic Process

Final Gasp’s ability to meld opposing forces into something vibrant and new is encoded into their DNA. Forging a sound that both honored and moved beyond their musical backgrounds required deep soul-searching, placing the band on a path whose destination remains open-ended.

One of the main reasons for the broadened sound on New Day Symptoms is that the album was written far more democratically than Mourning Moon, allowing multiple creative voices to shape its direction.


Themes of Acceptance and Moving Forward

That open-mindedness, paired with a firm grip on underground roots, gives New Day Symptoms its galvanizing force. While its predecessor dealt directly with personal loss and anxiety, this album approaches similar themes from a different angle.

“With this one, I didn’t want it to be as personal,” says Jake. “But then reading the lyrics back, I ended up feeling differently about them—they were personal on a different level. A lot of these songs are written from an outside perspective, what could’ve happened if things were different, but ultimately it didn’t end that way. You can’t change what’s already been done, so you just have to move on. It just means it’s a part of who you are now.”


A Record Built to Last

Above all, New Day Symptoms is one of those rare killer rock ’n’ roll albums whose conviction and honesty set it apart, an album primed to stand the test of time.

As acclaimed tours with Abbath, Gatecreeper, Fiddlehead, Poison Ruin, Devil Master, and Imperial Triumphant make clear, Final Gasp’s appeal is both expansive and unbounded.

Last month, Final Gasp announced a headlining North American tour which crosses both coasts, the Midwest and more.

See below for a full list of dates. Tickets are on sale here.

Feb 26: Cambridge, MA – Sonia
Mar 01: Cincinnati, OH – Dsgn Clltcv
Mar 02: Kansas City, MO – Howdy
Mar 04: Denver, CO – Bar 404
Mar 05: Salt Lake City, UT – Aces High Saloon
Mar 07: Portland, OR – The High Water Mark
Mar 08: Vancouver, BC – The Cobalt
Mar 09: Seattle, WA – The Funhouse
Mar 11: Sacramento, CA – Cafe Colonial
Mar 12: Oakland, CA – Stork Club
Mar 13: Los Angeles, CA – The Moroccan Lounge
Mar 14: Joshua Tree, CA – Joshua Tree
Mar 15: San Diego, CA – Brick By Brick
Mar 16: Mesa, AZ – The Nile Underground
Mar 19: Tulsa, OK – Whittier Bar
Mar 20: Austin, TX – The Lost Well
Mar 21: Dallas, TX – Dusty’s
Mar 22: Little Rock, AR – Vinos


Final Gasp is:
Jake Murphy – Vocals
Alex Consentino – Guitar/Synth
Sean Rose – Bass
Peter Micanovic – Guitar
Kevin Ordway – Drums

Photo: Caleb Gowett, used with permission


New Day Symptoms tracklist:
01 – Eternal Silence
02 – Look Away
03 – The Apparition
04 – Gifted Shame
05 – No Hand To Lead
06 – Prediction
07 – Burials Of Birth
08 – Fractures
09 – New Day Symptoms
10 – Pale Sun


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Bad Brains Partners With Trust Records to Preserve Punk’s Most Powerful Legacy

Bad Brains 1981 backstage at CBGB New York City. Photo: Glen E. Friedman, used with permission.

Bad Brains Partners With Trust Records to Preserve Punk Legacy

NEW YORK, NY —  The iconic and highly influential punk rock band Bad Brains announced last month that they have partnered with Trust Records, the company formed to ensure that classic punk and hardcore music continues to endure. (another side, 2025)

A New Chapter With Trust Records

Under the new deal, Trust Records will ensure that Bad Brains’ music remains available for generations to come. In addition, Trust Records has established an Artist Advisory Board, on which Bad Brains bassist Darryl Jenifer will serve. The board will help guide the future creative vision of Trust Records.

The partnership will govern and administer the entirety of Bad Brains’ owned and controlled intellectual property, including:

  • Music publishing
  • Recorded music
  • Name and likeness
  • Trademarks
  • Visual intellectual property

This includes the band’s self-titled debut album as well as seminal releases Rock for Light, I Against I, and Quickness.

Darryl Jenifer on the Partnership

“After 40 plus years of forging the spirit PMA through our brand of progressive punk rock aka Hardcore, I’m happy that Bad Brains will be sharing the wheel with TRUST in our ongoing quest to keep Bad Brains alive in the hearts and minds of our supporters as we step into the future. TRUST’s love and knowledge of Bad Brains and the PMA ethos makes them a perfect match to partner with as we keep Bad Brains ‘Sailin’ On’. Stay tuned for what’s next to come. One love and a hefty dose of PMA.”
Darryl Jenifer, Bad Brains bassist

The Legacy of Bad Brains

Formed in 1978 in Washington, DC, Bad Brains is one of the most influential American recording artists to emerge from the punk and hardcore scene. The band’s pioneering artistry, strong ethics, and virtuosic musicianship have had a profound effect on global culture.

