Tag: Music News

Grayson Jenkins Finds His Voice on ‘Hard Heart to Hold’ and Forthcoming Album Country Parables

Grayson Jenkins leans into the rock side of country with new song and video. Courtesy photo, used with permission.

Grayson Jenkins Unveils New Single “Hard Heart to Hold” Ahead of Forthcoming Album Country Parables

Kentucky-born country artist and songwriter Grayson Jenkins has released his new single “Hard Heart to Hold,” an anthemic country-rock track from his upcoming album Country Parables, set to release everywhere on July 25. (Covered Bridge Creative Co-op, 2025)

The single is paired with a live performance music video, filmed at Jenkins’ 2025 headlining show at The Burl in Lexington, KY—the very venue that inspired the song’s creation.

A Rising Voice in the Appalachian Country Scene

“Hard Heart to Hold” follows a string of successful releases, including:

  • “Nobody’s Stopping You Anyhow” (feat. Brit Taylor), featured on Spotify’s All New Country playlist
  • “Taxes & Time”
  • “Good Times Go” (feat. Pony Bradshaw), highlighted by The Bluegrass Situation and Whiskey Riff

Fans can watch the video, stream the new single, and pre-order vinyl and merch online.

A “Hillbilly Springsteen” Sound

Jenkins’ bandmates jokingly describe “Hard Heart to Hold” as sounding like a “hillbilly Springsteen”—a track driven by pulsing drums and heavy guitars, elevating Jenkins’ vocals and vivid storytelling.

Jenkins views the song as a reflection of both his influences and his ongoing sonic evolution.

Telling Stories from the Heart of Kentucky

Lyrically, the track tells the story of a young woman navigating early adulthood and finding comfort in the Lexington music scene—a nod to the thriving musical culture of Kentucky and the greater Appalachian region.

Nearly a Decade on the Road

Grayson Jenkins is no newcomer. With nearly ten years in the music industry, his career has weathered:

  • The ups and downs of indie artistry
  • A global pandemic
  • Over 250,000 miles touring across the US, Canada, and Europe

Raised on a small farm in Muhlenberg County, KY—yes, that Muhlenberg County from John Prine’s “Paradise”—Jenkins carries with him a strong work ethic and resourcefulness that continues to shape his music and career.

Country Parables: Jenkins’ Most Ambitious Work Yet

Now in his 30s, Jenkins returns with Country Parables—a ten-track LP that marks his most comprehensive and mature work to date. The album combines the lyrical depth fans have come to expect with a fully realized sonic palette that Jenkins has long been chasing.

Crafted by a Powerhouse Team

To bring this album to life, Jenkins teamed up with frequent collaborator and touring partner Pony Bradshaw to co-produce the record. The album was recorded at Fellowship Hall Sound in Little Rock, AR, with a team of acclaimed musicians, including:

  • Paddy Ryan (Parker Millsap, John Fullbright)
  • Jesse Aycock (JR Carroll, John Moreland)
  • Aaron Boehler (Wilderado)
  • Fats Kaplin (Jack White, John Prine)

Collaborations on the album include Brit Taylor, Madelyn Baier, and Pony Bradshaw, with two tracks co-written by Nashville veteran Pat McLaughlin (John Prine, Bahamas).

With Country Parables, Grayson Jenkins offers a heartfelt, roots-driven collection that further cements his place in the next wave of Americana storytellers.

Country Parables tracklist:

1.Old Trails
2.Hard Heart to Hold
3.Nobody’s Stopping You Anyhow (feat. Brit Taylor)
4.Grand Slam
5.Scarecrow
6.Taxes & Time
7.Good Times Go (feat. Pony Bradshaw)
8.From Now On
9.Calling Out Your Name (feat. Madelyn Baier)
10.Country Parables

“But beyond the smoky bars and days out on the farm, Jenkins embodies one of Country’s more abstract, yet most important qualities: its philosophical soul.”

— American Songwriter

“In case you aren’t familiar with Grayson Jenkins’ prior work, the Muhlenburg County, KY native aptly follows in the footsteps of John Prine and all of the other folk and country troubadours before him who forged their career on the strength of clever lyricism and truthfully authentic storytelling.”

— Whiskey Riff

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‘Suitcase Blues’: Shelby Means Hits the Road with Her Solo Debut

Shelby Means gets help from her all-star friends for a heartfelt road song, “Suitcase Blues.” It’s the latest single from the Maya de Vitry-produced self-titled solo debut. Photo: Hunter McRae, used with permission.

Shelby Means Packs Up the “Suitcase Blues” and Heads Down a New Road

“I had driven out of Nashville hundreds of times as a touring musician, but this time I was packed up and moving to a different city,” says songwriter, singer, and bassist Shelby Means.

Known for her dynamic work with world-class string bands like Della Mae and the GRAMMY-winning Molly Tuttle & Golden Highway, Means is now stepping into the spotlight with her debut solo album, Shelby Means. The bittersweet memory of leaving Nashville is captured in her latest single “Suitcase Blues.” (IV-PR, 2025)

Backed by an all-star lineup—Billy Strings on harmony vocals, along with Bryan Sutton, Michael Cleveland, Ron Block, and Sam Bush—the track offers a poignant twist on the classic road song.

“Bryan, Michael, Ron, and Sam brought incredible life and depth to the recording,” Means shares. “Already a very strong collaboration with the band, I was honored that Billy Strings agreed to sing harmony. His voice and energy mixing with mine and the sentiment of the song paint a vivid picture of chasing down a dream on the open road.”

Musically, “Suitcase Blues” rolls forward on a moody chord progression, its trepidation mirrored in the interplay of fiddle and banjo, with tasteful flourishes on guitar and a brief, emotive mandolin solo. The lyrics tell a story many touring musicians know all too well:

“I don’t know when I’ll be back
I gotta go with Cackalack Jack
It’s a lonesome road that I choose
Packing up my suitcase blues”

🎧 Listen now: Stream or purchase “Suitcase Blues.”
📀 Explore more music: Check out previously released singles — “Farm Girl,” “Streets of Boulder,” and “Million Reasons.”
🛒 Pre-order the full album: Shelby Means arrives May 30. Pre-order now.
💾 Want to pre-save on Spotify? Click here.

🎶 Catch Shelby Means on Tour

May 23 – WMOT Finally Friday @ 3rd and Lindsley – Nashville, TN
June 4 – The Ramkat & Gas Hill Drinking Room – Winston Salem, NC
June 6 – Midwood Guitar Studio – Charlotte, NC
June 7 – Charleston Pour House – Charleston, SC 🌟 Album Release Show
June 25 – The 5 Spot – Nashville, TN 🌟 Album Release Show
July 4 – Soundcheck Summer Music Series – Pinedale, WY
July 6 – Hot House West – Salt Lake City, UT
July 13 – Means House Concert – Laramie, WY
July 17 – Big View House Concerts – Westcliffe, CO
July 18 – Music on the Green – Telluride, CO 🎤 with Maya de Vitry
July 25 – RockyGrass – Lyons, CO 🎤 with Molly Tuttle & Golden Highway
August 22 – Charleston Pour House – Charleston, SC 🎤 with Bronwyn Keith-Hynes
October 18 – Henderson Bluegrass – Henderson, NV
October 20 – WoodSongs – Lexington, KY
October 22 – Red Barn Radio – Lexington, KY

📍 See all tour dates online.

🌾 About Shelby Means

Shelby Means was born in the bluegrass of Kentucky and raised on the high plains of Wyoming. With nearly two decades of experience across bluegrass, folk, rock, Americana, and country, she’s one of the most respected upright bassists in the roots music world.

During her years in Nashville, she was a core member of the GRAMMY-nominated Della Mae, bringing her magnetic presence and deep rhythmic pocket to stages across the globe. She’s since toured nearly 30 countries as a musical diplomat and collaborated with some of the genre’s finest artists.

Now based in Charleston, SC, Means also performs with Molly Tuttle & Golden Highway, earning her first GRAMMY with the group’s 2023 release, City of Gold. Her accolades include multiple IBMA awards for her work with both Della Mae and Golden Highway.

With her upcoming solo debut, Means opens a new chapter—blending tradition with individuality, heartache with hope, and musicianship with soul.

From NPR to the Grand Ole Opry, Telluride, Bonnaroo, Newport Folk, and beyond, Shelby Means is forging a path that’s both grounded and boundless.

Shelby Means album cover. Courtesy photo,used with permission.

‘Alone in a World of Wounds’: Steve Von Till’s Meditative Ode to Nature and Loss

Steve Von Till releases new single/video from Alone in a World of Wounds. Photo: Bobby Cochran, used with permission.

Steve Von Till’s Alone in a World of Wounds: A Haunting Tapestry of Loss, Nature, and Reflection

Ploughing a different furrow from his work with post-metal pioneers Neurosis, Steve Von Till’s latest solo album, Alone in a World of Wounds, is a sweeping, gothic-tinged collection of Americana infused with ambient textures and world-weary vocal melodies. It’s a deeply introspective journey—both sonically and thematically. It will be released on May 16 via Neurot Recordings. (another/side, 2025)

A Cinematic Opening

The album opens with “The Corpse Road,” a track that unfolds in a haze of mauve-toned drone textures, immediately immersing listeners in a creaking, dust-laden wilderness. Von Till sings of being placed in the “solitude of our inner spaces,” his voice framed by the mournful resonance of French horn and beautifully subtle cello arrangements by Brent Arnold. The track is accompanied by a haunting visual, directed by Josh Graham.