Bad Brains are cited as an influence by countless artists, including Rage Against the Machine, Beastie Boys, Metallica, Red Hot Chili Peppers, No Doubt, Sublime, Green Day, Pearl Jam, Foo Fighters, and Deftones.

The original lineup consisted of H.R. (vocals), Dr. Know (guitar), Darryl Jenifer (bass), and Earl Hudson (drums).

Trust Records on the Partnership

“We started Trust Records to promote, preserve, and protect punk and hardcore music and the culture that surrounds it. Bad Brains is the absolute top of the mountain in punk and hardcore. They taught the rest of us how to do it. It is the highest honor to partner with Darryl and Bad Brains in the stewardship of their iconic work.”
Matt Pincus, Founder, Trust Records

“Bad Brains are an iconic and legendary band whose impact on global culture cannot be overstated. We are thrilled that they’ve chosen Trust Records as their home and we look forward to working with them to continue to build their fan base around the world.”
Joe Nelson, Co-founder, Trust Records


About Trust Records

Founded in 2020, Trust Records was created to give classic punk and hardcore records the home they deserve. Born from DIY roots, the genre’s most influential releases shaped generations of disaffected youth around the world. As the industry moves further into the streaming age, preserving both the spirit and legacy of this music is more important than ever.

Trust Records focuses on ensuring this music remains accessible to future generations while maintaining historical accuracy and high-quality releases.

Their catalog includes 40th Anniversary Deluxe editions of Circle Jerks’ Group Sex and Wild in the Streets, 7Seconds’ landmark 1984 album The Crew, and reissues of Youth Brigade’s Sound and Fury, DFL’s My Crazy Life, SSD’s The Kids Will Have Their Say, Ink & Dagger’s The Complete Works, and more.

The Enduring Legacy of SNFU’s …And No One Else Wanted to Play

SNFU reissues pivotal punk LP ‘…And No One Else Wanted to Play.’ Photo: Doug Humiski, used with permission.

SNFU’s …And No One Else Wanted to Play Turns 40

Trust Records Announces Deluxe Anniversary Reissue

In 1985, underground rock was staunchly divided. At the heart of it was the crossover movement, the confounding middle ground between the longhairs and their arch enemies, the punks and hardcore kids. While each style had its own version of the punk-meets-thrash approach (itself a confrontation of scene norms), hardcore punk found its true disruptor in SNFU. (another side, 2025)

By bucking all the rules and writing their own, SNFU created a singular document that proved frenetic hardcore pacing and genuine catchiness were not mutually exclusive.

Trust Records is proud to announce the reissue of the bona fide classic, SNFU’s debut full-length …And No One Else Wanted to Play.


A 40th Anniversary Release

This reissue marks the 40th anniversary of the pivotal album and is available now in stores and across digital retailers.

The physical release includes two versions:

  • Standard Edition: A repress of the original LP
  • Limited Deluxe Edition:
    • Housed in a box set
    • Includes a bonus rarities LP featuring all-new artwork incorporating elements from the original seminal release
    • Accompanied by a 104-page book documenting the band from 1981–1985

Inside the Deluxe Book

The 104-page book is a treasure trove for fans and historians alike, featuring:

  • Unseen early photographs
  • Original fanzine interviews
  • Flyers, letters, and assorted ephemera
  • Ty Stranglehold’s oral history of SNFU (1981–1985)
  • Vocalist Chi Pig’s original yearbook photo

Both editions are available in several color variants.


A Cornerstone of Skate Punk

…And No One Else Wanted to Play stands as a cornerstone of skate punk and a monument to punk rock writ large, helping usher in the burgeoning genre of melodic hardcore.

With the sung vocals of Mr. Chi Pig, the dueling guitars of the Belke brothers, and a pummeling rhythm section capable of blinding velocity and sudden turns, the album achieves the rare feat of doing it all, anchored by a deep-rooted sense of melody and an ear for well-honed songwriting.

Across fourteen classic tracks, SNFU proves they can stand comfortably alongside genre-defining acts like Bad Religion, 7 Seconds, and the Descendents, influencing countless artists and sparking a shift still felt across modern music today.