Rooted in Atmosphere and Intuition

Initially inspired by the harmonic resonance of piano and synths, Alone in a World of Wounds follows the reflective ambience of 2021’s No Wilderness Deep Enough. This new album sees Von Till opening up his voice like never before, with songs that emerged from intuitive improvisations—raw, emotional, and unguarded.

Music, Poetry, and Purpose

Outside of music, Von Till is also a published poet. His 2021 collection, “Harvestman,” draws from a deep well of personal and philosophical writing. His lyrics and prose often reflect on humanity’s place in the cosmos, touching on themes of longing, loss, and the vastness of existence. In this album, a profound connection to—and disconnection from—nature serves as the thematic core.

The title Alone in a World of Wounds is inspired by a quote from environmental philosopher Aldo Leopold’s 1949 book A Sand County Almanac:

“One of the penalties of an ecological education is that one lives alone in a world of wounds.”

Life Beyond the Music

Von Till’s commitment to the natural world goes beyond his art. He has been an elementary school teacher for over two decades and serves on the board of directors for the Firekeeper Alliance, a non-profit dedicated to reducing youth suicides among the Blackfeet Nation in Montana.

A Sonic and Visual Aesthetic

While Alone in a World of Wounds may seem far removed from the aggressive tones of Neurosis, the raw spirit of punk and DIY ethos remain essential to Von Till’s process. His search for deeper connection, his willingness to live with sorrow, and his instinctive approach to creativity all ground this project in authenticity.

Recorded largely at his barn studio in Idaho and mixed by Randall Dunn at Circular Ruin in Brooklyn, the album also features artwork by Spokane-based alternative process photographer Brian Deemy. Working in colloidal wet plate tintype, Deemy’s visuals perfectly complement Von Till’s ancient-yet-modern aesthetic—a haunting tribute to our bond with the more-than-human world.

Steve Von Till Live Dates:

May 30 – June 1: Prepare the Ground Festival – Toronto, CAN
July 25 – 27: Fire in the Mountains Festival – Blackfeet Nation, MT

Alone in a World of Wounds tracklist:
1 – The Corpse Road
2 – Watch Them Fade
3 – Horizons Undone
4 – Distance
5 – Calling Down the Darkness
6 – The Dawning of the Day (Insomnia)
7 – Old Bent Pine
8 – River of No Return

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Raw, Real, and Relentless: De’Wayne Delivers with ‘highway robbery’

De’Wayne ushers in a new era with electric single ‘highway robbery,’ out now via Fearless Records. Photo: Shai Lev, used with permission.

Los Angeles, CA – Houston-born and Los Angeles-based rock star De’Wayne is ushering in a new era of music with the electric single “highway robbery.” Accompanied by a striking music video that brings the song’s rebellious spirit to life, De’Wayne is setting the stage for a bold new chapter. (Big Picture Media, 2025)

This song is a high-energy anthem that captures De’Wayne in his purest form, blending shimmery guitars, soulful funk-infused vocals, and irresistible, two-step-ready drums. Produced in collaboration with Dylan Bauld (flor) the track channels influence from Ohio Players to Nina Simone to Bruce Springsteen while remaining unapologetically modern and true to himself.

“The title was inspired by a heartfelt connection with my partner. She didn’t literally steal my heart—but I left the door wide open for it. I wrote this song as a poem first, and it evolved into this rock’n’roll soul influence. It feels good to be locked in!” – De’Wayne

Following the release of his 2024 EP I Want You More Than Anybody Wants You, De’Wayne has solidified himself as a force to be reckoned with. Constantly pushing boundaries, he is redefining Black rock music one song at a time.

With “highway robbery,” he establishes himself as a fearless trailblazer in rock, fusing genres with raw authenticity. De’Wayne is on a mission to show the world that neither people nor music should be confined to one box.

Shedding any and all creative inhibitions, De’Wayne plays rock ‘n’ roll spiked with funk, R&B, alternative, and magic. Accessing the duality of humanity, he harnesses the divine feminine through musicality manifested loud with no shortage of soul, sex, sweat, and style.

Emerging in 2017, the Houston-born and Los Angeles-based singer, songwriter, multi-instrumentalist, and producer has amassed tens of millions of streams across Stains [2021], My Favorite Blue Jeans [2022], and I Want You More Than Anybody Wants You EP [2024].

In the wake of the latter, UPSET placed him on its cover and urged, “it’s time to sit up and pay attention” to De’Wayne. KERRANG! went as far as to christen him “one of the most electrifying new performers in the alt. world today.” He has established himself as the rare force of nature equally comfortable on a track with either Chase Atlantic and Masego, IDKHOW, Waterparks, grandson, WILLOW, Good Charlotte, and Tom Morello of Rage Against The Machine.

Beyond headlining packed shows on multiple continents, De’Wayne and his band have ignited festival stages at Gov Ball, Lollapalooza, Reading & Leeds, Bonnaroo, and BottleRock.

His music may have brought him close to the divine feminine in the past, but he finally learned how to open his eyes and gently embrace it—which is exactly what he does on his new music. Inspired by Lenny Kravitz, Parliament Funkadelic, Marvin Gaye, Ohio Players, Bill Withers, Nina Simone, Prince, Brandon Flowers, and Bruce Springsteen, he levels up as a proud black man, a son, a friend, a leader, an artist, and lover.

Breaking Down ‘Workhorse’: Isabel Pless’ Most Honest and Heartfelt Album Yet

Isabel Pless makes the mundane feel massive on debut album Workhorse. Photo: Patrick McCormack, used with permission.

Nashville-based singer-songwriter Isabel Pless is a self-proclaimed “word girl.” Born and raised in Vermont, Isabel began writing songs at age 12 following in the footsteps of musical inspirations such as Joni Mitchell, The Chicks, and Alanis Morissette. Her songs are personal, playful and smart — she often calls into question the contradictions and challenges of what it means to be a young woman. (Big Hassle, 2025)

In 2020, she started posting clips of her original songs on TikTok and has since amassed an audience of 117k followers. Isabel’s 2023 EP Bad Luck Letting You Go has accumulated over 1.4 million streams across streaming platforms and featured on Spotify playlists such as New Music Friday and All New Indie, and Apple playlists like Acoustic Chill and New in Singer-Songwriter.

Over the past year, she’s recorded an Audiotree session, toured with Donovan Woods and Henry Jamison, and played headline shows across the US and in London. Armed with a bachelor’s degree in Linguistics and an ability to write relatable yet hyper-specific songs, Isabel is redefining what it means to be a singer-songwriter in the age of social media.

Isabel Pless makes everyday life feel monumental with the release of her debut album Workhorse. The ten-song project spans mellow folk to headbanging pop, but her writing consistently honors each tone and notion. Isabel is your older sister reminding you of your self-worth, she is your best friend crying in your passenger seat about a breakup, and she is you wondering when things will finally start going your way.

Produced and co-written by Ariza, each song offers a new sound and a different perspective from the last: Workhorse’s charm stems from its range. There are no right or wrong emotions, and Isabel feels them all with humor to spare. And she invites you to feel them all alongside her.

“‘Workhorse’ is the debut album I’ve been dreaming about since I started writing songs in middle school and that makes me feel incredibly fulfilled,” shares Pless. “Creating these songs helped give me perspective on my life. I feel simultaneously nervous and hopeful that now this album will make its way into other people’s lives.”

Opening with the self-titled track “Isabel,” this song arose out of a moment of need. Pless’ lyrics dictate an inner monologue that rails at people-pleasing and gives grace to imperfection. Winding our way to another standout track like “The Bite,” there’s more of a dark, spell-like energy. This essence mirrors a shift in lyrical and compositional tone from Pless’s previous works, making the song a sonic tug of war between anger and anxiety. 

By the time the listener reaches “Blonde,” Pless is her most witty and candid self. A raging, headbanging, pop-romp, Pless is backed by an entourage of electric guitars and a hefty choir of vocals, that allows the track to  maintain its drama right up until the final acoustic down-chorus. Reaching the capstone of the album’s honesty with its closing, title track, she is in a self-inflicted battle with complacency. Leaving the body of work open ended, the final line “I’m worried this is the best version of me” feels hollow but not defeated.

The official video for ‘I Joined a Cult’ examines the pattern of falling into toxic friendships and relationships, a balance of confusion and remorse. In the video Pless has a sense of childlike wonder as she tries to recruit more people into her circle, constantly seeking out connection.

Workhorse tracklist
“Isabel”
“Nobody’s Funeral”
“The Bite”
“I Don’t Feel Pretty”
“I’ll See Him in Hell”
“Shirley Temples”
“Blonde”
“(Transition) Company”
“I Joined a Cult”
“Workhorse”

Kadavar’s New Single: ‘Hysteria’ is a Must-Listen for Rock Fans

Kadavar releases ‘Hysteria’ single and music video. Courtesy photo, used with permission.

Berlin, Germany – Berlin based rock band Kadavar has shared the second single from their forthcoming new album I Just Want To Be A Sound out May 16 via Clouds Hill. (Big Picture Media, 2025)

“Hysteria” – with its pulsing, dark rhythm brings the listener into a hypnotic state of mind. Its lyrics explore themes of mental and physical disarray, portraying a sense of confusion, overstimulation, and self-destruction. The repeated refrain of “Hysteria” adds to the overwhelming, frantic atmosphere, spiraling under pressure.

Listen to “Hysteria” here. Pre-order the album at this link.