The Origins of SNFU

SNFU formed in 1981 in Edmonton, Alberta, with core members:

  • Mr. Chi Pig (Ken Chinn) – vocals
  • Marc “Muc” Belke – guitar
  • Brent “Bunt” Belke – guitar

Bonding over skateboarding and punk, the band originally went by Society’s NFU (short for No F*cking Use).

The debut LP was recorded across two hectic days at Track Record Studios in Hollywood, CA, in December 1984, with BYO Records founders Mark and Shawn Stern producing. Jimmy Schmitz (bass) and Evan C. “Tadpole” Jones (drums) rounded out the lineup, departing shortly after the sessions.


Hitting the Road and Making History

Following the album’s release, SNFU embarked on a 48-date North American tour, spreading these then-new classics live and earning cult success from coast to coast.

With the release of …And No One Else Wanted to Play, and the shows that followed, those cities, and the world of punk, would never be the same. And now, after decades out of print, neither will your turntable.


New Music Video: “Cannibal Café”

SNFU is also pleased to share their new official music video for album centerpiece “Cannibal Café.” Compiled by Nathan Drillot, the video features unseen live footage and a special appearance by Mike Belke.


…And No One Else Wanted to Play – Standard LP tracklist:

Side One
1. Broken Toy
2. She’s Not on the Menu
3. Money Matters
4. I’m Real Scared
5. Joyride
6. Seein’ Life Through the Bottom of a Bottle

Side Two
7. Cannibal Café
8. Misfortune
9. Plastic Surgery Kept Her Beautiful
10. The Gravedigger
11. Bodies in the Wall
12. Get Off Your Ass
13. Loser at Life / Loser at Death
14. This Is the End

Jason Derulo Brings Holiday Magic With New Christmas Single ‘Miracle’

Jason Derulo’s new holiday song “Miracle” blends pop-R&B warmth, gratitude, and seasonal magic. Photo: Miller PR, used with permission.

Jason Derulo Releases New Holiday Song “Miracle”: A Feel-Good Christmas Anthem

Los Angeles, CA — Multi-Platinum global superstar Jason Derulo has surprised fans with a festive new release just in time for the holidays. His new Christmas single, “Miracle,” released via Create Music Group, is now available on all major streaming platforms. (Miller PR, 2025)

The holiday track blends classic Christmas warmth with Derulo’s signature pop-R&B sound, delivering an uplifting anthem that celebrates gratitude, love, and togetherness.

Jason Derulo’s “Miracle” Captures the Meaning of Christmas

Miracle” is a feel-good Christmas song that highlights Jason Derulo’s unmistakable vocals while embracing the emotional heart of the holiday season. Through its reflective lyrics, the song explores how life’s simplest moments, family connections, unexpected kindness, and everyday love, are often the real miracles.

Rather than focusing on grand gestures, Derulo reminds listeners that the true magic of Christmas lives in quiet, ordinary joys that bring people together.

Photo: Miller PR

A Successful Year for Jason Derulo

The release of “Miracle” follows a standout year for the global hitmaker. Earlier this year, Jason Derulo released the pop anthem “Who Hurt You,” which quickly gained viral momentum, reaching 316 million streams in just eight weeks.

His previous single, “Snake,” featuring Nora Fatehi, has also made a major impact, accumulating over 124 million views online and reinforcing Derulo’s ability to create globally resonant hits.

Jason Derulo’s Social Media Influence

Jason Derulo remains one of the most influential musicians in the digital space. With nearly 250 million followers across social media platforms, including over 66 million followers on TikTok, he is currently the fourth most-followed male artist on TikTok.

His massive online presence continues to amplify his reach, making him one of the most visible and influential pop artists in today’s music landscape.

“The Last Dance World Tour” Kicks Off in 2026

On January 30, Jason Derulo will launch “The Last Dance World Tour,” featuring 25+ arena dates across the UK and Europe scheduled for early 2026. Additional tour dates are expected to be announced. Fans can view the complete tour schedule on his official website.


About Jason Derulo

With nearly 250 million followers worldwide, Jason Derulo is a true multi-platform powerhouse and one of the most successful pop and urban artists of his generation.

Originally known as the “kid from a Haitian family in Miami,” Derulo’s rise to global stardom has been built on consistency and creative evolution. He has sold over 250 million singles and generated tens of billions of streams, with a catalog that includes chart-topping hits like “Talk Dirty” (feat. 2 Chainz), “Wiggle,” “Swalla,” and “Savage Love.” “Savage Love” reached No. 1 on the Billboard Hot 100 and topped charts in 16 countries.

Known for genre-blending collaborations with artists such as BTS, Nicki Minaj, Luke Bryan, and Michael Bublé, Jason Derulo continues to shape global pop culture through both music and social media.