“We wrote this song down from the feeling of words losing their meaning, when even a stream of consciousness can’t keep up to make sense of the inner chaos,” says the band. “As a state mixed with constant overstimulation and terrifying news, it might just fit this time we’re living in.”

“Hysteria” follows the single “I Just Want To Be A Sound” – the title track of Kadavar’s new album – released last month upon the album’s announcement. The song was added to top playlists with Spotify, Apple, Deezer and TIDAL, gaining traction on lists like Metal Injection’s Top Tracks of the Week, Fresh Noise, New In Rock, Hot New Rock, and more.

‘I Just Want To Be A Sound’ is a manifesto for freedom, transformation and radical presence. An album that repeatedly abandons itself in order to reincarnate in new forms. Rock anthem, ballad, pop song, epic and earthly alternate seamlessly and virtuously. Free and full of momentum.

Now a four-piece led by founders Lupus Lindemann and Tiger Bartelt, and rounded out by guitarist Jascha Kreft and bassist Simon ‘Dragon’ Bouteloup, the declaration “I Just Want To Be A Sound” came from Bouteloup. When Lindemann Bartelt asked him in 2013, shortly after Lindemann and Barlet joined the band, why he didn’t have any social media accounts, he replied: “I just want to be a sound.” A sentence that stuck – and that sums up the band’s self-image.

What was casually formulated at the time has developed into a leitmotif over the band’s 15-year history: an uncompromising claim that demands nothing less than to be completely absorbed in the sound without being distracted by outward appearances. A principle to which Kadavar has remained true since their formation in 2010 and which finds its strongest development to date with this album.

“I Just Want To Be A Sound” is more than a song to us – it’s the essence of Kadavar: A relentless yearning for freedom and the unshakable urge to live through music. We poured everything into it – our lives, our spirit, our truth,” says the band in a joint statement.

Kadavar also announces a string of special album release shows that will take place in London, France and Berlin. Dates and ticket links below:

May 13 – London, UK – Rough Trade East // TICKETS
May 14 – Paris, France – Supersonic // TICKETS
May 15 – Berlin, Germany – Urban Spree, presented by Rough Trade Europe // TICKETS

The band is confirmed for this year’s Austin Psych Fest along with artists like Dinosaur Jr, Explosions In The Sky, Kim Gordon, Yo La Tengo and more. The festival will take place April 25-27 in Austin, TX. Tickets are available online.

Change has always been a constant for Kadavar. What remains unchanged is their raw power. Wherever they go, you can feel the intensity – in their songwriting, their dedication, their performances. In the sound! This is the transfer that makes Kadavar incomparable. They explore the potential of music, even in quiet nuances, while always retaining the power of their rock roots. Having grown as a band, they have fulfilled their mission of being completely immersed in their sound.

‘I Just Want To Be A Sound’ tracklist:

1.    I Just Want To Be A Sound

2.    Hysteria

3.    Regeneration

4.    Let Me Be A Shadow

5.    Sunday Mornings

6.    Scar On My Guitar

7.    Strange Thoughts

8.    Truth

9.    Star

10. Until The End

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From ‘Yellowstone’ to ‘Honkiest of Tonkers’: Garrett Bradford’s Musical Journey

Texas country artist Garrett Bradford releases Honkiest of Tonkers Part 1 – out now. Photo: WT Fletcher, used with permission.

Nashville, Tennessee – Texas country artist Garrett Bradford has officially released Honkiest of Tonkers – Part 1, the highly anticipated first installment of his two-part album. Out now via H.O.T. Records and available on all streaming platforms (Amazon Music, Apple Music, Spotify, and more), the album delivers a collection of boot-stomping honky-tonk anthems and dynamic tracks showcasing Bradford’s signature grit and deep Texas roots. The second installment, Honkiest of Tonkers – Part 2, is set to arrive on April 11, 2025. (Aristo PR, 2025)

Fans got an early taste of the album with lead singles “Watching You Burn,” “Do You (I Do),” and “Bad Girl Good.” Part 2 will follow a similar rollout, featuring “She Loves Horses” (March 21) and “Firefly” (April 4) ahead of its full release. 

This is shaping up to be a pivotal year for Bradford, with his music gaining traction across major platforms. His single “Watching You Burn” landed on playlists, including Spotify’s All New Country, CMT’s Roundup, and ACM’s Fresh New Finds. Meanwhile, “Do You (I Do)” was featured on Apple Music’s New in Country playlist. Additionally, Country Evolution named Bradford to their Artists to Watch in 2025 list, further cementing his status as one of country music’s most exciting rising stars.

Bradford’s music has also caught the attention of critics, earning high praise for its traditional honky-tonk grit: “Pure, classically old-fashioned, 100% hardcore Texas honky tonk. Over the years, I’ve heard a lot of this type of music and trust me; this is stellar honky tonk country where the singer/songwriter has lived every word and note … Bradford is the real deal.” – The Rocking Magpie

Raised on a ranch in Weatherford, Texas, and deeply connected to the Western and rodeo lifestyle, Garrett’s music is infused with authenticity and a genuine understanding of the cowboy way of life. His background in ranching, rodeo, and bucking stock, combined with his natural talent as a songwriter and performer, makes him a true storyteller who captures the heart and soul of the West in every song.

Bradford burst onto the Texas music scene in 2020 with his debut EP. His breakout single, This Way of Life, was featured on the hit TV series Yellowstone (Season 3, Episode 9), catapulting him into the spotlight. The track became the most Shazammed country song in the U.S. the day after its airing, climbing to #32 on the iTunes Country Top 40 Chart.

Taylor Sheridan, the acclaimed writer, producer, and director behind Yellowstone and its prequels (1883, 1923), as well as Landman and Lioness, played a pivotal role in inspiring Garrett’s music career. Sheridan’s mentorship and belief in Bradford’s authentic storytelling helped reignite his passion and opened doors for his music to reach a wider audience. 

In 2023, Bradford was recognized as the songwriting winner of Texas Songwriter U, a prestigious program hosted by Jack Ingram, Liz Rose, and BMI. With over 60,000 monthly streams and a loyal fanbase, Bradford has solidified his place in the world of Texas country music, performing more than 600 shows and keeping dance floors packed across the state.

His ability to blend authentic Texas grit with compelling lyrics and dynamic performances positions Honkiest of Tonkers as a standout project that true country fans can appreciate.

Honkiest of Tonkers – Part 1

  1. Honkiest of Tonkers (Garrett Bradford)
  2. Bad Girl Good (Garrett Bradford, Greg Manuel Sr.)
  3. Keep On Drivin’ (Garrett Bradford, Jami Grooms)
  4. Do You (I Do) (Garrett Bradford, Greg Manuel Sr.)
  5. Watching You Burn (Garrett Bradford, Logan Jarvis, Greg Manuel Sr., Greg Manuel Jr.)
  6. 50 In The Fast Lane (Garrett Bradford)
  7. Peterbilt Pipe Dream (Garrett Bradford)
  8. Bulletproof (Garrett Bradford, Greg Manuel Sr., Greg Manuel Jr., Kristina Van Dyne, Yale Van Dyne)
  9. Honky Tonk Devil (Garrett Bradford, Greg Manuel Sr.)

Ally Venable’s ‘Do You Cry’ Delivers Raw Emotion and Soulful Power

Ally Venable shares her new song ‘Do You Cry,’ a heartfelt exploration of lost love. Courtesy photo, used with permission.

Texas blues-rock singer, songwriter, and guitarist Ally Venable is back with a poignant new single, “Do You Cry,” a soul-stirring ballad that dives deep into the emotional complexities of heartbreak and lost love. The song, which marks a raw departure into the more vulnerable corners of Venable’s musical identity, is available now on all streaming platforms. (Big Hassle, 2024)

“The song explores the raw, vulnerable experience of heartbreak and the complex emotions that come with it. I wrote ‘Do You Cry’ about the bittersweet reality of lost love. I hope this song can connect with listeners on a deeply personal level.” – Ally Venable

Known for her electrifying live performances, signature glitter dresses, and black knee-high boots, Ally Venable is a force in the blues-rock world. Guitar Player Magazine describes her as an artist who “pulls off a stunner of gritty and/or sultry blues rock tunes embellished with lots of tasty guitar solos.” With a musical journey rooted in the blues and nurtured through early influences like Stevie Ray Vaughan, Ally has steadily built a reputation as one of the most exciting and dynamic guitarists and songwriters of her generation.

Born in Kilgore, Texas, Ally Venable began singing at age four and picked up the guitar at age 12. By 13, she was leading her own band, already drawing from her deep love for the blues. Her early albums, No Glass Shoes (2016) and Puppet Show (2018), earned her local acclaim and charted radio play. However, it was her 2019 release, Texas Honey, which pushed her to international recognition, debuting at #2 on the Billboard Blues chart and establishing Ally as one of the brightest stars in the genre.

Her 2021 album Heart of Fire, which also charted on the Blues Billboard charts, featured collaborations with music legends like Kenny Wayne Shepherd and highlighted Ally’s ability to write about love, pain, and overcoming adversity.“On this album, I really wanted to create a tone of overcoming your struggles and persevering through them,” she shared.

Ally’s most recent release, Real Gone (2023), produced by Grammy-winning Tom Hambridge, debuted at #1 on the Billboard Blues Charts and included collaborations with blues icons Buddy Guy and Joe Bonamassa. This spring, she was named #2 on Guitar World’s list of “Top 15 Young Guns Making the Gibson Les Paul Cool Again” and received the Road Warrior Award at the Independent Blues Music Awards.

In addition to her solo tours, Ally’s band has supported legends like Buddy Guy, Kenny Wayne Shepherd, and Colin James, and she has performed alongside fellow guitar icons on the Experience Hendrix tour and at ACL Live in Austin, Texas.

Looking ahead, Ally Venable will be part of the highly anticipated Experience Hendrix Tour in 2025, where she will share the stage with musical heavyweights like Samantha Fish, Devon Allman, Eric Johnson, Christone “Kingfish” Ingram, and many more.

With her new single “Do You Cry,“ Ally Venable proves once again that her artistry continues to evolve, offering her audience a more intimate and introspective side of her music. Fans old and new will find comfort in the vulnerability and soulfulness of this beautifully crafted song.

Gus Baldwin & The Sketch Drops New Single Ahead of The Sketch Album Release

Slacker’s Prom is Gus Baldwin & The Sketch’s new single from forthcoming album. Courtesy photo, used with permission.

Austin band Gus Baldwin & The Sketch shares a new single from their forthcoming debut album The Sketch via PunkNews. – Slacker’s Prom. Available on DSPs and Bandcamp. (US/THEM group, 2024)

Gus Baldwin is a singer/songwriter/ex-hippie/part-time punk hailing from Austin, TX. After a stint holding down drums for Dallas surf punk legends Sealion in high school, Baldwin went on to form the Psych Pop combo Acid Carousel, which he led for 6 years and 20 something releases before departing the band on Halloween night 2021.

Since leaving Acid Carousel, Gus has made a name for himself as a solo artist in Austin, constantly performing as a singer/songwriter, one man garage band, or with his band The Sketch. Quickly releasing a string of titles on his own GetWithIt! Records imprint, including the EPs THRILLER II, and Live Bugs, as well as a slew of singles, Gus established himself firmly as the godson of Texas rock ‘n roll. Splitting his time as a frequent collaborator with The Black Angels, Baldwin also works with the likes of Christian Bland & The Revelators as well as The UFO Club with Night Beats frontman, Danny Lee Blackwell.

The Sketch is the full length debut of Gus’ partnership with The Sketch. The album was recorded in one day at Studio 22 in Los Angeles by engineer Joey Oaxaca (White Reaper, Starcrawler).

The Sketch will be available on LP, cassette and digital on January 31, 2025. Pre-orders are available.

Gus Baldwin & The Sketch‘s tour of Western U.S. states continues this month. Current dates below are below. Midwest & Eastern shows to follow in early 2025.

GUS BALDWIN & THE SKETCH LIVE 2024:
12/04 Reno, NV – Lo Bar Social
12/07 San Francisco, CA – Kilowatt
12/09 Palmdale, CA – Transplants Brewing
12/10 Las Vegas, NV – The Griffin
12/11 Visalia, CA – Cellar Door 101
12/12 Long Beach, CA – Alex’s Bar
12/13 San Diego, CA – The Tower Bar
12/14 Los Angeles, CA – The Redwood Bar
12/20 Austin, TX – Hotel Vegas

Artist: Gus Baldwin & The Sketch
Album: The Sketch
Label: Permanent Teeth Records
Release Date: January 31, 2025

01. Part I

02. Part II

03. Part III

04. Itch

05. Steady on It

06. Luxury Television

07. Slacker’s Prom

08. (She’s Gone) Arigato

09. Beautiful Delilah

10. What the Freaks Say

11. Sympathy for Sunday

Just goes to show you can still be catchy as hell while playing really fucking loud… I’m not entirely sure there’s a single that can capture the live energy the drips from the stage when Gus Baldwin & The Sketch are up there, but this brand new single is pretty damn close.” — Austin Town Hall

“Kick ass to bombastic levels.” — Cosmic Clash

“Noisy, fuzzy punk with a distinct pop sensibility… Full of energy and anger while also managing to be a lot of fun.”— New Noise Magazine

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The Sketch release date

Blood Incantation’s Absolute Elsewhere: A Mind-Bending Exploration of Death Metal’s Boundaries

Blood Incantation is: L-R Paul Riedl (Guitars, Vocals), Morris Kolontyrsky (Guitars), Jeff Barrett (Fretless Bass), Isaac Faulk (Drums). Photo: Julian Weigand, used with permission

Death metal is a subgenre of extreme metal characterized by its aggressive, fast-paced sound, often featuring growled or screamed vocals, heavy guitar riffs, and complex drumming. Its appeal lies in its raw energy and cathartic nature, offering a way for listeners to release pent-up emotions. Fans are drawn to the technical skill required to play the intricate rhythms and fast tempos, as well as the intensity of the performances. The dark themes, often exploring death, decay, and existential questions, provide a sense of escapism for some, while the sheer heaviness of the music creates an adrenaline-fueled experience.

If you’re a fan of the genre, there’s a new album out by Blood Incantation worth noting.

Blood Incantation is an American death metal band from Denver, Colorado formed in 2011. Their new album Absolute Elsewhere is the sound of a star being born. (another side, 2024)

“The Stargate” Side One: A violent storm invokes the familiar before a grand cosmic key turn for a hint of sweeping scope to come with spiritual acknowledgement and accompaniment by Tangerine Dream’s Thorsten Quaeschning on synths on the song’s second tablet. Musically as violent as it is mediative, with subtle spoken passages flitting between Nicklas Malmqvist’s (Hällas) busy synthesizer keys and Mellotron strings invoking both the modern and ancient, and it is all given sharp focus by Arthur Rizk’s powerfully dynamic and enveloping mix. Blood Incantation depart Extreme Metal’s traditionally antiquated waystation, warping their way towards “Genre of One” stature, as “The Stargate” intones the disembodiment of consciousness itself, careening through the stargate towards Samsara-like reincarnation, punctuated by the occasional growl from Sijjin/ex-Necros Christos main man, Malte Gericke.

“The Message” Side Two: A step through doorways of unearthly beauty, playfulness, quirk and horror. As if David Gilmour jams beside Chick Corea and Trey Azagthoth melting together through psychedelic hyperspace, eliciting mystical vibes and a tangible metaphysical transcendence. Dalos briefly reengages with this track in his native language, alongside star-riding Malmqvist, whose iconic synth/keys work throughout the album adds to the unearthly atmospherics that with Absolute Elsewhere defines a new musical epoch for Blood Incantation, as much as 21st century Metal itself. 

In total the piece hovers at nearly 45 minutes, their longest full length recording yet, the album’s two movements are as confounding as they are engaging, exponentially expanding upon the formulas laid down by their scene-shattering debut Starspawn (2016) and landmark follow up Hidden History of the Human Race (2019).

For inspiration, the group looked to the mid-70s progressive rock collective, Absolute Elsewhere as the album’s namesake. For the uninitiated, Absolute Elsewhere’s obscure 1976 album, In Search of Ancient Gods, was constructed as a musical accompaniment to the works of Chariots of the Gods author, Erich Von Daniken, and his theories of non-terrestrial humanoid prompts towards mankind’s evolution. The subject matter of which should serve as no surprise to anyone familiar with Blood Incantation’s cosmically philosophical leanings. But make no mistake, the four musicians working under the Blood Incantation banner for the past decade – guitarist and vocalist Paul Riedl, drummer Isaac Faulk, guitarist Morris Kolontyrsky and bassist Jeff Barrett – have successfully left the microgravity of genre behind and are re-writing the Rosetta Stone of extreme music with a new language entirely. 

Absolute Elsewhere is available from Century Media. Its physical version features a 73 minute feature film All Gates Open: In Search Of Absolute Elsewhere which tells the story of their time in Berlin during the summer of 2023, while recording at the legendary Hansa Studios. It is available on Blu-Ray with the album’s deluxe media book package and includes the documentary’s original soundtrack, All Gates Open (Original Motion Picture Soundtrack) which includes 60 minutes of exclusive new music distinct from the new album.

This special edition will also include Blood Incantation’s 2023 maxi-single, “Luminescent Bridge” for the first time ever on CD, and of course, Absolute Elsewhere in both standard and Dolby Atmos / 5.1 mixes, alongside exclusive liner notes, exclusive interviews, behind the scenes photos and a forward by Ross Dolan of Immolation. Underscoring the classic Progressive Rock vibe, the album is adorned with contemporary visionary paintings by the iconic and reclusive 70s Sci-Fi artist Steve R. Dodd.

Blood Incantation sets out on an extensive North American tour crossing both coasts and more with support from Midwife. All tickets are on sale now here. A full list of dates is available online.

Blood Incantation Absolute Elsetour Dates:

Nov 27: Boston, MA – Brighton Music Hall ~
Nov 29: Montreal, QC – Fairmount ~
Nov 30: Toronto, ON – Lee’s Palace ~
Dec 01: Detroit, MI – Magic Stick ~
Dec 03: Chicago, IL – Metro ~
Dec 04: Minneapolis, MN – Fine Line ~
Dec 05: Omaha, NE – Bourbon Theater ~

~ w/ Midwife

Early Praise For Absolute Elsewhere:

“the metal album of the year” NPR 

“an amazing, proggy, thrilling death metal epic” The Needle Drop

“This album is the work of a band who have proven themselves capable of anything. It belongs on the shelf alongside Pestilence’s ‘Testimony Of The Ancients and Spheres’, The Orb’s ‘UFOrb’ and Pink Floyd’s ‘Wish You Were Here’. It’s a goddamn masterpiece.”  The Wire

“the ultimate Blood Incantation album” Brooklyn Vegan

Courtesy photo, used with permission.